View allAll Photos Tagged article,
www.buzzfeed.com/gabrielsanchez/photographs-of-candid-rom...
The places where I usually share my photographs - Flickr or 500px - are photo sharing communities where comment and discussion, when they do happen, tend to centre around purely photographic elements such as light, colour and cameras. And so it's been pleasing to read some of the more widely contextualised thoughts and criticisms of my work and the way it has been presented by BuzzFeed, which yesterday published a series of my photographs. Although I know that it's one of the world's top 100 websites by traffic, it didn't really occur to me that the series would be seen by so many people (almost 300,000 in the twelve hours from being posted to the time of writing). Or, if it did, I didn't think through fully the consequences of exposure of that kind.
Given that I know what the comments section of the internet can be like, it's refreshing that discussion has largely been civil, mature and occasionally insightful. Stephen Fry once said - as I'm sure others before him have - that if you believe good reviews of your work, then you must also believe the bad ones. I'm not sure that I fully agree, but I've enjoyed reading both the compliments and the criticisms for more than just narcissistic or masochistic indulgence: it forces me to engage with my work in ways I might not have previously. Occasionally my consciousness is raised to some moral or ethical implications I hadn't considered; occasionally I'm forced to admit that it simply isn't very good.
Discussion of the series has been along three main lines: veracity; appropriateness of the title; diversity. I'd like to - and am glad I'm able to - deal with the first two very quickly, because it's the third one that has given me most pause.
1. Veracity. The claim that "his subjects are unaware and unposed" is one that I made and which BuzzFeed have quoted. To the person who responded to this with the snide "RIIIIIGGGGGGHHHHHT!" I can only say: believe what you want, but it's true in 24 of the 25 images. The exception is of the couple standing before St Paul's Cathedral. I had been commissioned to capture the projection of words onto the dome and, as I was setting up that evening, I saw a couple hugging in front of it. By the time was ready to shoot, they had finished and were walking away, but I approached them and asked them if they would re-stage the moment I had just missed. That is the only time. In the other 24 cases, the subjects might have been aware of my presence because of the confined or empty space in which the image was taken, but none were ever asked to pose, and none ever acknowledged - even implicitly or indirectly - that they were being photographed.
2. Appropriateness of the Title ("25 Pictures That Prove Love Is Real"). As many journalists and photographers know, titles, headings, headlines and subheadlines are often the remit of editors and not the producers or creators of the work contained within. So, while it has been interesting to read about whether or not the photographs depict people who are genuinely in love (whatever that means) or merely the preludes to one night stands, I make no claim either way. Many of these photographs are of strangers, of people whose stories I don't know but for one moment I photographed because I saw something I thought beautiful or real (even if just real lust or real drunken passion). I engaged with their story at that moment, and if by looking at these photographs others do the same, then I'm pleased.
3. Diversity. This criticism is the one that warrants the most consideration on my part because it's true: this series of photographs lacks diversity. "Seeing some girls that weren't only size 5 and under would be nice"; "...all young, thin, white and conventionally attractive"; "Whiter than a damn Klan rally."; "All around the globe? Really?" These are all fair statements ("All around the globe" are the words of an editor, but it's true that a few countries are pictured here.) My explanation for the lack of diversity is that, while they are not representative of the world, or of love, they are representative of my experience. I should be even more specific: they are not representative of my experience as a human being, but they are representative of my experience as a sometime photographer of strangers.
These photographs depict scenes and situations that I did not seek out, but that I happened to see. And while I see minority ethnic and elderly couples together, the occasions on which that coincided with a time when my camera was at the ready and when the photograph I took was considered by me to be good enough to be included in this series appears to be very small. In this series, there is one Chinese woman, admittedly thin and conventionally attractive ( although I suspect older than most of the subjects here) and one Chinese boy, again conventionally attractive. There are also Greek and Italian people depicted here, although less obviously, and a couple of others who I don't think are white but I'm not sure. Then there is the fact that, while I do see older couples and minority ethnic couples, I see them a lot less. The reason for this is that the majority of these photographs were taken while I was in my early to mid 20s, and the majority of them were taken in Scotland, where I live. I spent much of my early mid 20s in bars and nightclubs (still do, I suppose...) and the minority ethnic population of Scotland is a mere 4%. I sit typing this in a fairly busy cafe on a fairly busy street. I look around me, inside the cafe and out, and I count 35 people: 34 are white, 1 is East Asian. In the reflection of my laptop screen, I add one more person to the count: a half-Chinese man.
Intimacy of the kind depicted here - call it love, call it drunken lust, whatever - is far more often seen in bars and nightclubs than on the street, and those who frequent bars and nightclubs tend to be young. Moreover, young people are more comfortable being photographed candidly: the majority of "please remove this photograph" requests I receive are from older people. This is also the case - or I've worried that it's the case - not ethnically but culturally in many of the places I've visited where the majority population is non-white. For example, in my travels to Morocco, Thailand, India or Pakistan, I would be less willing (whether through cultural sensitivity or cultural ignorance) to point my camera at strangers being intimate.
I hope the reasons I've given explain why this series lacks diversity, and writing them has left me with a question for myself: do I have a RESPONSIBILITY to reflect the diversity of the world/ country/city when documenting it? I suspect the answer, as usual, is "it depends". This compilation of images was drawn from my archive: I did not set out to document "lovers from around the globe", which if I had then I believe I would have had a responsibility to reflect the different kinds of people who love (which is every kind of people). But perhaps in compiling the series, it's something I should have borne in mind.
This series of images makes no claims, but I realise now that perhaps it should carry a disclaimer of sorts: these images were taken, by happenstance rather than by design, by a young man who is largely surrounded in his existence by young, middle-class white people.
Thanks for making me think about this.
Glasgow, 2014.
This article was written by ANDREW SCOTT - MASSETT - The other commercial centre is Masset (or Massett, as the post office name was originally spelled), located at the mouth of Masset Inlet on the north shore of Graham Island. It also got its start in the early 1900s. An application submitted in 1900 by post office inspector W. H. Dorman proposed Charles Harrison as postmaster but was rejected. “Residents at Massett now receive their mail from Port Simpson,” wrote Dorman, “from which place all supplies are obtained, by means of an Indian schooner which makes occasional trips between these places. It is possible that arrangements might be made to have an occasional mail conveyed between Massett and Port Simpson, but there would be no regularity about such a service. I do not consider a post office at Massett is required at present.” The post office was eventually authorized in 1906, it seems, but its opening was delayed until 1909 (Archives Canada lists Jan 6, 1910, as the date of establishment but Aug. 1, 1909, as the date of appointment of the first postmaster). This was Rev. William E. Collison, son of the noted Anglican missionary William Henry Collison. Do a search of "Early Postal History of B.C.’s Haida Gwaii" where you can read the complete article.
(from - Wrigley's 1918 British Columbia Directory) - MASSETT - a post office, fishing and lumbering village on the northern part of Graham Island, Queen Charlotte Islands, 86 miles from Prince Rupert, in Prince Rupert Provincial Electoral District, reached by Grand Trunk Pacific boats from Prince Rupert. Has telegraph office. Anglican church. The population in 1918 was 150. Local, resources: Lumbering, farming, mining and fishing.
MASSETT Post Office was opened - 1 August 1909. The spelling adjusted to MASSET Post Office - 28 May 1948.
LINK - to a list of all the Postmasters who served at the MASSETT / MASSET Post Office - central.bac-lac.gc.ca/.redirect?app=posoffposmas&id=2...
- sent from - / MASSETT / AU 25 / 11 / B.C. / - split ring cancel - this split ring hammer (A1-1) was proofed - 25 June 1909 - (RF C).
- arrived at - / SOUTH HILL / AU 28 / 11 / B.C. / - split ring backstamp (poor strike) - this split ring hammer (A1-1) was proofed - 15 September 1908 - (RF D).
The South Hill Post Office was established - 1 October 1908 - it became Vancouver Sub Office South Hill - 1 July 1914.
Addressed to: Miss Dora Erlindsson / South Hill / B.C.
Halldóra Maren (nee Erlandsson) Glenzer / (Dora Marie Erlandson)
(b. 22 April 1894 In Winnipeg, Manitoba – d. in Washington, USA)
Her father - Vigfies Erlindsson
(b. 1859 in Iceland – Deceased)
Her mother - Oddbjorg (nee Saemundsdottir) Erlindsson
(b. 1857 in Iceland – Deceased) - they were married - 28 November 1885 in Stokkseyri, Árnessýsla, Suðurland, Iceland.
Her husband - John William Glenzer
(b. 20 February 1882 in Sheboygan, Wisconsin, United States – d. 31 March 1944 at age 62 in Everett, Snohomish, Washington, United States) - they were married - 23 May 1917 in Bella Bella, Central Coast, British Columbia, Canada. Occupation - Mill worker.
As mentioned in the former article, the subject of Exchange permissions relationship in Exchange Hybrid environment can be realized in two major scenarios:Scenario 1 – Cross site permission
Scenario 1 – Cross site permission
The Exchange permissions that Exchange on-Premises...
o365info.com/testing-cross-site-permissions-exchange-hybr...
