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Author: Andreas Nierhaus, Curator of Architecture/Wien Museum

Last updated January 2014

Architecture in Vienna

Vienna's 2,000-year history is present in a unique density in the cityscape. The layout of the center dates back to the Roman city and medieval road network. Romanesque and Gothic churches characterize the streets and squares as well as palaces and mansions of the baroque city of residence. The ring road is an expression of the modern city of the 19th century, in the 20th century extensive housing developments set accents in the outer districts. Currently, large-scale urban development measures are implemented; distinctive buildings of international star architects complement the silhouette of the city.

Due to its function as residence of the emperor and European power center, Vienna for centuries stood in the focus of international attention, but it was well aware of that too. As a result, developed an outstanding building culture, and still today on a worldwide scale only a few cities can come up with a comparable density of high-quality architecture. For several years now, Vienna has increased its efforts to connect with its historical highlights and is drawing attention to itself with some spectacular new buildings. The fastest growing city in the German-speaking world today most of all in residential construction is setting standards. Constants of the Viennese architecture are respect for existing structures, the palpability of historical layers and the dialogue between old and new.

Culmination of medieval architecture: the Stephansdom

The oldest architectural landmark of the city is St. Stephen's Cathedral. Under the rule of the Habsburgs, defining the face of the city from the late 13th century until 1918 in a decisive way, the cathedral was upgraded into the sacral monument of the political ambitions of the ruling house. The 1433 completed, 137 meters high southern tower, by the Viennese people affectionately named "Steffl", is a masterpiece of late Gothic architecture in Europe. For decades he was the tallest stone structure in Europe, until today he is the undisputed center of the city.

The baroque residence

Vienna's ascension into the ranks of the great European capitals began in Baroque. Among the most important architects are Johann Bernhard Fischer von Erlach and Johann Lucas von Hildebrandt. Outside the city walls arose a chain of summer palaces, including the garden Palais Schwarzenberg (1697-1704) as well as the Upper and Lower Belvedere of Prince Eugene of Savoy (1714-22). Among the most important city palaces are the Winter Palace of Prince Eugene (1695-1724, now a branch of the Belvedere) and the Palais Daun-Kinsky (auction house in Kinsky 1713-19). The emperor himself the Hofburg had complemented by buildings such as the Imperial Library (1722-26) and the Winter Riding School (1729-34). More important, however, for the Habsburgs was the foundation of churches and monasteries. Thus arose before the city walls Fischer von Erlach's Karlskirche (1714-39), which with its formal and thematic complex show façade belongs to the major works of European Baroque. In colored interior rooms like that of St. Peter's Church (1701-22), the contemporary efforts for the synthesis of architecture, painting and sculpture becomes visible.

Upgrading into metropolis: the ring road time (Ringstraßenzeit)

Since the Baroque, reflections on extension of the hopelessly overcrowed city were made, but only Emperor Franz Joseph ordered in 1857 the demolition of the fortifications and the connection of the inner city with the suburbs. 1865, the Ring Road was opened. It is as the most important boulevard of Europe an architectural and in terms of urban development achievement of the highest rank. The original building structure is almost completely preserved and thus conveys the authentic image of a metropolis of the 19th century. The public representational buildings speak, reflecting accurately the historicism, by their style: The Greek Antique forms of Theophil Hansen's Parliament (1871-83) stood for democracy, the Renaissance of the by Heinrich Ferstel built University (1873-84) for the flourishing of humanism, the Gothic of the Town Hall (1872-83) by Friedrich Schmidt for the medieval civic pride.

Dominating remained the buildings of the imperial family: Eduard van der Nüll's and August Sicardsburg's Opera House (1863-69), Gottfried Semper's and Carl Hasenauer's Burgtheater (1874-88), their Museum of Art History and Museum of Natural History (1871-91) and the Neue (New) Hofburg (1881-1918 ). At the same time the ring road was the preferred residential area of mostly Jewish haute bourgeoisie. With luxurious palaces the families Ephrussi, Epstein or Todesco made it clear that they had taken over the cultural leadership role in Viennese society. In the framework of the World Exhibition of 1873, the new Vienna presented itself an international audience. At the ring road many hotels were opened, among them the Hotel Imperial and today's Palais Hansen Kempinski.

