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Strobist Lighting102 Assignment: Cooking. With a chrome nutcracker, I placed on a pink plastic cutting board, and then used a green plastic cuttingboard as a reflector.
1 Flash, bounced off white ceiling, 1/2 power, radio trigger on a stand, camera right. 1/250 @ f/5.6
Sorry about the poor quality, it's a screenshot from a webcam. This is from one of my university assignments dealing with augmented reality. The program we are using tracks markers and places an object on them in 3D space, so in reality we can't see those objects on the markers, but they are displayed on the screen exactly how it is presented in this photo. These objects are part of a demo, we didn't make them ourselves.
Product Lighting/Custom Color Printing joint assignment:
using fruits and/or vegtables of your choosing created two 8x10 color prints, one demonstrating saturated colors, and one demonstrating desaturated color(s).
This is my saturated image.
taken with: Mamiya C220 on Kodak Portra 160NC.
scanned full frame on an Imacrom mulit-format drum film scanner.
Assignment - Helene, by Edward S. Aarons
Gold Medal d1660, 1966
Cover art uncredited
#9 in the Sam Durell "Assignment" series
Active Assignment Weekly: June 27 - July 4: Body Parts
Your assignment is to photograph body parts. Keep the props, or clothing to a minimum and really focus in on a body part. With that said PLEASE remember the group rules and keep it clean.
Dare: Make it abstract or hard to tell what part of the body you have chosen (please refrain from the cliche arm or leg crack made to look like a butt)
Restriction: No full face or full body shots, and as stated before no naughty areas.
WIT: Struggled with this one really. Finally lassoed a willing model, and as I was taking photos of the back of his neck, I saw this shot. We were both amazed at how freckled his fingers are as shown in the shot. Taken outside in evening cloudy light. Desaturated reds and added an inverted highpass filter with soft light blending after contrast and brightness adjustments. No cropping. I know it's grainy, but so is the owner of this fist.
Chico State’s #4 Joshua Hamilton fires a shot over a defender during the Wildcats’ game against Cal State Dominguez Hills on Thursday, January 5, 2023 in Chico, Calif.
(Matt Bates/University Photographer/Chico State)
Hogg takes command of U.S. Army Africa
10 June 2010 - By Rick Scavetta, U.S. Army Africa Public Affairs
VICENZA, Italy – During a ceremony today at Caserma Ederle’s Hoekstra Field, Maj. Gen. David R. Hogg assumed command of U.S. Army Africa.
Gen. William E. Ward, commanding general of U.S. Africa Command presided over the ceremony, which signaled the departure of outgoing commander, Maj. Gen. William B. Garrett III.
Hogg, who recently served as deputy commanding general of Combined Security Transition Command-Afghanistan, said he is delighted to become part of the Vicenza military community.
“After 29 years of service and six overseas assignments to include Germany, Panama and Belgium, this is our first opportunity to be in Italy,” Hogg said. “We are absolutely thrilled to be here.”
Hogg said he is excited to be a part of U.S. Army Africa, the Army's newest service component command, challenged with developing relationships with land forces in Africa and supporting U.S. Army efforts on the African continent.
Ward reminded the crowd that U.S. Army Africa has accomplished some great things since Dec. 2008, when it began its transformation to becoming the Army service component command for U.S. Africa Command.
“In that short time, the command has formed, grown, and matured into an active and effective outfit and has established strong strategic relationships with the ground forces in Africa,” Ward said. “U.S. Army Africa not only succeeded, they excelled. In fact, they thrived on the opportunities they were given.”
Garrett took command of the Southern European Task Force in 2008. He commanded SETAF throughout its transformation to U.S. Army Africa. Garrett now heads to Iraq, where he will serve as the chief of staff, U.S. Forces Iraq.
“We look forward to building upon the systems that Maj. Gen. Garrett and Mrs. Garrett have developed,” Hogg said. “We are truly thankful for the warm welcome that we have received from the community and, especially, the Garretts.”
Photo by SFC Kyle Davis USARAF PAO
This week's assignment: "Film Noir", French for "black film". This will probably be a more difficult assignment that will require much more preparation because mood as well as lighting are important aspects as well as creating a story.
Here is Wikipedia's definition:
"Film noir is a cinematic term used primarily to describe stylish Hollywood crime dramas, particularly those that emphasize cynical attitudes and sexual motivations. Hollywood's classic film noir period is generally regarded as stretching from the early 1940s to the late 1950s. Film noir of this era is associated with a low-key black-and-white visual style that has roots in German Expressionist cinematography. Many of the prototypical stories and much of the attitude of classic noir derive from the hardboiled school of crime fiction that emerged in the United States during the Depression."
Think of old movies, such as The Maltese Falcon" or relatively new ones like "Sin City".
Shot for Active Assignment Weekly, theme "In the style of Yasuhiro Ogawa".
WIT Just like Felix, I had sudden snow during our long weekend stay in Berlin. It was magnificent and of course we also took a day trip in the city on bicycle. In that snow... It was great.
I edited the shot in what I think to be the style of Yasuhiro Ogawa. Made some of it darker, some I lit up (especially the umbrella) and I added a Dutch Angle. It was a fun assignment!
Chico State’s #10 Jiana Creswell fires a three pointer during the Wildcats’ game against Cal State Dominguez Hills on Thursday, January 5, 2023 in Chico, Calif.