An article in the Lapland University's Kide (Quartz) magazine about the "Northern Impressions" illustration series.
www.behance.net/gallery/Northern-impressions/2050095 my photo looks nice too, very Finnish ;)...
"I read an article that claims studies show people who live in more natural settings live longer and are happier. Simply seeing trees or nature regularly is good for you! It's unnatural to be cooped up inside held hostage by technology or chores, so get outside and live!"
Model: Alysha Nett
Model Mayhem I Facebook I Twitter I Tumblr
The following article was written by Greg Nesteroff - Apr. 17, 2016 for the Trail Times newspaper - OASIS, just north of Trail, was originally called Crockettville after Harrison (Shorty) Crockett (1903-90) and his wife Kathleen (Kate). According to Trail of Memories, the couple “rented the Old Doc Perdue orchard, across the highway from what is now known as Rivervale … In 1938, after living at the Perdue place for about four years, Harry built a house and store … They sold gas, oil, confections, and food: bulk sugar, flour, and canned goods. He built a two-bay garage where he repaired and painted vehicles.” In A Trail to Remember, Harry and Kate’s son Walter writes: “How it came to be I don’t know, but the Trail Times staff marked the outside wrapper with ‘Crockettville.’ I was told that when the Castlegar Transportation Society cars were going to work on afternoon and night shift, the men riding the car from Castlegar would remind the driver ‘Don’t forget to pick up the guys at Crockettville.’” The earliest known mention of Crockettville is in the August 1942 issue of Cominco Magazine: “Harry Crockett, diminutive but energetic ‘Mayor of Crockettville’ and the residents who pitched in and helped, certainly do deserve a big hand for the work they have done in the little community four miles along the Castlegar road from Trail … The entire community boasts a population of only about 35 men, 35 women, and 70 kids.” LINK to the complete article - www.trailtimes.ca/community/place-names-oasis-and-oatescott/
Harrison Junior "Harry" Crockett
(b. 14 June 1903 in Pincher Creek, Alberta - d. 17 November 1990 at age 87 in Calgary, Alberta, Canada) - Occupation - he worked in Trail, B.C. for Cominco from 1929 to 1964 and retired in Calgary. LINK to his newspaper obituary - www.newspapers.com/clip/110092956/obituary-for-harrison-j...
His wife - Kathleen "Kay" (nee Morris) Crockett
(b. 14 May 1910 in Carnforth, Alberta - d. September 2006 at age 96 in Calgary, Alberta) - they were married - 1 March 1930 in Trail, British Columbia - LINK to their marriage certificate - search-collections.royalbcmuseum.bc.ca/Image/Genealogy/65... - They had four sons and four daughters. LINK to her newspaper obituary - www.newspapers.com/clip/110093242/obituary-for-kathleen-c...
The OASIS Post Office was established - 16 September 1946 - and closed - 2 March 1970.
LINK to a list of the Postmasters who served at the OASIS Post Office - central.bac-lac.gc.ca/.redirect?app=posoffposmas&id=1...
The first Postmaster at OASIS was Leonard Alfred Bond - he served from - 15 September 1946 to - 16 March 1948.
Alfred Leonard "Len" Bond
(b. 31 October 1906 in Colchester, Essex, England - d. 25 August 1956 in Vancouver, B.C.) - occupation - Postmaster / Automotive Garage Operator - LINK to his newspaper obituary - www.newspapers.com/clip/110068907/obituary-for-alfred-leo... - LINK to his death certificate - search-collections.royalbcmuseum.bc.ca/Image/Genealogy/8c...
His wife - Mary Anne / Anna Maria (nee Verzuh) Bond
(b. 9 September 1912 in Grand Forks, British Columbia - d. 22 March 2001 at age 88 in Rossland, British Columbia) - occupation - Retail Manager / Saleslady in a clothing Store - They were married - 29 August 1942 in Trail, British Columbia - LINK to their marriage certificate - search-collections.royalbcmuseum.bc.ca/Image/Genealogy/23... - LINK to her death certificate - search-collections.royalbcmuseum.bc.ca/Image/Genealogy/ee...
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The second Postmaster at OASIS was Horace Mervyn Lewis - he served from - 16 March 1948 to - 18 January 1949.
Horace Mervyn Lewis (known as Mervyn)
(b. 27 December 1920 in Russell, Manitoba, Canada - d. 17 July 1975 at age 54 in Manitoba, Canada) - occupation - Assayer / Postmaster.
His first wife - Phylis Anita (nee Davidson) Lewis - they were married - 22 June 1944 in Russell, Manitoba - divorced - January 1954.
His second wife - Patricia Donalda (nee Simpson) Lewis - they were married - 17 January 1954.
His brother William Russell Lewis replaced him as Postmaster.
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The third Postmaster at OASIS was William Russell Lewis - he served from - 18 January 1949 to - 20 January 1954.
William Russell "Buzz" Lewis
(b. 16 October 1909 in Winnipeg Russell, Manitoba - d. 26 November 1988 at age 79 in Aldergrove, British Columbia) - LINK to his death certificate - search-collections.royalbcmuseum.bc.ca/Image/Genealogy/2c...
He married - Elizabeth "Betty" (nee Senior) Lewis - 13 October 1940 in Nelson, British Columbia - LINK to their marriage certificate - search-collections.royalbcmuseum.bc.ca/Image/Genealogy/c1...
His (first) wife Betty Lewis replaced him and served as Postmistress on - 1 November 1953 (they worked together for about 2 1/2 months)
His second wife - Brenda Alice (nee Vaughan) Tucker / Lewis
(b. 2 February 1915 in Alberta - d. 7 May 1960 at age 45 in Matsqui, British Columbia) - LINK to her death certificate - search-collections.royalbcmuseum.bc.ca/Image/Genealogy/09...
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The fourth Postmistress at OASIS was Betty Lewis / later was Betty Langill - she served from - 1 November 1953 until the Post Office closed - 2 March 1970.
Elizabeth "Betty" (nee Senior) Lewis / Langill
(b. 16 September 1913 in Anyox, British Columbia - d. 21 February 1990 at age 76 in Trail, British Columbia) - LINK to her death certificate - search-collections.royalbcmuseum.bc.ca/Image/Genealogy/be...
Her first husband - William Russell Lewis
(b. 16 October 1909 in Winnipeg, Manitoba - d. ) - they were married - 13 October 1940 in Nelson, British Columbia - LINK to their marriage certificate - search-collections.royalbcmuseum.bc.ca/Image/Genealogy/c1...
Her second husband - James Nathan Langill
(b. 27 April 1899 in River John, Pictou County, Nova Scotia - d. 27 August 1982 at age 83 in Trail, British Columbia) - they were married - 15 September 1956. LINK to his death certificate - search-collections.royalbcmuseum.bc.ca/Image/Genealogy/a8...
- sent from - / OASIS / PM / JUL 25 / 62 / B.C. / - duplex cancel - this duplex hammer was proofed - 30 August 1946 - (BBC-274 / RF D).
Addressed to - Mr. Lester Small / 1034 Linden Ave / Victoria, B.C.
Lester Earle Small
(b. 21 August 1910 in Calgary, Alberta - d. 18 August 1897 at age 86 in Victoria, B.C.)
Lester Small was a supervisor with the Victoria Post Office for 30 years. Was a life member of the Greater Victoria Philatelic Society and the Vancouver Island Philatelic Society. His special joy was working with Jr. stamp collectors for 37 years, for which he received a special award from the United Nations. He enjoyed life to the fullest, travelling, gardening and most importantly his family. LINK to his complete obituary - www.newspapers.com/clip/110095273/obituary-for-lester-small/
I had the honor of writing an article for my favorite Lego blog on my recent experiences at various cons and why you should go to one. Give it a read and join the discussion if you're so inclined.
And if you haven't read the Manifesto before, you really should. It's some of the best-written commentary (present company excluded) on the Lego community you're likely to find anywhere.
Article link: keithlug.com/2017/09/15/convoluted/
I swear I will actually post a MOC one of these months.
I am featured as a part of an article on Flickr in the March issue of What Digital Camera magazine. I was thrilled when approached about doing an interview for the feature. Now, seeing the results, I am filled with emotions- happiness, amazement, shock and joy (just to name a few). It is still hard for me to believe and I can’t wait to get a ‘real’ copy in my little hands! Being in a magazine is a lifelong dream for me and I am so excited to share this experience with me Flickr friends and fans. Without all of you this would have remained only a dream! I want to thank you all from the bottom of my heart for helping to make this girl’s dream a reality!
I copied the text below for those of us who do not have superhero eyes. I hope some of you enjoy learning a little more about me.
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"Carolina is a graphic artist and self-confessed 'computer geek' who has one of the most unusual Flickr photostreams, in that all of the photographs are of her. Her stunning looks and often provocative poses has also made it one of the most visited too, with nearly three million views. It isn't an original idea of course, but what elevates Carolina's work is the skill and artistry involved in their creation.