Laboratory of modernity: Vienna around 1900

Otto Wagner's Postal Savings Bank (1903-06) was one of the last buildings in the Ring road area Otto Wagner's Postal Savings Bank (1903-06), which with it façade, liberated of ornament, and only decorated with "functional" aluminum buttons and the glass banking hall now is one of the icons of modern architecture. Like no other stood Otto Wagner for the dawn into the 20th century: His Metropolitan Railway buildings made ​​the public transport of the city a topic of architecture, the church of the Psychiatric hospital at Steinhofgründe (1904-07) is considered the first modern church.

With his consistent focus on the function of a building ("Something impractical can not be beautiful"), Wagner marked a whole generation of architects and made Vienna the laboratory of modernity: in addition to Joseph Maria Olbrich, the builder of the Secession (1897-98) and Josef Hoffmann, the architect of the at the western outskirts located Purkersdorf Sanatorium (1904) and founder of the Vienna Workshop (Wiener Werkstätte, 1903) is mainly to mention Adolf Loos, with the Loos House at the square Michaelerplatz (1909-11) making architectural history. The extravagant marble cladding of the business zone stands in maximal contrast, derived from the building function, to the unadorned facade above, whereby its "nudity" became even more obvious - a provocation, as well as his culture-critical texts ("Ornament and Crime"), with which he had greatest impact on the architecture of the 20th century. Public contracts Loos remained denied. His major works therefore include villas, apartment facilities and premises as the still in original state preserved Tailor salon Knize at Graben (1910-13) and the restored Loos Bar (1908-09) near the Kärntner Straße (passageway Kärntner Durchgang).

Between the Wars: International Modern Age and social housing

After the collapse of the monarchy in 1918, Vienna became capital of the newly formed small country of Austria. In the heart of the city, the architects Theiss & Jaksch built 1931-32 the first skyscraper in Vienna as an exclusive residential address (Herrengasse - alley 6-8). To combat the housing shortage for the general population, the social democratic city government in a globally unique building program within a few years 60,000 apartments in hundreds of apartment buildings throughout the city area had built, including the famous Karl Marx-Hof by Karl Ehn (1925-30). An alternative to the multi-storey buildings with the 1932 opened International Werkbundsiedlung was presented, which was attended by 31 architects from Austria, Germany, France, Holland and the USA and showed models for affordable housing in greenfield areas. With buildings of Adolf Loos, André Lurçat, Richard Neutra, Gerrit Rietveld, the Werkbundsiedlung, which currently is being restored at great expense, is one of the most important documents of modern architecture in Austria.

Modernism was also expressed in significant Villa buildings: The House Beer (1929-31) by Josef Frank exemplifies the refined Wiener living culture of the interwar period, while the house Stonborough-Wittgenstein (1926-28, today Bulgarian Cultural Institute), built by the philosopher Ludwig Wittgenstein together with the architect Paul Engelmann for his sister Margarete, by its aesthetic radicalism and mathematical rigor represents a special case within contemporary architecture.

Expulsion, war and reconstruction

After the "Anschluss (Annexation)" to the German Reich in 1938, numerous Jewish builders, architects (female and male ones), who had been largely responsible for the high level of Viennese architecture, have been expelled from Austria. During the Nazi era, Vienna remained largely unaffected by structural transformations, apart from the six flak towers built for air defense of Friedrich Tamms (1942-45), made ​​of solid reinforced concrete which today are present as memorials in the cityscape.

The years after the end of World War II were characterized by the reconstruction of the by bombs heavily damaged city. The architecture of those times was marked by aesthetic pragmatism, but also by the attempt to connect with the period before 1938 and pick up on current international trends. Among the most important buildings of the 1950s are Roland Rainer's City Hall (1952-58), the by Oswald Haerdtl erected Wien Museum at Karlsplatz (1954-59) and the 21er Haus of Karl Schwanzer (1958-62).

