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The Casoria Contemporary Arts Museum hosted an exhibit and performance of REFF, RomaEuropa FakeFactory.
On show were the Augmented Reality Drug used by the REFF fake institution to promote a worldwide wave of reality reinvention for students, artists, cultural operators, activists and performers, the REFF map which shows all the events happening in the fake institution and all the works of the artists, architects, designers, hackers, activists and performers participating to REFF.
Doctor AR, the fake institution's augmented holistic health expert, explained to an audience in a state of beautiful amazement the benefits coming from the reinvention of reality through critical practices of worldwide, ubiquitous remix, mashup, re-enactment, plagiarism, turning the whole planet into an art performance.
The day at the Casoria Contemporary Arts Museum featured international projects such as Magmart Video Under Volcano, TOXIC Japanese Videoart, Focus Revolution and Glances Around Dump.
more info at:
www.artisopensource.net/2011/04/21/an-augmented-reality-d...
REFF RomaEuropa FakeFactory
the Augmented Reality Drug:
www.artisopensource.net/2011/02/21/reff-augmented-reality...
REFF world map:
Casoria Contemporary Arts Museum
www.casoriacontemporaryartmuseum.com/
Magmart:
3D street art combined with Augmented Reality at LelystArt festival hosted by Planet Streetpainting. To see the AR image appear you will have to download the Junaio App, search for 3d street art and scan the marker (caution sign).
3D street painting made by Leon Keer and AR content made by Joost Spek/3Dpicnic
If you looking for augmented reality books then we are one of the best option for you. These augmented reality books appear to be like any other book; however, when they are placed in front of your computer's webcam, 3D elements, movies, sight and sounds appear. Book an appointment with our Business development executive Today ! For More info visit our site : yeppar.com/augmented-reality-education.html
fluxusbox.artisopensource.net/
Fluxus boxes were intended as non linear narratives to be handled, touched, performed, disseminated, destroyed, reassembled, counted and reconfigured.
Just as cinema montage and music had learned, the orchestration of symbols, visions and other sensorial components was able to create novel scenarios. Interactivity and tangibility created a state of continuous recombination, multiplying interpretation and cognitively activating people, who became part of the artwork while handling, imagining and communicating. The connection with the ordinary flow of life created new dimensions in the world: stratified, recombinant and engaging.
In occasion of the 50 years of FLUXUS we have decided to research on this wonderful form of expression, both for the innovation it has provided in the arts and for its connection with many of the mutation processes that are going on with contemporary humanity and their ability to experience media, communicate and interact.
At the event Mercoledì da NABA series of events, on December 15th 2010, we will hold a workshop/performance in which we will build a Fluxus Box using Augmented Reality and other cross-medial techniques and technologies.
The ojective will be to research on the Fluxus Box approach, and to appy it at a “meta” level. The objects contained in the box will be tools through which the experience of multiple Fluxus Boxes will be holdable, remixable, juxtaposable, recombinable, enacting a meta-performance encompassing possibly infinite remixed reenactments of Fluxus performances, experiences and events.
The box we will produced will be donated to the NABA, and the custom software that will be created for the occasion will be released under a GPL2 licensing scheme, so that it will be usable by artists, students and practitioners worldwide, in a further level of the performance.
more info at:
Augmented Reality - AulaBlog.
Realidad aumentada - Aulablog. Logo original de Néstor Alonso @Potachov
Soldiers and Airmen from the Kentucky National Guard augment the Louisville Metro Police Department in downtown Louisville to provide riot control May 31, 2020. (U.S. Army National Guard photo by Staff Sgt. Benjamin Crane)
The Casoria Contemporary Arts Museum hosted an exhibit and performance of REFF, RomaEuropa FakeFactory.
On show were the Augmented Reality Drug used by the REFF fake institution to promote a worldwide wave of reality reinvention for students, artists, cultural operators, activists and performers, the REFF map which shows all the events happening in the fake institution and all the works of the artists, architects, designers, hackers, activists and performers participating to REFF.
Doctor AR, the fake institution's augmented holistic health expert, explained to an audience in a state of beautiful amazement the benefits coming from the reinvention of reality through critical practices of worldwide, ubiquitous remix, mashup, re-enactment, plagiarism, turning the whole planet into an art performance.
The day at the Casoria Contemporary Arts Museum featured international projects such as Magmart Video Under Volcano, TOXIC Japanese Videoart, Focus Revolution and Glances Around Dump.
more info at:
www.artisopensource.net/2011/04/21/an-augmented-reality-d...
REFF RomaEuropa FakeFactory
the Augmented Reality Drug:
www.artisopensource.net/2011/02/21/reff-augmented-reality...
REFF world map:
Casoria Contemporary Arts Museum
www.casoriacontemporaryartmuseum.com/
Magmart:
The Casoria Contemporary Arts Museum hosted an exhibit and performance of REFF, RomaEuropa FakeFactory.
On show were the Augmented Reality Drug used by the REFF fake institution to promote a worldwide wave of reality reinvention for students, artists, cultural operators, activists and performers, the REFF map which shows all the events happening in the fake institution and all the works of the artists, architects, designers, hackers, activists and performers participating to REFF.
Doctor AR, the fake institution's augmented holistic health expert, explained to an audience in a state of beautiful amazement the benefits coming from the reinvention of reality through critical practices of worldwide, ubiquitous remix, mashup, re-enactment, plagiarism, turning the whole planet into an art performance.
The day at the Casoria Contemporary Arts Museum featured international projects such as Magmart Video Under Volcano, TOXIC Japanese Videoart, Focus Revolution and Glances Around Dump.
more info at:
www.artisopensource.net/2011/04/21/an-augmented-reality-d...
REFF RomaEuropa FakeFactory
the Augmented Reality Drug:
www.artisopensource.net/2011/02/21/reff-augmented-reality...
REFF world map:
Casoria Contemporary Arts Museum
www.casoriacontemporaryartmuseum.com/
Magmart:
Un essai du mode "Effet réalité augmentée" du smartphone Sony XPERIA Z1 devant le château de Versailles avec une vue improbable d'un dinosaure sur les pavés...
C'est un mode assez amusant à utiliser, plusieurs effets sont possibles.
