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“Beautiful Girl” ―INXS, 1992
www.youtube.com/watch?v=aH986VE47M8 🎶
“From doorway to doorway 🚗
Street corner to corner 🚙
With neon ghosts in the city” 🎶
“It is beautiful, it is endless, it is full and yet seems empty. It hurts us.” ―Jackson Pearce, Fathomless
“There is a time in life when you expect the world to be always full of new things. And then comes a day when you realise that is not how it will be at all. You see that life will become a thing made of holes. Absences. Losses. Things that were there and are no longer. And you realise, too, that you have to grow around and between the gaps, [...]” ―Helen Macdonald, H is for Hawk
“You'll forget it when you're dead, and so will I. When I'm dead, I'm going to forget everything–and I advise you to do the same.” ―Kurt Vonnegut, Cat's Cradle
“Vegan's Daily Companion: 365 Days of Inspiration for Cooking, Eating, and Living Compassionately” ―Colleen Patrick-Goudreau, 2011
www.washingtoncitypaper.com/arts/museums-galleries/blog/2...
Donald Moffett’s “He Kills Me” is a particularly damning critique of political apathy toward people suffering from AIDS during the time. In Moffett’s original, an image of a Day-Glo target is paired with an image of Ronald Reagan stamped with the titular words. Here it’s been installed as a step and repeat wallpaper, at once both amplifying its message and all but guaranteeing that numerous selfies will be taken in front of it.
www.gwhatchet.com/2018/02/15/new-hirshhorn-exhibit-chroni...
The exhibit also explores the political and social issues of the decade, including the AIDS crisis and the Cold War.
Artist Donald Moffett’s piece “He Kills Me,” displays alternating images of former President Ronald Reagan and hypnotic spirals behind a TV screen that shows a video of people, while the title “People with AIDS” is displayed.
www.theeagleonline.com/article/2018/02/hirshhorn-opens-ne...
“He Kills Me” (1987) by Donald Moffett, a poster originally designed for use in protests of the federal government’s inaction during the AIDS epidemic of the late 1980s, exemplifies this theme. The poster features an image of a smiling Ronald Reagan and the words “He Kills Me” in a simple, blocky font. Moffett uses bold colors, an aesthetic reminiscent of contemporary advertising, to make the poster attractive to the public. The brightness of the design is a stark contrast to its message.
hirshhorn.si.edu/bio/hirshhorn-debuts-new-acquisitions-ab...
In “Safe Conduct” (2016), acquired just last year, Ed Aktins creates a dystopian digital scene. Staged in what is half an airport security checkpoint and half an organ bank, an avatar endlessly pulls the skin from his face to reveal, again and again, the next layer of artificiality.
hirshhorn.si.edu/bio/what-absence-is-made-of/
What Absence Is Made Of also explores the personal and cultural anxieties surrounding advancements in computer animation, avatars, and artificial intelligence, as well as technology that makes the body obsolete.
www.washingtoncitypaper.com/arts/museums-galleries/blog/2...
Ed Atkins’s “Safe Conduct” (2016), a new museum acquisition, shines in What Absence Is Made Of. This nervous computer animation watches a man place parts of his body through airport security. “Safe Conduct” tugs at the irrationality of global security rituals, like a fever dream inspired by Radiohead lyrics (but set in this case to Maurice Ravel’s classical Boléro). The three-channel installation, displayed on a triangle of suspended screens, looks as though it should be hanging over a baggage claim. (It would feel right at home in the Hirshhorn’s lower-level media show, too.)
www.cnbc.com/2018/03/08/gun-control-why-us-is-different-f...
www.chicagotribune.com/news/nationworld/ct-florida-govern...
www.nytimes.com/2018/03/07/us/florida-shooting-gunman-ind...
hirshhorn.si.edu/bio/hirshhorn-debuts-new-acquisitions-ab...
In “Safe Conduct” (2016), acquired just last year, Ed Aktins creates a dystopian digital scene. Staged in what is half an airport security checkpoint and half an organ bank, an avatar endlessly pulls the skin from his face to reveal, again and again, the next layer of artificiality.
hirshhorn.si.edu/bio/what-absence-is-made-of/
What Absence Is Made Of also explores the personal and cultural anxieties surrounding advancements in computer animation, avatars, and artificial intelligence, as well as technology that makes the body obsolete.
www.washingtoncitypaper.com/arts/museums-galleries/blog/2...
