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AlterEgo
Cr 13 No 82 - 49 Local 6
Frente a Harley Davidson de la Zona T, en el pasillo de locales, al fondo a la izq.
BogotĂ¡. Colombia
My Week 8 BlackBerry 52 response in the collaboration with Lotus. I'm responding on my Royal typewriter to her found poem inspired by Charles Bukowski: Never (Found Poem). To read more about the gogyohka, and view the mandala that accompanies it, check out the post at red Ravine.
Lotus and I will respond to each other's BlackBerry Jump-Off photos with text, photography, poetry (however we are inspired) for the 52 weeks of 2011. You can read more about the BlackBerry 52 Collaboration on red Ravine. Join us!
BlackBerry 52 - WEEK 8
Minneapolis, Minnesota
Field Number: IMG01915-20110227-1732
full posts on red Ravine:
Alter-Ego Mandala: Dreaming Of The Albatross (For Bukowski)
The Key To Success (Backspace) - 9/52
A Warm Game Of Texas Hold 'Em (haiga) -- 6/52
Celebrating The Lunar New Year — Postcard From A Friend
Flying Solo -- Dragonfly In Yellow Rain
icicle tumbleweed (haiga) - 2/52
{alterego} winter - dec gg
Creator : toxxic.rhiannyr
AlterEgo I Dirtyland I ShadZ, Toxxic (172, 123, 22)
Our Mother, 2009
Cast iron, oil paint, string and cloth
"Originally made for my 2011 exhibition The Tomb of the Unknown Craftsman at the British Museum, Our Mother is all of us on our journey through life. She is a universal pilgrim seeking meaning, but more relevant to this exhibition is that she is also a universal refugee. Immigration was a central and very emotive issue during the EU referendum. I wanted Our Mother to be part of the conversation of works that deal with the biggest UK political event of 2016. She carries a great load of religious, cultural, domestic and parental baggage. She is also one of the most popular works I have made." GP
From the exhibition guide:
"Born in Chelmsford, Essex in 1960, Grayson Perry is a chronicler of contemporary life. This exhibition of tapestries, woodcut prints, bronze sculptures and ceramic works will lead you through the artist's most recent explorations of masculinity, national identity and populism. You'll discover autobiographical references throughout the exhibition - the artist's childhood, his family and his transvestite alter ego Claire - as well as familiar contemporary figures through which Perry investigates how our identities are shaped and how our values are built."