View allAll Photos Tagged article,
An article in The Lemington Courier
And the full set of photographs is at www.flickr.com/photos/jakeyjb/albums/72157606398437551
As for the appeal; so far, I've been able to track many of the 'kids'.
January 2020
In November 1974 I was sent to photograph Bath Place Community Venture in Leamington Spa for an article in the weekly student newspaper The Warwick Boar which reported;
"After much hard work by everyone concerned, Bath Place Community Venture is now in its seventh month and is flourishing. It aims to provide a creative environment and a focal point for people in Leamington.”
I turned up, completely unannounced, and with no background information walked into the adventure playground and just started taking photographs. This was the 1970s; the kids were more than flattered to have their photograph taken.
Demel
The title of this article is ambiguous. Other uses, see Demel (disambiguation).
K.u.K. Hofzuckerbäcker Ch Demel 's Söhne GmbH
Founded in 1786
Coffee and pastry industry
Products Coffee, tea, cakes
website www.Demel.at
Interior furnishings from Komptoir Demel in Vienna, from Portois Fix
When decorating goods Visitors may watch.
Demel is one of the most famous Viennese pastry at the carbon (cabbage) market (Kohlmarkt) 14 in the first Viennese district Innere Stadt. Demel was a k.u.k. Hofzuckerbäcker and runs this item today in public.
History
1778 came the of Wurttemberg stemming confectioner Ludwig Dehne to Vienna. 1786, he founded his pastry shot at the place of St. Michael. Dehne died in 1799 of tuberculosis. His widow then married the confectioner Gottlieb Wohlfahrt. In 1813 they bought the house in St. Michael's Square 14. Despite numerous innovations such as frozen the company's finances could not be rehabilitated. After the death of Gottlieb Wohlfahrt in 1826 the widow and her son from her first marriage August Dehne succeeded but the economic boom. August Dehne managed to great wealth, he invested in land. As the son of August Dehne struck another career as a lawyer, Dehne sold the confectionery in 1857 to his first mate Christoph Demel.
Demel also had success in the continuation of the company and established it to a Viennese institution. After the death of Christoph Demel in 1867 his sons Joseph and Charles took over the business, which is why it since "Christoph Demel 's Söhne" means. On request Demel received 1874 the Hoflieferantentitel (the titel as purveyor to the court). The proximity to the Imperial Palace directly opposite made business more profitable. The Hofburg borrowed from Demel occasionally staff and tableware for special occasions such as proms and parties. Recent developments in the art of confectionery were brought from Paris. Trained at Demel, professionals quickly found employment.
1888 Old Burgtheater was demolished at Michael's place and transformed the place. Demel had to move out of the house and he moved to the Kohlmarkt 14. The new store inside was equipped inside with high costs by purveyor to the court Portois & Fix. The interior is decorated in the style of Neo-Rococo with mahogany wood and mirrors. Regulars were members of the Viennese court as Empress Elisabeth, and other prominent members of the Vienna society of the time, the actress Katharina Schratt and Princess Pauline von Metternich. A peculiarity of Demel from the time of the monarchy is that the always female attendance, which originally was recruited from monastic students, is dressed in a black costume with a white apron. They are called Demelinerinnen and address the guest traditionally in a special "Demel German", which is a polite form of the third person plural, omitting the personal salutation and with questions such as "elected Have you?" or "want to eat?" was known.
After the death of Joseph and Carl Demel took over Carl's widow Maria in 1891 the management. She also received the k.u.k. Hoflieferantentitel. From 1911 to 1917 led Carl Demel (junior) the business and then his sister Anna Demel (4 March 1872 in Vienna - November 8, 1956 ibid ; born Siding). Under her leadership, the boxes and packaging were developed by the Wiener Werkstätte. Josef Hoffmann established in 1932 because of a contract the connection of the artist Friedrich Ludwig Berzeviczy-Pallavicini to Anna Demel. The design of the shop windows at that time was an important means of expression of the shops and there were discussions to whether they should be called visual or storefront (Seh- or Schaufenster - display window or look window). While under the Sehfenster (shop window) an informative presentation of goods was understood, the goods should be enhanced by staging the showcase. From 1933 until his emigration in 1938 took over Berzeviczy-Pallavicini the window dressing of Demel and married in 1936 Klara Demel, the adopted niece of Anna Demel.
During the Nazi regime in Austria the confectioner Demel got privileges from the district leadership because of its reputation. Baldur von Schirach and his wife took the confectioner under their personal protection, there were special allocations of gastronomic specialties from abroad in order to continue to survive. But while the two sat in the guest room and consumed cakes, provided the Demelinerinnen in a hallway between the kitchen and toilet political persecutws, so-called U-Boats. Those here were also hearing illegal radio stations and they discussed the latest news.
1952 Anna Demel was the first woman after the war to be awarded the title Kommerzialrat. She died in 1956. Klara Demel took over the management of the bakery. Berzeviczy-Pallavicini, who lived in the United States until then returned to Vienna. After Clara's death on 19 April 1965, he carried on the pastry. During his time at Demel he established the tradition to make from showpieces of the sugar and chocolate craft extravagant neo-baroque productions. Baron Berzeviczy sold the business in 1972 for economic reasons to the concealed appearing Udo Proksch, who established in 1973 in the first floor rooms for the Club 45; also Defence Minister Karl Lütgendorf had his own salon. After Proksch was arrested in 1989 in connection with the Lucona scandal, he sold Demel to the non-industry German entrepreneur Günter Wichmann. 1993 it came to insolvency. Raiffeisen Bank Vienna as principal creditor, acquired the property in 1994 from the bankrupt company to initially continue itself the traditional Viennese company through a subsidiary. In the process of the renovation in March 1995 on the fourth floor were mura painting from the 18th century exposed and the baroque courtyard covered by a glass construction which since the re-opening on 18 April 1996 can be used as Schanigarten (pavement café) or conservatory.