'I love having my photo taken' confesses Carolina, who discovered Flickr through a friend. 'In the beginning I thought it would be fun to post photos of myself wearing my collection of Juicy Couture clothing. After my photos began to get more popular I started pursuing a lifelong dream of modeling. I grew up in a family that was always taking photos and I have always loved being on both sides of the camera'
Carolina studied photography at college, and is an avid consumer of fashion photography. Some of her pictures are self-portraits but most are a collaboration with her partner Allen. 'We work well together,' she continues. 'I come up with most of the ideas, including styling, locations and poses. I also do any Photoshop post processing. Allen is great at directing and shooting.'
Carolina is very prolific. 'I like to post a new photo everyday. It keeps me motivated. My mind is always thinking of new ideas. At weekends we go out to locations I've thought of during the week.'
Carolina and Allen use an Olympus E1 and E500. 'I love the Four-Thirds system and have several lenses,' she enthuses. 'We are also lucky enough to have a studio in our home, with both continuous and flash lighting systems, and a 10ft backdrop which is kept erected all of the time, as if it were furniture. That motivates us for those unplanned shots too.'"
Discarded, for the moment, until the puppies return.
We're Here, still, ordinary.
Hand-held with remote triggered strobe & auto focus. A macro would have been perfect for today.
archive of Casa Cuseni, an original newspaper article, preserved by Daphne Phelps, who hosted Danilo Dolci in Taormina.
archivio di Casa Cuseni, un articolo di giornale originale, conservato da Daphne Phelps, che ospitò a Taormina Danilo Dolci.
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click to activate the icon of slideshow: the small triangle inscribed in the small rectangle, at the top right, in the photostream;
or…. Press the “L” button to zoom in the image;
clicca sulla piccola icona per attivare lo slideshow: sulla facciata principale del photostream, in alto a destra c'è un piccolo rettangolo (rappresenta il monitor) con dentro un piccolo triangolo nero;
oppure…. premi il tasto “L” per ingrandire l'immagine;
www.worldphoto.org/sony-world-photography-awards/winners-...
www.fotografidigitali.it/gallery/2726/opere-italiane-segn...
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A story of Sicily: the Sicilian Gandhi (but he was not Sicilian ...).
This photographic story is connected, at least in part, with the previous one, whose link is represented by the nephew of the painter Robert Kitson, Miss Daphne Phelps: in life she was a psychiatric social worker (she collaborated with Anna Freud, daughter by Sigmund Freud), on the death of his uncle in 1948 he moved to Sicily to take care of Casa Cuseni, having inherited it: initially he wanted to sell it and then return to England, instead he ended up falling in love with Taormina and Sicily, deciding to stay there for the rest of his life. Daphne ran Casa Cuseni welcoming paying guests, there are many illustrious names of artists, writers, well-known personalities who have stayed there: Danilo Dolci was one of these guests, and it is precisely about him that I wish to speak. He was born in 1924 in Sesana (Trieste), after a somewhat eventful life, in 1952 he moved to Trappeto (between Palermo and Trapani), a country among the poorest and most disadvantaged in Italy: that same year the first of numerous fasts, going to bed and fasting in the bed of a child who died of malnutrition, a protest that will end only when the authorities undertake to build a sewer. Danilo Dolci continues with numerous initiatives, from the publication of a book ("Banditi a Partinico", which makes public opinion aware of the poor living conditions of western Sicily, to this book and many others will follow), to the "strike at reverses ”, when the workers went on strike, hundreds of unemployed began to work to reactivate an abandoned municipal road, an initiative that was then stopped by the police; Dolci also initiates an activity of denunciation of the mafia phenomenon and its relations with politics. There are numerous certificates of esteem and solidarity that he receives from important personalities from Italy and abroad, but despite this, for others Danilo Dolci is a dangerous subversive, to be hindered, denigrated, locked up in prison. Yet Dolci does not pose as a guru, boss, or teacher, his working method is based on the conviction that change is based on the involvement and direct participation of those concerned, his idea of progress enhances local culture and skills; he tries, working closely with the people and the most disadvantaged and oppressed groups of western Sicily, to free the dormant creativity in every person, calling this research "maieutic", a term coming from philosophy, precisely from Socratic maieutics: it is "the 'art of the midwife ", every educational act is to bring to light all the inner potentialities of the one who wants to learn, like a mother who wants to give birth to her own child from her womb, so no to notions imparted a priori, yes to help the student to bring their knowledge to light, using dialogue as a tool; however, Socratic maieutics is unidirectional, while in Danilo Dolci's "reciprocal maieutics", knowledge comes out of experience and its sharing, therefore it presupposes the reciprocity of communication. During meetings with farmers and fishermen, the idea was born to build the dam on the Jato River, which is important for the economic development of the area, but also to remove a powerful weapon in the hands of the mafia, an instrument of power which controlled the few available water resources; however the request for "water for all" will be heavily hindered, popular mobilizations and long fasts will be necessary to finally see the project realized: now the dam exists, and others have been built, thus modifying the lives of thousands of people, with the development of numerous companies and cooperatives. Among the many activities of Dolci, thanks to the contribution of international experts, the experience of the Mirto Educational Center, attended by hundreds of children, should be mentioned. Returning to Daphne Phelps and Casa Cuseni, here is a lithograph by Tono Zancanaro, dedicated to the birth of one of Danilo Dolci's daughters, but, among the most important, there is a correspondence between the pacifist philosopher Bertrand Russel and Daphne Phelps, in which the English thinker invited Robert Kitson's niece to participate in the gatherings of progressive intellectuals and literary and scientific personalities of the time, among them, besides Albert Camus, Jean-Paul Sartre and Carlo Levi, there was Danilo Dolci, sociologist, educator, still recognized today as one of the most important figures of nonviolence worldwide.
post Scriptum:
- the images with Danilo Dolci come from the Casa Cuseni archive: they are cuttings from original periodicals, often full pages, from English newspapers, carefully preserved by Miss Daphne Phelps; these images were also taken by photographing some pages of James McNeish's book, "Fire under the ashes - The life of Danilo Dolci";
- the photographs taken in various countries of Sicily, are prior to the covid-19 pandemic;
- thanks to the surgeon colleague dr. Franco Spadaro and his kind wife, Mrs. Mimma Cundari, owners of Casa Cuseni (declared in 1998, Italian National Monument), for their hospitality and availability, having made the Danilo Dolci archive available to me.
Una storia di Sicilia: il Gandhi siciliano (ma siciliano non era…).
Questo racconto fotografico, è connesso, almeno in parte, con quello precedente, il cui anello di congiunzione è rappresentato dalla nipote del pittore Robert Kitson, la signorina Daphne Phelps: lei nella vita era una assistente sociale psichiatrica (lei collaborava con Anna Freud, figlia di Sigmund Freud), alla morte dello zio nel 1948 si trasferì in Sicilia per occuparsi di Casa Cuseni, avendola ereditata: inizialmente la voleva vendere per poi ritornarsene in Inghilterra, invece finì con l’innamorarsi di Taormina e della Sicilia, decidendo di restarvi per il resto della sua vita. Daphne gestiva Casa Cuseni accogliendo ospiti paganti, numerosi sono i nomi illustri di artisti, scrittori, note personalità che vi hanno alloggiato: Danilo Dolci è stato uno di questi ospiti, ed è proprio di lui che desidero parlare. Egli nasce nel 1924 a Sesana (Trieste), dopo una vita un po’ movimentata, nel 1952 si trasferisce a Trappeto (tra Palermo e Trapani), un paese tra i più poveri e disagiati d’Italia: quello stesso anno inizia il primo di numerosi digiuni, coricandosi e digiunando nel letto di un bimbo morto per denutrizione, protesta che terminerà solo quando le autorità si impegneranno a costruire una fogna. Danilo Dolci prosegue con numerose iniziative, dalla pubblicazione di un libro (“Banditi a Partinico”, che mette a conoscenza dell’opinione pubblica delle misere condizioni di vita della Sicilia occidentale, a questo libro poi ne seguiranno molti altri), allo “sciopero alla rovescia”, quando i lavoratori fecero sciopero, centinaia di disoccupati si misero a lavorare per riattivare una strada comunale abbandonata, iniziativa però poi fermata dalla polizia; Dolci avvia anche una attività di denuncia del fenomeno mafioso e dei suoi rapporti con la politica. Numerosi sono gli attestati di stima e solidarietà che egli riceve da importanti personalità provenienti dall’Italia e dall’estero, ma nonostante ciò per altri Danilo Dolci è un pericoloso sovversivo, da ostacolare, denigrare, chiudere in prigione. Eppure Dolci non si atteggia né a santone, capo, od un maestro, il suo metodo di lavoro è basato sulla convinzione che il cambiamento è basato sul coinvolgimento e diretta partecipazione degli interessati, la sua idea di progresso valorizza la cultura e le competenze locali; egli cerca, lavorando a stretto contatto con la gente e le fasce più disagiate ed oppresse della Sicilia occidentale, di liberare la creatività sopita in ogni persona, chiamando tale ricerca “maieutica”, termine proveniente dalla filosofia, precisamente dalla maieutica socratica: è “l’arte della levatrice”, ogni atto educativo è far venire alla luce tutte le potenzialità interiori di colui che vuole imparare, al pari di una madre che vuol far nascere la propria creatura dal suo grembo, quindi no a nozioni impartite a priori, si ad aiutare lo studente a portare alla luce la propria conoscenza, usando il dialogo come strumento; però, la maieutica socratica è unidirezionale, mentre nella “maieutica reciproca” di Danilo Dolci, la conoscenza viene fuori dall’esperienza e dalla sua condivisione, quindi presuppone la reciprocità della comunicazione. Nel corso di riunioni con contadini e pescatori, nasce l’idea di costruire la diga sul fiume Jato, importante per lo sviluppo economico della zona, ma anche togliere un’arma potente in mano alla mafia, che faceva del controllo delle poche risorse idriche disponibili uno strumento di potere, però la richiesta di “acqua per tutti” verrà pesantemente ostacolata, saranno necessarie le mobilitazioni popolari, lunghi digiuni, per vedere infine realizzato il progetto: ora la diga esiste, ed altre sono state poi realizzate, modificando in tal modo la vita di migliaia di persone, con lo svilupparsi di numerose aziende e cooperative. Da menzionare, tra le tante attività di Dolci, grazie al contributo di esperti internazionali, l’esperienza del Centro Educativo di Mirto, frequentato da centinaia di bambini. Ritornando a Daphne Phelps e Casa Cuseni, qui è presente una litografia di Tono Zancanaro, dedicata alla nascita di una delle figlie di Danilo Dolci, ma, cosa tra le più importanti, esiste un carteggio tra il filosofo pacifista Bertrand Russel e Daphne Phelps, nel quale il pensatore inglese invitava la nipote di Robert Kitson a partecipare ai raduni di intellettuali progressisti e personalità letterarie e scientifiche dell’epoca, tra di loro, oltre Albert Camus, Jean-Paul Sartre e Carlo Levi, c’era Danilo Dolci, sociologo, educatore, ancora oggi riconosciuto tra le figure di massimo rilievo della nonviolenza a livello mondiale.