Mais bien entendu, cela ne reste qu'un gadget (mais on y prend goût). lol
Emerging Technologies visitor playing with Augmented Mirror.
blog.onthewings.net/2012/08/17/augmented-mirror-at-siggra...
The Casoria Contemporary Arts Museum hosted an exhibit and performance of REFF, RomaEuropa FakeFactory.
On show were the Augmented Reality Drug used by the REFF fake institution to promote a worldwide wave of reality reinvention for students, artists, cultural operators, activists and performers, the REFF map which shows all the events happening in the fake institution and all the works of the artists, architects, designers, hackers, activists and performers participating to REFF.
Doctor AR, the fake institution's augmented holistic health expert, explained to an audience in a state of beautiful amazement the benefits coming from the reinvention of reality through critical practices of worldwide, ubiquitous remix, mashup, re-enactment, plagiarism, turning the whole planet into an art performance.
The day at the Casoria Contemporary Arts Museum featured international projects such as Magmart Video Under Volcano, TOXIC Japanese Videoart, Focus Revolution and Glances Around Dump.
more info at:
www.artisopensource.net/2011/04/21/an-augmented-reality-d...
REFF RomaEuropa FakeFactory
the Augmented Reality Drug:
www.artisopensource.net/2011/02/21/reff-augmented-reality...
REFF world map:
Casoria Contemporary Arts Museum
www.casoriacontemporaryartmuseum.com/
Magmart:
The Casoria Contemporary Arts Museum hosted an exhibit and performance of REFF, RomaEuropa FakeFactory.
On show were the Augmented Reality Drug used by the REFF fake institution to promote a worldwide wave of reality reinvention for students, artists, cultural operators, activists and performers, the REFF map which shows all the events happening in the fake institution and all the works of the artists, architects, designers, hackers, activists and performers participating to REFF.
Doctor AR, the fake institution's augmented holistic health expert, explained to an audience in a state of beautiful amazement the benefits coming from the reinvention of reality through critical practices of worldwide, ubiquitous remix, mashup, re-enactment, plagiarism, turning the whole planet into an art performance.
The day at the Casoria Contemporary Arts Museum featured international projects such as Magmart Video Under Volcano, TOXIC Japanese Videoart, Focus Revolution and Glances Around Dump.
more info at:
www.artisopensource.net/2011/04/21/an-augmented-reality-d...
REFF RomaEuropa FakeFactory
the Augmented Reality Drug:
www.artisopensource.net/2011/02/21/reff-augmented-reality...
REFF world map:
Casoria Contemporary Arts Museum
www.casoriacontemporaryartmuseum.com/
Magmart:
The Casoria Contemporary Arts Museum hosted an exhibit and performance of REFF, RomaEuropa FakeFactory.
On show were the Augmented Reality Drug used by the REFF fake institution to promote a worldwide wave of reality reinvention for students, artists, cultural operators, activists and performers, the REFF map which shows all the events happening in the fake institution and all the works of the artists, architects, designers, hackers, activists and performers participating to REFF.
Doctor AR, the fake institution's augmented holistic health expert, explained to an audience in a state of beautiful amazement the benefits coming from the reinvention of reality through critical practices of worldwide, ubiquitous remix, mashup, re-enactment, plagiarism, turning the whole planet into an art performance.
The day at the Casoria Contemporary Arts Museum featured international projects such as Magmart Video Under Volcano, TOXIC Japanese Videoart, Focus Revolution and Glances Around Dump.
more info at:
www.artisopensource.net/2011/04/21/an-augmented-reality-d...
REFF RomaEuropa FakeFactory
the Augmented Reality Drug:
www.artisopensource.net/2011/02/21/reff-augmented-reality...
REFF world map:
Casoria Contemporary Arts Museum
www.casoriacontemporaryartmuseum.com/
Magmart:
The Casoria Contemporary Arts Museum hosted an exhibit and performance of REFF, RomaEuropa FakeFactory.
On show were the Augmented Reality Drug used by the REFF fake institution to promote a worldwide wave of reality reinvention for students, artists, cultural operators, activists and performers, the REFF map which shows all the events happening in the fake institution and all the works of the artists, architects, designers, hackers, activists and performers participating to REFF.
Doctor AR, the fake institution's augmented holistic health expert, explained to an audience in a state of beautiful amazement the benefits coming from the reinvention of reality through critical practices of worldwide, ubiquitous remix, mashup, re-enactment, plagiarism, turning the whole planet into an art performance.
The day at the Casoria Contemporary Arts Museum featured international projects such as Magmart Video Under Volcano, TOXIC Japanese Videoart, Focus Revolution and Glances Around Dump.
more info at:
www.artisopensource.net/2011/04/21/an-augmented-reality-d...
REFF RomaEuropa FakeFactory
the Augmented Reality Drug:
www.artisopensource.net/2011/02/21/reff-augmented-reality...
REFF world map:
Casoria Contemporary Arts Museum
www.casoriacontemporaryartmuseum.com/
Magmart:
The Casoria Contemporary Arts Museum hosted an exhibit and performance of REFF, RomaEuropa FakeFactory.
On show were the Augmented Reality Drug used by the REFF fake institution to promote a worldwide wave of reality reinvention for students, artists, cultural operators, activists and performers, the REFF map which shows all the events happening in the fake institution and all the works of the artists, architects, designers, hackers, activists and performers participating to REFF.
Doctor AR, the fake institution's augmented holistic health expert, explained to an audience in a state of beautiful amazement the benefits coming from the reinvention of reality through critical practices of worldwide, ubiquitous remix, mashup, re-enactment, plagiarism, turning the whole planet into an art performance.
The day at the Casoria Contemporary Arts Museum featured international projects such as Magmart Video Under Volcano, TOXIC Japanese Videoart, Focus Revolution and Glances Around Dump.
more info at:
www.artisopensource.net/2011/04/21/an-augmented-reality-d...
REFF RomaEuropa FakeFactory
the Augmented Reality Drug:
www.artisopensource.net/2011/02/21/reff-augmented-reality...
REFF world map:
Casoria Contemporary Arts Museum
www.casoriacontemporaryartmuseum.com/
Magmart:
The Casoria Contemporary Arts Museum hosted an exhibit and performance of REFF, RomaEuropa FakeFactory.