In 2002 the catering company Do & Co took over the Demel. The company was awarded with the "Golden Coffee Bean " of Jacobs coffee in 1999. Demel now has additional locations in Salzburg and New York.
Products
Demel chocolate products
One of the most famous specialty of the house is " Demel's Sachertorte" . The world-famous Sachertorte was invented by Franz Sacher, but completed only in its today known form by his son Eduard Sacher while training in Demel. After a 1938 out of court enclosed process occurred after the Second World War a till 1965 during dispute between Demel and the Sacher Hotel: The hotel insisted on its naming rights, Demel, however, could pointing out already since the invention of the "Original Sacher" called pie "having used the denomination". Demel had after the death of Anna Sacher in 1930, under defined conditions, the generation and distribution rights for "Eduard-Sacher-Torte" received. The dispute was settled in favor of the Hotel Sacher and the Demelsche cake is today, "Demel 's Sachertorte" and is still made by hand. While a layer of apricot jam under the chocolate icing and another in the center of the cake can be found in the "Original Sacher-Torte", is in "Demel 's Sachertorte " the layer in the middle omitted.
Besides the Sachertorte helped another specialty the pastry to world fame: the original gingerbread figures whose modeling came from the collection of Count Johann Nepomuk Graf Wilczek on Castle Kreuzenstein. Then there are the Demel cake (almond-orange mass with blackcurrant jam, marzipan and chocolate coating), Anna Torte, Dobos cake, cake trays, Russian Punch Cake, Esterházy cake, apple strudel and other confectionary specialties. Popular with many tourists are the candied violets with which Demel earlier supplied the imperial court and they allegedly have been the Lieblingsnaschereien (favorite candies) of Empress Elisabeth ("Sisi"). Rooms in the upper floors as the Pictures Room, Gold Room and the Silver rooms are rented for events. In addition to the pastry shop Demel operates, as it did at the time of the monarchy, a catering service, after the re-opening in 1996 as well as storage, shipping and packaging was desettled in the 22nd District of Vienna. Demel is also responsible for the catering at Niki Aviation.
An article about wikipedia-article. This article by Tuukka Yli-Anttila is about the Wikipedia article of J. P. Roos.
Wikipedia article on the Graxaim: en.wikipedia.org/wiki/Pampas_fox
Artigo da Wikipédia sobre o Graxaim (em português): pt.wikipedia.org/wiki/Graxaim
The pampas fox (Lycalopex gymnocercus), also known as Azara's fox, or Azara's zorro, is a medium sized zorro, or "false" fox, native to the South American pampas. The alternative common names are references to Spanish naturalist Félix de Azara.
In the Spanish-speaking areas of its habitat, the pampas fox is known by the common names of zorro de las pampas or zorro gris pampeano. In Portuguese-speaking Brazil, its is called by the common names of graxaim or sorro.
The Herald Sun did a photoshoot of MUGS focusing on Melbourne, What was not expected was the page 9 article that went with the centre page spread www.heraldsun.com.au/news/more-news/eureka-ive-built-it/s...
This has lead onto the same group being invited to show the Melbourne MOCs at the Art of the Brick expo this June. hence why i've been working on this www.flickr.com/photos/30186055@N07/5756266765/in/photostream
News article clipping from Philippine Daily Inquirer dated
(August 12, 2008 ) by Leila Salaverria
Beijing - A TOTAL OF 52 Filipinos, most of them women and two of them pregnant, have been languishing in China's jails for allegedly
acting as "mules" to bring illegal drugs, mostly heroin, into the communist country.
This year's rise in the number of Filipinos detained in China for acting as drug couriers has alarmed Philippine officials.
Former Sen.Vicente Sotto III, head of the Dangerous Drugs Board, said a "very worried" President Macapagal- Arroyo had instructed him to meet with his Chinese counterpart so that they could discuss how to stop other Filipinos from falling prey to such schemes.
Sotto, who accompanied Ms Arroyo during her bilateral talks with Chinese President Hu Jintao on Saturday, noted that there had been only a few Filipinos arrested for drug trafficking in China in the past years.
Sotto said he planned to conduct an information campaign at the Philippine Overseas Employment Administration and at the Overseas Workers Welfare Association to warn Filipinos against accepting offers to become drug mules in exchange for a fee.
The issue over the detained Filipinos were not discussed during Ms
Arroyo's bilateral talks with Chinese President Hu Jintao.
Of the 52 Filipinos in jail, 50 are women, and the two pregnant ones are set to be deported for humanitarian reasons, Sotto said.
The average age of the detainees is 24 to 25, and most of them are professionals, he added.
The arrested Filipinos were not used as illegal drug couriers unwittingly because they have admitted to their guilt, according to Sotto, Seven of them have been convicted by the lower courts.
VIA HONG KONG, MACAU
He said the Department of Foreign Affairs would see to it that the jailed Filipinos would have a fair trial, but would not take up the cudgels for them for the wrong they have done.
