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Iktinos and Kallikrates, Parthenon, Acropolis, Athens, 447 – 432 B.C.E.
Phidias directed the temple's sculptural program
Base figure is Michelle Pfeiffer action figure from Batman Returns, resculpted and repainted, 4.25 inches tall
+++ DISCLAIMER +++
Nothing you see here is real, even though the conversion or the presented background story might be based on historical facts. BEWARE!
Some background:
The McDonnell F-101 Voodoo was a supersonic jet fighter which primarily served the United States Air Force (USAF). Initially designed by McDonnell Aircraft as a long-range bomber escort (known as a penetration fighter) for the Strategic Air Command (SAC), the Voodoo was instead developed as a nuclear-armed fighter-bomber for the Tactical Air Command (TAC) and later evolved into an all-weather interceptor as well as into a reconnaissance platform.
The Voodoo's career as a fighter-bomber (F-101A and C) was relatively brief, but the reconnaissance fighter versions served for some time. Along with the US Air Force's Lockheed U-2 and US Navy's Vought RF-8 Crusaders, the RF-101 reconnaissance variant of the Voodoo was instrumental during the Cuban Missile Crisis and saw extensive service during the Vietnam War. Beyond original RF-101 single seaters, a number of former F-101A and Cs were, after the Vietnam era, converted into photo reconnaissance aircraft (as RF-101G and H) for the US Air National Guards.
Delays in the 1954 interceptor project (also known as WS-201A, which spawned to the troubled F-102 Delta Dagger) led to demands for an interim interceptor aircraft design, a role that was eventually won by the Voodoo’s B model. This new role required extensive modifications to add a large radar to the nose of the aircraft, a second crewmember to operate it, and a new weapons bay using a unique rotating door that kept its four AIM-4 Falcon missiles (two of them alternatively replaced by unguided AIR-2 Genie nuclear warhead rockets with 1.5 Kt warheads) semi-recessed under the airframe.
The F-101B was first deployed into service on 5 January 1959, and this interceptor variant was produced in greater numbers than the original F-101A and C fighter bombers, with a total of 479 being delivered by the end of production in 1961. Most of these were delivered to the Air Defense Command (ADC), the only foreign customer was Canada from 1961 onwards (as CF-101B), after the cancellation of the CF-105 Arrow program in February 1959. From 1963–66, USAF F-101Bs were upgraded under the Interceptor Improvement Program (IIP; also known as "Project Bold Journey") with a fire control system enhancement against hostile ECM and an infrared sighting and tracking (IRST) system in the nose in place of the Voodoo’s original hose-and drogue in-flight refueling probe.
The F-101B interceptor later became the basis of further Voodoo versions which were intended to improve the tactical reconnaissance equipment of the US Air National Guards. In the early 1970s, a batch of 22 former Canadian CF-101Bs were returned to the US Air Force and, together with some USAF Voodoos, converted into dedicated reconnaissance aircraft, similar to the former RF-101G/H conversion program for the single-seat F-101A/C fighter bombers.
These modified interceptors were the RF-101B and J variants. Both had their radar replaced with a set of three KS-87B cameras (one looking forward and two as a split vertical left/right unit) and a panoramic KA-56 camera, while the former missile bay carried different sensor and avionics packages.
The RF-101Bs were exclusively built from returned Canadian Voodoos. Beyond the photo camera equipment, they featured upgraded navigational equipment in the former weapon bay and a set of two AXQ-2 TV cameras, an innovative technology of the era. A TV viewfinder was fitted to the cockpit and the system was operated effectively from altitudes of 250 ft at 600 knots.
The other re-built reconnaissance version, the RF-101J, was created from twelve former USAF F-101Bs, all of them from the final production year 1961 and with relatively few flying hours. Beyond the KS-87B/KA-56 camera set in the nose, the RF-101J featured a Goodyear AN/APQ-102 SLAR (Side-looking airborne radar) that occupied most of the interceptor’s former rotating internal weapon bay, which also carried a fairing for a heat exchanger. The radar’s conformal antenna array was placed on either side of the lower nose aft of the cameras and allowed to record radar maps from view to each side of the aircraft and pinpoint moving targets like trucks in a swath channel approximately 10 nautical miles (11.5 miles/18 km) wide. To identify potential targets along the flight path for the SLAR and to classify them, the RF-101J furthermore received an AN/AAS-18 Infrared Detecting Set (IRDS). It replaced the F-101B’s IRST in front of the cockpit and was outwardly the most obvious distinguishing detail from the RF-1010B, which lacked this hump in front of the windscreen. The IRDS’ range was almost six miles (9.5 km) and covered the hemisphere in front of the aircraft. With the help of this cryogenically-cooled device the crewman in the rear cockpit could identify through a monitor small heat signatures like hot engines, firing weapons or campfires, even in rough terrain and hidden under trees.
Both new Voodoo recce versions were unarmed and received AN/APR-36 radar homing and warning sensors to nose and tail. They also had an in-flight refueling receptacle re-fitted, even though this was now only compatible with the USAF’s high-speed refueling boom system and was therefore placed in a dorsal position behind the cockpit. Furthermore, both versions received a pair of unplumbed underwing pylons for light loads, e. g. for AN/ALQ-101,-119 or -184 ECM pods, photoflash ejectors for night photography or SUU-42A/A Flares/Infrared decoys and chaff dispenser pods.
The RF-101Bs were delivered in 1971 and allocated to the 192d Tactical Reconnaissance Squadron of the Nevada Air National Guard, where they served only through 1975 because their advanced TV camera system turned out to be costly to operate and prone to failures. Their operational value was very limited and most RF-101Bs were therefore rather used as proficiency trainers than for recce missions. As a consequence, they were already phased out from January 1975 on.
