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[caption id="attachment_189" align="alignleft" width="300" caption="Mayur Cusine of India Restaurant"][/caption]
{Coriander|Cilantro} chutney is {served|offered|dished up|supported} with {a wide range of|an array of|many|a variety of} {dishes|meals|dinners|food} in {India|Indian|Of india|Asia}. {There are|You will find|You can find|You'll find} {different|various|diverse|distinct} {ways in which|ways|ways that|methods} {it can be|it may be|it could be|it is usually} {made|created|produced|manufactured}. The {recipe|formula|menu|recipke} {varies from|differs from|is different from} {one state to another|region to region}. {Let's see|Let's wait and watch|Let's examine|Look at} some {recipes|quality recipes|tested recipes|dishes} {in this article|in the following paragraphs|in this post|on this page}...
{Coriander|Cilantro} chutney and cucumber {salad|greens} are two condiments, {which are|that are|which can be|that happen to be} {a part of|part of|an integral part of|an element of} {Indian|Indian native|Native indian|American indian} {food|meals|foods|foodstuff}. {It can|It may|It could|It might} {accompany|go with|go along with|come with} {fast food|junk food|take out|fastfood} or {main|primary|principal|major} {course|program|training course|study course}. {There are|You will find|You can find|You'll find} {different|various|diverse|distinct} {names|titles|brands|labels} {with which|that|in which} {it is|it's|it really is|it can be} {referred to|known|described|known as}. {It is|It's|It really is|It can be} {most commonly|most often|mostly|normally} {called|known as|referred to as|named} {green|eco-friendly|environmentally friendly|natural} chutney, hari chutney, {etc|and so on|and so forth|and many others}. {However|Nevertheless|Nonetheless|Even so}, {do you|would you|can you|does one} {wonder|question|ponder|speculate}, {what is|what's|what exactly is|precisely what is} chutney {exactly|precisely|specifically|just}? {It is|It's|It really is|It can be} {nothing|absolutely nothing|practically nothing|nothing at all}, but a {sauce|marinade|gravy|spices}. {The most common|The most typical|The most frequent|The commonest} {ingredients|elements|components|substances}, {which make|which will make|which can make|that make} the chutney {include|consist of|contain|incorporate} {coriander|cilantro}, chilies and {lemon juice|fresh lemon juice|freshly squeezed lemon juice}, {the other|another|one other|the opposite} {ingredients|elements|components|substances} {will vary|will be different|will change|vary} {depending on the|with respect to the|with regards to the|according to the} {area|region|location|place} the chutney {comes from|originates from|arises from|emanates from}. {We will|We'll|We are going to|We're going to} now see {how to make|steps to make|making|learning to make} {coriander|cilantro} chutney. {Read on|Continue reading|Keep reading|Please read on} the {soothing|calming|comforting|relaxing} {cool|awesome|great|neat} {flavors|tastes|flavours|types} of chutneys.
{If you do not|If you don't|Unless you|Should you not} have {lime|lime scale|lime green|calcium}, {you can|you are able to|it is possible to|you'll be able to} {still|nevertheless|nonetheless|even now} make {coriander|cilantro} chutney {using|utilizing|making use of|employing} {unflavored|un-processed} {yogurt|natural yogurt|low fat yogurt|natural yoghurts} {as well|too|also|at the same time}. {The other|Another|One other|The opposite} {variation|variance|deviation|alternative} {is to|would be to|is always to|is usually to} {make the|result in the|increase the risk for|make} chutney with {raw|uncooked|natural|organic} {tomatoes|tomato plants|tomato vegetables|garlic}. This chutney {goes|will go|should go|moves} {well|nicely|properly|effectively} with {sandwiches|snacks}, {burgers|hamburgers|cheese burgers}, {seafood|sea food|fish|seafoods}, {vegetarian|veggie|vegan|all-vegetable} {as well as|in addition to|along with|and also} {non|no|low|neo} {vegetarian|veggie|vegan|all-vegetable} {barbecue|bbq|barbeque|bar-b-q}, {etc|and so on|and so forth|and many others}. {It can also be|It is also|It's also|It can be} {served|offered|dished up|supported} with tempered {rice|grain|hemp|almond}. {You can|You are able to|It is possible to|You'll be able to} {skip|by pass|omit|miss} {green|eco-friendly|environmentally friendly|natural} chilies, {if you do not|if you don't|unless you|should you not} {want to make|need to make|intend to make|desire to make} the chutney {spicy|hot and spicy|hot}.