" Of course, we will never tolerate such a thing in any country especially if Filipinos are involved. The President will never tolerate anything that is connected to drug trafficking or to illegal drugs for that matter, "Sotto said.
You can never have everything you want. Since the time you are little your parents will tell you that you can not do what you want and make money, while doing it. It’s an axiom.
And then there are pro players.
Every week we put out interwiews with a pro LoL team. This week we are meeting the rising stars of NA. They did great at GameCon and IEM, faced against top world teams. This year they are trying out for LCS.
Each day we will do an AMA with one of the players. We’ll kick off tomorrow.
Let’s meet the members of Strike 5.
By Starfall.
Thanks everyone who voted for my on the Rockford Fosgate contest! Heres an article about me and my love for cars in a local newspaper.
Taken by T.C. @ the Victoria advocate, read the article here :)
www.victoriaadvocate.com/news/2010/feb/05/jc_audio_car_gi...
Good Read article for Mollie Makes craft magazine (issue 57)
Wear your heart on your sleeve A hand-stitched green heart can help us all protect us our beautiful world and secure a safer future for the next generation of crafters.
Words by Sarah Corbett.
Our world is amazing. It blooms with remarkable people, with art that can make us laugh, cry and even change our world view, with technology that can connect us to our loved ones on the other side of the world… and have you noticed there is a little thing many of us love called Pinterest that can nourish us with beauty and new ideas (as well as distract us for hours!)? The growth in social enterprises and cooperatives are showing us that business can benefit people and the planet, not just profit. I could go on. But then there is the elephant in the room: climate change. When I worked for Christian Aid, I met people in Kenya affected directly by global warming. I’m sure we have all listened to the warnings. It can feel overwhelming: too complicated, too many problems to overcome. But now there is an opportunity for us craft-lovers to be eco-warriors rather than weary worriers. At the end of this year global leaders will meet in Paris for the UN climate talks to sign new agreements on climate change and sustainable development, agreements that will determine what kind of future we are shaping for our children. We need our leaders to show vision and ambition to create a better future and that’s why I’m writing this ‘Good Read’ in this issue.
We are changeMAKERS
I founded the Craftivist Collective five years ago to create resources to help me and other people do effective and gentle activism using craft as the tool. I was - and am - inspired by life-changing activists such as the suffragettes, who gained votes for women, and Nelson Mandela, who ended apartheid: people who showed that campaigning works. Over the years of honing my craft in strategic activism through needlework I’ve noticed that we crafters can have real impact. Politicians and businesses take note when we stand up for what we believe: our craftivism gifts for influential people can encourage them to be the change they wish to see in the world. The time and thought that goes into our craftivism pieces shows genuine commitment and questioning. The media want to cover our attractive campaigning, people nervous of activism join our stitch-ins, and passers-by are intrigued by our craftivism. The Climate Coalition, the UK’s largest group of people dedicated to action on climate change, launched their “For The Love Of Climate” campaign this year. They have 11million supporters through a network of over 100 organisations from environmental and development charities to unions, faith, community and women’s groups. We thought craftivists and craft lovers would be a good addition and Clare Fussell, Campaigns Manager at The Climate Coalition, agrees: “Unless world leaders know that people from across the world with different passions, hobbies and backgrounds all care, they won't have the mandate to take strong action on climate change. Wae all need to be climate changeMAKERS.”
So... for the love of our world
Let’s re-imagine how we can live and help world leaders recreate our world. Join us. To make and wear your green handmade heart on your sleeve is a small, positive, beautiful and therefore influential and powerful act for at least three reasons: It’s personal. Craftivism is a thoughtful approach to activism: it’s about slowing down, using the comfort of craft to really grapple with world issues and think critically about how we can help solve them, from changing our habits and consumer choices to adding our voice to campaigners before the Paris UN climate talks. Craft can be a catalyst for open, honest and friendly discussion. By stitching what you love on your heart banner (bluebells, bumblebees or even beautiful buttons!) you are showing people that you are genuinely concerned about our world, not ignoring the problem. Craftivists unite. Make your hearts as attractive and intriguing as possible, wear them every day, share them online with us. Let’s create an aspirational vision of our world to excite, empower and encourage others to pick up their craft tools and join us. Seeing your heart on your sleeve alongside so many others is inspiring and should entice them to join.
So pick up your fabric scissors, and start shaping the future of our world into a more sustainable, beautiful place for all. Craft alone or with friends, family, or even set up a public stitch-in and bring the discussion to passersby and at other events.
Join Craftivist Collective & Mollie Makes at our workshops at Crafty Fox Markets. Tag us @craftivists in your social media so we can share too and join #fortheloveof conversation. More info on the Climate Coalition: fortheloveof.org.uk More info on the project: www.craftivist-collective.com/fortheloveof
Demel
The title of this article is ambiguous. Other uses, see Demel (disambiguation).
K.u.K. Hofzuckerbäcker Ch Demel 's Söhne GmbH
Founded in 1786
Coffee and pastry industry
Products Coffee, tea, cakes
website www.Demel.at
Interior furnishings from Komptoir Demel in Vienna, from Portois Fix
When decorating goods Visitors may watch.
Demel is one of the most famous Viennese pastry at the carbon (cabbage) market (Kohlmarkt) 14 in the first Viennese district Innere Stadt. Demel was a k.u.k. Hofzuckerbäcker and runs this item today in public.