post scriptum:
- le immagini con Danilo Dolci provengono dall'archivio di Casa Cuseni: sono ritagli di giornali originali dell'epoca, spesso pagine intere, provenienti da quotidiani inglesi, accuratamente conservati dalla signorina Daphne Phelps; tali immagini sono state realizzate fotografando anche alcune pagine del libro di James McNeish, "Fire under the ashes - The life of Danilo Dolci";
- le fotografie realizzate in diversi paesi della Sicilia, sono antecedenti alla pandemia da covid-19;
- si ringrazia il collega chirurgo dott. Franco Spadaro e la sua gentile consorte, signora Mimma Cundari, proprietari di Casa Cuseni (dichiarata nel 1998, Monumento Nazionale Italiano), per la loro ospitalità e disponibilità, avendo messo a mia disposizione l'archivio relativo a Danilo Dolci.
I read this article (www.dpmag.com/how-to/shooting/time-collapse.html) and loved the effects that Matt Molloy was getting. I wanted to do a long exposure of the sunset at Port Hawkesbury, but I'd forgotten my ND filter back at the motel. I remembered this article and tried it out. My results didn't work out as I'd hoped, but it's something kind of different.
After reading an article about Monopoly pub crawls, it triggered an idea to create a piece of artwork combining all the locations on the board. Over a few of visits between June and August I trundled around London taking images of street signage.
London is great for photography due to its diverse mix of heritage and cutting edge design. I’m a graphic designer by trade so I always keep my eye out, especially the street signs.
Overall I’m pretty happy with the final design, I really enjoyed the process, learning new things about the capital as I went. If anything it was a good excuse to visit new parts of London, which I’d never previously seen.
My article this week is all about Beverage Photography. So here are 3 LIGHTING SETUPS (AND 2 TIPS) FOR TASTY BEVERAGE LIGHTING.
Check out the whole article here:
www.diyphotography.net/3-lighting-setups-2-tips-tasty-bev...
Strobist info:
Beer
Studiostrobe thru softbox and between scrim subject left @ 1/16
Studiostrobe thru softbox subject back and right for kick @ 1/8
Studiostrobe with yellow gel pointed at background @ 1/4
silver reflector subject right
Pepsi
Studiostrobe thru softbox subject left and right @ 1/8
Bare studiostrobe back of subject pointing at white seamless paper @ 1/2
Scrim camera right
Coke
Studiostrobe thru softbox subject back left and right @ 1/4
YN-470 speedlight with snoot top of subject @ 1/4
An English Electric 50 that is.......20 205 and 20 189 trundle through, a deserted, Witton station with 50 049 Defiance in tow on 0Z50 09.40 Kidderminster S.V.R. to East Grinstead.
Caperberry asked me to write up an introduction to all of the color resources I've collected and created. You can read it over at the New Elementary! :)
www.newelementary.com/2015/03/lego-colour-chart-reference...
Amherst, NY. February 2017.
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Former GAP Outlet
Pennsdale (Muncy), PA. June 2022.
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Interior of our Sherman home in 1980. I remember watching a lot of A-Team downstairs by that fireplace.
Photos by Dean Caple
My Way. This article is about the song popularized by Frank Sinatra. For the French song on which the melody of "My Way" is based, see Comme d'habitude. For Limp Bizkit song, see My Way (Limp Bizkit song). For other uses, see My Way (disambiguation). This article possibly contains original research. Please improve it by verifying the claims made and adding inline citations. Statements consisting only of original research may be removed. (September 2012) "My Way" is a song popularized by Frank Sinatra. Its lyrics were written by Paul Anka and set to music based on the French song "Comme d'habitude" composed in 1967 by Claude François and Jacques Revaux. Anka's English lyrics are unrelated to the original French song. "My Way" is often quoted as the most covered song in history.[citation needed] The lyrics of "My Way" tell the story of a man who, having grown old, reflects on his life as death approaches. He is comfortable with his mortality and takes responsibility for how he dealt with all the challenges of life while maintaining a respectable degree of integrity. Paul Anka heard the original 1967 French pop song, Comme d'habitude (As Usual) performed by Claude François, while on holiday in the south of France. He flew to Paris to negotiate the rights to the song.[2] In a 2007 interview, he said, "I thought it was a bad record, but there was something in it."[3] He acquired publishing rights at no cost[4] except the melody's rights kept by the authors,[5] and, two years later, had a dinner in Florida with Frank Sinatra and "a couple of Mob guys" at which Sinatra said, "I'm quitting the business. I'm sick of it, I'm getting the hell out."[3]
Back in New York, Anka re-wrote the original French song for Sinatra, subtly altering the melodic structure and changing the lyrics. At one o'clock in the morning, I sat down at an old IBM electric typewriter and said, 'If Frank were writing this, what would he say?' And I started, metaphorically, 'And now the end is near.' I read a lot of periodicals, and I noticed everything was 'my this' and 'my that'. We were in the 'me generation' and Frank became the guy for me to use to say that. I used words I would never use: 'I ate it up and spit it out.' But that's the way he talked. I used to be around steam rooms with the Rat Pack guys – they liked to talk like Mob guys, even though they would have been scared of their own shadows." Anka finished the song at 5 am. "I called Frank up in Nevada – he was at Caesar's Palace – and said, 'I've got something really special for you.'"[3] Anka claimed, "When my record company caught wind of it, they were very pissed that I didn't keep it for myself. I said, 'Hey, I can write it, but I'm not the guy to sing it.' It was for Frank, no one else."[3] Despite this, Anka would later record the song in 1969 (very shortly after Sinatra's recording was released). Anka recorded it four other times as well: (1) in 1996 (as a duet with Gabriel Byrne, performed in the movie Mad Dog Time), (2) in 1998 in Spanish as (a Mi Manera) (duet with Julio Iglesias), (3) in 2007 (as a duet with Jon Bon Jovi) [6] and in 2013 (as duet with Garou). Frank Sinatra recorded his version of the song on December 30, 1968, and it was released in early 1969 on the album of the same name and as a single. It reached No. 27 on the Billboard Hot 100 chart and No. 2 on the Easy Listening chart in the US. In the UK, the single achieved a still unmatched record, becoming the recording with the most weeks inside the Top 40, spending 75 weeks from April 1969 to September 1971. It spent a further 49 weeks in the Top 75 but never bettered the No. 5 slot achieved upon its first chart run.
