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IN ENGLISH BELOW THE LINE
Foto presa amb una Zeiss Ikon Super Ikonta 531, fabricada el 1938 i venuda a Budapest; Carl Zeiss Tessar f3.5 / 75mm; Kodak Ektar 100, revelat amb procés C41 modificat a "bleach bypass", amb el kit de Tetenal. La càmera fou fabricada el mateix any que es lluità al Ebre, potser mentre aquestes trinxeres eren excavades i disputades.
Fotografies de la zona de combats de la Batalla del Ebre (1938).
Al oest del camp de batalla del Ebre, prop ja del limit amb Aragó, hi ha les restes d'una linea fortificada que no hi té relació directa, ja que no s'hi va combatre mai, però que és força interessant. De fet, sembla que arribar a reconquerir-la hauria estat un dels objectius de la ofensiva republicana.
La "linea del Algars" era part de les defenses que ja el 1936 s'havien dissenyat i construit a Catalunya davant la eventualitat que els feixistes trenquessin el front a Aragó. Fou construit per la Generalitat de Catalunya i la CNT. L'altra era la Linea del Cinca, encara més ferma. Aquestes restes corresponen al anomenat "Fort de Milet" (o Milets o Millet). Costa de veure (i de arribar-hi) avui en dia, ja que està parcialment dinamitat i ple de sotabosc. Però en linies generals comptava amb cuatre posicions obertes per artilleria, cadascuna de les quals amb un tunel al darrera per tal de portar la peça, guardar la munició, i suposo que protegir-hi la peça en cas de bombardeig. Tot això coronat per un observatori d'artilleria fortificat. Els recursos que s'hi dedicaren, considerant el moment (el caos inicial de la guerra), son molt importants.
Per desgracia, tot el concepte sembla ja a l'època força anticuat i superat, inspirant-se en bateries de combat d'estil francès de finals del s. XIX i a sobre senes pràcticament us ni de formigó ni de acer, pel que la seva protecció davant un bombardeig pesat seria molt dubtosa. I a sobre, com TOTES les linies de defensa construides durant la guerra a Catalunya, fou abandonada sense combat. En fi...
La batalla de l'Ebre (25 juliol - 16 novembre de 1938) fou la més important i mortifera de la guerra civil espanyola. Hi ha que també la consideren també la més decisiva, però crec que per desgracia la guerra ja estava decidida de molt abans, com a minim des del trencament del front d'Aragó el 9 de març del mateix any.
Tot i que l'exèrcit republicà creuà l'Ebre el 25 de juliol del 1938 per molts punts entre Mequinensa i Amposta, la major part dels combats de la batalla es donaren a la Terra Alta, a la zona entre Vilalba dels Arcs, La Fatarella, Camposines i Gandesa, a més de la Serra de Pandols.
orimiro78.com/2012/11/16/la-defensa-de-lalgars-possible-l...
www.festacatalunya.cat/articles-mostra-11739-cat-fort_de_...
ca.wikipedia.org/wiki/Fort_de_Milet
ca.wikipedia.org/wiki/Batalla_de_l%27Ebre
============================================
Photo taken with a Zeiss Ikon Super Ikonta 531, made in 1938 and sold in Budapest; Carl Zeiss Tessar f3.5 / 75mm; Kodak Ektar 100, developed with C41 process modified to "bleach bypass", with the Tetenal kit. So the camera and the battlefield date to the same year. Maybe even the camera was made while combats were rising in those trenches.
To the west of the battlefield of the Ebro (1938), near the border with Aragon, are the remains of a fortified line that has no direct relationship, as it was never fought, but which is quite interesting. In fact, it seems that getting to reconquer it would have been one of the goals of the Republican offensive.
The so called "Algars Line" was part of the defenses that had already been designed and built in Catalonia in 1936-37 in the event that the fascists broke the front in Aragon (which they did in 1938). It was built by the Generalitat de Catalunya and the Anarchist CNT. The other was the Linea del Cinca, even firmer. These remains correspond to the so-called "Fort of Milet". It’s hard to see (and get to) today, as it’s partially dynamite and full of undergrowth. But in general it had four open positions for artillery pieces, each with a tunnel in the back to carry the gun, store ammunition, and I suppose to protect the piece in case of bombardment. All this crowned by a fortified artillery observatory. The resources devoted to it, considering the moment (the initial chaos of the war), are very important.