On show were the Augmented Reality Drug used by the REFF fake institution to promote a worldwide wave of reality reinvention for students, artists, cultural operators, activists and performers, the REFF map which shows all the events happening in the fake institution and all the works of the artists, architects, designers, hackers, activists and performers participating to REFF.
Doctor AR, the fake institution's augmented holistic health expert, explained to an audience in a state of beautiful amazement the benefits coming from the reinvention of reality through critical practices of worldwide, ubiquitous remix, mashup, re-enactment, plagiarism, turning the whole planet into an art performance.
The day at the Casoria Contemporary Arts Museum featured international projects such as Magmart Video Under Volcano, TOXIC Japanese Videoart, Focus Revolution and Glances Around Dump.
more info at:
www.artisopensource.net/2011/04/21/an-augmented-reality-d...
REFF RomaEuropa FakeFactory
the Augmented Reality Drug:
www.artisopensource.net/2011/02/21/reff-augmented-reality...
REFF world map:
Casoria Contemporary Arts Museum
www.casoriacontemporaryartmuseum.com/
Magmart:
I really like this photo by Victor Cobo.
It would have been my pick for the Wired piece on updated names for the “virtual reality” zeitgeist.
A sandbox as a research environment: digging holes and piling up heaps of sand is not only a lot of fun, it also offers a first taste of geoscientific work thanks to 3D visualizations. Topographical contour lines are formed by playing and digging around in the sand, creating elevation color maps or simulated water via 3D projections.
Credit: Magdalena Sick-Leitner
The Casoria Contemporary Arts Museum hosted an exhibit and performance of REFF, RomaEuropa FakeFactory.
On show were the Augmented Reality Drug used by the REFF fake institution to promote a worldwide wave of reality reinvention for students, artists, cultural operators, activists and performers, the REFF map which shows all the events happening in the fake institution and all the works of the artists, architects, designers, hackers, activists and performers participating to REFF.
Doctor AR, the fake institution's augmented holistic health expert, explained to an audience in a state of beautiful amazement the benefits coming from the reinvention of reality through critical practices of worldwide, ubiquitous remix, mashup, re-enactment, plagiarism, turning the whole planet into an art performance.
The day at the Casoria Contemporary Arts Museum featured international projects such as Magmart Video Under Volcano, TOXIC Japanese Videoart, Focus Revolution and Glances Around Dump.
more info at:
www.artisopensource.net/2011/04/21/an-augmented-reality-d...
REFF RomaEuropa FakeFactory
the Augmented Reality Drug:
www.artisopensource.net/2011/02/21/reff-augmented-reality...
REFF world map:
Casoria Contemporary Arts Museum
www.casoriacontemporaryartmuseum.com/
Magmart:
fluxusbox.artisopensource.net/
Fluxus boxes were intended as non linear narratives to be handled, touched, performed, disseminated, destroyed, reassembled, counted and reconfigured.
Just as cinema montage and music had learned, the orchestration of symbols, visions and other sensorial components was able to create novel scenarios. Interactivity and tangibility created a state of continuous recombination, multiplying interpretation and cognitively activating people, who became part of the artwork while handling, imagining and communicating. The connection with the ordinary flow of life created new dimensions in the world: stratified, recombinant and engaging.
In occasion of the 50 years of FLUXUS we have decided to research on this wonderful form of expression, both for the innovation it has provided in the arts and for its connection with many of the mutation processes that are going on with contemporary humanity and their ability to experience media, communicate and interact.
At the event Mercoledì da NABA series of events, on December 15th 2010, we will hold a workshop/performance in which we will build a Fluxus Box using Augmented Reality and other cross-medial techniques and technologies.
The ojective will be to research on the Fluxus Box approach, and to appy it at a “meta” level. The objects contained in the box will be tools through which the experience of multiple Fluxus Boxes will be holdable, remixable, juxtaposable, recombinable, enacting a meta-performance encompassing possibly infinite remixed reenactments of Fluxus performances, experiences and events.
The box we will produced will be donated to the NABA, and the custom software that will be created for the occasion will be released under a GPL2 licensing scheme, so that it will be usable by artists, students and practitioners worldwide, in a further level of the performance.
more info at:
The Casoria Contemporary Arts Museum hosted an exhibit and performance of REFF, RomaEuropa FakeFactory.
On show were the Augmented Reality Drug used by the REFF fake institution to promote a worldwide wave of reality reinvention for students, artists, cultural operators, activists and performers, the REFF map which shows all the events happening in the fake institution and all the works of the artists, architects, designers, hackers, activists and performers participating to REFF.
Doctor AR, the fake institution's augmented holistic health expert, explained to an audience in a state of beautiful amazement the benefits coming from the reinvention of reality through critical practices of worldwide, ubiquitous remix, mashup, re-enactment, plagiarism, turning the whole planet into an art performance.
The day at the Casoria Contemporary Arts Museum featured international projects such as Magmart Video Under Volcano, TOXIC Japanese Videoart, Focus Revolution and Glances Around Dump.
more info at:
www.artisopensource.net/2011/04/21/an-augmented-reality-d...
REFF RomaEuropa FakeFactory
the Augmented Reality Drug:
www.artisopensource.net/2011/02/21/reff-augmented-reality...
REFF world map:
Casoria Contemporary Arts Museum
www.casoriacontemporaryartmuseum.com/
Magmart:
The Casoria Contemporary Arts Museum hosted an exhibit and performance of REFF, RomaEuropa FakeFactory.
On show were the Augmented Reality Drug used by the REFF fake institution to promote a worldwide wave of reality reinvention for students, artists, cultural operators, activists and performers, the REFF map which shows all the events happening in the fake institution and all the works of the artists, architects, designers, hackers, activists and performers participating to REFF.
Doctor AR, the fake institution's augmented holistic health expert, explained to an audience in a state of beautiful amazement the benefits coming from the reinvention of reality through critical practices of worldwide, ubiquitous remix, mashup, re-enactment, plagiarism, turning the whole planet into an art performance.
The day at the Casoria Contemporary Arts Museum featured international projects such as Magmart Video Under Volcano, TOXIC Japanese Videoart, Focus Revolution and Glances Around Dump.
more info at:
www.artisopensource.net/2011/04/21/an-augmented-reality-d...