In the midst of Sinatra's multiple runs on the UK Singles Chart, Welsh singer Dorothy Squires also released a rendition of "My Way" in Summer 1970. Her recording reached number 10 on the UK Singles Chart and re-entered the chart twice
Elvis Presley began performing the song in concert during the mid-1970s, in spite of suggestions by Paul Anka, who told him it was not a song that would suit him. Nevertheless, on January 12 and 14, 1973 Presley sang the song during his satellite show "Aloha from Hawaii", beamed live and on deferred basis (for European audiences, who also saw it in prime time), to 43 countries via Intelsat, the only time that a single entertainer faced such a worldwide audience. In the continental US, the show was carried by NBC, and shown in primetime on April 14, thus achieving very high ratings and eventually helping the show reach a worldwide viewership of over 1 billion. On October 3, 1977, several weeks after his death, his live recording of "My Way" (recorded for the "Elvis In Concert" CBS-TV special on June 21, 1977) was released as a single. In the U.S., it reached number 22 on the Billboard Hot 100 pop singles chart in late-1977/early-1978 (higher than Frank Sinatra's peak position), number 6 on the Billboard Adult Contemporary chart, and went Gold for its successful sales of over half a million copies. The following year the single reached number 2 on the Billboard Country singles chart but went all the way to number 1 on the rival Cash Box Country Singles chart. In the UK, it reached number 9 on
Welcome to Way of Tao, a site that celebrates nature's way of success. The power and purposefulness observed in nature reveals much about the human journey. Just as seeds follow inner clues in their development, we too are self directed. All living things are made stronger because of the changes taking place around them. Do not fight the very thing that guides you in your growth. Obstacles, like the dirt and rocks surrounding the seed, merely peel away the protective layers that hide your authenticity. In nature, innovation and uniqueness are the rule. Nature achieves unity by honoring variation. Life is always exploring the best of what it might become. As one of nature's many expressions of its uncommon determination, the part you play within its interwoven tapestry is directly related to your ability to flourish in your uniqueness. You are the instrument and the song that is played.
Nature reveals how to overcome all obstacles. Water offers a lesson about the power of stillness; when it meets an obstacle, it grows in volume and energy until it breaks through any barriers that would block its forward progress. Fire offers a lesson about the connection between thought and experience, where the flame remains connected to whatever keeps it burning. Mountains demonstrate how constancy chisels the essence of our nature. Honed by the elements, our character is revealed. The Lake inspires a powerful peacefulness, regardless of the changes taking place upon its surface. When obstacles appear insurmountable,
simply follows nature's ways. The Tao te Ching is a book (ching) that develops one's power (te) when following a path where meaning can unfold to guide us (Tao). Te is the driving force of Tao active in each creature, and resembles our idea of evolution or individuation. It is the more ancient idea and philosophical root of Qi or Ch'i. After analyzing the dreams of visitors from around the world, a universal message of wellness emerges in cycles. Inner wisdom flows through dreams to allow us to find our way. When we face crisis, dreams reveal the way ahead, with wisdom and a time sense that transcends our own. Dreams awaken us to ourselves and to our unique pathway. Visit the free on-line Dream Dictionary with its abundance of dream symbols. This dictionary is also available as an Iphone App. Consult the oracle from the I Ching or Book of Changes for daily words of wisdom inspired by nature. Explore our Workshops, Taoist Retreats and Books on Dreams, nature and Taoism.Browse the ancient writings of Tao, where the Tao te Ching inspires us to adopt a more natural way of being in the world. The Way of Tao leads us to discover our seamless unity with life. It leads us to actualize the life that we were meant to live.
Ivy League students wearing raccoon coats, c.1929
Source and excellent article about ‘men wearing raccoon coats’:
www.messynessychic.com/2014/11/26/the-1920s-college-kids-...
“Man has worn fur since he was living in a cave, but there’s something about this photograph and the fresh-faced young men, all “pimped-out” in full-length fur that stopped me in my tracks. I had stumbled upon a snapshot of a moment in fashion history when American Ivy league-ers and young college undergrads began sporting heavy, full-length raccoon coats, which set the trend in 1920s & 30s men’s fashion and sparked a voracious demand for the extravagant garment across the country. If a man could afford a fur coat, he had one; bankers, salesmen and students alike used the style to signify or improve their social status.
And if you were a Ivy League undergrad in the 1920s with a reputation to keep, you wouldn’t have been seen at the homecoming game without one…”
This photograph was published in an online article in DEVON LIVE on 15th July 2025, written by Steffan Rhys Deputy Content Hub Director, Ketsuda Phoutinane Spare Time Content Editor and Ellen Jenne U35 Spare Time Writer and titled:
'' Squirrels will 'run away from' your garden if you plant three plants they 'hate'
Squirrels can be a real headache for gardeners, as they often nibble on plants and flowers. However, there are certain plants that squirrels detest which can also add extra colour to your garden ''
It had previously been Selected for sale in the GETTY IMAGES COLLECTION on June 25th 2021
CREATIVE RF gty.im/1324861349 MOMENT ROYALTY FREE COLLECTION and became my 5,348th frame to be selected for sale with Getty as my sole worldwide agents. I now have in excess of 7,500+ photographs represented by them.
©All photographs on this site are copyright: ©DESPITE STRAIGHT LINES (Paul Williams) 2011 – 2021 & GETTY IMAGES ®
No license is given nor granted in respect of the use of any copyrighted material on this site other than with the express written agreement of ©DESPITE STRAIGHT LINES (Paul Williams). No image may be used as source material for paintings, drawings, sculptures, or any other art form without permission and/or compensation to ©DESPITE STRAIGHT LINES (Paul Williams)
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Photograph taken at an altitude of Forty eight metres at 08:04am on a showery morning on Wednesday 12th May 2021, off Chessington Avenue in Bexleyheath, Kent.
Here we see, Sciurus Carolinensis (Eastern Gray Squirrel or Grey Squirrel), a tree squirrel native to North America and first introduced to the UK in the 1870's. Though it was largely resonsible for the decimation of our own native red squirrel population, those are now on the increase and found in certain parts of the UK including Scotland. The Greys are still an ecologically essential natural forester regenerator.
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Nikon D850 Focal length 600mm Shutter speed: 1/200s Aperture f/6.3 iso200 Tripod mounted with Tamron VC Vibration Control set to position 3. Image area FX (36 x 24) NEF RAW L (8256 x 5504). NEF RAW L (14 bit uncompressed) AF-C Priority Selection: Release. Nikon Back button focusing enabled. AF-S Priority selection: Focus. 3D Tracking watch area: Normal 55 Tracking points Exposure mode: Manual mode Metering mode: Spot metering White balance on: Auto1 (5000k) Colour space: RGB Picture control: Neutral (Sharpening +2)
Tamron SP 150-600mm F/5-6.3 Di VC USD G2. Nikon GP-1 GPS module. Lee SW150 MKII filter holder. Lee SW150 95mm screw in adapter ring. Lee SW150 circular polariser glass filter.Lee SW150 Filters field pouch. Hoodman HEYENRG round eyepiece oversized eyecup.Manfrotto MT057C3-G Carbon fiber Geared tripod 3 sections. Neewer Carbon Fiber Gimble tripod head 10088736 with Arca Swiss standard quick release plate. Neewer 9996 Arca Swiss release plate P860 x2.Jessops Tripod bag. Mcoplus professional MB-D850 multi function battery grip 6960.Two Nikon EN-EL15a batteries (Priority to battery in Battery grip). Black Rapid Curve Breathe strap. My Memory 128GB Class 10 SDXC 80MB/s card. Lowepro Flipside 400 AW camera bag.
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LATITUDE: N 51d 28m 28.17s
LONGITUDE: E 0d 8m 10.53s
ALTITUDE: 47.0m
RAW (TIFF) FILE: 130.00MB NEF FILE: 90.9MB
PROCESSED (JPeg) FILE: 43.80MB
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PROCESSING POWER:
Nikon D850 Firmware versions C 1.10 (9/05/2019) LD Distortion Data 2.018 (18/02/20) LF 1.00
HP 110-352na Desktop PC with AMD Quad-Core A6-5200 APU 64Bit processor. Radeon HD8400 graphics. 8 GB DDR3 Memory with 1TB Data storage. 64-bit Windows 10. Verbatim USB 2.0 1TB desktop hard drive. WD My Passport Ultra 1tb USB3 Portable hard drive. Nikon ViewNX-1 64bit Version 1.4.1 (18/02/2020). Nikon Capture NX-D 64bit Version 1.6.2 (18/02/2020). Nikon Picture Control Utility 2 (Version 2.4.5 (18/02/2020). Nikon Transfer 2 Version 2.13.5. Adobe photoshop Elements 8 Version 8.0 64bit.
East Stroudsburg, PA. June 2015.
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The Devil is in the Details: Château Royal de Blois - Read the article written by my colleague William Lounsbury that spots this, and many other of my images, and see how details fill out the folio of any trip ---- www.aperturetours.com/blog/2020/the-devil-is-in-the-detai...
The three tin foil bowls on the end of the lower arms indicate that this space vehicle has feet and is intended to land somewhere. This is reinforced by the fully-extended digger arm (surface sampler arm in NASA-speak) that today hangs even lower.
The Surveyor programme was run by NASA from June 1966 to January 1968, sending seven robotic spacecraft to the surface of the Moon. Seen above is a test article, a full-scale mock-up, which is now suspended from the ceiling in the Smithsonian's National Air and Space Museum on the Mall in Washington DC.
The programme's primary goal was to demonstrate the feasibility of soft landings on the Moon. The Surveyor craft were the first American spacecraft to achieve soft landing on an extraterrestrial body. The missions called for the craft to travel directly to the Moon on an impact trajectory, a journey that lasted 63-65 hours, and ended with a deceleration of just over three minutes to a soft landing.
The programme was implemented by NASA's Jet Propulsion Laboratory (JPL) to prepare for the Apollo programme. JPL selected Hughes Aircraft to develop the spacecraft system which was launched into space aboard an Atlas-Centaur rocket. The total cost of the Surveyor programme was officially $469 million.