Unfortunately, the whole concept seems already at the time quite outdated, inspired by French-style combat batteries of the late s. XIX (like in Verdun and the Serée de Rivieres Line) and even without practically no concrete or steel in the structure, so its protection against heavy bombardment would be very doubtful. And on top of that, like ALL the lines of defense built during the war in Catalonia, it was abandoned without a fight.
The Battle of the Ebro (July 25 - November 16, 1938) was the most important and deadlier of the Spanish Civil War. There are those who also consider it the most decisive, but I think that unfortunately the war was already decided long before, at least since the breaking of the front of Aragon on March 9 of the same year.
www.festacatalunya.cat/articles-mostra-11739-cat-fort_de_...
www.youtube.com/watch?v=bxQZ_gKCHtk
en.wikipedia.org/wiki/Battle_of_the_Ebro
Maybe the inspiration and general idea for this "fort" is something like this:
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ИГОРЬ ГРАБАРЬ - Дорожка в усадьбе
☆📝
Mikhail Suslov Private Collection, Moscow, Russia.
Sources: www.tg-m.ru/articles/3-2022-76/mne-nuzhno-tolko-iskusstvo...
s-t-o-l.com/material/39636-meshcherin-ne-sbivalsya-na-pes...
Photographed at the "Special anniversary project" exhibition, April - August 2021. Museum of Russian Impressionism, Moscow, Russia.
Taken on April 30, 2021.
On this canvas, the master captured a fragment of a manor house in Dugino - the residence outside Moscow of his great friend, the impressionist Nikolai Meshcherin. Grabar was a frequent guest of the estate, where he came more than once and worked for a long time, starting in the winter of 1903. It was Grabar who had the most serious influence on Meshcherin as an artist.
Rus: На этом полотне мастер запечатлел фрагмент усадебного дома в Дугино - подмосковной резиденции его большого друга, художника-импрессиониста Николая Мещерина. Грабарь являлся частым постояльцем усадьбы, куда он не раз приезжал и подолгу работал, начиная с зимы 1903 года. Именно Грабарь оказал наиболее серьёзное влияние на Мещерина как художника.
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Find me uncensored on:
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It’s extraordinary that every irrational and questionable thing Donald Trump has done up to this point has bounced off him. Mr. Teflon Man's misogyny, narcissism, racism, impeachment, and his failed promise of being president for every American have had little effect on his approval ratings. His base remains true to him. But, with 5 months to go before the election, suddenly multiple threats to our lives have coalesced. Together, his mishandling of the pandemic and of the public outrage caused by the death of George Floyd is becoming his Waterloo. All the negatives of Trump's tenure are reaching a critical mass.
His self-interest is crystallizing in a way his call to Ukraine's President Volodymyr Zelensky failed to do. His denial of the COVID-19's danger to our lives and his gross negligence in handling the pandemic, even ceding presidential and federal responsibility, leaving states to fend for themselves, have cost people's lives. It has been estimated that over 36,000 people died because of his 70 day delay in acknowledging the threat. On March 9, Trump tweeted, "Nothing is shut down, life & the economy go on. At this moment there are 546 confirmed cases of CoronaVirus [sic], with 22 deaths. Think about that!" The President suggested the flu was worse than the coronavirus. And now, over 127,000 Americans are dead.
Trump was worried the resulting stock market crash would adversely affect his chances for re-election. So it was in his best interest to deny the seriousness of the virus. The economy, he thought, was his crowning achievement and would be the foundation of his re-election campaign. Yet, the stock market and low unemployment did not accurately convey the real health of our economy when many were living paycheck-to-paycheck. And workers are becoming disenchanted with the failure of companies to make them partners in their success.
Then the country (and the world) erupted when the video of George Floyd's death surfaced. Minneapolis policeman Derek Chauvin held his knee on Floyd's neck for 8 minutes and 46 seconds while he pleaded for his life. The event was not only shocking, it tore the scab off of the systematic racism that African Americans and other minorities had suffered for hundreds of years.