REFF RomaEuropa FakeFactory
the Augmented Reality Drug:
www.artisopensource.net/2011/02/21/reff-augmented-reality...
REFF world map:
Casoria Contemporary Arts Museum
www.casoriacontemporaryartmuseum.com/
Magmart:
The Casoria Contemporary Arts Museum hosted an exhibit and performance of REFF, RomaEuropa FakeFactory.
On show were the Augmented Reality Drug used by the REFF fake institution to promote a worldwide wave of reality reinvention for students, artists, cultural operators, activists and performers, the REFF map which shows all the events happening in the fake institution and all the works of the artists, architects, designers, hackers, activists and performers participating to REFF.
Doctor AR, the fake institution's augmented holistic health expert, explained to an audience in a state of beautiful amazement the benefits coming from the reinvention of reality through critical practices of worldwide, ubiquitous remix, mashup, re-enactment, plagiarism, turning the whole planet into an art performance.
The day at the Casoria Contemporary Arts Museum featured international projects such as Magmart Video Under Volcano, TOXIC Japanese Videoart, Focus Revolution and Glances Around Dump.
more info at:
www.artisopensource.net/2011/04/21/an-augmented-reality-d...
REFF RomaEuropa FakeFactory
the Augmented Reality Drug:
www.artisopensource.net/2011/02/21/reff-augmented-reality...
REFF world map:
Casoria Contemporary Arts Museum
www.casoriacontemporaryartmuseum.com/
Magmart:
SORIN PERLE DES ANTILLES
Creation artistiques relevant des art plastiques
certifier au repertoire des entreprises et des etablissements
No SIRET 508 345 733 00010 APE 9003A
Declaration N° 195026510609
Décrire une perle est une tâche délicate. Par l’esthétique simplicité de sa perfection, par son mystère, par son charme sensuel et séducteur, la perle est tout simplement indescriptible. Le “Livre de la Perle”, ouvrage de référence écrit en 1908 par Georges Kunz, explique que les perles furent évidemment les premières gemmes connues des hommes préhistoriques. Les descriptions de leur nature vinrent plus tard. D’après la mythologie Perse les perles sont les larmes des dieux. La Chine ancienne n’alla guère plus loin dans la poésie : pour elle c’est le clair de lune qui a le pouvoir de faire croître les perles. Les Grecs pensaient que les perles naissent de la rosée que la lune dépose dans la chair offerte des huîtres flottant la nuit, grandes ouvertes, à la surface des eaux.
Les Romains attribuèrent les perles à VENUS, épiçant leur théorie des mythes orientaux qui incluent une imprégnation par la semence divine, sous forme de rosée céleste ; Goutte de rosée tombée du ciel pendant les nuits de pleine lune, la perle, dit une légende arabe, emporte dans la mer profonde un peu de lumière merveilleuse de l’astre qui compte notre temps.
C’est le monde féminin par excellence : elle est douceur et discrétion, grâce et pudeur. Délicate, elle ne scintille pas, elle rayonne. Si la légende veut qu’elle soit vivante, son pouvoir est de posséder la beauté de l’éternité.
Si les perles sont indescriptibles, cela n’a jamais empêché l’homme de les convoiter. Depuis la nuit des temps, elles sont considérées comme l’un des trésors les plus précieux, les plus désirables de l’humanité.
On les a vues au cou des gouverneurs, de tyrans impitoyables, nichées dans le décolleté des reines et plus tard des déesses de la mode. Elles occupent depuis l'antiquité une place de choix sur les couronnes, les bagues, les colliers, les boucles d'oreilles, les ceintures et les broches.
La perle est le résultat d'une réaction de l'organisme d'un coquillage ou d’une huître, à l’introduction accidentelle d’un corps étranger dans sa chair. La perle fine est le fruit du hasard qui trouve pour origine un grain de sable, une larve de ver, une poussière de corail. De par le monde, la dure condition du plongeur fut souvent celle des peuples côtiers qui pendant des milliers années ont pratiqué la pêche des perles fines dans les eaux chaudes de l'océan indien jusqu'à celles du pacifique.
Les bancs les plus anciennement connus se trouvaient dans le golfe Persique, le long des côtes d’Iran, de l’Arabie Saoudite, du Koweït et du Qatar aux Indes, dans le Golf de Mannor, sur la Côte de Madras et aux alentours de Bombay, à Ceylan, en Mer Rouge,
LES PERLES DE CULTURE
La perle de culture résulte du même phénomène de formation mais provoqué par l’intervention d’un greffon; les premiers furent les Chinois qui introduisaient dans le manteau de l’huître une figurine de plomb à l’effigie de Bouddha, autour de laquelle la nacre venait se déposer. Très tôt, les Japonais s’intéressent aux greffes. En Europe, un suédois et un français menèrent des expériences sans suite.
L’invention véritable du procédé revient incontestablement à 3 japonais qui découvrirent en 1904, sans se connaître, presque simultanément le secret de la greffe : un biologiste de la marine japonaise KOKICHI NISHIKAWA un charpentier TATSUHEI MISE et KOKICHI MIKIMOTO fils du propriétaire d’un magasin de nouilles.
Il a été établi ensuite selon un rapport établi le 31/10/1949 par une commission que les deux premiers chercheurs étaient les seuls inventeurs des perles de cultures rondes.Bien que l’on ne puisse plus déclarer, MIKIMOTO comme inventeur ou créateur il faut néanmoins lui rendre hommage. Il demeure le pionnier, le promoteur et un visionnaire déterminé qui, par une publicité avisée et une vigoureuse organisation de marché a soutenu le développement d’une industrie qui allait parer des millions de femmes dans le monde entier
La grande majorité des perles que l’on vend aujourd’hui sont des perles de culture, dites aussi perles cultivées. La greffe est une opération délicate, c’est un défi parfois couronné de succès, jamais simple. Sur cent spécimens, dix ne résistent pas au choc opératoire, dix meurent au bout de deux ans et trente rejettent le greffon, 20 donnent naissance à des perles récoltées mais invendables. Trente sont commercialisables, mais seules une ou deux perles sont parfaites.
