AAW: Oct 20-27, 2025: Halloween Outdoors
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Here is the lantern photo that the text book team decided to use. It was really fun to have an assignment and find different ways to illustrate their theme,
The comment has the book design.
i would like to take dis opportunity to tell everyone that
ILL BE IN BAGUIO beginning tom.
review for my NCLEX exam.
wala munang flickr!nyahaha!
pray for me guys para mkapas ako!lol
*thanks evryone= )
© Sigmund Løland. All Rights Reserved.
It`s hard times in the oil industry and it also leaves its mark here.
In Explore 28.12.2016
I don't think this is exactly what my instructor wanted when he gave us our assignment for this week. I love it!
Photo taken through a dirty window looking into the bathhouse at Coe Hall. The purpose of the interiors assignment is to learn how to adjust the camera for the various types of light encountered indoors. Used the polarized filter here.
I don't think I'm ever going to make page 1 of Explore...... sigh......
Here was another treatment of the lantern and lighting. I was going for the homey look with the dish cabinet. Neither this one or Assignment 1 was chosen. But I had fun thinking of new ways to show a lantern.
Dark, mysterious....... I'll take many more photos for this assignment!
I love stairways. Especially the winding, marble stairway at the New York Public Llibrary.
Styling assignment: Camera: Canon 1DX Mark II. Lens: Canon 24-70mm, f/4.5, SS: 1/50, ISO 200. Light source: Canon 600EXII-RT Speedlight w/Impact 24" x 24" Quickbox with grid. Note: Child was not sitting on a shelf. He was laying with his back on the floor. Image was shot from above.
Every piece of assignment is unique and full of brilliant ideas. All my ideas translated into thousand of words that explain everything you need to know about the particular topic.
Here i used blue torchlight to focus on the outer ring and took the photo.
Object: Assignment binder.
Taken by Iphone 4S.
This assignment was about the choice and use textures and backgrounds to complement or contrast.
www.youtube.com/watch?v=7AcfKFjgMJ8 - "Wherever You Go" - Brian Simpson
In shooting this plant, my first concern was "trying to tame the chaos." This plant possessed a fierceness to it, with petals and shapes going every which way. I found it seductive but extremely busy. Did I want deep DOF with front to back sharpness, or did I wish to go soft and romantic with shallow DOF focusing on the some petal edges closest to me? (I went deep.)
The vibrancy and color of this plant is always a troublesome one for me (and my cameras). Do I go for auto white balance or custom? (I went both.) I shot against a white background under soft, natural light (basically northern sky) to eliminate shifting color-of-light temp issues.
After shooting was done, I picked the image I liked most and started to process it. I often work fast as I process. Music sometimes sets my mood and pace; other times it reflects it. When working fast I tend to work more intuitively (feeling) and not consciously (thought), although I'd be uncomfortable trying to put a % to that mix.
Periodically I stop to see if the image is looking as I want.
Oddly enough, if an image isn't "making it," I seldom start over from scratch (raw file). I don't know why. I just make corrections as I go, usually by adding layers (sometimes I label these layers, sometimes I don't; I wish I always did. I get lazy). In my younger days I studied painting (oil and acrylics). You don't chuck a canvas when something isn't working, you just paint over it (the Mona Lisa is about 30 layers deep. Yes, 30!) That attitude still lives for me.
Image done. Then to the assignment. Pick a texture - again, a mainly intuitive process. Apply and process it. Adjust color (hue, saturation, contrast), blur, sharpen, depth to suit. Process more. This can often take as much work or a long to do as processing the image. Most times I use only one texture (repeated as desired. On occasion, two. Seldom more).
Now the process feels more purposeful. Analyze the image with a conscious eye, looking for what's working, what's not, what do I want? Make changes; sometimes really itsy-bitsy ones that no one will ever see or note, and I probably won't remember having made.
Finally I get to, "Enough. I'm done. It's done."
