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cut the bread like a soup bowl, then hollow it out (save the center for bread crumbs or soup). place a steak on the bottom, then most of the mushrooms/shallots (add parsely for added awesome), then another steak, then some horseradish spread, spread some mustard on the 'lid', pour in the remaining duxelle (the mushroom/shallot mixture) and then put the lid on.
Assemblea Provinciale Confcooperative al Centro Paolo VI con elezione nuova presidenza e conferma del presidente Marco Menni. Brescia 27 febbraio 2016 - Ph Christian Penocchio
You can see that i have drilled holes in the piece of aluminum from the clock and hung the chimes. I played around with the order of them but having them in the same order as the xylophone makes the nicest sounds.
Here is the completely assembled box. The SparkFun breakout is enclosed, and the backing of the enclosure is in place. You can see the USB port on the side for power, though there is some space inside the enclosure for a LiPo battery. The USB port would remain however for charging.
Penn State University, State College, PA. Millenium Science. MKT pre-assembled much of the ductwork in these pictures. The customer was very happy with the time saved in the field.
Assemblea degli iscritti e dei simpatizzanti al Partito Radicale presso la libreria Minerva (Trieste 04/11/2017) - Foto di Sergio Keller e Renato Manara
La registrazione dell'assemblea alla pagina:
www.radioradicale.it/scheda/524187/assemblea-del-partito-...
For now the tongue jack side blocks will stack loosely. In future they will us a dowel and socket arrangement to keep them from shifting.
Open your eyes to the changing role of folk art as it influences Southern culture through a collection of 500 artifacts ranging from pottery to musical instruments.
Highlighted artists include the Meaders and Hewell family pottery makers, chair-maker Walter Shelnut, Cherokee basket-maker Lucille Lossiah, the Reeves family of basket makers, story quilter Harriet Powers and blacksmith Philip Simmons.
Throughout the exhibition, videos present folk art processes and are complemented by touchable examples of highlighted works. Two enclosed rooms create listening environments for visitors to hear folk storytelling, singing and instrumental music.
“The changing role of folk arts, once central to the lives of ordinary southerners, offers fresh insights into the region’s social history.” - Curator John Burrison
Highlights:
Pottery by David Drake (1801-late 1870s), the best-known enslaved African American potter, known simply as Dave until Emancipation. He learned the craft at Pottersville in Edgefield District, South Carolina, and was given the limited freedom of signing his pots and inscribing them with his own poetry.
A significant collection of Appalachian folk pottery assembled by guest curator Burrison, author of Brothers in Clay and From Mud to Jug: The Folk Potters and Pottery of Northeast Georgia.
Sacred and secular music listening rooms.
Props from the celebrated folk drama Heaven Bound, performed annually since 1930 at Big Bethel African Methodist Episcopal Church.
A changing display of quilts from the Atlanta History Center’s collection.
Videos featuring the Meaders and Hewell family pottery makers, chair-maker Walter Shelnut, Cherokee basket-maker Lucille Lossiah, the Reeves family of basket makers, story quilter Harriet Powers, and blacksmith Philip Simmons.
Southern-made furniture as found in the catalog Neat Pieces: The Plain-Style Furniture of Nineteenth-Century Georgia
Musical instruments including dulcimers, banjos, mandolins, and guitars.
Displays of Southern foods and foodways including grits, gumbo, and hot pepper sauce.
Display of contemporary folk traditions including duck decoys, Hmong textiles, Seder celebrations, and more.
www.atlantahistorycenter.com/exhibitions/shaping-traditio...
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