The RF-101Js entered service in 1972 and were allocated to the 147th Reconnaissance Wing of the Texas Air National Guard. Unlike the RF-101Bs’ TV cameras, the AN/APQ-102 SLAR turned out to be reliable and more effective. These machines were so valuable that they even underwent some upgrades: By 1977 the front-view camera under the nose had been replaced with an AN/ASQ-145 Low Light Level TV (LLLTV) camera, sensitive to wavelengths above the visible (0.4 to 0.7 micrometer) wavelengths and ranging into the short-wave Infrared (usually to about 1.0 to 1.1 micrometer). The AN/ASQ-145 complemented the IRDS with visual input and was able to amplify the existing light 60,000 times to produce television images as clearly as if it were noon. In 1980, the RF-101Js were furthermore enabled to carry a centerline pod for the gigantic HIAC-1 LOROP (Long Range Oblique Photography) camera, capable of taking high-resolution images of objects 100 miles (160 km) away.
USAF F-101B interceptors were, as more modern and effective interceptors became available (esp. the F-4 Phantom II), handed off to the Air National Guard, where they served in the fighter role until 1982. Canadian CF-101B interceptors remained in service until 1984 and were replaced by the CF-18 Hornet. The last operational Canadian Voodoo, a single EF-101B (nicknamed the “Electric Voodoo”, a CF-101B outfitted with the jamming system of the EB-57E Canberra and painted all-black) was returned to the United States on 7 April 1987. However, the RF-101Js served with the Texas ANG until 1988, effectively being the last operational Voodoos in the world. They were replaced with RF-4Cs.
General characteristics:
Crew: Two
Length: 67 ft 5 in (20.55 m)
Wingspan: 39 ft 8 in (12.09 m)
Height: 18 ft 0 in (5.49 m)
Wing area: 368 ft² (34.20 m²)
Airfoil: NACA 65A007 mod root, 65A006 mod tip
Empty weight: 28,495 lb (12,925 kg)
Loaded weight: 45,665 lb (20,715 kg)
Max. takeoff weight: 52,400 lb (23,770 kg)
Powerplant:
2× Pratt & Whitney J57-P-55 afterburning turbojets
with 11,990 lbf (53.3 kN) dry thrust and 16,900 lbf (75.2 kN) thrust with afterburner each
Performance:
Maximum speed: Mach 1.72, 1,134 mph (1,825 km/h) at 35,000 ft (10,500 m)
Range: 1,520 mi (2,450 km)
Service ceiling: 54,800 ft (17,800 m)
Rate of climb: 36,500 ft/min (185 m/s)
Wing loading: 124 lb/ft² (607 kg/m²)
Thrust/weight: 0.74
Armament:
None, but two 450 US gal (370 imp gal; 1,700 l) drop-tanks were frequently carried on ventral
hardpoints; alternatively, a central hardpoint could take single, large loads like the HIAC-1 LOROP
camera pod.
A pair of retrofitted underwing hardpoints could carry light loads like ECM jammer pods,
flare/chaff dispensers or photoflash ejectors
The kit and its assembly:
This is another project that I had on my agenda for a long while. It originally started with pictures of an RF-101H gate guard in Louisville at Standiford Field International from around 1987-1991:
imgproc.airliners.net/photos/airliners/6/2/9/1351926.jpg?...
www.aerialvisuals.ca/Airframe/Gallery/0/41/0000041339.jpg
This preserved machine wore a rather unusual (for a Voodoo) ‘Hill’ low-viz scheme with toned-down markings, quite similar to the late USAF F-4 Phantom IIs of the early Eighties. The big aircraft looked quite good in this simple livery, and I kept the idea of a Hill scheme Voodoo in the back of my mind for some years until I recently had the opportunity to buy a cheap Matchbox Voodoo w/o box and decals. With its optional (and unique) RF-101B parts I decided to take the Hill Voodoo idea to the hardware stage and create another submission to the “Reconnaissance and Surveillance” group build at whatifmodellers.com around July 2021: an ANG recce conversion of a former two-seat interceptor, using the RF-101B as benchmark but with a different suite of sensors.
However, the Matchbox Voodoo kit is rather mediocre, and in a rather ambitious mood I decided to “upgrade” the project with a Revell F-101B as the model’s basis. This kit is from 1991 and a MUCH better and finely detailed model than the rather simple Matchbox kit from the early Eighties. In fact, the Revell F-101B is actually a scaled-down version of Monogram’s 1:48 F-101B model kit from 1985, with many delicate details. But while this downscaling practice has produced some very nice 1:72 models like the F-105D or the F-4D, the scaling effect caused IMHO in this case a couple of problems. Revell's assembly instructions for the 1:72 kit are not good, either. While the step-by-step documentation is basically good, some sketches are so cluttered that you cannot tell where parts in the cockpit or on the landing gear are actually intended to be placed and how. This is made worse by the fact that there are no suitable markings on the parts – you are left to guessing.
Worse, there is a massive construction error: the way the wings section is to be assembled and mounted to the hull is impossible! The upper wing halves have locator pins for the fuselage, but they are supposed to be glued to the lower wing half (which also encompasses the aircraft's belly) and the mounted to the hull. The locator pins make this impossible, unless you bend the lower wing section to a point where it might warp or break, or you just cut the pins off - and live with some instability. Technically the upper wing halves have to be mounted to the fuselage before you glue the lower wing section to them, but I am not certain if this would work well because you also have to assemble the air intakes at the same time “from behind”, which is only feasible when the wings have already been completed but still left away from the fuselage. It’s a nonsense construction! I cannot remember when I came across a kit the last time with such an inherent design flaw?