History
1778 came the of Wurttemberg stemming confectioner Ludwig Dehne to Vienna. 1786, he founded his pastry shot at the place of St. Michael. Dehne died in 1799 of tuberculosis. His widow then married the confectioner Gottlieb Wohlfahrt. In 1813 they bought the house in St. Michael's Square 14. Despite numerous innovations such as frozen the company's finances could not be rehabilitated. After the death of Gottlieb Wohlfahrt in 1826 the widow and her son from her first marriage August Dehne succeeded but the economic boom. August Dehne managed to great wealth, he invested in land. As the son of August Dehne struck another career as a lawyer, Dehne sold the confectionery in 1857 to his first mate Christoph Demel.
Demel also had success in the continuation of the company and established it to a Viennese institution. After the death of Christoph Demel in 1867 his sons Joseph and Charles took over the business, which is why it since "Christoph Demel 's Söhne" means. On request Demel received 1874 the Hoflieferantentitel (the titel as purveyor to the court). The proximity to the Imperial Palace directly opposite made business more profitable. The Hofburg borrowed from Demel occasionally staff and tableware for special occasions such as proms and parties. Recent developments in the art of confectionery were brought from Paris. Trained at Demel, professionals quickly found employment.
1888 Old Burgtheater was demolished at Michael's place and transformed the place. Demel had to move out of the house and he moved to the Kohlmarkt 14. The new store inside was equipped inside with high costs by purveyor to the court Portois & Fix. The interior is decorated in the style of Neo-Rococo with mahogany wood and mirrors. Regulars were members of the Viennese court as Empress Elisabeth, and other prominent members of the Vienna society of the time, the actress Katharina Schratt and Princess Pauline von Metternich. A peculiarity of Demel from the time of the monarchy is that the always female attendance, which originally was recruited from monastic students, is dressed in a black costume with a white apron. They are called Demelinerinnen and address the guest traditionally in a special "Demel German", which is a polite form of the third person plural, omitting the personal salutation and with questions such as "elected Have you?" or "want to eat?" was known.
After the death of Joseph and Carl Demel took over Carl's widow Maria in 1891 the management. She also received the k.u.k. Hoflieferantentitel. From 1911 to 1917 led Carl Demel (junior) the business and then his sister Anna Demel (4 March 1872 in Vienna - November 8, 1956 ibid ; born Siding). Under her leadership, the boxes and packaging were developed by the Wiener Werkstätte. Josef Hoffmann established in 1932 because of a contract the connection of the artist Friedrich Ludwig Berzeviczy-Pallavicini to Anna Demel. The design of the shop windows at that time was an important means of expression of the shops and there were discussions to whether they should be called visual or storefront (Seh- or Schaufenster - display window or look window). While under the Sehfenster (shop window) an informative presentation of goods was understood, the goods should be enhanced by staging the showcase. From 1933 until his emigration in 1938 took over Berzeviczy-Pallavicini the window dressing of Demel and married in 1936 Klara Demel, the adopted niece of Anna Demel.
During the Nazi regime in Austria the confectioner Demel got privileges from the district leadership because of its reputation. Baldur von Schirach and his wife took the confectioner under their personal protection, there were special allocations of gastronomic specialties from abroad in order to continue to survive. But while the two sat in the guest room and consumed cakes, provided the Demelinerinnen in a hallway between the kitchen and toilet political persecutws, so-called U-Boats. Those here were also hearing illegal radio stations and they discussed the latest news.
1952 Anna Demel was the first woman after the war to be awarded the title Kommerzialrat. She died in 1956. Klara Demel took over the management of the bakery. Berzeviczy-Pallavicini, who lived in the United States until then returned to Vienna. After Clara's death on 19 April 1965, he carried on the pastry. During his time at Demel he established the tradition to make from showpieces of the sugar and chocolate craft extravagant neo-baroque productions. Baron Berzeviczy sold the business in 1972 for economic reasons to the concealed appearing Udo Proksch, who established in 1973 in the first floor rooms for the Club 45; also Defence Minister Karl Lütgendorf had his own salon. After Proksch was arrested in 1989 in connection with the Lucona scandal, he sold Demel to the non-industry German entrepreneur Günter Wichmann. 1993 it came to insolvency. Raiffeisen Bank Vienna as principal creditor, acquired the property in 1994 from the bankrupt company to initially continue itself the traditional Viennese company through a subsidiary. In the process of the renovation in March 1995 on the fourth floor were mura painting from the 18th century exposed and the baroque courtyard covered by a glass construction which since the re-opening on 18 April 1996 can be used as Schanigarten (pavement café) or conservatory.
In 2002 the catering company Do & Co took over the Demel. The company was awarded with the "Golden Coffee Bean " of Jacobs coffee in 1999. Demel now has additional locations in Salzburg and New York.
Products
Demel chocolate products
One of the most famous specialty of the house is " Demel's Sachertorte" . The world-famous Sachertorte was invented by Franz Sacher, but completed only in its today known form by his son Eduard Sacher while training in Demel. After a 1938 out of court enclosed process occurred after the Second World War a till 1965 during dispute between Demel and the Sacher Hotel: The hotel insisted on its naming rights, Demel, however, could pointing out already since the invention of the "Original Sacher" called pie "having used the denomination". Demel had after the death of Anna Sacher in 1930, under defined conditions, the generation and distribution rights for "Eduard-Sacher-Torte" received. The dispute was settled in favor of the Hotel Sacher and the Demelsche cake is today, "Demel 's Sachertorte" and is still made by hand. While a layer of apricot jam under the chocolate icing and another in the center of the cake can be found in the "Original Sacher-Torte", is in "Demel 's Sachertorte " the layer in the middle omitted.
