View allAll Photos Tagged alternativeprocesses

West Cork, Ireland

Contact print in platinum-palladium

My #ol' #boots , Exposure time 35 mins

Gum Bichromate/Cyanotype

from London portfolio

See more of my work at www.fineartplatinum.com

Contact print in platinum-palladium

Contact print in platinum-palladium

very bad scan (early work) sorry for the quality!

My #front #door from the #staircase, quite like this one. Exposure time 35 mins (#Indoor #Pinhole)

from Oceano portfolio

Contact print in platinum-palladium

from Venice portfolio

See more of my work at www.fineartplatinum.com

First test image exposure time 9 secs

from London portfolio

See more of my work at www.fineartplatinum.com

West Cork, Ireland

Contact print in platinum-palladium

Contact print in platinum-palladium

I had the most horrendous night my noisy neighbour was playing loud music into the night after fits of rage which have left dents in my cerlin and calling my landlord and getting a hostile reply decided to travel across East London to my Nan's house. I just got back from my nan's house, and ready to leave my house to run a private pinhole class, wish me luck! 6:45 am through the railings of a motor mechanic, exposure time 10 secs.

A pinhole camera has its limitations, but it also has some remarkable qualities. It is these idiosyncrasies that drew the Swedish photo-artist Peter Wiklund to the pinhole camera as his creative tool of expression. For more than a quarter of a century, he has been exploring its imaginative possibilities in order to develop a personal language of visual imagining: his own creative way of seeing.

 

Peter Wiklund explains more about his work and the ideas behind it in conversation with Alasdair Foster at Talking Pictures.

 

talking-pictures.net.au/2023/05/06/peter-wiklund-worlds-t...

Jesseca Ferguson's cabinet of curiosities.

At the back of my house, exposure time 6 secs

from London portfolio

See more of my work at www.fineartplatinum.com

There is a deep sadness in the work of Luis González Palma. Growing up and as a young man his native Guatemala – a country famed for its idyllic landscape – was riven by civil war. It began before Luis went to school and ended as he was approaching forty. It is against this background of contrasts and contradictions, of beauty and violence, of terror and silence, of racism and cultural richness that his work came into being. But his concerns with sadness stem neither from a desire to sentimentalise nor to wallow in the abject; for while his images address pain and speak of sorrow, they do not counsel despair. Rather they affirm the transcendent nature of the human spirit.

 

Widely recognised as one of the most significant photographers from Latin America working today, Luis González Palma spoke with Alasdair Foster about the ideas and emotions underlying his work. Their conversation and his images are at Talking Pictures.

 

talking-pictures.net.au/2023/07/08/luis-gonzalez-palma-th...

West Cork, Ireland

Contact print in platinum-palladium

Cyanotype w/ dyed pink potassium dichromate and hand rendered graphite.

From a series of older images I retreated using the Van Dyke and Cyanotype processes (hand painted photo emulsions).

Contact print in platinum-palladium

West Cork, Ireland

Contact print in platinum-palladium

Jerry Spagnoli's daguerreotypes for his series "The Last Daguerrian Survey of the Twentieth Century" (2005-2007).

Final image of the month, #double #exposure of #tree #installation at the #Southbank. Exposure time 9 secs

From a series of older images I retreated using the Van Dyke and Cyanotype processes (hand painted photo emulsions).

from London portfolio

See more of my work at www.fineartplatinum.com

#Pinhole of my #fluorescent #light #fixture in the #kitchen...... Why not, eh? Exposure time 29 mins (indoor pinhole)

from Venice portfolio

See more of my work at www.fineartplatinum.com

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