LES PERLES D’EAU DOUCE
Du fait de la variété presque illimitée de leur forme, de leur taille, de leur abondance et de leur prix très intéressant, elles jouissent d’une grande popularité. Leur taille varie en général de 2 à 13 mm. Leur lustre, ou leur absence de lustre, ne connaît pas non plus de limites. On en trouve des ternes, des laiteuses, d’autres qui ont un poli soyeux d’autres encore qui sont brillantes.
Ce sont les chinois qui découvrirent les premiers au XIII ème siècle que l’on pouvait cultiver des perles dans des moules d’eau douce. Ils utilisèrent de la boue, du bois, de l’os ou du métal comme agents irritants.
Des milliers de perliculteurs chinois en produisent aujourd’hui entre 500 et 800 tonnes annuellement.
BUCCELATI
Le Japon a une place prépondérante aussi bien par sa production que comme concentralisateur et distributeur des récoltes mondiales. Une bonne partie de l’industrie perlière Japonaise s’est autodétruite en produisant les perles de qualité médiocre à des coûts excessifs.
La chine va devenir le premier producteur mondial de perles AKOYA et de perles d’eau douce.
BUCCELATI
Le Japon a une place prépondérante aussi bien par sa production que comme concentralisateur et distributeur des récoltes mondiales. Une bonne partie de l’industrie perlière Japonaise s’est autodétruite en produisant les perles de qualité médiocre à des coûts excessifs.
La chine va devenir le premier producteur mondial de perles AKOYA et de perles d’eau douce
LES PERLES AKOYA
Nées au Japon, elles ont été traditionnellement cultivées pendant presque un siècle. Les perles sont petites, leur diamètre varie en moyenne de 2 à 9 mm. Une récolte brute avant traitement se compose essentiellement de perles crème, jaunes et vertes.
Dans la vitrine des joailliers on voit surtout des AKOYA blanches, argentées, rosées et champagne. C’est le résultat du nettoyage des impuretés par un procédé de blanchissement, suivi d' une teinture légère qui rend leur couleur plus homogène.
LES PERLES DES MERS DU SUD et LES PERLES DE TAHITI
Ce sont des perles nobles qui ont tendance à présenter une couche de matière première perlière solide et saine autour du noyau de nacre greffé. Cet épais manteau, qui conserve couleur, lustre et orient, fait que l’on peut les porter avec fierté pendant des générations. Elles n’exigent aucune sorte d’amélioration ou de coloration artificielle, elles se portent en général à l’état naturel. C’est pourquoi elles sont prisées comme “Reines des Perles et Perles des Reines”.
Les perles des Mers du Sud présentent une grande variété de couleurs.
La catégorie claire :
Les teintes vont du blanc argenté à l’or le plus pur en passant par les nuances rose, crème, champagne, vert, bleu et jaune.
AUSTRALIE – INDONESIE – PHILIPPINE - POLYNESIE
La catégorie foncée
Déployé en un kaléidoscope de couleur encore plus étendu : Gris anthracite approchant du noir profond, plumes de paon, vert bronze et vert anis, vert emeraude, vert forêt , bleu foncé, gris argenté à gris fumé , brun rouge cuivré maïs très rarement argenté ou blanc.
Les plus fameuses sont cultivées dans une zone s’étendant des îles COOK à la Polynésie Française englobant les Tuamoutu, Les îles Gambier et Tahiti. Les premières expériences de perliculture en Polynésie remontent à l’entre-deux guerres. Une tentative échoue en 1920. En 1962 le chef du Service de la Pêche, eût l’idée de faire venir des techniciens japonais. En 1965 la récolte donna des perles d’excellente qualité aux magnifiques reflets vert noir.
Ce joli succès fut le point de départ d’un essor formidable. Elles sont depuis les plus recherchées.
L’intervention de l’homme commence par la culture, elle doit savoir s’y arrêter. Pour les couleurs des perles on ne doit pas rivaliser avec la nature.
Leur production croissant en qualité, en quantité, l’inexorable augmentation de la perle des Mers du Sud se poursuivra. L’Australie, l’Indonésie et les Philippines renforceront leurs positions. Les perles des Mers du Sud n’ont pas fini de captiver l’esprit et le cœur de la clientèle internationale. Elles sont de plus en plus recherchées et la Polynésie Française est de loin le premier producteur mondial de QUALITE.
CREATIONS ET BIJOUTERIES
La beauté unanimement reconnue de la perle de TAHITI lui a permis d’acquérir rapidement ses lettres de noblesse dans le monde de la bijouterie internationale.
En 1976 l’INSTITUT AMERICAIN DE GEMMOLOGIE reconnaît la Perle de TAHITI comme “Perle de Culture de Couleur Naturelle”. En 1988 la CIBIO a homologué à son tour cette appellation liée à son lieu de culture : TAHITI. Devant la vitrine du bijoutier ou du joaillier des grandes capitales, une femme n’a plus que l’embarras du choix entre six types de colliers :
Glossaire:
BAROQUE
Perle de forme irrégulière
CARAT
Unité de poids égale à 0,2g
GRAIN
Unité de poids égale à 0,05g ou _ de carat
LUSTRE
Brillance de la perle, résultant de la réflexion de la lumière sur le poli de sa surface (ORIENT)
BOUTON
Terme générique pour désigner les perles fines ou cultivées de forme semi-ronde, relativement plates en forme de bouton.
NACRE
Substance lisse et irisée, tapissant intérieurement la coquille, qui, déposée couche après couche autour d’un élément étranger irritant, forme une perle. Elle est utilisée également pour la fabrication d’objets décoratifs et de boutons.
MABE
Perle de culture composite, de forme hémisphérique qu’on appelle aussi “demi-perles”. Nom commercial Générique.
MAJORQUE
Nom générique des perles d’imitation qui vient de celui d’une des îles Baléares.
The Casoria Contemporary Arts Museum hosted an exhibit and performance of REFF, RomaEuropa FakeFactory.
On show were the Augmented Reality Drug used by the REFF fake institution to promote a worldwide wave of reality reinvention for students, artists, cultural operators, activists and performers, the REFF map which shows all the events happening in the fake institution and all the works of the artists, architects, designers, hackers, activists and performers participating to REFF.
Doctor AR, the fake institution's augmented holistic health expert, explained to an audience in a state of beautiful amazement the benefits coming from the reinvention of reality through critical practices of worldwide, ubiquitous remix, mashup, re-enactment, plagiarism, turning the whole planet into an art performance.