Besides the Sachertorte helped another specialty the pastry to world fame: the original gingerbread figures whose modeling came from the collection of Count Johann Nepomuk Graf Wilczek on Castle Kreuzenstein. Then there are the Demel cake (almond-orange mass with blackcurrant jam, marzipan and chocolate coating), Anna Torte, Dobos cake, cake trays, Russian Punch Cake, Esterházy cake, apple strudel and other confectionary specialties. Popular with many tourists are the candied violets with which Demel earlier supplied the imperial court and they allegedly have been the Lieblingsnaschereien (favorite candies) of Empress Elisabeth ("Sisi"). Rooms in the upper floors as the Pictures Room, Gold Room and the Silver rooms are rented for events. In addition to the pastry shop Demel operates, as it did at the time of the monarchy, a catering service, after the re-opening in 1996 as well as storage, shipping and packaging was desettled in the 22nd District of Vienna. Demel is also responsible for the catering at Niki Aviation.
Description: Article in the monthly magazine of the Charlestown, Massachusetts State Prison "The Mentor", Volume XIX Number 7, May, 1919, titled "Concert by Perkins Glee Club", page 3 of 3.
Full text: change of heart so that the higher and purer things of life may be desired. "By the Waters of the Minnetonka," Indian song; "Spring, Spring, Spring," an expanding of the heart towards awakening joys of nature; and "Tap Tippy, Tap" a threnody to blithesome and busy Mr. Woodpecker were the media of her art.
Mr. Arthur J. Goyette rendered the verses of "Till We Meet Again" with quartet chorus accompaniment, himself making one, the quartet continuing the oft-repeated "Long, Long Trail" to the audience's gusto and response of approval.
The announcement by Mr. Charles B. Hayes of the "Broom Shop Quartet" created laughter which was no directed at the members of this combination but rather at the name, suggestive of fellow-laborers in durance. This organization sag, "Carry Me Back to Old Virginia" and "Keep the Home Fires Burning." The people of the inside could tell that these are a happy group of four good sports. full of fun and throwing music off because it's the best expression of good-fellowship.
Miss Mable Starbird accompanied the Glee Club of which she is the leader, Miss Anna Davenport was the accompanist of the singers and orchestra.
Previous to the concert, the M. S. P. Band gave a band concert, and at the request of Deputy-Warden Hendry, Harry Kimball rendered "A Perfect Day" and "Ja-da," his rich and resonant baritone is always a delight to hear, and undoubtedly many here have been consoled, for, at least, the time being, by listening to his singing.
After the concert Warden Shattuck announced the presence of the author of "Good-Bye, America," Mr. W. J. McKeever, the composer being Mr. James A. Brennan, and Kimball sang this song at the Warden's request and to the desired repetition ad infinitum on the part of those present. A number of these songs found their way to the musically inclined of this prison, gratis, supposedly with the donations of music frequently received, but this night's incident would make it appear to have been through the generosity of Mr. McKeever.
To cap the climax of an evening notable for the success of entertainers and delight of the entertained, Warden Shattuck beckoned the Hon. Edw. C. R. Bagley down and Mr. Bagley recalled to us the words of Maj. Gen. Edwards in regard to two "jailbirds" he knew personally in his division. Mr. Bagley introduced one of these men, Mr. James M. Sharpe, who has been decorated with the Croix de Guerre and other distinctions. Mr. Sharpe was too bashful to speak, but acknowledged with a couple of salutes the audience's fervid welcom. Just think of it, that young fellow adventuring out into No-Man's-Land to almost certain death, not once but again and again and performing prodigies of valor, then to be unable to face friends, who flustrate him by an attack upon his modesty- nothing could daunt his heroism, the limelight and the effusiveness of friends prove the only foe that can subdue this brave American. And all inmates are proud of him; he has re-established himself int he hearts of men and atoned for the past mistake.
Warden Shattuck neatly expressed our thanks to the visitor sna dwe express our thanks also to Director Bagley for this treat and for many, many others.
Date: 1919
Format: text
Digital Identifier: BHSP-0005
Rights: Samuel P. Hayes Research Library, Perkins School for the Blind, Watertown, MA
Two weeks ago, Tunisia's ruling Islamist Ennahda party proposed that a controversial article be included in the new constitution. "Article 27," as it is known, states that "the state guarantees to protect women's rights, as they stand, under the principle of man's complement within the family and man's partner in developing the country." In protest against the article's use of the word "complement", demonstrations were held in the capital city of Tunis, as well as a number of other cities across the country.
Photos by Wassim Ben Rhouma for AAM's Tunis office (ATM)
걸그룹 티아라 큐리가 28일 오후 경상북도 경주 시민운동장에서 열린 ‘2014 한류 드림 페스티벌’에서 화려한 공연을 펼치고 있다. 이날 콘서트에는 엑소-케이(EXO-K)를 비롯해 카라, 씨스타, 포미닛, 빅스, 비투비, 블락비, 에일리, 시크릿, 비에이피, 크레용팝, 티아라, 달샤벳, 탑독, 포커즈, 갓세븐, 베스티, 딕펑스, 레드벨벳, 소년공화국, 헤일로, 루커스 등이 출연했다.