Except for the transplanted RF-101B nose section, which did not fit well because the Matchbox Voodoo apparently has a more slender nose, the Revell kit was built mostly OOB. However, this is already a challenge in itself because of the kit’s inherent flaws (see above), its complex construction and an unorthodox assembly sequence, due to many separate internal modules including the cockpit tub, a separate (fully detailed) front landing gear well, a rotating weapon bay, air intakes with complete ducts, and the wing section. A fiddly affair.
Only a few further changes beyond the characteristic camera fairing under the radome were made. The rotating weapon bay was faired-over with the original weapon pallet, just fixing it into place and using putty to blend it into the belly. The small underwing pylons (an upgrade that actually happened to some late Voodoos) were taken from a vintage Revell F-16. The SLAR antenna fairings along the cockpit flanks were created with 0.5mm styrene sheet and some PSR. They are a little too obvious/protruding, but for a retrofitted solution I find the result acceptable. The drop tanks came from the Revell kit, the underwing ordnance consists of an ALQ-119 ECM pod from a Hasegawa aftermarket set and a SUU-42 dispenser, scratched from a Starfighter ventral drop tank, bomb fins and the back of a Soviet unguided missile launcher.
Painting and markings:
Very simple and basic. While I originally wanted to adopt the simple two-tone ‘Hill’ scheme from the gate guard for my fictional Voodoo, I eventually settled for the very similar but slightly more sophisticated ‘Egypt One’ scheme that was introduced with the first F-16s – it just works better on the F-101’s surfaces. This scheme uses three grey tones: FS 36118 (Gunship Gray, ModelMaster 1723) for the upper wing surfaces, the “saddle” on the fuselage and the canopy area with an anti-glare panel, FS 36270 (Medium Grey, Humbrol 126) on the fin and the fuselage area in front of the wing roots, and FS 36375 (Light Ghost Grey, Humbrol 127) for all lower surfaces, all blended into each other with straight but slightly blurred edges (created with a soft, flat brush). The radome and the conformal antennae on the flanks became Revell 47 for a consistent grey-in-grey look, but with a slightly different shade. The model received an overall black ink washing and some post panel shading, so that the large grey areas would not look too uniform.
As an updated USAF aircraft I changed the color of the landing gear wells’ interior from green zinc chromate primer to more modern, uniform white, even though the red inside of the covers was retained. The interior of the flaps (a nice OOB option of Revell’s kit) and the air brakes became bright red, too.
The cockpit retained its standard medium grey (Humbrol 140, Dark Gull Grey) interior and I used the instrument decals from the kit – even though these did not fit well onto the 3D dashboards and side consoles. WTF? Decal softener came to the rescue. The exhaust area was painted with Revell 91 (Iron) and Humbrol’s Steel Metallizer (27003), later treated with graphite for a dirty, metallic shine.
Markings/decals primarily come from a 1:72 Hi-Decal F-4D sheet that contains (among others) several Texas ANG Phantoms from the mid-Eighties. Some stencils were taken over from the original Voodoo sheet, the yellow formation lights had to be procured from a Hasegawa F-4E/J sheet (the Matchbox sheet was lost and the Revell sheet lacks them completely!). The characteristic deep yellow canopy sealant stripes came from a CF-101 sheet from Winter Valley Decals (today part of Canuck Models as CAD 72008). I was lucky to have them left over from another what-if build MANY moons ago, my fictional CF-151 kitbashing.
Everything went on smoothly, but the walkway markings above the air intakes became a problem. I initially used those from the Revell sheet, which are only the outlines so that the camouflage would still be visible. But the decal film, which is an open square, turned out to be so thin that it wrinkled on the curved surface whatever I tried, and what looked like a crisp black outline on the white decal paper turned out to be a translucent dark blue with blurry edges on the kit. I scrapped them while still wet… Enter plan B: Next came the walkway markings from the aforementioned Winter Valley sheet, which were MUCH better, sharper and opaque, but they included the grey walking areas. While the tone looked O.K. on the sheet it turned out to be much too light for the all-grey Voodoo, standing out and totally ruining the low-viz look. With a bleeding heart I eventually ripped them off of the model with the help of adhesive tape, what left light grey residues. Instead of messing even more with the model I finally decided to embrace this accident and manually added a new black frame to the walkway areas with generic 2mm decal stripe material from TL Modellbau The area now looks rather worn, as if the camouflage had peeled off and light grey primer shows through. An unintentional result, but it looks quite “natural”.
The “Rhino Express” nose art was created with Corel Draw and produced with a simple inkjet printer on clear decal sheet. It was inspired by the “toenail” decoration on the main landing gear covers, a subtle detail I saw IIRC on a late CF-101B and painted onto the model by hand. With its all-grey livery, the rhino theme appeared so appropriate, and the tag on the nose appeared like a natural addition. It’s all not obvious but adds a personal touch to the aircraft.
Finally, after some more exhaust stains had been added to various air outlets around the hull, the model was sealed with matt acrylic varnish, position lights were added with clear paint and the camera windows, which had been created with black decal material, received glossy covers. The IRST sensor was painted with translucent black over a gold base.
Well, while the all-grey USAF livery in itself is quite dull and boring, but I must say that it suits the huge and slender Voodoo well. It emphasizes the aircraft's sleek lines and the Texas ANG fin flash as a colorful counterpoint, as well as the many red interior sections that only show from certain angles, nicely break the adapted low-viz Egypt One livery up. The whole thing looks surprisingly convincing, and the subtle rhino markings add a certain tongue-in-cheek touch.