The day at the Casoria Contemporary Arts Museum featured international projects such as Magmart Video Under Volcano, TOXIC Japanese Videoart, Focus Revolution and Glances Around Dump.
more info at:
www.artisopensource.net/2011/04/21/an-augmented-reality-d...
REFF RomaEuropa FakeFactory
the Augmented Reality Drug:
www.artisopensource.net/2011/02/21/reff-augmented-reality...
REFF world map:
Casoria Contemporary Arts Museum
www.casoriacontemporaryartmuseum.com/
Magmart:
Now you can see magazines and newspaper in live video or motion image displayed on smartphones and tablets by using augmented reality technology in newspapers. It is connected with the help of internet and AR software together on phone and content is superimposed with digital contents. Get a free demo today. @https://yeppar.com/augmented-reality-print-media.html
Des petits seins et moins volumineux ?! Rien de mieux que les prothèses mammaires en Tunisie avec Tunisiwss Esthetique
The Casoria Contemporary Arts Museum hosted an exhibit and performance of REFF, RomaEuropa FakeFactory.
On show were the Augmented Reality Drug used by the REFF fake institution to promote a worldwide wave of reality reinvention for students, artists, cultural operators, activists and performers, the REFF map which shows all the events happening in the fake institution and all the works of the artists, architects, designers, hackers, activists and performers participating to REFF.
Doctor AR, the fake institution's augmented holistic health expert, explained to an audience in a state of beautiful amazement the benefits coming from the reinvention of reality through critical practices of worldwide, ubiquitous remix, mashup, re-enactment, plagiarism, turning the whole planet into an art performance.
The day at the Casoria Contemporary Arts Museum featured international projects such as Magmart Video Under Volcano, TOXIC Japanese Videoart, Focus Revolution and Glances Around Dump.
more info at:
www.artisopensource.net/2011/04/21/an-augmented-reality-d...
REFF RomaEuropa FakeFactory
the Augmented Reality Drug:
www.artisopensource.net/2011/02/21/reff-augmented-reality...
REFF world map:
Casoria Contemporary Arts Museum
www.casoriacontemporaryartmuseum.com/
Magmart:
3D street art combined with Augmented Reality at LelystArt festival hosted by Planet Streetpainting. To see the AR image appear you will have to download the Junaio App, search for 3d street art and scan the marker (caution sign).
3D street painting made by Leon Keer and AR content made by Joost Spek/3Dpicnic
"Hidden Reflections: Tursiops" is a sculpture which combines both digital and the physical using augmented reality and 3D printing.
The scull of a Bottlenose dolphin (tursiops truncatus) was used as inspiration to create this piece.
To be able to see the sculpture, it is necessary to download an app to a mobile device.
The spinning Augmented Reality is tethered to the 3D printing, so can only be seen when in view of the physical installation.
No photo can do justice to this piece! Incredible technology.
Many thanks to this kind unknown enthusiast who allowed me to take her photo viewing the sculpture :)
Augmented yarnbomb -- this one, not surprisingly, is by riotprrl. (Sometimes known as flynniekins1125.)
Manhan Rail Trail, Northampton, Massachusetts.
Ah, here we go: www.flickr.com/photos/49853843@N05/7316817884/in/photostream
Augmented miniature passenger's demand? Just fly in a new PCC from the States. Problem solved.
Photograph taken just after arrival. we see PCC 1063 on the premises.
Augmented Guitar Chords fingering charts from the book Essential Chords, Guitar, Mandolin, Ukulele and Banjo by J. Bruce Jones and available at www.AcousticMusicTV.com
This is the Augmented Fifth Scale Construction in 12 Keys.
Formula a Half steps at ( 3rd & 4th ---- 5th & 6th --- 6th & 7th) ---- This type of scale has 8 Tones or Notes.---- We leave out the D# - Eb ------------ F# - Gb --------------- G# -Ab -------------------- A# - Bb ----
for you to figure out even thought it is hard because the accidentals (sharps & flats) may confuse you -
But if you take your time view this lesson video and practice it every day for a few minutes eventually you will
get it down pack in your head. You then apply what you learn physically on the guitar.
pay attention where is the Root/Tonic locate at ( what strings and fret number) - also pay attention on the fingering
number to use for each notes and the name of each notes - it may take sometime but it is worthy to do so.
Play slow, load and clear, better yet prctice with a metronome at the speed that comfortable for you to make less mistake.
Varous Artists
Wednesday 6 - Friday 8 November, Check listing for times
Various Locations
Various Locations
Street Talks is a series of quickfire public talks, part of the Re@ct: Social Change Art Technology Symposium. Rather than your typical poster session, these talks will take place on the streets of Dundee in various locations. Free speech is essential to political and social change – these artists are quite literally taking it to the streets to share their creative practices.
Luisa Charles & Elke Reinhuber –Wednesday 6th November, 2pm, Slessor Gardens
Luisa Charles – discusses the intersections of disability and design, and how novel bespoke design practices could offer a solution to designing for all needs, where universal design could not. These design ideologies, that include co-design, individual centred design, mass customisation, and mass personalisation, are exemplified by case studies from pop culture design media, such as the Fixperts and BBC’s Big Life Fix. She analyses the social, technological, and economical shifts that are required for these practices to become mainstream, and the capability of bespoke design to cause enough disruption within the design economy to create a shift in capitalism.
Elke Reinhuber – The Urban Beautician moved recently from the speckless city state of Singapore, where she already developed her retirement plans, across the South China Sea, to protest-ridden Hong Kong. There, she observed how much effort the cleaners put up to keep these megapolises scrubbed and tidy. As they are frequently overlooked, the Urban Beautician captured some of them during their relentless daily routine. While they have adapted themselves to their particular duties, their skills are hardly ever honoured or even acknowledged. Paying homage to their Sisyphean challenge, they can be positioned now anywhere through Augmented Reality and venerated as perpetualised sculptures of our everyday heroes.The Urban Beautician tries to improve neglected details in our urban environment with interventions in public space and performances to camera. Since more than a decade she cares for things most people are oblivious to.