Quite a bit found out as a result this article.
A&B Motors not a dealer I'm familiar with, but there are a couple of mentions of them on this forum (sadly I can't see any photos there):
www.newton-le-willows.com/history/viewtopic.php?f=1&t...
newton-le-willows.org/history/viewtopic.php?f=1&t=192...
Alan Bott would appear to be involved in Motocross still, as well as running Pemberton Tyres in Wigan: www.pembertontyres.co.uk/motor-sport/alan-bott/
Illustration accompanying an article hosted on ipernity: John Chandler's 1705 Road From Woodstock to Hartford.
The illustration is derived from deeds circa 1730 pointing to a crossing on the Willimantic River. The crossing and related interconnected paths come from a variety of sources: deeds, 1800s county and school district maps as well as 1890s, 1940s and more recent USGS maps.
The routes illustrated align with the signatures of similar path structures found throughout southern New England.
Posted at: www.ipernity.com/blog/323963/538531
Also posted at: www.mapgraphs.blogspot.com
The illustration is an interpretation of John Chandler's road from Woodstock to Hartford on his 1705 Map of the Mohegan Sachems Hereditary Country, showing the possible crossing on the Willimantic River above what is labeled on Chandler's map as Ow-wae-nung-gan-nunck. As Trumbull notes:
“Ow-wee-on-huny-ya-nuch' (Moh.): a place ‘where the people go to catch salmon’ on Willimantic river, ‘half a mile below the road from Hartford to Woodstock.’ Chandler's Survey, 1705 : Owwaenunggannunck, ibid. (Map). Between Willington and Tolland.” (Trumbull, 41)
Note, from R.A. Douglas-Lithgow below. It's plausible to suggest that the location is at or near, or below the bend of the Willimantic River, just below the road from Woodstock to Hartford. There is a large bend just below the ford for the Woodstock to Hartford Road over the Willimantic River and another winding bend further downstream. A 1759 land transaction survey notes a beaver dam on the Willimantic River in the vicinity of the place ‘where the people go to catch salmon’ (Willington Land Records, Book C, Page 402).
From Douglas-Lithgow:
Wochsquamugguck Brook or place, near Norwich (Moh.), 1669. “Place of taking salmon,” or other fish. (Place Names of Connecticut, 59)
Wanungaatuck Brook (Moh.), “at the bend or winding of the river." (Place Names of Connecticut, 52)
Ouschankamaug, Windsor, “A fishing place for eels or lampreys.” (Place Names of Connecticut, 26)
Wonunkapaugcook (Place Names of Connecticut, 56)
Wongum, Middletown, “A bend” or “at the bend” (Place Names of Connecticut, 59)
Unggwonshackcook (Moh.), Marlborough. “ land at the bend or crotch of the brook.” (Place Names of Connecticut, 50)
From Trumbull:
Wonk’emaug pond: betw. Washington (New Preston) and Warren, within the tract formerly called Weramaug's hunting grounds, or Raumaug ; hence, Raumaug pond, and now, " Weramaug lake." C. R. Lands, i. 92 ; iv. 35. Its Indian name, otherwise written Wonkkecomatig "signifies a crooked pond," 1720 (C R. Lds., iii. 364) ; more exactly, 'a crooked fishing-place' wonki-amaug. (Trumbull, 90)
Woehsquamugguek (Moh.) : "a brook or place" between Wisquades and Norwich so. bounds, where a parcel of meadow was laid out to Mr. Benj. Brewster, in 1669. Col. Rec., iii. 220, note. Near Poquetanock brook, and the present line betw. Preston and Ledyard. Named, probably, from some kind of fish taken there : like m squamauguck (Misquamicuk) 'place of taking salmon,' and other names of similar composition. (Trumbull, 89)
Unggwonshackcook, -shacook, -suckcook (Moh.): a place "at the crotch of a river called by the English Fawn River, where the road crosses the same from Colchester to Hartford." Chandler's Survey, 1705. The crotch of Fawn river and Blackledge's river is in the s. e. part of Marlborough, a little w. of Hebron line. Wonggunnshoake, 1666, Col. Rec., ii. 42 ; Wongushock, id. iii. 69. The name denotes ' land at the bend, or crotch, of the brook,' where Blackledge's river bends eastward to its union with Fawn river. (Trumbull, 75)
around, waéenu, adv. and prep. it goes around, winds or curves around (waene, wewěne, about, C.); quinnuppe, adv. [quin-appu, quinuppu, it turns about], about, around; (Natick Dictionary, 221)
weenuhkauónat, v. t. an.: weenuhkauwaog neg, they encamp round about them Ps. 34, 7; (Natick Dictionary, 186)
Some Comparisons, given the wide variety of English transliterations of Algonquian words or phrases:
Owwee-on-huny-ya-nuch - or – Owwae-nung-gan-nunck
[owe] ung-gwon-shack-cook
Wa-nun-gaa-tuck
wochs-qua-mug-guck
wan-ke-maug
Woeh-squa-mug-guek
Ousch-an-ka-maug
Resources:
Douglas-Lithgow, R. A. Native American Place Names of Connecticut. Applewood Books, Bedford, MA. Print. from:
Douglas-Lithgow, R. A. Dictionary of American Indian Place and Proper Names of New England. Salem, 1909. Web.