(Matt Bates/University Photographer/Chico State)
For this assignment, I volunteered to photograph the support staff and volunteers at my son’s elementary school for the year book. This is Brenda, the crossing guard helping two students cross the street on Halloween. Over the next month or so I have 30 more to do.
Strobist info:
SB800 camera left, at full power, iso=200, f10, 1/180
The assignment of the week: Rule of Thirds. I got excited and went straight away to demonstrate an example. Sorry for being so sudden about it XD.
Minimum photos to submit: 1
Maximum photos to submit: 5
Last date for submissions: 1/22/2010 (Next Friday)
Resolution should not exceed 600pxl on the longest side (horizontal or vertical)
Heavy post processing will disqualify the submissions. Only contrast adjustments and cropping allowed.
This is what I can think of right now. I'll try to give it more thoughts later and update the rules and other related stuff to make it better. Now I have to study to make up for the time I lost preparing all of this >_<
Do you ever set yourself up with a nearly impossible assignment such as
capturing a bee in flight? It's a fun exercise. It can also make you very
dizzy! :)
The setup on this shot is as follows:
A single flash, to camera right from a distance of about 15 inches from the egg separator. Shot through a "gel" (Ok not really a gel, but a bottle of Dawn dish detergent about 1 inch off the flash face) on each side of the utensil, and just over are sheets of white copy paper (so, three in all) to catch the white light that escaped around the "gel" and reflect back on the separator.
I tried to give the illusion of a multi-light setup using a single flash.
Assignments help from homework joy #assignmenthelp #assignmenttracker #assignmentplanner #assignmenttrackerbulletjournal
Assignment: PCA03 - Isolated Subject
Deadline: October 1st, 2007
Mission:
Show us an isolated subject. Razor sharp focus on the subject, and completely blurred to annihilation backgrounds. This can be accomplished by using a wide aperture and having a distant background. If using a less sophisticated camera, try using the portrait mode or macro mode. If you cannot get the background out of focus, then choose a featureless background.
I took a lot of pictures for this assignment and I think I liked the ones of this fence the least, but it is the only one where one subject is in razor sharp focus. All my others ones suffer from soft or blurry edges on the main subject. I did some post-processing work on this photo: cropping and trying to dodge out the bright white spot in the middle of the photo. It sort of worked. I still think it is too bright in comparison to the rest of the background, but any darker and it started to look strange.
Assignment - Sulu Sea, by Edward S. Aarons
Gold Medal d1654, 1966 reprint
Cover art uncredited
#20 in the Sam Durell "Assignment" series
Assignment trial shot for Light 102 Umbrella Specular.
I was surprised at the difficulty in the set up. Small changes made a big difference when I was trying to get a halo on old St Nick. This is a 30 inch Santa with a hand carved wood face.
Single white shoot thru umbrella with two SB800's paired into it. Camera D70 with 17-55 lens. CLS used to fire speedlights set on manual 1/8 power. Camera at 1/60 f5.6. White wall about 5 feet to camera left gave slight fill with the shadows.
While shooting an assignment from the Photographer's Playbook (Angela Kelly's The Street as a Theatrical Tableau p 173), I found a good location where the architecture supports framing images with symmetry and a frame within a frame, etc.
The idea was to use people passing in and out of the frame as actors in a spontaneous play. Shot in downtown Denver on a Sunday, this elevated urban park was desolate, so I shot a self portrait.
Instagram: @helloandyhihi
Twitter: @andybosselman
Website: www.andybosselman.com
Assignment 52 -- Painting with light
Here are Hemingway characters, in a cafe, preparing their drinks: "...the young man poured the water in a very thin stream and the girl watched the absinthe cloud opalescently. It felt warm as her fingers held the glass and then as it lost the yellow cast and began to look milky it cooled sharply and the young man let the water fall in a drop at a time."
(This was taken with two small stationary flashlights pointed at the glass, one on each side, & another flashlight briefly moving along the absinthe spoon handle, then briefly on the stream of water, during the 10 second exposure.)
this is a photo of the second part of a photo class assignment i had to present this week. for the assignment we were to make a walk and then also make an intervention of some sort in the environment. for inspiration we were introduced to the work of Richard Long and other walking artists.
for my walk and intervention i went to our property on the north end of Vancouver Island. a few weeks ago there was a landslide in the area and the land mass on the edge of our property and to the south of it underwent a drastic change. i don't have before photographs but a creek that could hardly be seen because of forest and thick undergrowth was now a 100 ft wide open area with trees down everywhere. a pullout between the road and the ocean that could easily fit 5 trucks was now completely gone.
i walked and took photographs of the landslide clean up and then went into the forest nearby and cleared a small area, set out bowls, filled them with earth and pine cones and then lit incense. then i took the bowls of ashes and earth down to the creek and submerged them in the creek.
i've posted each of the photos in this work on my website here
Strobist: desk lamp camera left, sb-28, snooted and gelled with a 1/2 CTO - camera right, above and behind subject.
IMO, it's not quite controlled enough for the assignment, but what the hey...
Didn't realize I was shooting at ISO 640 until I had taken down the setup, which accounts for the noise.
Vincent Sy races around the track during a live version of Mario Kart with trikes put on by Recreational Sports on Monday, January 30, 2023 in Chico, Calif.
(Matt Bates/University Photographer/Chico State)
WELLINGTON, NEW ZEALAND - August 27:Gala Dinner at Scots College August 27, 2016 in Wellington, New Zealand. (Photo by Mark Tantrum/ www.scotscollege.school.nz/)