Charlie Base Camp bash during the 2023 National Scout Jamboree at The Summit Bechtel Reserve in Mount Hope, West Virginia. (BSA Photo by Tom Copeland)
**********Beginning of Shooting Data Section**********
20230721-19-46-27-05-TC date - 7/21/23 time - 7:46:27 PM
The North Mersey Branch had been left to nature on the top view taken on 08 Jan 2012. The container base had been shut for over 15 years whilst in the bottom view, taken in the mid seventies it was only just open.
By K. Parker / T. Baxendale.
En 1953, con la firma de un nuevo Concordato con la iglesia Católica (una extensa nómina de privilegios económicos y políticos para esta organización), y con los denominados "Pactos de Madrid" (que abrían el territorio español a la instalación de cuatro bases militares de los Estados Unidos de Norteamérica a cambio de ayuda económica y militar), el franquista Reino de España era incorporado al nuevo "Eje del Bien", tras sus coqueteos de los años 30-40 con el Eje Berlín-Roma-Tokio.
El video recoge imágenes del NO-DO que explican el rápido proceso de ampliación de las instalaciones de dos de esas bases militares entregadas a los norteamericanos: Torrejón de Ardoz, y Zaragoza. Un general norteamericano enseña a algunos corresponsales de prensa cómo van los trabajos en su base, en la que ya desde 1953 había presencia de las Fuerzas Aéreas norteamericanas, aunque será en 1955 cuando llegue el escuadrón 7603 de las USAF, y ponga a Zaragoza en el mapa de los objetivos militares preferenciales de la "Guerra Fría". Desde 1956 se utilizará el eufemismo "bases de utilización conjunta" para referirse a estas instalaciones. En 1992, tras ganar esa guerra "fría" llena de decenas de guerras "calientes", las tropas norteamericanas desalojarán esta base para irse a otras ubicaciones desde las que seguir defendiendo la democracia y la civilización occidental.
Fuente visual: www.rtve.es/filmoteca/no-do/not-651/1479315/
Proyecto GAZA ("Gran Archivo Zaragoza Antigua"),
es un compendio de imágenes de la antigua Zaragoza (España), acompañadas de textos creados por José María Ballestín Miguel
y la colaboración de Antonio Tausiet.
+++ DISCLAIMER +++
Nothing you see here is real, even though the conversion or the presented background story might be based on historical facts. BEWARE!
Some background:
The McDonnell Douglas (now Boeing) T-45 Goshawk was a highly modified version of the BAe Hawk land-based training jet aircraft. Manufactured by McDonnell Douglas (now Boeing) and British Aerospace (now BAe Systems), the T-45 was used by the United States Navy and the United States Marine Corps (USMC) as an aircraft carrier-capable trainer.
The Goshawk's origins began in the mid-1970s, when the US Navy began looking for a single aircraft replacement for both its T-2 and TA-4 jet trainers. The US Navy started the VTXTS advanced trainer program in 1978. Several companies made submissions, e. g. North American or Northrop/Vought. Due to the size of the potential contract, European companies made submissions, too, including a navalized Alpha Jet from Dassault/Dornier and a fully carrier-capable version of the BAe Hawk Mk.60, mutually proposed by British Aerospace (BAe) and McDonnell Douglas (MDC). The latter eventually won the competition and BAe and MDC were awarded the T-45 contract in 1981.
The Hawk had not been designed for carrier operations and numerous modifications were required to make it suitable for use on carriers. These included improvements to the low-speed handling characteristics and a reduction in the approach speed. It was found that the aircraft was apt to stall at the low approach speed required. Modifications were designed by BAe in England; most notably a simple slat system was devised, operated by an actuator and linkage mechanism to fit into the small space available. Strakes were also added on the fuselage to improve airflow. Other changes were a strengthened airframe, a more robust and wider landing gear with a two-wheel nose landing gear, a catapult tow bar attachment and an arresting hook. The modified aircraft was christened “Goshawk”, flew in 1988 for the first time and became operational in 1991.
Beyond being a naval trainer the T-45 was also adapted for first-line duty with strike capabilities, in the form of the OA-45 for the USMC. The role of this aircraft dated back to the Vietnam War when twenty-three A-4 two-seaters were converted into OA-4Ms for “FastFAC” (Fast Forward Air Controller) missions, in order to control interdiction sorties dedicated to shaping the battlefield for future operations. Basically, the OA-4M was a TA-4F equipped with A-4M electronics. The most visible and characteristic change was the fitting of the A-4M’s dorsal electronics hump, neatly faired into the rear of the two-seat canopy. The nose sensor group of the OA-4M was basically the same as that of the A-4M, but the Angle/Rate Bombing system was not installed as it would not be needed.
When the T-45 was introduced in the early Nineties, the USMCs OA-4Ms had reached the end of their service life and the USMC started looking for a replacement, wanting a comparable, light and fast fixed-wing aircraft. The USMC did not accept the LTV A-7 as an A-4 replacement (even though a two-seater version was available), because it was already dated, too, and not part of the USMC inventory. The USMC's A-4Ms were supposed to be replaced by the VTOL AV-8 by the mid-nineties, but the AV-8, even as a two-seater, was deemed unsuitable for FFAC duties. The new T-45 looked like a good and economical alternative with future potential, since the airframe was brand new and the type's infrastructure was fully established, so that a small number of specialized aircraft could easily be supported without much extra cost.