Ibarieze Abani and Daisy Abbott & Anders Zanichkowsky – Thursday 7th November, 1:30pm, Albert Square, by McManus Gallery Steps
Ibarieze Abani and Daisy Abbott – Transmedia storytelling uses multiple delivery channels to convey a narrative in order to provide a more immersive entertainment experience (Jenkins, 2009). Transmedia activism can be very broadly defined as using storytelling to “effect social change by engaging multiple stakeholders on multiple platforms to collaborate toward appropriate, community-led social action” (Srivastava, 2009). Activism depends on participation and collaboration within a community to avoid unsustainable or inappropriate top-down interventions. A similar concept, transmedia mobilization, uses transmedia storytelling to engage “the social base of a movement in participatory media making practices across multiple platforms” (Constanza-Chock, 2013) and also requires interaction from diverse voices from within the community.
Anders Zanichkowsky –“I Am in Your Hands: Smartphones and the erotics of the future”Social media artist and queer anarchist Anders Zanichkowsky will present excerpts and reflections from his current Grindr project, “Queen of Hearts,” as well as other recent projects reading Tarot cards on hookup apps and go-go dancing for a remote audience on Instagram. During this talk, Anders will use the same social media platforms that are the subject of his presentation, inviting you into the theory behind the work, and into the work itself. Equal parts cultural criticism, performance art, and experimental public speaking, this street talk will level the hierarchy of physical presence over virtual appearance, and scandalously suggest how thirst traps and sexting with strangers can indeed point us towards a radical future of queer intimacy and counterculture.
Mohammad Namazi & Matteo Preabianca – Friday 8th November, 1:30pm, Wellgate Centre, Victoria Road entrance
Mohammad Namazi – An Archive of Audio Disobedience, intervenes into the public realm, and collaborates with individuals, to construct a live-event. The event manifests through utilising a net-based sound archive, capable of involving participants in a collective form of sound-action, -publication, -demonstration, -performance, and -play.
The archive comprises various audio effects, sound segments, words, and computer-generated speeches – to stage a critical symphony, rooted in and derived from, socio-political concerns.
Matteo Preabianca – Mantra Marx is the eighth album for the NonMiPiaceIlCirco! Project. NonMiPiaceIlCirco! is a musical project that has been on since 2004, the year of the first album. Since then, the line-up has been in a constant change, with Matteo Preabianca the only member from the beginning. So they took The Capital from the shelf to read again. But who remembers it, especially young people? Let’s get rid of guitars and songs to give a didactic approach to the music. 25 tracks, one for each of the First Book’s 25 chapters. They use the lyrics as Hinduist mantras, where repetition is the key for a deep understanding of our life, and Marx as well. Its music, besides being lo-fi and badly made, is just an excuse. The lyrics are a summarized version of the aforementioned book, spoken by 25 different Mandarin native voices, completely unaware of the reason behind the recording. Still time to die as a Marxist(?). Developed and recorded in China.
About the Artists
Daisy Abbott is an interdisciplinary researcher and research developer based in the School of Simulation and Visualisation at The Glasgow School of Art. Daisy’s current research focusses on game-based learning, 3D visualisation, and issues surrounding digital interaction, documentation, preservation, and interpretation in the arts and humanities. She also collaborates with artists on works aiming to explore the nature of digital interactivity and digital art.
Luisa Charles is an interaction designer, multidisciplinary artist, and filmmaker. Having been exhibited in the Science Museum, Science Gallery London, London Design Festival, and various film festivals, amongst others, her work spans many themes across science and technology, social politics, and personal narratives. She specialises in installation design and physical computing, experience design, fabrication, and videography, and her work often comes under the umbrella of speculative and critical design. Her work focuses heavily on research processes, and forms itself organically through investigation and experimentation.
Ibarieze Abani is a recent Masters graduate in Serious Games and Virtual Reality at the Glasgow School of Art, where she has carried out projects about cultural heritage, gender inequality, transmedia storytelling and climate policy. She is an advocate of the capabilities of interactive digital media as a tool for opening up dialogues surrounding large scale themes such as climate justice, social justice and intersectionality. She has a keen interest in working with people using digital media to make meaningful and tangible differences on a societal scale.
Mohammad Namazi (b. 1981. Tehran) is an artist, educator and researcher based in London. Mohammad works through means of de-construction, collaboration, process, unlearning, and telematics systems within social and cultural realms. The studio operates as a research-lab for inter-disciplinary projects that can span video, sound, liveevents, graphics, photography, sculptural structures, and internet-based projects. He received his doctorate from UAL research in 2019, and currently teaches as visiting lecturer at Wimbledon, and Chelsea College of Arts. Mohammad is a member of research cluster Critical Practice.
Matteo Preabianca- Music and Languages…Music and Languages? How come? Matteo starts playing violin when he was a child, but he did not like it, especially when he tried to beat it on the table. It did not make any good sound. So, better drumming, right? Meanwhile playing and spending a lot his mum’s money to buy records he realised even speaking other languages was not so bad. Especially when he invented his own. Step by step, he turned into a music and languages teacher.
Elke Reinhuber is not your average artist, because she became a specialist on choice, decision making and counterfactual thoughts in media arts. Currently, Reinhuber teaches and researches at the School of Creative Media, CityU Hing Kong and is affiliated with the School of Art, Design and Media at NTU in Singapore. In her artistic practice, she investigates on the correlation between decisions and emotions and explores different strategies of visualisation and presentation, working with immersive environments, mixed reality, imaging technologies and performance. In addition, her alter ego, the ‘Urban Beautician’ is pursuing a life which Elke didn’t follow.
Anders Zanickowsky is an American artist and activist who uses platforms like Grindr and Instagram as actual sites for performances about desire, uncertainty, and vulnerability. He is committed to José Esteban Muñoz’s concept of queer futurity in which artists refuse the oppressive confines of the present and reach instead towards what can only be imagined. He has an MFA from the University of Wisconsin-Madison (2019) and was a resident with The Arctic Circle program in Svalbard (2016). Since 2008 he has worked in movements for housing justice, prison abolition, and HIV/AIDS.
Photography by Kathryn Rattray
U.S. Army Photo by David Ruderman
U.S. Army Africa’s G-4 Mobility Division added a sophisticated piece of equipment to its inventory recently that will augment the command’s ability to deploy and re-deploy a wide range of vehicles and cargo in short order.