The youngsters come

Since the 1960s, a young generation was looking for alternatives to the moderate modernism of the reconstruction years. With visionary designs, conceptual, experimental and above all temporary architectures, interventions and installations, Raimund Abraham, Günther Domenig, Eilfried Huth, Hans Hollein, Walter Pichler and the groups Coop Himmelb(l)au, Haus-Rucker-Co and Missing Link rapidly got international attention. Although for the time being it was more designed than built, was the influence on the postmodern and deconstructivist trends of the 1970s and 1980s also outside Austria great. Hollein's futuristic "Retti" candle shop at Charcoal Market/Kohlmarkt (1964-65) and Domenig's biomorphic building of the Central Savings Bank in Favoriten (10th district of Vienna - 1975-79) are among the earliest examples, later Hollein's Haas-Haus (1985-90), the loft conversion Falkestraße (1987/88) by Coop Himmelb(l)au or Domenig's T Center (2002-04) were added. Especially Domenig, Hollein, Coop Himmelb(l)au and the architects Ortner & Ortner (ancient members of Haus-Rucker-Co) ​​by orders from abroad the new Austrian and Viennese architecture made a fixed international concept.

MuseumQuarter and Gasometer

Since the 1980s, the focus of building in Vienna lies on the compaction of the historic urban fabric that now as urban habitat of high quality no longer is put in question. Among the internationally best known projects is the by Ortner & Ortner planned MuseumsQuartier in the former imperial stables (competition 1987, 1998-2001), which with institutions such as the MUMOK - Museum of Modern Art Foundation Ludwig, the Leopold Museum, the Kunsthalle Wien, the Architecture Center Vienna and the Zoom Children's Museum on a wordwide scale is under the largest cultural complexes. After controversies in the planning phase, here an architectural compromise between old and new has been achieved at the end, whose success as an urban stage with four million visitors (2012) is overwhelming.

The dialogue between old and new, which has to stand on the agenda of building culture of a city that is so strongly influenced by history, also features the reconstruction of the Gasometer in Simmering by Coop Himmelb(l)au, Wilhelm Holzbauer, Jean Nouvel and Manfred Wehdorn (1999-2001). Here was not only created new housing, but also a historical industrial monument reinterpreted into a signal in the urban development area.

New Neighborhood

In recent years, the major railway stations and their surroundings moved into the focus of planning. Here not only necessary infrastructural measures were taken, but at the same time opened up spacious inner-city residential areas and business districts. Among the prestigious projects are included the construction of the new Vienna Central Station, started in 2010 with the surrounding office towers of the Quartier Belvedere and the residential and school buildings of the Midsummer quarter (Sonnwendviertel). Europe's largest wooden tower invites here for a spectacular view to the construction site and the entire city. On the site of the former North Station are currently being built 10,000 homes and 20,000 jobs, on that of the Aspangbahn station is being built at Europe's greatest Passive House settlement "Euro Gate", the area of ​​the North Western Railway Station is expected to be developed from 2020 for living and working. The largest currently under construction residential project but can be found in the north-eastern outskirts, where in Seaside Town Aspern till 2028 living and working space for 40,000 people will be created.

In one of the "green lungs" of Vienna, the Prater, 2013, the WU campus was opened for the largest University of Economics of Europe. Around the central square spectacular buildings of an international architect team from Great Britain, Japan, Spain and Austria are gathered that seem to lead a sometimes very loud conversation about the status quo of contemporary architecture (Hitoshi Abe, BUSarchitektur, Peter Cook, Zaha Hadid, NO MAD Arquitectos, Carme Pinós).

Flying high

International is also the number of architects who have inscribed themselves in the last few years with high-rise buildings in the skyline of Vienna and make St. Stephen's a not always unproblematic competition. Visible from afar is Massimiliano Fuksas' 138 and 127 meters high elegant Twin Tower at Wienerberg (1999-2001). The monolithic, 75-meter-high tower of the Hotel Sofitel at the Danube Canal by Jean Nouvel (2007-10), on the other hand, reacts to the particular urban situation and stages in its top floor new perspectives to the historical center on the other side.