Trumbull, J. Hammond, Indian Names of Places Etc., In and On The Borders Of Connecticut: With Interpretations Of Some Of Them, Hartford, 1881. Web.
Trumbull, J. Hammond. Natick Dictionary, A New England Lexicon. Lincoln, 2009.
According to a 2004 article by The Guardian a UK publication, there were 65,000 legal Chinese workers in Ireland, with half of them residing in Dublin. 4,000 of them lived within a half-mile radius of Dublin's Smithfield. It is now 2018 and that number has greatly increased and I should know as I live close to Smithfield. The selection of Asian Restaurants close to my home is amazing [for those who live in the UK. when I use the word Asian I do not mean Indian because there are actually very few Indian restaurants in Dublin]
Also because of Brexit the Irish Governments are expecting a huge increase in the number of Chinese students studying in Ireland.
DCNYF is a programme of the City Arts Office, part of the Culture, Community & Recreation Department of Dublin City Council (Chief Executive Owen P. Keegan, Deputy Chief Executive Brendan Kenny). The work of the Arts Office is made possible by the support of the Lord Mayor of Dublin, Mícheál MacDonncha, and the members of Dublin City Council.
Established in 2008, the Dublin Chinese New Year Festival (DCNYF) year-on-year celebrates, promotes and deepens the understanding of the Sino/Irish relationship. The 2018 programme celebrates The Year of the Dog and marks the 11th year of this internationally recognised festival. With Chinese New Year’s Day falling on Friday 16th of February 2018, the festival plans to deliver a high profile cultural and celebratory programme to mark this significant date in the Chinese Calendar. Dublin will also continue to build on its twinning agreement with Beijing signed in 2011 and Dublin Airport Authority twinning with Beijing Airport established in 2013.
The DCNYF works closely with an Advisory Panel made up of the following:
Dr. Isabella Jackson: Assistant Professor in Chinese History, Trinity College Dublin.
Luzi Wen: President, Chinese Students & Scholars Association.
Dr Yupeng Liu: Dublin Institute of Technology.
Howard Pau: Honorary President, Chinese Society of Ireland.
Mary Redfern: Curator of East Asian Collections, Chester Beatty Library.
Jianwei Wang: President, Chinese (Bei Fang) Business Association In Ireland.
Liming Wang: Director, UCD Confucius Institute for Ireland.
Yong Wu: General Secretary, Irish Fujian Business Association, Irish Fujian Association.
Duane Byrne: Business in China & Director of Unique Communications.
Article from Fangoria #62. Behind the scenes of Nightmare on Elm Street III: Dream Warriors.
See Page 1 of the article here.
See Page 3 here.
This was an illustration which will become an exclusive print for the free Sheffield based publication ARTICLE.
Its a bit of a play on the Sheffield city council logo with a modern twist. You can check them out here...
According to a 2004 article by The Guardian a UK publication, there were 65,000 legal Chinese workers in Ireland, with half of them residing in Dublin. 4,000 of them lived within a half-mile radius of Dublin's Smithfield. It is now 2018 and that number has greatly increased and I should know as I live close to Smithfield. The selection of Asian Restaurants close to my home is amazing [for those who live in the UK. when I use the word Asian I do not mean Indian because there are actually very few Indian restaurants in Dublin]
Also because of Brexit the Irish Governments are expecting a huge increase in the number of Chinese students studying in Ireland.
DCNYF is a programme of the City Arts Office, part of the Culture, Community & Recreation Department of Dublin City Council (Chief Executive Owen P. Keegan, Deputy Chief Executive Brendan Kenny). The work of the Arts Office is made possible by the support of the Lord Mayor of Dublin, Mícheál MacDonncha, and the members of Dublin City Council.
Established in 2008, the Dublin Chinese New Year Festival (DCNYF) year-on-year celebrates, promotes and deepens the understanding of the Sino/Irish relationship. The 2018 programme celebrates The Year of the Dog and marks the 11th year of this internationally recognised festival. With Chinese New Year’s Day falling on Friday 16th of February 2018, the festival plans to deliver a high profile cultural and celebratory programme to mark this significant date in the Chinese Calendar. Dublin will also continue to build on its twinning agreement with Beijing signed in 2011 and Dublin Airport Authority twinning with Beijing Airport established in 2013.
The DCNYF works closely with an Advisory Panel made up of the following:
Dr. Isabella Jackson: Assistant Professor in Chinese History, Trinity College Dublin.
Luzi Wen: President, Chinese Students & Scholars Association.
Dr Yupeng Liu: Dublin Institute of Technology.
Howard Pau: Honorary President, Chinese Society of Ireland.
Mary Redfern: Curator of East Asian Collections, Chester Beatty Library.
Jianwei Wang: President, Chinese (Bei Fang) Business Association In Ireland.
Liming Wang: Director, UCD Confucius Institute for Ireland.
Yong Wu: General Secretary, Irish Fujian Business Association, Irish Fujian Association.
Duane Byrne: Business in China & Director of Unique Communications.
Response to Article:
"Village that towers above China" by
Jonathan Watts
November 14, 2011
www.chinadialogue.net/article/show/single/en/4623-Village...
Comment by Philip McMaster:
People favourably respond to Change
Generally speaking, people don't change for the better when criticized. But they do respond favourably to praise.