But President Trump mishandled the largely peaceful protests. On June 1, in a White House Rose Garden press conference, he stated, "I am your President of law and order... we are entering the riots and lawlessness that has spread throughout our country. We will end it now. Today, I have strongly recommended to every governor to deploy the National Guard in sufficient numbers that we dominate the streets." While the vast majority of protests were peaceful, the President continually reiterated the necessity for showing overwhelming force. In a call with governors, Trump told them, "We're strongly looking for arrests. You have to get much tougher.... You have to dominate. If you don't dominate, you're wasting your time. They're going to run all over you, you'll look like a bunch of jerks. You have to dominate, and you have to arrest people, and you have to try people and they have to go to jail for long periods of time." And then there was his infamous PR stunt, strutting to St. John's Episcopal Church, a block away from the White House, where he simply stood there holding up a Bible. To do so, the US Park Police cleared his path through peaceful protesters with pepper balls and smoke canisters.
Calls to remove racist signifiers throughout the country crescendoed. Confederate statues on government grounds were removed. Some protesters took it upon themselves to bring them down. While many organizations decided to do the same. The American Museum of Natural History decided to remove James Earle Fraser's Equestrian Statue of Theodore Roosevelt from their entrance. The statue commemorates Roosevelt, a naturalist, but it also "communicates a racial hierarchy," according to the museum's website, with the former president on horseback, followed by an African American and an Indian. Mississippi's Republican legislature voted to redesign the state flag, removing the Confederate battle emblem. And both country music groups Lady Antebellum and the Dixie Chicks removed words in their names that reflected the 19th century South. They are now Lady A and The Chicks, respectively. We are reaching a collective and bipartisan tipping point. Except for the President.
Every day, it seems his actions become more abhorrent. On Sunday, June 28, Trump tweeted a video of a parade in Florida where people repeatedly yelled "white power" from golf carts festooned with Trump campaign posters. Trump tweeted "fine people," but claims he didn't hear the phrase in the video (it's easy to hear).
Finally, the New York Times reported US intelligence knew Vladimir Putin had offered the Taliban a bounty for each American service person killed in Afghanistan. The Times stated Trump had been briefed in March but took no immediate action. He denied reading the brief. Joy Behar of The View reacted by saying, "If he didn't see the brief then he's incompetent; if he did see the brief, he's a traitor." The Washington Post's David Ignatius wrote, "Through this agonizing period, Trump kept up a buzz of happy talk about improving relations with Putin, including the possibility of inviting Russia back into the Group of Seven. Were Trump's commanders too afraid to warn him of this folly?" Given the President's temperament, it wouldn't be surprising. So, add to the already overflowing incompetence of Trump's presidency the notion of systematic ignorance.
It's all coming together. Donald Trump claims to be a patriot, a forceful advocate of law and order. But our democracy is at risk with "patriots" who act like dictators. If Trump were a statue, it would be time to haul him away. We might say the same about the President himself.
See the rest of the posters from the Chamomile Tea Party! Digital high res downloads are free here (click the down arrow on the lower right side of the image). Other options are available. And join our Facebook group.
Follow the history of our country's political intransigence from 2010-2018 through a six-part exhibit of these posters on Google Arts & Culture.
Cassia Chloe for indigo Magazine
indigo.com.ge/articles/kasia-kloe-0
Fire Artist and Performer
Tbilisi Georgia
Photography by Saba
If you don't know, Story Embers is a Christian Writes website where they post regular articles, poem, and podcast.
You can join a guild and discuss ANYTHING with a group of like-minded writers.(✨GO Rillumen!✨) They also have a guild for artist.
It's run by some AMAZING people and I'm so glad to be a part of it.
If your interested I encourage you to go check it out.
I remember when they first launched the site. Sitting there, watching the countdown.
*sigh* good times
Today they made special announcements and held a live chat.
The pic above is just a small portion of chat where (for the second time) my friends and I had to defend pineapple pizza😂 .
Color Coding
Red: pineapple haters
Green: Pro pineapple
Blue: Veraza
Orange: Shadow
Purple: Me
Do any of you like pineapple pizza?
Stay Safe, Eat Doughnuts (╭☞ ⌐■ ◞ ■ )╭☞