Five of the Surveyor craft successfully soft-landed on the moon, including the first one. The other two failed: Surveyor 2 crashed at high velocity after a failed mid-course correction, and Surveyor 4 was lost to contact (possibly exploding) 2.5 minutes before its scheduled touch-down.
All seven spacecraft are still on the Moon; none of the missions included returning them to Earth. Some parts of Surveyor 3 were returned to Earth by the crew of Apollo 12, which landed near it in 1969. The camera from this craft is also on display at the National Air and Space Museum.
There is no sense of scale in the picture, but the whole craft is 3m high and 3.5m wide. Its sisters weighed 283 kg as they landed on the moon.
Nags Head, NC. October 2023.
If you would like to use THIS picture in any sort of media (such as newspaper or article) please send me a Flickr mail or an e-mail at natehenderson6@gmail.com.
November 16, 2019: Remove Trump and Fire Drill Fridays at the Capitol and the White House with Jane Fonda
From the Daily Mail, Saturday 16/04/05. This woman - Cathy Jung - achieves a 15" waist by wearing a corset almost 24/7.
On a side-note, the paper used the story as a way to debunk the whole 'Kylie-wearing-a-16"-corset' thing. Except that Kylie herself has said that she never wore such a tiny corset, so what's the point?
I hate the Daily Mail.
This photograph was published in Truth Dig.com on March 17, 2016 to illustrate the article "City of Los Angeles Continues to Invade Homeless Camp Despite Federal Lawsuit", and again in Truth Dig to illustrate the article "How a Canadian City Eradicated Homelessness with One Revolutionary Idea" published on April 27, 2016.
www.truthdig.com/eartotheground/item/city_of_los_angeles_...
www.truthdig.com/eartotheground/item/how_a_city_in_canada...
Also published June 15, 2016 in LA Curbed.com "County Leaders Issue Plea for 'State of Emergency' on Homelessness"
la.curbed.com/2016/6/15/11942920/emergency-state-homeless...
Also used by Meme News to illustrate LA Homeless bill (link below)
memenews.me/2016/02/11/l-a-homeless-bill/
Published as well in an academic paper of the Tel Aviv University in Israel.
urbanologia.tau.ac.il/%D7%94%D7%93%D7%99%D7%90%D7%9C%D7%A...
Also published in the Canadian labor union organization site to illustrate an open letter to Justin Trudeau { link below}
www.csn.qc.ca/actualites/lalena-doit-permettre-une-hausse...
In addition to designing actual products, one of my occasional duties at Big Ass Fans was designing and sourcing swag. I designed this pewter belt buckle in (I think) 2007 and had 500 copies made. 501 actually - this one is actually the pre-production proof sample, which I kept for myself.
A little while ago Simon Pickard (aka brickspartan) from Blocks magazine approached me about doing a feature article on me (as part of a series of AFOL feature articles). I was chuffed and flattered for the recognition (and a little intimidated at the same time!) Simon and I had a great time during the interview and I'm really pleased with how well Simon put together this feature.
Its available in UK stockists WH Smith, Tesco, Sainsburys, Morrisons, and others(?). I believe its carried by Barnes and Noble in the US and available globally in digital form from the iTunes Newsstand app.
Blocks is a great read with high quality content and production. That should not be come as a surprise since most of the editorial team are mostly AFOLs.
Blocks Magazine, July 2015, Issue 9
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For other uses, see Androgyny (disambiguation).
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Androgyny is the combination of masculine and feminine characteristics into an ambiguous form. Androgyny may be expressed with regard to biological sex, gender identity, gender expression, or sexual identity.
When androgyny refers to mixed biological sex characteristics in humans, it often refers to intersex people. As a gender identity, androgynous individuals may refer to themselves as non-binary, genderqueer, or gender neutral. As a form of gender expression, androgyny can be achieved through personal grooming or fashion. Androgynous gender expression has waxed and waned in popularity in different cultures and throughout history.
Contents
1Etymology
2History
3Symbols and iconography
4Biological
5Psychological
5.1Bem Sex-Role Inventory
5.2Personal Attribues Questionnaire
6Gender identity
7Gender expression
7.1Androgyny in fashion
8Alternatives
9Contemporary trends
10See also
11References
12External links
Etymology[edit]
Androgyny as a noun came into use c. 1850, nominalizing the adjective androgynous. The adjective use dates from the early 17th century and is itself derived from the older French (14th Century) and English (c. 1550) term androgyne. The terms are ultimately derived from Ancient Greek: ἀνδρόγυνος, from ἀνήρ, stem ἀνδρ- (anér, andr-, meaning man) and γυνή (gunē, gyné, meaning woman) through the Latin: androgynus,[1] The older word form androgyne is still in use as a noun with an overlapping set of meanings.
History[edit]
See also: Sexuality in ancient Rome § Hermaphroditism and androgyny
Androgyny among humans – expressed in terms of biological sex characteristics, gender identity, or gender expression – is attested to from earliest history and across world cultures. In ancient Sumer, androgynous and hermaphroditic men were heavily involved in the cult of Inanna.[2]:157–158 A set of priests known as gala worked in Inanna's temples, where they performed elegies and lamentations.[2]:285 Gala took female names, spoke in the eme-sal dialect, which was traditionally reserved for women, and appear to have engaged in homosexual intercourse.[3] In later Mesopotamian cultures, kurgarrū and assinnu were servants of the goddess Ishtar (Inanna's East Semitic equivalent), who dressed in female clothing and performed war dances in Ishtar's temples.[3] Several Akkadian proverbs seem to suggest that they may have also engaged in homosexual intercourse.[3] Gwendolyn Leick, an anthropologist known for her writings on Mesopotamia, has compared these individuals to the contemporary Indian hijra.[2]:158–163 In one Akkadian hymn, Ishtar is described as transforming men into women.[3]
The ancient Greek myth of Hermaphroditus and Salmacis, two divinities who fused into a single immortal – provided a frame of reference used in Western culture for centuries. Androgyny and homosexuality are seen in Plato's Symposium in a myth that Aristophanes tells the audience.[4] People used to be spherical creatures, with two bodies attached back to back who cartwheeled around. There were three sexes: the male-male people who descended from the sun, the female-female people who descended from the earth, and the male-female people who came from the moon. This last pairing represented the androgynous couple. These sphere people tried to take over the gods and failed. Zeus then decided to cut them in half and had Apollo repair the resulting cut surfaces, leaving the navel as a reminder to not defy the gods again. If they did, he would cleave them in two again to hop around on one leg. Plato states in this work that homosexuality is not shameful. This is one of the earlier written references to androgyny. Other early references to androgyny include astronomy, where androgyn was a name given to planets that were sometimes warm and sometimes cold.[5]
Philosophers such as Philo of Alexandria, and early Christian leaders such as Origen and Gregory of Nyssa, continued to promote the idea of androgyny as humans' original and perfect state during late antiquity.”[6] In medieval Europe, the concept of androgyny played an important role in both Christian theological debate and Alchemical theory. Influential Theologians such as John of Damascus and John Scotus Eriugena continued to promote the pre-fall androgyny proposed by the early Church Fathers, while other clergy expounded and debated the proper view and treatment of contemporary “hermaphrodites.”[6]
Western esotericism’s embrace of androgyny continued into the modern period. A 1550 anthology of Alchemical thought, De Alchemia, included the influential Rosary of the Philosophers, which depicts the sacred marriage of the masculine principle (Sol) with the feminine principle (Luna) producing the "Divine Androgyne," a representation of Alchemical Hermetic beliefs in dualism, transformation, and the transcendental perfection of the union of opposites.[7] The symbolism and meaning of androgyny was a central preoccupation of the German mystic Jakob Böhme and the Swedish philosopher Emanuel Swedenborg. The philosophical concept of the “Universal Androgyne” (or “Universal Hermaphrodite”) – a perfect merging of the sexes that predated the current corrupted world and/or was the utopia of the next – also plays a central role in Rosicrucian doctrine[8][9] and in philosophical traditions such as Swedenborgianism and Theosophy. Twentieth century architect Claude Fayette Bragdon expressed the concept mathematically as a magic square, using it as building block in many of his most noted buildings.[10]
Symbols and iconography[edit]
The Caduceus
In the ancient and medieval worlds, androgynous people and/or hermaphrodites were represented in art by the caduceus, a wand of transformative power in ancient Greco-Roman mythology. The caduceus was created by Tiresias and represents his transformation into a woman by Juno in punishment for striking at mating snakes. The caduceus was later carried by Hermes/Mercury and was the basis for the astronomical symbol for the planet Mercury and the botanical sign for hermaphrodite. That sign is now sometimes used for transgender people.
Another common androgyny icon in the medieval and early modern period was the Rebis, a conjoined male and female figure, often with solar and lunar motifs. Still another symbol was what is today called sun cross, which united the cross (or saltire) symbol for male with the circle for female.[11] This sign is now the astronomical symbol for the planet Earth.[12]
Mercury symbol derived from the Caduceus
A Rebis from 1617
"Rose and Cross" Androgyne symbol
Alternate "rose and cross" version
Biological[edit]
See also: Sex differences in humans
Historically, the word androgynous was applied to humans with a mixture of male and female sex characteristics, and was sometimes used synonymously with the term hermaphrodite.[13] In some disciplines, such as botany, androgynous and hermaphroditic are still used interchangeably.