Also at the water stands Dominique Perrault's DC Tower (2010-13) in the Danube City - those high-rise city, in which since the start of construction in 1996, the expansion of the city north of the Danube is condensed symbolically. Even in this environment, the slim and at the same time striking vertically folded tower of Perrault is beyond all known dimensions; from its Sky Bar, from spring 2014 on you are able to enjoy the highest view of Vienna. With 250 meters, the tower is the tallest building of Austria and almost twice as high as the St. Stephen's Cathedral. Vienna, thus, has acquired a new architectural landmark which cannot be overlooked - whether it also has the potential to become a landmark of the new Vienna, only time will tell. The architectural history of Vienna, where European history is presence and new buildings enter into an exciting and not always conflict-free dialogue with a great and outstanding architectural heritage, in any case has yet to offer exciting chapters.

Info: The folder "Architecture: From Art Nouveau to the Presence" is available at the Vienna Tourist Board and can be downloaded on www.wien.info/media/files/guide-architecture-in-wien.pdf.

1 888 717 7517 call now.

Please be aware... I am no stamp expert. Posted titles are either what I was told or from a quick Google search. No claim is made of all being accurate, I do make an effort to be as factual as possible when posting. Some duplication of type or variety may occur. I try not to double post items. My feeble brain may slip on that from time to time. Very little actual value exists in most (if not all) of them.

 

Please be aware... I am no stamp expert. Posted titles here are either what I was told when acquiring these or are from a simple Google search. I make no claim as to them being 100% accurate but I make an effort to be as factual as I am able when posting. There may well be some duplication of type or variety, but I try not to double post any single items. My feeble brain may slip on that from time to time. These are all from my semi worthless collection from over the years. Little to no value exists in most (if not all) of them. They are just a hobby.

Please be aware... I am no coin expert. Titles here are either what I was told when acquiring these or are from a simple Google search. I make no claim as to them being 100% accurate but I make an effort to be as factual as I am able when posting. There may well be some duplication of coin type or variety, but I try not to double post any single coins. My feeble brain may slip on that from time to time. These are all from my semi worthless collection of world coins from over the years. Little to no value exists in most (if not all) of them. They are just a hobby.

The Misericordia Sexual Assault Response Team (SART) orchestrated a flash mob on campus on Wednesday, May 1, with the help of the cheerleading team and numerous dance groups, to bring awareness to the resources that are available on campus and in the local community for victims of sexual assault.

Proclamation by Richard Lippenholz at Indian Head Md

World Autism Awareness Day - Sydney Opera House lit up in blue (Photo Credit: UNICCanberra, 2 April 2011).

Lions walk to create awareness on prevention and management of type 2 diabetes

Proclamation by Richard Lippenholz at Indian Head Md

a shoot dedicated to all women who have gone through breast cancer and for you to know how amazing and beautiful I think you are

The fountain in Perry Square was colored pink for breast cancer awareness month. God Bless everyone who has ever been affected by cancer.

www.facebook.com/studio318 Mixed media... collage, acrylics, colored pencil, and oil pastel

Washington Psychological Wellness is passionate about helping people live the lives they have envisioned by bringing values of honesty, kindness, humor, and compassion to the practice. Therapy can inspire change, create greater self-awareness, and improve one's life and relationships. Our clinicians provide a comfortable and collaborative environment where you can take risks and explore different ways of thinking, feeling, and being. We aim to help you gain clarity about the underlying causes of problems, provide strategies to help you cope, empower you to trust your inner voice, and live each day authentically.

 

www.washington-psychwellness.com

One of Eleanor's new sparkly blue ear moulds subjected to a macro filter all in aid of a good cause in promoting the awareness of tinnitus.

 

This week is National Tinnitus Awareness week.

 

Tinnitus is not a disease or an illness, but it's still incurable.

 

It can affect someone's life all the time or it could come and go.

 

Tinnitus is horrendous to live with.

 

Bryony P a member of the HPAD group has suffered from Tinnitus for 20 years. I is only 28 years old.

 

You can find more about Tinnitus here:

www.tinnitus.org.uk

Survey commissioned by GE Healthcare looks at how bad habits increase the risk of cancer

Please be aware... I am no coin expert. Titles here are either what I was told when acquiring these or are from a simple Google search. I make no claim as to them being 100% accurate but I make an effort to be as factual as I am able when posting. There may well be some duplication of coin type or variety, but I try not to double post any single coins. My feeble brain may slip on that from time to time. These are all from my semi worthless collection of world coins from over the years. Little to no value exists in most (if not all) of them. They are just a hobby.