With fresh experience from the 1st Gulf War in 1990-91 the decision was made to buy 25 extra T-45A airframes and convert them to OA-45A standard. Most important change were modified wings, using structures and systems from the BAe Hawk 100 series. While the T-45 only had two underwing and a single ventral hardpoint, the OA-45A featured a total of seven: four underwing and one ventral hardpoints, plus wingtip stations for defensive air-to-air missiles. Upgraded avionics allowed the deployment of a wide range of external stores, including air-to-ground missiles and rocket launchers, a reconnaissance pod, retarded and free-fall bombs of up to 1,000 pounds (450 kg) caliber, runway cratering, anti-personnel and light armor bombs, cluster bombs, practice bombs as well as external fuel tanks and ECM pods. This was a vital asset, since Desert Storm had proved that FFAC aircraft had to have an offensive capability to handle targets of opportunity on their own, when no air assets to control were available. A total ordnance load of up to 6,800 lb (3,085 kg) was possible, even though the aircraft was not supposed to play an offensive role and rather act from a distance, relying on its small size and agility.
Communication modifications for the FastFAC role included a KY-28 secure voice system, an ARC-159 radio and an ARC-114 VHF radio. Similar to the Skyhawk, a hump behind the cockpit had to be added to make room for the additional electronic equipment and a heat exchanger. Other additions were a continuous-wave Doppler navigation radar under a shallow ventral radome underneath the cockpit, a ground control bombing system, an APN-194 altimeter, an ALR-45 radar warning suite, a retrofitted, fixed midair refueling probe and cockpit armor plating that included Kevlar linings on the floor and the lower side walls as well as externally mounted armor plates for the upper areas.
VMA-131 of Marine Aircraft Group 49 (the Diamondbacks) retired its last four OA-4Ms on 22 June 1994, and the new OA-45A arrived just in time to replace the venerable Skyhawk two-seaters in the FastFAC role. Trainer versions of the Skyhawk remained in Navy service, however, finding a new lease on life with the advent of "adversary training". OA-45A deliveries were finished in 1996 and the 25 aircraft were distributed among the newly established Marine Aviation Logistics Squadron (MALS, formerly Headquarters & Maintenance Squadron/H&MS) 12 & 13. The USMC crews soon nicknamed their new mounts "GosHog", to underlöine ist offensive capabilities and to set themselves apart from the USN's "tame" trainers. Even though thos name was never officially approved it caught on quickly.
After initial experience with the new aircraft and in the wake of technological advances, the USMC decided to upgrade the OA-45As in 2000 to improve its effectiveness and interaction capabilities with ground troops. This primarily resulted in the addition of a forward-looking infrared camera laser in the aircraft’s nose section, which enabled the aircraft to execute all-weather/night reconnaissance and to illuminate targets for laser-guided infantry shells or ordnance launched by the OA-45 itself or by other aircraft. Through this measure the OA-45 became capable of carrying and independently deploying light laser-guided smart weapons like the GBU-12 and -16 “Paveway II” glide bombs or the laser-guided AGM-65E “Maverick” variant. The update was gradually executed during regular overhauls in the course of 2001 and 2002 (no new airframes were built/converted), the modified machines received the new designation OA-45B.
After this update phase, the OA-45Bs were deployed in several global conflicts and saw frequent use in the following years. For instance, MALS 13 used its OA-45Bs operationally for the first time in October 2002 when the squadron was tasked with providing support to six AV-8B Harrier aircraft in combat operations in Afghanistan during Operation Enduring Freedom. This mission lasted until October 2003, four aircraft were allocated and one OA-45B was lost during a landing accident.
On 15 January 2003, MALS 13 embarked 205 Marines and equipment aboard the USS Bonhomme Richard in support of combat operations in Southwest Asia during Operation Southern Watch. Four OA-45Bs successfully supported these troops from land bases, marking targets and flying reconnaissance missions.
Furthermore, six MALS 13 OA-45Bs took actively part in Operation Iraqi Freedom from Al Jaber Air Base, Kuwait, and An Numiniyah Expeditionary Air Field, Iraq, where the aircraft worked closely together with the advancing ground troops of the USMC’s 15th Marine Expeditionary Unit. They successfully illuminated targets for US Navy fighter bombers, which were launched from USS Abraham Lincoln (CVN-72) in the Persian Gulf, and effectively guided these aircraft to their targets. Two OA-45Bs were lost during this conflict, one through enemy MANPADS, the other through friendly AA fire. In late May 2003 the surviving machines and their crews returned to MCAS Yuma.
On 16 March 2007, the 200th T-45 airframe was delivered to the US Navy. From this final batch, six airframes were set aside and modified into OA-45Bs in order to fill the losses over the past years.
Later T-45 production aircraft were built with enhanced avionics systems for a heads-up display (HUD) and glass cockpit standard, while all extant T-45A aircraft were eventually converted to a T-45C configuration under the T-45 Required Avionics Modernization Program (T-45 RAMP), bringing all aircraft to same HUD plus glass cockpit standard. These updates, esp. concerning the cockpit, were introduced to the OA-45Bs, too, and they were re-designated again, now becoming OA-45Cs, to reflect the commonality with the Navy’s Goshawk trainers. Again, these modifications were gradually introduced in the course of the OA-45s’ normal maintenance program.
