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I don't really have much profound to say today, so I'll keep this update short and sweet. From another visit to Point Reyes earlier this year. I drove out there with the intention to shoot the cypress tunnel, or possibly the lighthouse at sunset, however, the light was uninteresting in the cypress tunnel this time, and the nice sunset light didn't align at all with the lighthouse, so I decided to drive to one of the little beaches close to the lighthouse. As I was driving up the beach entrance road I noticed this driftwood log that had been thrown up on the extensive ice plants that cover much of the northern california coastline. Although they are invasive plants, they *are* quite pretty especially when they turn red. With the interesting sunset light developing amid the surrounding storm clouds, and the driftwood and the ice plant, I decided there was a keeper here. Nothing epic, just some sweet colors and textures. Thanks for looking! Looking forward to shooting some fall colors soon!
This sweeping view by ESA’s Mars Express extends from the planet’s south polar ice cap and across its cratered highlands to the Hellas Basin (top left) and beyond. Click here for an annotated image.
The image was acquired by the high-resolution stereo camera on ESA’s Mars Express on 25 February 2015. It is a ‘broom calibration’ image, acquired while the spacecraft performed a manoeuvre such that its camera pans over the surface far above the planet, at about 9 900 km.
The ground resolution is about 1 km per pixel at the closest point to the surface. The image was created using data from the nadir channel, the field of view of which is aligned perpendicular to the surface of Mars, and the colour channels of HRSC. These channels have been co-registered using ‘markers’ on the surface, such as a mountain or dark spot, to achieve a common geometry. That is, for each colour channel, these markers are overlain to produce the colour image. This process is not needed for ‘normal’ nadir observations because the geometry is known here, unlike in this broom observation.
Credit: ESA/DLR/FU Berlin, CC BY-SA 3.0 IGO
Copyright Notice:
Where expressly stated, images are licensed under the Creative Commons Attribution-ShareAlike 3.0 IGO (CC BY-SA 3.0 IGO) licence. The user is allowed to reproduce, distribute, adapt, translate and publicly perform it, without explicit permission, provided that the content is accompanied by an acknowledgement that the source is credited as ‘ESA/DLR/FU Berlin’, a direct link to the licence text is provided and that it is clearly indicated if changes were made to the original content. Adaptation/translation/derivatives must be distributed under the same licence terms as this publication.
About as autumn-y as it gets, a memory from a couple of weeks ago in the Alps. I knew about this waterfall being located on the way to the mountains and during the week I spent camping in the area I didn't have much interest in shooting it, but on the very last morning, when leaving the fog covered valley, I couldn't pass up the opportunity to pay this place a short visit and snap this image.
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On a rare occasion, the sun will align within the pillars of Scripps Pier. However, you would never know unless you where looking for it. I chose to go with a long exposure to bring out the warmth of the sun and to calm the oceans. Big thanks to Jane for the heads up and for letting me shoot next to her!
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A walk around Dungeness RSPB ended with a stunning Sunset. Had to align the Sun between the Pylons for a Lord of the Rings image.
Every day in Rodi Garganico, Apulien Italy, I am admiring on daily basis, amazing sunsets.
I suppose that, (by waking up earlier), I would admire great sunrise too in the Sunrise Beach...
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Zeiss Ikon Box Tengor 54/2, fomapan 200, developed in rodinal 1+100, one hour.
scanned with my Sony a7 and Minolta MC Macro Rokkor-QF 50mm f3.5
'Aligned'
The Milky Way stands vertically over some Tafoni Sandstone structures on the California coast. The stoney lines and honeycomb structures repeat the starry band and dust lanes in the sky. They stretch out and almost touch each other, but remain separated by the turbulent and ominously dark waters of the Pacific Ocean.
EXIF
Canon EOS-R, astro-modified by Richard Galli from EOS 4Astro
Tamron SP 15-30mm f/2.8
IDAS NBZ filter
iOptron SkyTracker Pro
Low Level Lighting
Sky:
Stack of 5x 90s @ ISO1600, unfiltered & 3x 150s @ ISO6400, filtered
Foreground:
Focus stack of 6x 2s @ISO400 during twilight
We are all trying to plan our photographic trips in advance, but always something takes you by surprise.
This image was taken in Marken, Netherlands and the wind was blowing so hard that our travel tripods didn't stand a chance. Unfortunately, this is one of the few photos that was actually in focus. We love overcast days because of the good opportunity for capturing some nice contrast black and white pictures.
This one came up pretty good. Hope you like it, enjoy!
The Skin i Amazing. Her name is Luna. Out now inworld at Diamond Beauty. lmk: maps.secondlife.com/secondlife/Purple%20Hills/240/28/22
Blog Details: goddessdiary.wixsite.com/a-goddess-diary/post/aligning
*I do not own the rights to this music*
De gauche à droite (ou du plus grand au plus petit !) : le phare d'Eckmuhl, le clocher de la chapelle Notre-Dame-de-la-Joie, le vieux phare, la chapelle Saint-Pierre accolée au Sémaphore et la balise d'alignement (en rouge) du chenal de Saint-Guénolé.
Explore 368 2018/04/02
Les alignements de Carnac forment un site d'alignements mégalithiques exceptionnel et constitué d'alignements de menhirs, de dolmens et d'allées couvertes et réparti sur plus de quatre kilomètres. Les alignements de Carnac sont les ensembles mégalithiques les plus célèbres et les plus impressionnants de cette période avec près de 4 000 pierres levées vers 4500 ans avant notre ère.
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