 

"Around us, life bursts with miracles--a glass of water, a ray of sunshine, a leaf, a caterpillar, a flower, laughter, raindrops. If you live in awareness, it is easy to see miracles everywhere. Each human being is a multiplicity of miracles. Eyes that see thousands of colors, shapes, and forms; ears that hear a bee flying or a thunderclap; a brain that ponders a speck of dust as easily as the entire cosmos; a heart that beats in rhythm with the heartbeat of all beings. When we are tired and feel discouraged by life's daily struggles, we may not notice these miracles, but they are always there."

~ Thich Nhat Hahn

Please be aware... I am no stamp expert. Posted titles here are either what I was told when acquiring these or are from a simple Google search. I make no claim as to them being 100% accurate but I make an effort to be as factual as I am able when posting. There may well be some duplication of type or variety, but I try not to double post any single items. My feeble brain may slip on that from time to time. These are all from my semi worthless collection from over the years. Little to no value exists in most (if not all) of them. They are just a hobby.

IAD Headquarters, Miami, Florida, United States, October 31, 2018. [Photo: Libna Stevens/IAD]

If you are reading what is written in these article clips.... you are being aware and thinking to become a nation.

Analyze----Act----Analyze----Act

I I

Analyze----Act----Analyze----Act

I was wandering around the borders of the Omega Oasis when I stumbled upon a peculiar sight, a wonderous sight, the most interesting of all sights to be seen in the wasteland. I know I must sound like I am exaggerating, stretching this sight far and wide, but it is a rare sight one can witness in this wasteland: a robot, a prewar one, perfectly operational. It's outside was clearly worn with age, riddled with sand and markings, but it was completely functional and speaking. I do believe it was, before the war, a directional service droid, as when I entered it's view, it asked me if I required any aid in getting to a location, a destination in mind. Out of a tempting curiosity in the back of my temple, I replied with "yes" and asked to see a map. Sure enough, to my ponders, it was a prewar map, this barren, wooden waste once a simple outdoor mall, one full of people and stores. Another ponder formed, creeping into my mind and settling: was the machine aware of the war? Was it naive due to it's programming? Was it aware and distracting itself from the horrors that are before it? What will happen if I tell it about the situation? These were wonders I did not inquiry further on. I instead decided it needed some company. Me and a few others needed a camp anyhow.

 

The story of how the cozy camp near the Omega Oasis was formed!

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" Our spent time flutters and tumbles imperceptibly towards our feet where it gathers like the fallen blossoms of a pear tree. We bear this invisible umbra at all times, occasionally kicking up a discarded petal, a memory, through which we can precisely experience the ‘mono no aware’ of our lives."

 

From a little book of words and pictures I made a while back. You can download a free pdf at:

 

www.magcloud.com/browse/issue/194385

 

... that is, only if you want to!

 

Yashica Mat 124G | Fuji Neopan 400 | Rodinal (1+25)

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By Steven Hoover

steve.hoover@korea.army.mil

 

CAMP HUMPHREYS – More than 350 people, dressed is various shades of pink, turned out to help Army Community Service’s Exceptional Family Member Program and the Girls Scouts join forces, Oct. 21, to host the “Breast Cancer Walk to Raise Awareness,” at Zoeckler Track.

 

With October being National Breast Cancer Awareness Month, Takesha Green, the Camp Humphreys Exceptional Family Member Program manager and the event organizer, said she wanted “to provide a platform for our community that would bring awareness to not only Breast Cancer but cancer as a whole.”

 

Leslie Edens, the wife of Brig. Gen. Timothy J. Edens, the 2nd Infantry Division assistant division commander for support, provided opening remarks and then helped lead the first lap of walkers around the track during the “silent lap.” With the completion of the first lap, Staff Sgt Jorge Jimenez, of Headquarters and Headquarters Company, 4th Battalion (Attack), 2nd Combat Aviation Brigade, played music throughout the remaining laps.

 

Green said that she wanted every “woman, man and adolescent across all age groups aware of the importance of breast health and screening exams.”

 

Today, with advanced medical treatments and early detection, breast cancer is no longer considered a death sentence. There are more than 2.6 million breast cancer survivors in the United States alone. And with early detection the survival rate is over 90 percent.