In 2007, an engine update of the whole T-45 fleet, including the OA-45s, with the Adour F405-RR-402 was considered. This new engine was based on the British Adour Mk 951, designed for the latest versions of the BAe Hawk and powering the BAe Taranis and Dassault nEUROn UCAV technology demonstrators. The Adour Mk 951 offered 6,500 lbf (29 kN) thrust and up to twice the service life of the F405-RR-401. It featured an all-new fan and combustor, revised HP and LP turbines, and introduced Full Authority Digital Engine Control (FADEC). The Mk 951 was certified in 2005, the F405-RR-402 derived from it was certified in 2008, but it did not enter service due to funding issues, so that this upgrade was not carried out.
The final delivery of the 246th T-45 airframe took place in November 2009, and both T-45 and the OA-45 "GosHog" are supposed to remain in service until 2035.
General characteristics:
Crew: 2 (pilot, observer)
Length: 39 ft 4 in (11.99 m)
Wingspan: 30 ft 10 in (9.39 m)
Height: 13 ft 5 in (4.08 m)
Wing area: 190.1 ft² (17.7 m²)
Empty weight: 10,403 lb (4,460 kg)
Max. takeoff weight: 14,081 lb (6,387 kg)
Powerplant:
1× Rolls-Royce Turbomeca F405-RR-401 (Adour) non-afterburning turbofan with 5,527 lbf (26 kN)
Performance:
Maximum speed: Mach 2 (2,204 km/h (1,190 kn; 1,370 mph) at high altitude
Combat radius: 800 km (497 mi, 432 nmi)
Ferry range: 3,200 km (1,983 mi) with drop tanks
Service ceiling: 15,240 m (50,000 ft)
Wing loading: 283 kg/m² (58 lb/ft²)
Thrust/weight: 0.97
Maximum g-load: +9 g
Armament:
No internal gun; seven external hardpoints (three on each wing and one under fuselage)
for a wide range of ordnance of up to 6,800 lb (3,085 kg), including up to six AIM-9 Sidewinder for
self-defense, pods with unguided rockets for target marking or ECM pods, but also offensive weapons
of up to 1.000 lb (454 kg) weight, including iron/cluster bombs and guided AGM-65, GBU-12 and -16.
The kit and its assembly:
This fictional T-45 variant is actually the result of a long idea evolution, and simply rooted in the idea of a dedicated OA-4M replacement for the USMC; in real life, the FFAC role has been transferred to F-18 two-seaters, though, but the T-45 appeared like a sound alternative to me.
There's only one T-45 kit available, a dubious T-45A from Italeri with poor wings and stabilizers. Wolfpack also offers a T-45, but it’s just a re-boxing of the Italeri kit with some PE parts and a price tag twice as big – but it does not mend the original kit’s issues… After reading the A-4 Skyhawk book from the French "Planes & Pilots" series, I was reminded of the USMC's special OA-4M FAC two-seaters (and the fact that it is available in kit form from Italeri and Hasegawa), and, cross-checking the real-world timeline of the T-45, I found that it could have been a suitable successor. The ide of the USMC’s OA-45 was born! :D
Building-wise the Italeri T-45 remained close to OOB, even though I transplanted several parts from an Italeri BAe Hawk Mk. 100 to create a different look. I modified the nose with the Mk. 100’s laser fairing and added some radar warning sensor bumps. This transplantation was not as easy as it might seem because the T-45’s nose is, due to the different and more massive front landing gear quite different from the Hawk’s. Took some major PSR to integrate the laser nose.
An ALR-45 “hot dog” fairing from a late A-4M (Italeri kit) was added to the fin, together with a small styrene wedge extending the fin’s leading edge. This small detail markedly changes the aircraft’s look. I furthermore added a refueling probe, scratched from coated wire and some white glue, as well as a low “camel back” fairing behind the cockpit, created from a streamlined bomb half with air outlets for an integrated heat exchanger. Blade antennae were relocated and added. A shallow bump for the Doppler radar was added under the fuselage behind the landing gear well – left over from an Airfix A-4B (from an Argentinian A-4P, to be correct, actually a dorsal fairing).
On the wings, a tailored pair of pylons and wing tip launch rails from the Italeri BAe Hawk Mk. 100 kit were added, too, as well as the donor kit’s pair of Sidewinders. The rest of the ordnance consists of drop tanks and LAU-19 pods for target marking missiles. The tanks were taken from the Hawk Mk. 100 kit, too, the rocket launchers came from an Italeri NATO aircraft weapons set. The centerline position carries an ALQ-131 ECM pod from a Hasegawa US aircraft weapons set on a pylon from the scrap box.
Painting and markings:
The low-viz idea prevailed, since I had some leftover OA-4M decals from Italeri kits in store, as well as some other suitable low-viz decals from a Revell A-4F kit. However, an all-grey livery was IMHO not enough, and when I came across a picture of a USN low-viz A-7E with an improvised desert camouflage in sand and reddish brown applied over the grey (even partly extending over its markings) from Operation Iraqi Freedom, I had that extra twist that would set the OA-45 apart. MALS-13 was chosen as operator because I had matching codes, and, as another benefit, the unit had actually been deployed overseas during the 2003 Iraq War, so that the whif’’s time frame was easily settled, adding to its credibility.
The livery was built up just like on the real aircraft: on top of a basic scheme in FS 36320 and 36375 (Humbrol 128 and 127) with a slightly darker anti-glare panel in front of the cockpit (FS 35237, I used Revell 57 as a slightly paler alternative) I applied the low-viz marking decals, which were protected with a coat of acrylic varnish. Next, additional desert camouflage was added with dry-brushed sand and millitary brown (supposedly FS 33711 and 30400 in real life, I used, after consulting pictures of aircraft from both Gulf Wars, Humbrol 103 (Cream) and 234 (Dark Flesh). They were applied with a kind of a dry-brushing technique, for a streaky and worn look, leaving out the codes and other markings. The pattern itself was inspired by an USMC OV-10 Bronco in desert camouflage from the 1st Gulf War.
