View allAll Photos Tagged architecturedetails
午後陽光灑落在藍白黃交織的牆面上，棕色欄杆與熱帶植物悄然平衡了畫面的熱度，簡單卻充滿節奏感。
Afternoon sunlight pours over a wall of blue, white, and yellow. The brown window bars and tropical plants quietly balance the warmth, creating a simple yet rhythmic composition.
Saint Jean Baptiste Church | LP-0420
Landmark Type: Individual Landmark
Designation Date: 11/19/1969
Address: 1067-1071 Lexington Avenue
Borough: Manhattan
Designation Report: s-media.nyc.gov/agencies/lpc/lp/0420.pdf
1067-1071 Lexington Avenue
Construction Date: 1910 - 1913
Architect / Builder: Nicholas Sirracino
Owner / Developer: Archdiocese of New York
Major Alteration(s): None
Alteration Architect(s): None
Style(s): Italian Mannerist
Material(s): Limestone
Building Type: Church
Original Use: Religious, church, Roman Catholic
Tax Block: 1410 Tax Lot: 53
Notes: The Saint Jean Baptiste Roman Catholic Church was originally built to serve a largely French-Canadian congregation. Construction of the church was funded by streetcar magnate, Thomas Fortune Ryan.
-NYCLPC
Old Medieval Wooden Door With Decorative Arch And Autumn Leaves HDR Shallow Depth of Field black and white photography
Bjarke Ingels Group’s past experience with combining suburban atmospheres and urban densities plays out in Stockholm as a pixelated housing project in conversation with a nearby national park🇸🇪
Reminiscent of BIG’s previous housing designs, such as 8 House, The Mountain, and Dong, when seen from afar, 79&Park brings to mind a hillside sloping up from neighboring national park, Gärdet. Up close, however, the building’s ‘pixelated’ composition of prefabricated units provides spaces on a more human scale – a necessary outcome to evoke the ‘communal intimacy’ highlighted by founding partner Bjarke Ingels. This pixelated building typology, often attributed to Moshe Safdie, is becoming a recurring design principle for BIG, especially when working with large building volumes. As big cities around the world grow denser, and often more impersonal as a result of fast, cheap solutions, the method of using prefabricated units to construct unique habitats on a large scale could be a favorable solution for the development of our urban environments 🌇
📍Location: 79&Park, Stockholm 🇸🇪
📅 Year: 2018
Architects: BIG Bjarke Ingels
👷Engineer: @hbtrapper
Client: @oscarproperties
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Thanksgiving in New York City. It was my first time there and what a joy that city was. A few photos from the Macy's Day Parade.
A typical Prague Renaissance house, adorned with much sgraffiti. The famous writer Franz Kafka lived there with his parents at the end of the 19th century.
Yorkville Bank Building | LP-2510
Landmark Type: Individual Landmark
Designation Date: 6/12/2012
Address: 1511 Third Avenue
Borough: Manhattan
Designation Report: s-media.nyc.gov/agencies/lpc/lp/2510.pdf
1511 Third Avenue (aka 1511-1515 Third Avenue, 201-203 East 85th Street)
Construction Date: 1905
Architect / Builder: Robert Maynicke
Owner / Developer: Yorkville Bank
Major Alteration(s): 1923 - 1924
Alteration Architect(s): P. Gregory Stadler
Style(s): Italian Renaissance Revival
Material(s): White Brick, Terra Cotta, Limestone, Granite
Building Type: Bank
Original Use: Commercial, bank
Tax Block: 1531 Tax Lot: 1
-NYCLPC
110-112 Fifth Avenue (aka 1 West 16th Street)
Construction Date: 1888 - 1890
Architect / Builder: McKim, Mead & White (architect), Michael Reid (builder)
Owner / Developer: Robert Goelet & Ogden Goelet
Major Alteration(s): 1903 - 1904
Alteration Architect(s): Robert Maynicke
Style(s): Arcaded Renaissance Revival
Material(s): Granite, Brick, Terra Cotta, Metal
Building Type: Office and Manufacturing
Original Use: Commercial, office and manufacturing
Tax Block: 818 Tax Lot: 41
Notes: During a 1903-1904 alteration the existing stories (above the first) were converted to lofts and three stories were added to top.
All building data and notes from the Ladies' Mile Historic District designation report.
-NYCPLC
Russell C. Leffingwelll Residence, 38-40 East 69th Street, New York, New York (Edward S. Hewitt : 1930)