 

“This event was more than I could have ever imagined,” Green said. “It kind of took on a mind of its own. The overwhelming support from the community and throughout the Peninsula was mind blowing. I had to pause for a minute just to take it all in. I couldn't have asked for better weather and greater community support. The vibe alone was just amazing.”

 

Whether they were running or walking, “people were enjoying themselves and having a great time,” she added. “This event definitely exceeded my expectations.”

 

U.S. Army photos by Steven Hoover

When we experience a correlated consciousness, and hold to just that present moment, cultivate it, strengthen it through the practice of relishing in it, as well as maintaining an ever more refined focus and intent, we can begin to hold onto this transcendental moment. We may then, with a loving and open heart, bring this heightened state of awareness into the world; infusing our lives and those around us with insights, increased health, vitality, creativity, and empathy for life. By staying connected with the nonlocal consciousness of creativity, our daily actions and insights are immensely more potent.

Dr. Amit Goswami

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LOWER MAINLAND, BRITISH COLUMBIA, CANADA, 28/May/2017

 

The Walk to Make Cystic Fibrosis History is a fundraising walk dedicated to raising funds and awareness for cystic fibrosis. The 2017 Walk took place on May 28 in VanDusen Botanical Garden, Vancouver, BC.

 

The Vancouver/Lower Mainland Chapter of Cystic Fibrosis Canada fundraises for cystic fibrosis research and care, in the hope of finding a cure or control for this devastating disease. The Chapter also provides support to families and third-party fundraisers, as well as raising awareness about cystic fibrosis within the community.

 

Further information at:

 

www.cysticfibrosis.ca/western-canada/

 

&

 

www.facebook.com/CysticFibrosisWesternCanada/

 

Photo by Matt Smart.

Made for Breast cancer awareness,,

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Breast Cancer Awareness Body Painting Submission / Questionnaire

 

I. Why I Wish to Participate

 

Dear BCABPP Team,

 

Upon first glance at your project, I immediately felt drawn to it, and believe there was no mistake it came across my cyber-plate. I am a breast cancer survivor, a yogini and an activist, as well as the Health & Wellness Editor for OM Times Magazine (www.OMtimes.com).

 

In my role as editor, part of my job is to find stories of inspiration and expose simple changes that create a huge impact in our life! While our goal is to move humanity toward PREVENTION not treatment, we must deal with the very real impact of breast cancer on not only the women who fight the disease, but also to our society as a whole.

 

As a survivor, I know first hand some of the self esteem issues that women go through, and the staggering number who are actually abandoned upon a diagnosis of breast cancer. My story of true inner and outer change begins with the diagnosis of advanced, stage III, multiple tumors - invasive ductal carcinoma - commonly known as breast cancer. One emergency radical mastectomy and several surgeries later, I was forced to represent myself for 3 of the 4 years my divorce, which was also taking place during this time, was in court. Although I completed my degree, worked two jobs, and raised two teenage boys alone, my heart was broken and my body responded through the manifestation of a physical disease.

 

It’s difficult to admit how many nights I cried myself to sleep and prayed for death, believing that my children would be better off with their father, and that there was nothing to live for without “love.”

 

Just prior to the diagnosis, I was introduced to yoga and began an adventure toward self discovery and responsibility. Much of my life previously I had felt like a victim without direction or hope for improvement. I stayed in unhealthy situations out of fear and co-dependence. I refused to acknowledge the “signs” that were given and I held on even tighter to a dream that was based upon an illusion.

 

After years of heartache and confusion, trying to deal with what felt like a lifetime of mistakes without a compass, my body responded with a disease that was up close and personal to my heart. For me, breast cancer was an awakening, a time out to evaluate what was important and one of the best things that happened to me. It allowed and provoked me to push my boundaries, and begin to recognize an inner strength I didn’t realize I possessed.

 

In the end, I have learned more about myself and life going through this experience than all the previous years combined. I realized that each day was a gift! There is no guarantee from moment to mment, and in the midst of the treatments I remember being happy just to be alive for one more day. The simple pleasure of having the energy to walk up a small hill and sit in the sun, and the slow process of incorporating my yoga practice back into my life brought tears of joy!