On top of that a black ink washing was applied. Once things had thoroughly dried over night, I wet-sanded the additional desert camouflage away, carefully from front to back, so that the edges became blurred and the underlying grey became visible again.
The cockpit interior was painted in standard Dark Gull Grey (Humbrol 140), while the air intakes and the landing gear became white, the latter with red trim on the covers’ edges – just standard. Finally, the model was sealed with a coat of matt acrylic varnish (Italeri).
The upgraded T-45 is an interesting result. The add-ons suit the aircraft, which already looks sturdier than its land-based ancestor, well. The improvised desert paint scheme with the additional two-tone camouflage over the pale grey base really makes the aircraft an unusual sight, adding to its credibility.
Hardware-wise I am really happy how the added dorsal hump blends into the overall lines – in a profile view it extends the canopy’s curve and blends into the fin, much like the A-4F/M’s arrangement. And the modified fin yields a very different look, even though not much was changed. The T-45 looks much beefier now, and from certain angles really reminds of the OA-4M and sometimes even of a diminutive Su-25?
Since the Montana Snowbowl base is under 5,000 feet, it's known for being icy a lot of the time. But there was plenty of fresh powder this day.
U.S. Air Force basic military graduation and coining ceremony is held Sept. 3, 2020, for the 324th Training Squadron at the Pfingston Reception Center on Joint Base San Antonio-Lackland, Texas. Due to current world events, the graduation ceremonies will be closed to the public until further notice for safety and security of the newly accessioned Airmen and their family members due to coronavirus (COVID-19).
so since ive been on my grandmas, and since theres no internet i spend all the time on this base! is not done, im still working on the secong floor
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On my 2nd night shift last night, busy as usual but at least am able to grab a quick photo here and there!
Back at my station here to restock and grab a bite! Parked up next to ol Navi my Cagiva Navigator 1000. :)
I work for Yorkshire Ambulance Service on the RRVs in and around the city of Sheffield in South Yorkshire.
It’s a great job and I feel very honoured to be able to help people at their point of need.
Check out the website for all sorts of info re YAS and the work we do.
www.yas.nhs.uk/our-services/emergency-ambulance-service-999/
U.S. Secretary of State Michael R. Pompeo and Mrs. Susan Pompeo ascend a stairway to board an airplane at Joint Base Andrews, January 7, 2019. Secretary Pompeo will travel to Amman, Jordan; Cairo, Egypt; Manama, Bahrain; Abu Dhabi, United Arab Emirates; Doha, Qatar; Riyadh, Saudi Arabia; Muscat, Oman; and Kuwait City, Kuwait, January 8-15. [State Department photo by Ron Pryzsucha/ Public Domain]
New base is finished, hope you guys like, new video coming out soon, lower floor photos coming out shortly
Based on the Ford Customline sedan, the Australian built ‘Mainline Ute' used an imported Customline Station Wagon chassis.
Rangiora, New Zealand 2008
Eagle Scout Ay Young performs during the 2023 National Scout Jamboree at The Summit Bechtel Reserve in Mount Hope, West Virginia. (BSA Photo by Leo He)
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20230726-21-20-51--LH date - 7/26/23 time - 21:20:51
The work station is actually the battery pack from a Sight & Sound set I have. When you press the transparent blue stud on the right the red light on the left starts to blink. Danger!
Let there be Light
28 Light based installations in 25 locations for 42 nights.
Pedestrian viewing, 5pm – 1 am nightly.
Self Guided Art Walk. Published and online Map and Cell Phone Audio Tour guide available at DowntownLongBeachArtWalk.com and throughout Downtown Long Beach.
Dates: December 5– January 15, 2010
Artist Reception/Celebration: December 19, 2010
Locations: 390-342, 122, 106, 104, 102 E 3rd Street, Pine Ave at 3rd St, 309, 248, 246, 257 Pine Ave, 170 N Promenade, The Pike at Rainbow Harbor 81 Pine Ave, 150 Bay Street, 21 & 24 Aquarium way.
Media Contact:
Contact: Liza Simone, Executive Director, Phantom Galleries L.A., 213.626.2854. Liza@phantomgalleriesla.com
Long Beach, CA: Phantom Galleries L.A. brightens up this holiday season by invigorating the streets of Downtown Long Beach with 28 light-based art exhibitions that illuminate 25-plus vacant storefront windows along Downtown Long Beach’s Pine Avenue, East 3rd Street, Promenade and The Pike at Rainbow Harbor.
Just after sundown on December 5, Phantom Galleries L.A. will switch on Let There Be Light, a stellar display of artists and art installations, including video, neon, and kinetic light sculptures.
Let There be Light hosts an impressive array of 28 artists, both emerging and renowned, including: Richard Ankrom (neon sculpture), Kent Anderson Butler (video), Laddie John Dill ( Neon and Sand installation), Nancy Braver (sculpture/installation), Enrique Chiu (neon), Susan Chorpenning (site-specific installation), McLean Fahnestock (site specific installation) , Candice Gawne (neon), Richard Godfrey (Sculpture of light and Movement), Parichard Holm (video installation) Beth King (glass sculpture), Helen Lessick (site specific intallation) Karen Lofgren (light based sculpture) Justin Lui (light based sculpture) Joella March (neon), Eric Medine (video), Uudam Nguyen (Light Based Sculpture) , Rebecca Niederlander (Light based Sculpture), Christina Pierson (video instllation) Astra Price (video installation), Jeremy J Quinn (video), Deanne Sabeck (ligh based sculpture), Ben Shaffer (site specific installation), Klutch Stanaway (sculpture) Kazumi Svenson, David Svenson (neon), and Philip Vaughan (neon works and installation), Meeson Pae Yang (site specific installation).