Best Indian Food|Corona Del Mar Restaurants|[embed]http://www.youtube.com/watch?v=Q7lvKWOPBKg[/embed]
Testing LED Array in the hall alcove. Still need to add part of the backing, paint, install diffuser and electronics.
PictionID:40957622 - Catalog:Array - Title:Array - Filename:16_000340 Cox-Klemin XS-1.tif - Ray Wagner was Archivist at the San Diego Air and Space Museum for several years and is an author of several books on aviation --- ---Please Tag these images so that the information can be permanently stored with the digital file.---Repository: San Diego Air and Space Museum
Detail of the striking 'west' screen, a wall of glass at the entrance of the cathedral engraved by John Hutton with a remarkable array of figures of angels, saints and prophets. The stylised, elongated figures are highly individual and distinctive, freely drawn and carved into the surface of the glass.
Coventry's Cathedral is a unique synthesis of old a new, born of wartime suffering and forged in the spirit of postwar optimism, famous for it's history and for being the most radically modern of Anglican cathedrals. Two cathedral's stand side by side, the ruins of the medieval building, destroyed by incendiary bombs in 1940 and the bold new building designed by Basil Spence and opened in 1962.
It is a common misconception that Coventry lost it's first cathedral in the wartime blitz, but the bombs actually destroyed it's second; the original medieval cathedral was the monastic St Mary's, a large cruciform building believed to have been similar in appearance to Lichfield Cathedral (whose diocese it shared). Tragically it became the only English cathedral to be destroyed during the Reformation, after which it was quickly quarried away, leaving only scant fragments, but enough evidence survives to indicate it's rich decoration (some pieces were displayed nearby in the Priory Visitors Centre, sadly since closed). Foundations of it's apse were found during the building of the new cathedral in the 1950s, thus technically three cathedrals share the same site.
The mainly 15th century St Michael's parish church became the seat of the new diocese of Coventry in 1918, and being one of the largest parish churches in the country it was upgraded to cathedral status without structural changes (unlike most 'parish church' cathedrals created in the early 20th century). It lasted in this role a mere 22 years before being burned to the ground in the 1940 Coventry Blitz, leaving only the outer walls and the magnificent tapering tower and spire (the extensive arcades and clerestoreys collapsed completely in the fire, precipitated by the roof reinforcement girders, installed in the Victorian restoration, that buckled in the intense heat).
The determination to rebuild the cathedral in some form was born on the day of the bombing, however it wasn't until the mid 1950s that a competition was held and Sir Basil Spence's design was chosen. Spence had been so moved by experiencing the ruined church he resolved to retain it entirely to serve as a forecourt to the new church. He envisaged the two being linked by a glass screen wall so that the old church would be visible from within the new.
Built between 1957-62 at a right-angle to the ruins, the new cathedral attracted controversy for it's modern form, and yet some modernists argued that it didn't go far enough, after all there are echoes of the Gothic style in the great stone-mullioned windows of the nave and the net vaulting (actually a free-standing canopy) within. What is exceptional is the way art has been used as such an integral part of the building, a watershed moment, revolutionising the concept of religious art in Britain.
Spence employed some of the biggest names in contemporary art to contribute their vision to his; the exterior is adorned with Jacob Epstein's triumphant bronze figures of Archangel Michael (patron of the cathedral) vanquishing the Devil. At the entrance is the remarkable glass wall, engraved by John Hutton with strikingly stylised figures of saints and angels, and allowing the interior of the new to communicate with the ruin. Inside, the great tapestry of Christ in majesty surrounded by the evangelistic creatures, draws the eye beyond the high altar; it was designed by Graham Sutherland and was the largest tapestry ever made.