 

I promised myself and my creator that if I did survive, I would create something beautiful from this pain. I would look for the lessons in adversity and accept them with gratitude. As a breast cancer survivor I am left with a physical scar, but that has never been the challenge for me.

 

My frustration lies within the clothing industry that does not accommodate anyone that did not “fit” into the nice neat “box.” I teach yoga, zumba and am involved in many other athletic activities and could find nothing that would accommodate my less than perfect body. The feeling that I was “abnormal” because I refused to go through more surgeries just to fit into a societal mould of what a “sexy” woman was “supposed” to look like. I researched them and each surgical procedure left me with serious concerns. I preferred to be able to “do the activities I wanted” versus going through more painful surgeries, thousands of dollars and ending up with limited mobility.

 

I still feel sexy, and would like to show other women that losing a breast (or two) does not impact your ability to look and feel beautiful. What you are doing with the body painting is in perfect alignment with a clothing line we are launching to elevate our survivors through conscious designs that emphasize a woman’s natural beauty – not focus on what is missing.

  

II. My Thoughts on Designs or Themes

 

I have gone through so many battles - many while I was in the middle of dealing with breast cancer. I would love to bring yoga, healing, and personal responsibility into any design I would represent. To use my body, as I mentioned earlier (I’m generally very private about all aspects of my body) but this is such an incredible opportunity to demonstrate that “sexy” is a state of mind, and to give hope to every woman! It is within our reach to not only heal our body - through yoga we can connect to our inner divine self and learn to love and respect our inner “goddess”!

 

I am attaching a few photos that were taken to accompany this application for review. Thank you in advance for everything you and your team are doing to bring awareness to this disease, and to help women of all sizes, shapes, and colors feel beautiful and empowered!

   

About the Project:

An all Breast Cancer Survivor project for awareness, fundraising, inspiration and healing worldwide.

Description

Breast Cancer Awareness Body Painting Project:

A Fine Art & Photography Essay of Survivors.

 

The collection of images is also currently on display at:

 

UNCOMMON Gallery

2713 East Commercial Blvd.

Fort Lauderdale, FL 33308

 

www.facebook.com/group.php?gid=54903765930

 

So far 25 brave and incredible women have selflessly stepped forward and been painted for the project.

 

I may be the creator but these SURVIVORS are the project. Everything is a true collaboration of the women the body painter(s) and my work as well. All of it then shared and appreciated by the people it touches. Every link in the chain is important :-)

 

"When love and skill work together expect a masterpiece."

~John Ruskin

 

"Nudity is the garment of the soul"

~unknown

 

"A single act of kindness throws out roots in all directions, and the roots spring up and make new trees."

~ Amelia Earhart

  

*** This page and project is deemed "Child Safe" ***

Website

www.cafepress.com/BCABPP

www.twitter.com/BCABPP

www.youtube.com/BCABPP

 

Example of Locky ransomware.

 

Locky is ransomware malware released in 2016. It is delivered by email and after infection will encrypt all files that match particular extensions.

 

After encryption, a message (displayed on the user's desktop) instructs them to download the Tor browser and visit a specific criminal-operated Web site for further information.

 

The current version, released in December 2016, utilizes the .osiris extension for encrypted files.

 

Many different distribution methods for Locky have been used since the ransomware was released. These distribution methods include Word and Excel attachments with malicious macros,DOCM attachments and zipped JS Attachments.

 

Read more: en.wikipedia.org/wiki/Locky

cactii reminding me of easter eggs

rabbit reminding me of the easter bunny

rabbit sitting as still as a rock

all ears

looking deeply

waiting for insight

on how not to get poked by the cactii thorns

somehow this reminds me of the Bible story of Moses in the desert

and how his people were being bitten by snakes

so Moses prayed for Divine assistance…

Moses heard God say to make a staff

with an image of a snake on top

and to have everyone meditate on the snake staff

that by doing so,..

the snakes would cease to bite the people

so the thorns that poke the rabbit are the snakes that bit the people

by sitting still

by stilling the mind

the mirror of awareness reveals

how not to get poked again

 

in dying to ego one finds new life

a resurrection of sorts

a flowering in awareness

  

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