Each exhibition and site-specific installation is accompanied by a Guide by Cell Audio Tour, allowing viewers to listen to an illuminating description of the art on view.
Highlights
Returning Phantom Galleries L.A. artist Richard Godfrey’s site-specific TwentyFourSeven installation is an exciting integration of light, space, and motion. His piece, TwentyFourSeven, is in constant rotation and infuses the storefront in a vibrant hue. (on view thru March 1, 2010)
Susan Chorpenning will present Fiat Lux IV, her most ambitious installment of her series Fiat Lux (“Let There Be Light,”), three in the series presented through Phantom Galleries L.A. The dazzling new work expands 11 ft x 35 ft, and will invigorate the space with the joyous commingling of numerous brightly-colored twinkle lights, lava lamps, collored bulb and light based works, both wall-bound and strung. (On View thru March 1)
Known for his iconic neon sculpture set atop the Hayward Gallery in London, Philip Vaughn will present the West Coast debut of “Color Chart 1” featuring a colorful cascade of neon tubes.
Nancy Braver will display an enchanting mobile-like piece comprised of die-cut luminous butterflies, made of mirror that float, swirl, and cast a warm glow.
Laddie John Dill, a Los Angeles native, who was born in Long Beach, creates a new site-specific work of silica sand mix and neon.
Seven days a week, from dusk till dawn, Long Beach locals and visitors, holiday shoppers, and art-minded and art-curious alike can embark on a self-guided Art Walk and Audio Tour of Let There be Light. At each storefront, viewers can connect via cell phone with a personalized message from the exhibiting artist or curator through the Guide by Cell Audio Tour, presented in partnership with The Long Beach Redevelopment Agency.
Trifold map of the exhibition sites are available at various Downtown Long Beach restaurants, vendors, hotels, as well as at various exhibition locales. Maps may also be downloaded from DowntownLongBeachArtWalk.com or PhantomGalleriesLA.com. The exhibitions are on view 24/7 however, it is recommended that the exhibits be viewed from 5 pm- 1am order to see all the works turned on and at its best and brightest. Richard Godfrey and Susan Chorpennings work is best viewed at various times of the day.
Phantom Galleries L.A. is a Los Angeles County-based organization that transforms properties in transition into 24/7 public art galleries. Each installation forms a unique collaboration between the participating artist, curator, and property owner. Exhibits are curated by local arts organizations, galleries, independent curators, and artists.
For more information on Let There Be Light and Phantom Galleries L.A., please visit www.PhantomGalleries LA or DowntownLongBeachArtWalk.com
Special thank you to Hillcrest Development Partners, Pacifica HOA, Wokcano Restaurants, Charles Dunn Company. The Pike at Rainbow Harbor, Dev Mavi, Dr Illya Zak, and to The Downtown Long Beach Associates for helping to make programming possible.
Partners
"The Long Beach Redevelopment Agency is proud to partner with Phantom Galleries LA, not only to revive empty storefronts along our major corridors, but also to showcase the arts and build a sense of community and culture in our Downtown," said Craig Beck, Executive Director of the Long Beach Redevelopment Agency. LongBeachRDA.org
Scouts breaking down camp and getting ready to head home during the 2023 National Scout Jamboree at The Summit Bechtel Reserve in Mount Hope, West Virginia. (BSA Photo by Leo He)
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20230728-07-48-17--LH date - 7/28/23 time - 07:48:17
Ben Robin and Brayden Panunzio of Hawk Mountain Council run the sail boat race from the Baltimore Area Council during the Hometown Celebration in sub camp C3 during the 2023 National Scout Jamboree at The Summit Bechtel Reserve in Mount Hope, West Virginia. (BSA Photo by Tom Copeland)
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20230723-16-06-21-16-TC date - 7/23/23 time - 4:06:21 PM
Joslelyn Carter, left, and Courtney Reinhard of the Baltimore Area Council set up camp for the 2023 National Scout Jamboree at The Summit Bechtel Reserve in Mount Hope, West Virginia. (BSA Photo by Tom Copeland)
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20230719-08-44-18-75-TC date - 7/19/23 time - 8:44:18 AM
Part of the old main gate to the long-abandoned WWII-era "Rattlesnake Bomber Base", in the tiny west Texas town of Pyote. The few remaining ruins of the base are actually about 3/4 of a mile away, roughly behind that water tower. I-20 came through perhaps a couple decades after the base closed and separated this main gate area from the rest of the base.
View the Pyote Air Force Base Set Page for more images and information on this historic facility.
Night, full moon, ambient sodium vapor light, natural flashlight.
The Concordia base is 3200 m above sea level in the Antarctic. No supplies can be delivered during the winter and nobody can leave the base, no matter what emergency.
The station is the closest thing on Earth to interplanetary exploration. Studying the effects of isolation there is preparing ESA for the real thing: a mission to Mars.
Credits: ESA/IPEV/PNRA - A. Kumar
Perrine Bridge over the Snake River Canyon in Twin Falls is one of the few places where base jumping is legal.
This was shot hand held with the D90's 18-105mm kit lens at 105mm with VR turned on. A tripod would have been useful! It was 720p before flickr resized and compressed the hell out of it.
This is also my first video upload on flickr.