However one of the greatest features of Coventry is it's wealth of modern stained glass, something Spence resolved to include having witnessed the bleakness of Chartres Cathedral in wartime, all it's stained glass having been removed. The first window encountered on entering is the enormous 'chess-board' baptistry window filled with stunning abstract glass by John Piper & Patrick Reyntiens, a symphony of glowing colour. The staggered nave walls are illuminated by ten narrow floor to ceiling windows filled with semi-abstract symbolic designs arranged in pairs of dominant colours (green, red, multi-coloured, purple/blue and gold) representing the souls journey to maturity, and revealed gradually as one approaches the altar. This amazing project was the work of three designers lead by master glass artist Lawrence Lee of the Royal College of Art along with Keith New and Geoffrey Clarke (each artist designed three of the windows individually and all collaborated on the last).
The cathedral still dazzles the visitor with the boldness of it's vision, but alas, half a century on, it was not a vision to be repeated and few of the churches and cathedrals built since can claim to have embraced the synthesis of art and architecture in the way Basil Spence did at Coventry.
The cathedral is generally open to visitors most days. For more see below:-
Temporary gallery arranged outside the Edinburgh castle for the event related to the prince's wedding.
Camera Nikon D90
Exposure 0.003 sec (1/400)
Aperture f/16.0
Focal Length 62 mm
ISO Speed 720
STS116-S-024 (9 Dec. 2006) --- Against a black night sky, the Space Shuttle Discovery and its seven-member crew head toward Earth-orbit and a scheduled link-up with the International Space Station. Liftoff from the Kennedy Space Center's launch pad 39B occurred at 8:47 p.m. (EST) on Dec. 9, 2006 in what was the first evening shuttle launch since 2002. The STS-116 crew will link up with the station on Monday, Dec. 11, to begin a complex, week-long stay that will rewire the outpost and increase its power supply. During three spacewalks and intricate choreography with ground controllers, the astronauts will bring electrical power on line generated by a giant solar array wing delivered to the station in September.
The Royal International Air Tattoo (RIAT) is the world's largest military air show, held annually over the third weekend in July, usually at RAF Fairford in Gloucestershire, England in support of The Royal Air Force Charitable Trust. The show typically attracts a total of 180,000 to 185,000 spectators over the weekend.
The Red Arrows will be doing a fly-by every day for their last UK show of 2019. A British Airways Boeing 747, painted in its iconic British Overseas Airways Corporation (BOAC) livery, will perform a dramatic flypast with the Royal Air Force Aerobatic Team on Saturday.
This year features more than 30 air arms from over 20 different nations, which means the Air Tattoo is the best place to see military aircraft on display to the public. Confirmed aircraft includes two Spanish Navy Harriers, the Ukrainian Su-27, US Air Force F-16 Viper Demo Team, Frecce Tricolori, and RAF F-35B Lightning.
Astronaut Major Tim Peake will be at the airshow on Friday in the Techno Zone as part of this year's Air and Space theme to inspire the next generation of the air force and space industry.
He will be interviewed by Carol Vorderman in the Bader Marquee at 9.30am. The Techno Zone will have an array of space-themed displays and attractions throughout the weekend
A flypast celebrating the 70th anniversary of NATO is planned for Friday and Saturday - the only official NATO flypast taking place at a UK airshow this summer. Saturday's tickets are sold out, so if you haven't booked a ticket yet, Friday will be your only chance to see it.
The flypast will include three RAF Typhoons, a NATO E-3 AWACS, three Belgian and Dutch F-16s, a German A400M, a German EF2000, a German Tornado, a French KC-135R and three American F-15s.
The Combined Array for Research in Millimeter-wave Astronomy (CARMA) was an astronomical instrument comprising 23 radio telescopes. These telescopes formed an astronomical interferometer where all the signals are combined in a purpose-built computer (a correlator) to produce high-resolution astronomical images. The telescopes ceased operation in April 2015 and were relocated to the Owens Valley Radio Observatory for storage.
