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Image made using Sony Smooth Reflection App. 16 images merged in camera. Two textures used my own cracked paint and Shadowhouse Creations Old Canvas Texture. Post Processing in Lr CC,PSCC & Analogue Efex Pro 2. My thanks go to Andy Gray for sharing his ICM post techniques.
Shot using my iPhone 4 and processed with the TiltShiftGen app and then a filter on the Instagram app.
9/365
Knip Beach Curacao, serie
Doing long exposure using the smooth app in the Sony store gives you the ability to take a long exposure without color cast so I try to do more and more sunsets, I use to turn them in black and white, but now I keep them in color. If you want to see how I did that go to youtube and type serge ramelli smooth app
Just downloaded Waterlogue and started experimenting with presets and options.
Thought I would put up a few of them so people can see what it does. So far I am liking it a lot!
all images taken with iPhone 5s and edited on iPad in Waterlogue. Berries was captured with phone and olloclip macro lens.
These are straight out of the app. No other apps and layers were applied before or after the photos were imported into the app.
Impossible Project Instant Lab
PX680 Color Protection film
Double exposure with fauxtobes via the dubble app.
Mirror Lab Pro on a Galaxy Note9. Cloud photo opened to preset filter number 43 called Kaleidoscope 2.
Apps: Hipstamatic (Blackyes SF + Jack London)
Backstory: I went to a restaurant and I fell in love with the light of the bathroom
Another image from our new year nature walk.
This was a very twisty wooded path where the the trees created a lovely tunnel to walk through.
Captured with iPhone and edited on the iPad with lots of apps.
Unfortunetly my version of iPhoto/iCloud is not keeping track of my apps like it use to do.
Some apps it does some not so much.
I know I did basic image corrections and cropping in Snapseed. I also imported it into Hipstamatic and applied a Sergio and Hackney film and then it went into VSCO for some more edits using WWF preset.
Then I converted all of those edits to black and white. Not sure which app was used for that final step. Could have been another Hipstamatic camera and film combo or Fotograf.
All elements shot with an iPhone6 using ProCamera app.
Edited on iPad with TouchRetouch and Mextures apps.
To learn more about creative photography processes and art on an iPhone you might be interested in my book co-written with Bob Weil:
www.amazon.com/exec/obidos/ASIN/1937538184/spea06-20#cust...
and website: www.iphoneographycentral.com
or to learn more about editing on mobile devices, please sign up to our occasional newsletter:
Apple recently selected the Best App of 2017. It's Aurora HDR! How awesome is that? You can grab it at store.stuckincustoms.com/collections/software
Man, that team at Apple has some great taste in software, eh? Very nice of them even though I was pretty down on Apple at the beginning of this year because the first round of the new Macbooks were kinda not-so-great in my opinion. The new Macbook Pros are much improved for sure. Anyway, no matter what kind of Mac you have, you'll love the software (oh and it's Windows now too!)
Camera: Minolta XD-7
Lens: Centon 28/2.8
Film: Agfa Vista Plus 200 asa
Image Editing: Android Gallery App
Processed and scanned @ Spectrum Photo Lab, Plymouth, UK
EXPLORED!!! Thank you everyone for looking :)
This picture was taken and edited with the Iphone for the Iphone365 project and for the Flickr group Our Daily Challenge ODC- A PHOTO WALK SHOT.
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Iphone apps used:
Iris Photo Suite
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Apps used: Apple on-board camera, Decim8, Snapseed, Glaze, Over, Superimpose
This piece is from a set of recent geometric abstract images. Giving credit where it is due, I was greatly influenced by the remarkably rhythmic black and white Rotring work of Carrie Meijer.
I set out from a blank white panel to create a deliberately noisy piece, full of urban busyness and movement that reflects the anonymous character of public space. I echoed the formalistic complexity in Carrie’s work with my own structural layering and color methods.
My upper grid is built from multiple layers of letters and characters from the “Pixel” block font found in the Over app. Through a series of masking steps I trimmed and shaped the letters into a kind of skeletal scatter pattern, then selectively applied a number of thin irregular white line masks over the composition. The randomly placed color blocks added a sense of organic humanity interacting with the space.
The lower grid is made from a photo of my house apped through Decim8, and a black block with random bits of color run through Glaze. Both grids were then combined in Superimpose.