Huaxi Cun is not the worst place in China, and it has been following and sometimes leading the objectives and trends of the government and Chinese people - first it was to get rich - and clean up the mess later. We did this in the West on our own schedule, some Chinese are doing it now under the generally hypocritical pressure of the global community.
人们对改变的有利反应
总体上，当人们受到批评的时候，不会变得更好。但他们受到表扬的时候，总是积极反应。华西村不是中国最差 的地方，它跟从着-有时也领导着中国政府与人民的目标与潮流。这个目标首先是变富，然后再处理垃圾。西方按照自己的日程表也这样做过。现在有些中国人也这 么做，就面临虚伪的国际压力。
An aspirational monument - if you choose to see it that way..
When I was invited to Huaxi Cun for the inauguration of the “Village in the Sky”, (www.tudou.com/programs/view/05XpJXkiNwI/ ) I spoke of the new tower as a beacon for all to see, not in terms of opulence and excess, but as a towering 3 element "Symbol of Sustainability" - an aspirational symbol rising above all else - including the cookie-cutter villas, the grubby factories, the money focus and the faux world landmarks - to shock and awe viewers into realizing that all monuments have a message – and this one should inspire people to make the connection between Heaven, Earth and the People (Tian, Di, Ren 天地人) and that to achieve Wu Renbao’s “Heaven on Earth”… the Triple-Bottom-Line balance between Society, Environment and Economy （社会,环境,经济）must become Huaxi’s new ethic.
一个振奋人心的里程碑——如果你从另一个角度解读
我应邀了参加华西村“空中新农村大楼”授牌仪式(www.tudou.com /programs/view/05XpJXkiNwI/ )，当时我谈到这栋大楼并不是炫富和挥霍，而是华西村的一个新地标。比起那些千篇一律的别墅，脏乱差的工厂，一切向钱看的态度和人造世界景观，这栋摩天大 楼是一个振奋人心 里程碑，它作为可持续发展的标志建筑让人感到震撼和心生敬畏，它能让人们感到天地人和谐发展的信息，体现了吴仁宝“人间天堂”的理念。以社会，环境和经济 作为三条支柱，寻求三者的平衡发展是华西村的新理念。
菲利普•麦克马斯特
麦克马斯特商务可持续发展研究所首席研究员，世界可持续发展组织创始人。
"Now that Huaxi village is rich, what's next?"
Following my presentation, the new building’s architect Ma Xusheng, in turn praised my interpretation of his building’s design, saying that no one had thought of it before, but that “with your new ‘Society, Environment, Economy ‘meaning attached, our building is even richer”.
At a private dinner with village leaders the evening before, I had shamelessly asked: “Now that Huaxi village is rich, what’s next?” – hoping to encourage them to expound on how they were going to share Huaxi’s wealth and expertise with other communities and to build sustainable enterprises based on a model ecological civilisation… however the response was understandable, as a bit more thinking is required; and considering most people’s focus was still on showing off and celebrating what they have achieved so far, the answer was a simple “Gambei!”
Philip McMaster,
Principal Researcher, McMaster Institute for Sustainable Development in Commerce
Founder, World Sustainability Organization
“现在华西村富了，接下来呢？”
我的演讲结束后，这栋新大楼的建筑师马旭升（音）反过来称赞了我对他的建筑设计的诠释，说以前从未有人想到这个方面，“加上您说的‘社会、环境、经济’意义后，我们的摩天大楼更加富裕了”。
前一天晚上和华西村领导的聚餐上，我厚着脸皮问了一句：“现在华西村富裕了，接下来呢？”我当时希望他们能够详细阐述下怎样和其他地区分享华西村的 财富和技术，以及在生态文明模型的基础上建立起可持续发展的企业。但是，他们的回答很简单，就是：“干杯！”当然，这是可以理解的，因为回答这个问题需要 一些思考，而且当时大多数人的注意力仍然在炫耀和庆祝他们至今已取得的成就上。
菲利普•麦克马斯特
麦克马斯特商务可持续发展研究所首席研究员，世界可持续发展组织创始人。
...Huaxi must have liked 3 Fingers - we're invited back_\!/
Our “Peace Plus One -World Sustainability Project” (www.SustainabilitySymbol.com ) and the 3 Finger Sustainability Symbol is about promoting LOHHAS – a Lifestyle Of Health, Happiness And Sustainability, first for the 1/5th of the world in China, then to be exported as a sustainable philosophy for the entire planet. The Leaders of Huaxi must have liked something about our discussions, as they wholeheartedly embraced the3 Finger Sustainability Symbol and invited us back to share more_\!/
Philip McMaster,
Principal Researcher, McMaster Institute for Sustainable Development in Commerce
Founder, World Sustainability Organization
...华西村一定喜欢“三指禅” —— 我们又被邀请了_\!/
我们的“和平 + 1 - 世界可持续发展项目” （www.SustainabilitySymbol.com）和“三指禅”可持续发展符号旨在促进“乐活”——一种健康、快乐、可持续的生活方式。起初 是为了中国占世界五分之一的人口而提出，后来作为一个可持续发展的理念被推广到全世界。华西村的领导们肯定是欣赏我们的一些讨论成果，因为他们热烈欢迎了 我们的“三根手指可持续发展符号”并且再次邀请我们去分享更多信息。
Philip McMaster（大龙），
商务可持续发展麦克马斯特学院，首席研究员
世界可持续发展组织创始人