Ed Atkins’s “Safe Conduct” (2016), a new museum acquisition, shines in What Absence Is Made Of. This nervous computer animation watches a man place parts of his body through airport security. “Safe Conduct” tugs at the irrationality of global security rituals, like a fever dream inspired by Radiohead lyrics (but set in this case to Maurice Ravel’s classical Boléro). The three-channel installation, displayed on a triangle of suspended screens, looks as though it should be hanging over a baggage claim. (It would feel right at home in the Hirshhorn’s lower-level media show, too.)
It rained the entire weekend at Pickers Retreat at Spring Creek. The Pickers Retreat is a family friendly weekend event with bands of bluegrass, old-timey, country, folk and Cajun varieties. Palmer, Alaska, July 15th - 17th 2022.
Shot with iPhone 8 on July 17, 2022
“Some people read palms to tell your future, but I read hands to tell your past. Each scar makes a story worth telling. Each callused palm, each cracked knuckle is a missed punch or years in a factory.” ―Sarah Kay
WASILLA, ALASKA
Seen at Crema Coffee House and Pastries. Shot and edited with iPhone 8. In monochrome.
hirshhorn.si.edu/bio/hirshhorn-debuts-new-acquisitions-ab...
In “Safe Conduct” (2016), acquired just last year, Ed Aktins creates a dystopian digital scene. Staged in what is half an airport security checkpoint and half an organ bank, an avatar endlessly pulls the skin from his face to reveal, again and again, the next layer of artificiality.
hirshhorn.si.edu/bio/what-absence-is-made-of/
What Absence Is Made Of also explores the personal and cultural anxieties surrounding advancements in computer animation, avatars, and artificial intelligence, as well as technology that makes the body obsolete.
www.washingtoncitypaper.com/arts/museums-galleries/blog/2...
Ed Atkins’s “Safe Conduct” (2016), a new museum acquisition, shines in What Absence Is Made Of. This nervous computer animation watches a man place parts of his body through airport security. “Safe Conduct” tugs at the irrationality of global security rituals, like a fever dream inspired by Radiohead lyrics (but set in this case to Maurice Ravel’s classical Boléro). The three-channel installation, displayed on a triangle of suspended screens, looks as though it should be hanging over a baggage claim. (It would feel right at home in the Hirshhorn’s lower-level media show, too.)
Apple iPhone 8 pronto in grandi quantità, ecco a quando il debutto! Vediamo insieme le ultimissime news
Stando a quanto rivelato nel corso delle ultime ore dai colleghi dell’affidabilissimo sito DigiTimes, i principali fornitori della casa produttrice Apple hanno ufficialmente avviato la...
telefononews.it/apple-iphone/apple-iphone-8-pronto-in-gra...
“Maybe each human being lives in a unique world, a private world different from those inhabited and experienced by all other humans. . . If reality differs from person to person, can we speak of reality singular, or shouldn't we really be talking about plural realities? And if there are plural realities, are some more true (more real) than others? What about the world of a schizophrenic? Maybe it's as real as our world. Maybe we cannot say that we are in touch with reality and he is not, but should instead say, His reality is so different from ours that he can't explain his to us, and we can't explain ours to him. The problem, then, is that if subjective worlds are experienced too differently, there occurs a breakdown in communication ... and there is the real illness.” ―Philip K. Dick
“To love. To be loved. To never forget your own insignificance. To never get used to the unspeakable violence and the vulgar disparity of life around you. To seek joy in the saddest places. To pursue beauty to its lair. To never simplify what is complicated or complicate what is simple. To respect strength, never power. Above all, to watch. To try and understand. To never look away. And never, never to forget.” ―Arundhati Roy, The Cost of Living
“Style is the answer to everything.
A fresh way to approach a dull or dangerous thing
To do a dull thing with style is preferable to doing a dangerous thing without it
To do a dangerous thing with style is what I call art
Bullfighting can be an art
Boxing can be an art
Loving can be an art
Opening a can of sardines can be an art
Not many have style
Not many can keep style
I have seen dogs with more style than men,
although not many dogs have style.
Cats have it with abundance.
When Hemingway put his brains to the wall with a shotgun,
that was style.
Or sometimes people give you style
Joan of Arc had style
John the Baptist
Jesus
Socrates
Caesar
García Lorca.
I have met men in jail with style.
I have met more men in jail with style than men out of jail.
Style is the difference, a way of doing, a way of being done.
Six herons standing quietly in a pool of water,
or you, naked, walking out of the bathroom without seeing me.”
―Charles Bukowski
“Building A Mystery” ―Sarah McLachlan, 1997
“Can you look out the window 🍁
Without your shadow getting in the way?” 🍁