The arrival at Vicenza of the Deployable Automated Cargo Measurement System (DACMS) drew more than a dozen logistics professionals from Army Africa and the U.S. Army Garrison Vicenza Directorate of Logistics to a briefing, demonstration and hands-on training at Caserma Ederle Aug. 30.
“What we learned last year during exercise Natural Fire 10 is that U.S. Army Africa may be supported by National Guard and Reserve units,” said Alex Menzies, USARAF, G-4 Mobility Division, Air Branch. Many units deploy without their unit movement officers, said Menzies, so Army Africa needs the capability to process and move equipment in country, often in remote locations and under austere conditions.
“This will help us with our through-put at any node, any APOD or SPOD (Aerial Port or Seaport of Disembarkation). With that set-up, you’re saving a lot of time,” said Chief Warrant Officer 2 Terry Throm, G-4 mobility warrant officer.
Lacking tools such as the DACMS made re-deployment of equipment a time-consuming and, occasionally, an iffy proposition.
“We did it the old-fashioned way, with pen and pencil and spreadsheet. We decided we needed the equipment … to be self-sufficient,” Throm said.
The DACMS, which consists of two-laser enabled reading posts and a set of digital, floor-pad sensors, is marketed by Intercomp Weighing of Medina, Minn., and costs $127,000. It electronically measures key data points and automatically enters them into electronic load planning systems, Menzies said.
The latest in vehicle processing technology, the unit is being fielded throughout U.S. military force projection platform locations, including Ramstein, Germany, and Aviano, Italy, said Menzies.
Its efficiency will reduce Installation Staging Area processing time significantly and minimize the deploying organization’s manpower requirements, he said.
“It alleviates a lot of the hands-on we have to do,” said Sgt. 1st Class Marina Dennis, USARAF G-4 Mobility NCOIC. “It cuts down a lot of the time.”
As if to make her point, garrison logistics personnel drove a trailer-bearing Highly Mobile, Multi-Wheeled Vehicle (HMMWV) through the electronic reading posts and over the weighing pads. Within 15 seconds, and without the vehicle operator having to come to a halt, the DACMS had measured and recorded its length, breadth, height, weight, number of axles and center of weight.
Army Africa is likely to put the unit to full use during exercises and training in the year ahead such as the 2011 episodes of Atlas Drop, Judicious Response and Natural Fire, said Menzies.
In addition to deploying the unit to the field, Army Africa can make the DACMS available to other commands and units in Vicenza, for instance the 173rd Airborne Brigade or the garrison Directorate of Logistics, said Throm.
And when it comes to going mobile, The DACMS can fit on a standard Air Force load pallet and be moved quickly to wherever it is needed.
“It’s part of our fly-away kit,” said Menzies.
“We’re hoping it’s a system for the 21st century,” said Throm.
To learn more about U.S. Army Africa visit our official website at www.usaraf.army.mil
Official Twitter Feed: www.twitter.com/usarmyafrica
Official YouTube video channel: www.youtube.com/usarmyafrica
U.S. Army Photo by David Ruderman
U.S. Army Africa’s G-4 Mobility Division added a sophisticated piece of equipment to its inventory recently that will augment the command’s ability to deploy and re-deploy a wide range of vehicles and cargo in short order.
The arrival at Vicenza of the Deployable Automated Cargo Measurement System (DACMS) drew more than a dozen logistics professionals from Army Africa and the U.S. Army Garrison Vicenza Directorate of Logistics to a briefing, demonstration and hands-on training at Caserma Ederle Aug. 30.
“What we learned last year during exercise Natural Fire 10 is that U.S. Army Africa may be supported by National Guard and Reserve units,” said Alex Menzies, USARAF, G-4 Mobility Division, Air Branch. Many units deploy without their unit movement officers, said Menzies, so Army Africa needs the capability to process and move equipment in country, often in remote locations and under austere conditions.
“This will help us with our through-put at any node, any APOD or SPOD (Aerial Port or Seaport of Disembarkation). With that set-up, you’re saving a lot of time,” said Chief Warrant Officer 2 Terry Throm, G-4 mobility warrant officer.
Lacking tools such as the DACMS made re-deployment of equipment a time-consuming and, occasionally, an iffy proposition.
“We did it the old-fashioned way, with pen and pencil and spreadsheet. We decided we needed the equipment … to be self-sufficient,” Throm said.
The DACMS, which consists of two-laser enabled reading posts and a set of digital, floor-pad sensors, is marketed by Intercomp Weighing of Medina, Minn., and costs $127,000. It electronically measures key data points and automatically enters them into electronic load planning systems, Menzies said.
The latest in vehicle processing technology, the unit is being fielded throughout U.S. military force projection platform locations, including Ramstein, Germany, and Aviano, Italy, said Menzies.
Its efficiency will reduce Installation Staging Area processing time significantly and minimize the deploying organization’s manpower requirements, he said.
“It alleviates a lot of the hands-on we have to do,” said Sgt. 1st Class Marina Dennis, USARAF G-4 Mobility NCOIC. “It cuts down a lot of the time.”
As if to make her point, garrison logistics personnel drove a trailer-bearing Highly Mobile, Multi-Wheeled Vehicle (HMMWV) through the electronic reading posts and over the weighing pads. Within 15 seconds, and without the vehicle operator having to come to a halt, the DACMS had measured and recorded its length, breadth, height, weight, number of axles and center of weight.
Army Africa is likely to put the unit to full use during exercises and training in the year ahead such as the 2011 episodes of Atlas Drop, Judicious Response and Natural Fire, said Menzies.
In addition to deploying the unit to the field, Army Africa can make the DACMS available to other commands and units in Vicenza, for instance the 173rd Airborne Brigade or the garrison Directorate of Logistics, said Throm.
And when it comes to going mobile, The DACMS can fit on a standard Air Force load pallet and be moved quickly to wherever it is needed.
“It’s part of our fly-away kit,” said Menzies.
“We’re hoping it’s a system for the 21st century,” said Throm.
To learn more about U.S. Army Africa visit our official website at www.usaraf.army.mil
Official Twitter Feed: www.twitter.com/usarmyafrica
Official YouTube video channel: www.youtube.com/usarmyafrica