Senator Heinrich tours the NRAO Very Large Array over the weekend. Located just west of Socorro, the VLA is one of the world's premier astronomical radio observatories. The Senator was pleased meet with the staff and hear about the incredible work they do.
PictionID:40985691 - Catalog:Array - Title:Array - Filename:Ben Cloud Collection Image_00154.TIF - Image from the Ben Cloud Special Collection---Captain Benjamin Cloud was a U.S. Navy pilot who worked in reconnaissance at various stages of his long career, including on the cusp of the Vietnam War. Eventually he would be assigned command of that unit making him one of the first African-American officers to command a squadron. ---Please Tag these images so that the information can be permanently stored with the digital file.---Repository: San Diego Air and Space Museum
With over 160,000 solar panels, this solar farm is not only the largest in the state, but it’s the largest solar array in the eastern region of the United States.
Engineers at Oregon State University have invented a new technology for less costly production of microchannel arrays, which are thin layers of metal stacked together. (Photo courtesy of Oregon State University)
Earth's airglow and the blackness of space form the background for this scene of solar array panels on the International Space Station that appear to be intersecting. Actually the small section of panel in the upper left corner is connected to the Zvezda service module, from which the image was recorded. The other section of arrays is part of the primary solar array system on the orbiting outpost.
Robert Pim Butchart (1856–1943) began manufacturing Portland cement in 1888 near his birthplace of Owen Sound, Ontario, Canada. He and his wife Jennie Butchart (1866–1950) came to the west coast of Canada because of rich limestone deposits necessary for cement production.
The Italian Garden
The Ross Fountain
In 1904, they established their home near his quarry on Tod Inlet at the base of the Saanich Peninsula on Vancouver Island.
In 1907 Isaburo Kishida, a sixty-five-year-old garden designer from Yokohama, Japan, came to Victoria at the request of his son to build a tea garden for Esquimalt Gorge Park. This garden was wildly popular. Several prominent citizens, Jennie Butchart among them, commissioned Kishida to build Japanese gardens for their estates before Kishida returned to Japan in 1912.
In 1909, when the limestone quarry was exhausted, Jennie set about turning it into the Sunken Garden, which was completed in 1921. They named their home "Benvenuto" ("welcome" in Italian), and began to receive visitors to their gardens. In 1926, they replaced their tennis courts with an Italian garden and in 1929 they replaced their kitchen vegetable garden with a large rose garden to the design of Butler Sturtevant of Seattle. Samuel Maclure, who was consultant to the Butchart Gardens, reflected the aesthetic of the English Arts and Crafts Movement.
In 1939, the Butcharts gave the Gardens to their grandson Ian Ross (1918–1997) on his 21st birthday. Ross was involved in the operation and promotion of the gardens until his death 58 years later.
In 1953, miles of underground wiring were laid to provide night illumination, to mark the 50th anniversary of The Gardens. In 1964, the ever-changing Ross Fountain was installed in the lower reservoir to celebrate the 60th anniversary. In 1994, the Canadian Heraldic Authority granted a coat of arms to the Butchart Gardens. In 2004, two 30-foot (9.1 m) totem poles were installed to mark the 100th anniversary, and The Gardens were designated as a national historic site.
Ownership of The Gardens remains within the Butchart family; the owner and managing director since 2001 is the Butcharts' great-granddaughter Robin-Lee Clarke.
In 1982 the Butchart Gardens was used as the inspiration for the gardens at the Canadian pavilion opened at Epcot Centre in Orlando Florida.
In December 2009 the Children's Pavilion and the Rose Carousel were opened. The menagerie includes thirty animals ranging from bears, to horses, to ostriches, to zebras and mirrors the world from which The Gardens draws its visitors. The designs were hand-picked by the owner, in consultation with an artist from North Carolina. The carvings were done by some of the few remaining carvers of carousel art. Each animal is carved from basswood and took many months to complete. There are also two chariots able to accommodate disabled persons.