The great, New Wave film-maker, Francois Truffaut is reported to have said about film-making, "You you start a film, you want to make a truly Great Movie. Halfway though, you're working to make a Good Movie. By the end you just want to get the damn thing done and not be ashamed of it."
Yep. Sounds about right.
Texture: my own.
Assignment 52 -- "Fine Art" -- what might you hang on your wall?
This assignment inspired me to experiment with HDR, to attempt an "old masters'" sort of glow to a still life. Amazingly fun & addictive!
(Shot in natural light, late afternoon sun.)
The assignment was to use Photoshop's Vanishing Point filter to wrap a banner or sign around a building. I decided to use a picture of the girls. I could have put more time into this. But, I had to get it done in a hurry. Using the filter was easy. The only work involved was making sure the light pole was in front of the banner. I should have darkened the right side of the banner a little as the light source is hitting the building on the other side. But, once again, I put this together quickly. I also should have created a crease going along the corner of the building. I'll probably fix these issues and replace this image at some point soon.
Active Assignment Weekly: April 15-22, 2024, Simplicity. To me, simplicity means no distractions. I decided to use two of the many different techniques available to achieve this - fill the frame ("After the Rain") and negative space ("Beach Time"). Both photos were taken at Point Pelee National Park, Ontario. You'll be seeing a lot of pictures from this park, as I am here for two months (it is a bird migration hotspot).
SUNRISE OTTER CLIFF ACADIA NATIONAL PARK MAINE COAST NEW ENGLAND LANDSCAPE
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They all fit nicely into this ONA Brixton. Question is... Do I need all of them on assignment?
Since getting rid of all my Canon gear last summer, I am very happy with the image quality of the Fuji X-System and its' form factor. Much more portable!
Taken for Assignment 52 assignment #4..Only had the use of white paper for backdrop,window light and a mirror for fill light.
Swarali Photo Assignment (November, 2015)
Title:
People:
Place:Redmond
Date:2015:11:14 17:40:47
File:DSC_7036.jpg
I've now moved on from DPS assignments(more's the pity) You can follow my blog as I explore New Zealand here-
Believe me, this was way harder to achieve than it looks. I had to do two trips to the beach as I just could not get the angles right on the first day. The angles of the vertical lines changed depending on how far the camera was from the box, what the POV angle was and how wide I had my lens, and not being able to clearly see my screen on my camera didn't help either. I had to enlist Mr FKG to help me draw it today, it took over an hour to get it right(and it could have still done with some tweaking) but we were running out of light.
"Best of the Year 2012"- Sand Box
This was orignally submitted for the Forced Perspective assignment. I chose this shot for my "Best of Year" mainly because of the planning and the time & effort that went into creating it which included two visits to the beach (as I just couldn't get the angles right the first time). While it might look simple enough it was a tough challenge to draw, I had to draw around 10 large "boxes" before I finally got the right perspective.
A pretty complicated setup for a relatively plain shot. This week's submission for the next 102 assignment, the concept being 'going green'. Seeing as we are going through a phase of 'grow your own' at home, I thought that a shot symbolising this would be in order. However, I didn't bank on the unfeasibly good weather that we have for the last two days. This is great for the suntan and the bbq skills, but less so for the strobist fun, as it's far too bright to take any outdoor shots during the day.
By the time the evening comes bringing more appealing light, I've generally had a glass or two of vino (especially as there was a certain sports game this afternoon that shall not be mentioned); and I can't get my head around the finer points of subtle lighting after booze.
Strobist: SB28 in snoot rear and camera right, providing the hard directional light on the right hand side of the 'hill'. A silver 'tin foil' reflector slightly above the camera angled down to provide the main fill on the shot. Two tricky bits:
i) I had to gobo the bare light with a) my laptop (makes a good flag) and b) a bit of gaffer tape stuck to my laptop, in order to prevent nuking the stem and leaf.
ii) it was tricky to get the reflected light to hit 'just' where I wanted it, so I stuck a torch (flashlight) on top of the strobe to get an idea of what the light was doing.