When androgyny is used to refer to physical traits, it often refers to a person whose biological sex is difficult to discern at a glance because of their mixture of male and female characteristics. Because androgyny encompasses additional meanings related to gender identity and gender expression that are distinct from biological sex, today the word androgynous is rarely used to formally describe mixed biological sex characteristics in humans. [14] In modern English, the word intersex is used to more precisely describe individuals with mixed or ambiguous sex characteristics. However, both intersex and non-intersex people can exhibit a mixture of male and female sex traits such as hormone levels, type of internal and external genitalia, and the appearance of secondary sex characteristics.
Psychological[edit]
Though definitions of androgyny vary throughout the scientific community, it is generally supported that androgyny represents a blending of traits associated with both masculinity and femininity. In psychological study, various measures have been used to characterize gender, such as the Bem Sex Role Inventory, the Personal Attributes Questionnaire.[15]
Broadly speaking, masculine traits are categorized as agentic and instrumental, dealing with assertiveness and analytical skill. Feminine traits are categorized as communal and expressive, dealing with empathy and subjectivity.[16] Androgynous individuals exhibit behavior that extends beyond what is normally associated with their given sex.[17] Due to the possession of both masculine and feminine characteristics, androgynous individuals have access to a wider array of psychological competencies in regards to emotional regulation, communication styles, and situational adaptability. Androgynous individuals have also been associated with higher levels of creativity and mental health.[18][19]
Bem Sex-Role Inventory[edit]
The Bem Sex-Role Inventory (BSRI) was constructed by the early leading proponent of androgyny, Sandra Bem (1977).[20][better source needed] The BSRI is one of the most widely used gender measures. Based on an individual's responses to the items in the BSRI, they are classified as having one of four gender role orientations: masculine, feminine, androgynous, or undifferentiated. Bem understood that both masculine and feminine characteristics could be expressed by anyone and it would determine those gender role orientations.[21]
An androgynous person is an individual who has a high degree of both feminine (expressive) and masculine (instrumental) traits. A feminine individual is ranked high on feminine (expressive) traits and ranked low on masculine (instrumental) traits. A masculine individual is ranked high on instrumental traits and ranked low on expressive traits. An undifferentiated person is low on both feminine and masculine traits.[20]
According to Sandra Bem, androgynous individuals are more flexible and more mentally healthy than either masculine or feminine individuals; undifferentiated individuals are less competent.[20] More recent research has debunked this idea, at least to some extent, and Bem herself has found weaknesses in her original pioneering work. Now she prefers to work with gender schema theory.
One study found that masculine and androgynous individuals had higher expectations for being able to control the outcomes of their academic efforts than feminine or undifferentiated individuals.[22]
Personal Attribues Questionnaire[edit]
The Personal Attributes Questionnaire (PAQ) was developed in the 70s by Janet Spence, Robert Helmreich, and Joy Stapp. This test asked subjects to complete to a survey consisting of three sets of scales relating to masculinity, femininity, and masculinity-femininity. These scales had sets of adjectives commonly associated with males, females, and both. These descriptors were chosen based on typical characteristics as rated by a population of undergrad students. Similar to the BSRI, the PAQ labeled androgynous individuals as people who ranked highly in both the areas of masculinity and femininity. However, Spence and Helmreich considered androgyny to be a descriptor of high levels of masculinity and femininity as opposed to a category in and of itself.[15]
Gender identity[edit]
An individual's gender identity, a personal sense of one's own gender, may be described as androgynous if they feel that they have both masculine and feminine aspects. The word androgyne can refer to a person who does not fit neatly into one of the typical masculine or feminine gender roles of their society, or to a person whose gender is a mixture of male and female, not necessarily half-and-half. Many androgynous individuals identify as being mentally or emotionally both masculine and feminine. They may also identify as "gender-neutral", "genderqueer", or "non-binary".[23] A person who is androgynous may engage freely in what is seen as masculine or feminine behaviors as well as tasks. They have a balanced identity that includes the virtues of both men and women and may disassociate the task with what gender they may be socially or physically assigned to.[24] People who are androgynous disregard what traits are culturally constructed specifically for males and females within a specific society, and rather focus on what behavior is most effective within the situational circumstance.[24]
Many non-western cultures recognize additional androgynous gender identities. Jewish culture recognizes the Tumtum and Androgynos genders. In Chinese culture exists the Yinyang ren gender. The Bugis of Indonesia recognize five genders, Bissu representing the androgynous category. In Hawaiian culture, the third gender Māhū is recognized. In Oaxacan Zapotec culture, the Muxe are recognized as a third gender. In India, the Hijra is the third androgynous gender. Samoans accept Fa’afafine as a third gender. Native American culture includes Two Spirit as a general third gender.
Gender expression[edit]
Gender expression, which includes a mixture of masculine and feminine characteristics, can be described as androgynous. The categories of masculine and feminine in gender expression are socially constructed, and rely on shared conceptions of clothing, behavior, communication style, and other aspects of presentation. In some cultures, androgynous gender expression has been celebrated, while in others, androgynous expression has been limited or suppressed. To say that a culture or relationship is androgynous is to say that it lacks rigid gender roles, or has blurred lines between gender roles.
The word genderqueer is often used by androgynous individuals to refer to themselves, but the terms genderqueer and androgynous are neither equivalent nor interchangeable.[25] Genderqueer is not specific to androgynes, and does not denote gender identity. It may refer to any person, cisgender or transgender, whose behavior falls outside conventional gender norms. Furthermore, genderqueer, by virtue of its ties with queer culture, carries sociopolitical connotations that androgyny does not carry. For these reasons, some androgynes may find the label genderqueer inaccurate, inapplicable, or offensive. Androgneity is considered by some to be a viable alternative to androgyn for differentiating internal (psychological) factors from external (visual) factors.[26]
Terms such as bisexual, heterosexual, and homosexual have less meaning for androgynous individuals who do not identify as men or women to begin with. Infrequently the words gynephilia and androphilia are used, and some describe themselves as androsexual. These words refer to the gender of the person someone is attracted to, but do not imply any particular gender on the part of the person who is feeling the attraction.[citation needed]
Louise Brooks exemplified the flapper. Flappers challenged traditional gender roles, had boyish hair cuts and androgynous figures.[27]
Androgyny in fashion[edit]
Throughout most of twentieth century Western history, social rules have restricted people's dress according to gender. Trousers were traditionally a male form of dress, frowned upon for women.[28] However, during the 1800s, female spies were introduced and Vivandières wore a certain uniform with a dress over trousers. Women activists during that time would also decide to wear trousers, for example Luisa Capetillo, a women's rights activist and the first woman in Puerto Rico to wear trousers in public.[29]
Coco Chanel wearing a sailor's jersey and trousers. 1928
In the 1900s, starting around World War I traditional gender roles blurred and fashion pioneers such as Paul Poiret and Coco Chanel introduced trousers to women's fashion. The "flapper style" for women of this era included trousers and a chic bob, which gave women an androgynous look.[30] Coco Chanel, who had a love for wearing trousers herself, created trouser designs for women such as beach pajamas and horse-riding attire.[28] During the 1930s, glamorous actresses such as Marlene Dietrich fascinated and shocked many with their strong desire to wear trousers and adopt the androgynous style. Dietrich is remembered as one of the first actresses to wear trousers in a premiere.[31]
Yves Saint Laurent, the tuxedo suit "Le Smoking", created in 1966
Throughout the 1960s and 1970s, the women's liberation movement is likely to have contributed to ideas and influenced fashion designers, such as Yves Saint Laurent.[32] Yves Saint Laurent designed the Le Smoking suit and first introduced in 1966, and Helmut Newton’s erotized androgynous photographs of it made Le Smoking iconic and classic.[33] The Le Smoking tuxedo was a controversial statement of femininity and has revolutionized trousers.
Elvis Presley, however is considered to be the one who introduced the androgynous style in rock'n'roll and made it the standard template for rock'n'roll front-men since the 1950s.[34] His pretty face and use of eye makeup often made people think he was a rather "effeminate guy",[35] but Elvis Presley was considered as the prototype for the looks of rock'n'roll.[34] The Rolling Stones, says Mick Jagger became androgynous "straightaway unconsciously" because of him.[35]
However, the upsurge of androgynous dressing for men really began after during the 1960s and 1970s. When the Rolling Stones played London's Hyde Park in 1969, Mick Jagger wore a white "man's dress" designed by British designer Mr Fish.[36] Mr Fish, also known as Michael Fish, was the most fashionable shirt-maker in London, the inventor of the Kipper tie, and a principal taste-maker of the Peacock revolution in men's fashion.[37] His creation for Mick Jagger was considered to be the epitome of the swinging 60s.[38] From then on, the androgynous style was being adopted by many celebrities.
Annie Lennox was known for her androgyny in the 1980s
During the 1970s, Jimi Hendrix was wearing high heels and blouses quite often, and David Bowie presented his alter ego Ziggy Stardust, a character that was a symbol of sexual ambiguity when he launched the album The Rise and Fall of Ziggy Stardust and Spiders from Mars.[39] This was when androgyny entered the mainstream in the 1970s and had a big influence in pop culture. Another significant influence during this time included John Travolta, one of the androgynous male heroes of the post-counter-culture disco era in the 1970s, who starred in Grease and Saturday Night Fever.[40]
Continuing into the 1980s, the rise of avant-garde fashion designers like Yohji Yamamoto,[41] challenged the social constructs around gender. They reinvigorated androgyny in fashion, addressing gender issues. This was also reflected within pop culture icons during the 1980s, such as David Bowie and Annie Lennox.[42]
Power dressing for women became even more prominent within the 1980s which was previously only something done by men in order to look structured and powerful. However, during the 1980s this began to take a turn as women were entering jobs with equal roles to the men. In the article “The Menswear Phenomenon” by Kathleen Beckett written for Vogue in 1984 the concept of power dressing is explored as women entered these jobs they had no choice but to tailor their wardrobes accordingly, eventually leading the ascension of power dressing as a popular style for women.[43] Women begin to find through fashion they can incite men to pay more attention to the seduction of their mental prowess rather, than the physical attraction of their appearance. This influence in the fashion world quickly makes its way to the world of film, with movies like "Working Girl" using power dressing women as their main subject matter.
Androgynous fashion made its most powerful in the 1980s debut through the work of Yohji Yamamoto and Rei Kawakubo, who brought in a distinct Japanese style that adopted distinctively gender ambiguous theme. These two designers consider themselves to very much a part of the avant-garde, reinvigorating Japanism.[44] Following a more anti-fashion approach and deconstructing garments, in order to move away from the more mundane aspects of current Western fashion. This would end up leading a change in Western fashion in the 1980s that would lead on for more gender friendly garment construction. This is because designers like Yamamoto believe that the idea of androgyny should be celebrated, as it is an unbiased way for an individual to identify with one's self and that fashion is purely a catalyst for this.[citation needed]
Also during the 1980s, Grace Jones's a famous singer and fashion model gender-thwarted appearance in the 1980s which startled the public, but her androgynous style of heavily derivative of power dressing and eccentric personality has inspired many, and has become an androgynous style icon for modern celebrities.[45] This was seen as controversial but from then on, there was a rise of unisex designers later in the 1990s and the androgynous style was widely adopted by many.
In 2016, Louis Vuitton revealed that Jaden Smith would star in their womenswear campaign. Because of events like this, gender fluidity in fashion is being vigorously discussed in the media, with the concept being articulated by Lady Gaga, Ruby Rose, and in Tom Hooper's film The Danish Girl. Jaden Smith and other young individuals, such as Lily-Rose Depp, have inspired the movement with his appeal for clothes to be non-gender specific, meaning that men can wear skirts and women can wear boxer shorts if they so wish.[46]
Alternatives[edit]
[icon]
This section needs expansion. You can help by adding to it. (August 2009)
An alternative to androgyny is gender-role transcendence: the view that individual competence should be conceptualized on a personal basis rather than on the basis of masculinity, femininity, or androgyny.[47]
In agenderism, the division of people into women and men (in the psychical sense), is considered erroneous and artificial.[48] Agendered individuals are those who reject genderic labeling in conception of self-identity and other matters.[49] [50][51][52] They see their subjectivity through the term person instead of woman or man.[49]:p.16 According to E. O. Wright, genderless people can have traits, behaviors and dispositions that correspond to what is currently viewed as feminine and masculine, and the mix of these would vary across persons. Nevertheless, it doesn't suggest that everyone would be androgynous in their identities and practices in the absence of gendered relations. What disappears in the idea of genderlessness is any expectation that some characteristics and dispositions are strictly attributed to a person of any biological sex.[53]
Contemporary trends[edit]
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Jennifer Miller, bearded woman
X Japan founder Yoshiki is often labelled androgynous, known for having worn lace dresses and acting effeminate during performances[54]
South Korean pop star G-Dragon is often noted for his androgynous looks[55][56]
Androgyny has been gaining more prominence in popular culture in the early 21st century.[57] Both fashion industries[58] and pop culture have accepted and even popularised the "androgynous" look, with several current celebrities being hailed as creative trendsetters.
The rise of the metrosexual in the first decade of the 2000s has also been described as a related phenomenon associated with this trend. Traditional gender stereotypes have been challenged and reset in recent years dating back to the 1960s, the hippie movement and flower power. Artists in film such as Leonardo DiCaprio sported the "skinny" look in the 1990s, a departure from traditional masculinity which resulted in a fad known as "Leo Mania".[59] This trend came long after musical superstars such as David Bowie, Boy George, Prince, Pete Burns and Annie Lennox challenged the norms in the 1970s and had elaborate cross gender wardrobes by the 1980s.[citation needed] Musical stars such as Brett Anderson of the British band Suede, Marilyn Manson and the band Placebo have used clothing and makeup to create an androgyny culture throughout the 1990s and the first decade of the 2000s.[60]
While the 1990s unrolled and fashion developed an affinity for unisex clothes there was a rise of designers who favored that look, like Helmut Lang, Giorgio Armani and Pierre Cardin, the trends in fashion hit the public mainstream in the 2000s (decade) that featured men sporting different hair styles: longer hair, hairdyes, hair highlights.[citation needed] Men in catalogues started wearing jewellery, make up, visual kei, designer stubble. These styles have become a significant mainstream trend of the 21st century, both in the western world and in Asia.[61] Japanese and Korean cultures have featured the androgynous look as a positive attribute in society, as depicted in both K-pop, J-pop,[62] in anime and manga,[63] as well as the fashion industry.[64]
See also[edit]
List of androgynous people
Bigender
Epicenity
Futanari
Gender bender
Gender dysphoria
Gender neutrality
Gonochorism
Gynandromorph
Gynomorph
Hermaphrodite
List of transgender-related topics
Non-binary gender
Pangender
Postgenderism
Sexual Orientation Hypothesis
Third gender
Transsexualism
Trigender
True hermaphroditism
References[edit]
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External links[edit]
Look up androgyny in Wiktionary, the free dictionary.
Wikimedia Commons has media related to Androgyny.
Androgyny: study and collection of articles
Androgyne Online
Sandra Bem and androgyny
The Two-Spirit Tradition
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Lesbian, gay, bisexual, and transgender (LGBT) topics
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This photograph featured in an online article in PRIMA magazine entitled: '' 18 photos THAT PROVE SCOTLAND IS THE PERFECT PLACE TO SOCIAL DISTANCE ON HOLIDAY '' - Transport yourself to the remote beauty of Scotland via these serene viewsby Roshina Jowaheer on 11th August 2020.
PRIMA is a UK based online and magazine owned by House of Hearst in London.
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©All photographs on this site are copyright: DESPITE STRAIGHT LINES (Paul Williams) 2011 – 2020 & GETTY IMAGES ®
No license is given nor granted in respect of the use of any copyrighted material on this site other than with the express written agreement of DESPITE STRAIGHT LINES (Paul Williams) ©
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Photograph taken at 15:36pm on Tuesday 10th September 2013, past Alexandria on the A82, at a beautiful little village called Aldochlay on the shoreline of Loch Lomond in the Loch Lomond and The Trossachs National Park, Scotland. This view looks across the Loch towards the island of Inchtavannach.
Loch Lomond (Loch Laomainn), a freshwater loch situated on the Highland Boundary fault, is the largest inland stretch of water by surface area in Great Britain, at 39km in length and up to 8km in width with a maximum depth of 190metres. Primary inflows and outflows include Endrick water, Fruin water and the River Leven.
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Nikon D800 Focal length: 22mm Shutter speed: 1/250s
Aperture: f/14.0 iso200 RAW (14Bit) Handheld
Nikkor AF-S 14-24mm f/2.8G ED IF. Nikon MB-D12 battery grip. Two Nikon EN-EL15 batteries. Sandisc 32GB Ultra Class 10 30MB/s SDHC. Nikon DK-17a magnifying eyepiece. Hoodman HGEC soft eyepiece cup. Nikon GP-1 GPS unit.
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LATITUDE: N 56d 5m 12.59s
LONGITUDE: W 4d 38m 12.23s
ALTITUDE: 24.0m
RAW (FINE) FILE: 103.00MB
PROCESSED FILE: 27.86MB
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PROCESSING POWER:
Nikon D800 Firmware versions A 1.10 B 1.10 L 2.009 (Lens distortion control version 2)
HP 110-352na Desktop PC with AMD Quad-Core A6-5200 APU processor. AMD Radeon HD8400 graphics. 8 GB DDR3 Memory with 1TB Data storage. 64-bit Windows 10. Verbatim USB 2.0 1TB desktop hard drive. WD My Passport Ultra 1tb USB3 Portable hard drive. Nikon ViewNX-1 64bit (Version 1.2.9 18/09/2017). Adobe photoshop Elements 8 Version 8.0 64bit.