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"There is no reason good enough for us to ever be out of alignment with Peace, and there is no reason good enough for us to ever be out of alignment with Love."
~ Alaric Hutchinson, Living Peace
Il y a un moment que j'ai remarqué cet alignement de constructions hétéroclites : une supérette, un petit immeuble d'habitation, une maison néo-bretonne et un immeuble de bureaux récent à l'architecture épurée, avec "La Vigie" en arrière plan, tour de près d'une vingtaine d'étages, le tout avec une vue imprenable sur le Scorff.
Urbanisme en folie ou aux abonnés absents?
About as autumn-y as it gets, a memory from a couple of weeks ago in the Alps. I knew about this waterfall being located on the way to the mountains and during the week I spent camping in the area I didn't have much interest in shooting it, but on the very last morning, when leaving the fog covered valley, I couldn't pass up the opportunity to pay this place a short visit and snap this image.
Le trottoir protégé le plus étroit d'Alençon !
Un alignement de fenêtres ancienne mode à perte de vue.
Des barrières répétiti-répétiti-répétitives !
Et au milieu de tout cela... Le Lutin d'Ecouves, posant pour le Foutographe !
Adossé au fort miliaire Vauban du même nom et situé dans l’alignement du phare du Portzic, plus ancré en rade, ce phare haut de 26 mètres, qui en atteint 34 au-dessus du niveau des hautes mers, se dresse sur un gigantesque rocher avancé dans les flots.
À l’instar du fort voisin, son rôle premier était de sécuriser l’entrée de la rade de Brest. La Marine Nationale demande sa construction en 1839, mais le projet traîne en longueur pour des raisons administratives. Le phare est finalement édifié en pierres de taille extraites de la carrière de l’Aber-Ildut, sous la supervision de Louis Plantier, ingénieur des Phares et Balises – qui a participé à la mise en place d’une quinzaine de phares en Bretagne, dont celui du Portzic. Sa mise en service officielle n’interviendra qu’en janvier 1848. Ses feux blanc et rouge ont une portée de 19 milles, soit 35km.
Every day in Rodi Garganico, Apulien Italy, I am admiring on daily basis, amazing sunsets.
I suppose that, (by waking up earlier), I would admire great sunrise too in the Sunrise Beach...
©Angela Lobefaro 2021
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In 1926 Route 66 was aligned along the Ozark Trail built in the 1910s which in turn used the older Springfield to Carthage road. The road passed 0.25 miles south of Paris Springs, and at the crossroads leading to the village, a small community formed: Paris Springs Junction or Gay Parita. Travel along the U.S. 66 provided income to the town and helped it through the Depression in the 1930s. However the new alignment of Route 66 in 1961 moved the road just beyond its former alignment, and then in the early 1960s, the whole area was bypassed by I-44, which ran along what used to be US-166, south of Paris Springs towards Springfield.
A series of photos from a bimble over Loweswater Fell in the English Lake District on a lovely early autumn day in 2023.
It only seems fair after posting Grandma's cow bell that I post this functional keepsake that I got out of Grandpa's garage after he passed away. A contact posted a still life that had a collection of antique items and one was an oil can similar to this one and that got me thinking. The handle is stamped with "PLEWS, MPLS, MINN, MADE IN U.S.A." To the best that I've been able to research, it was made in the 1920's which fits with when my Grandpa would most likely have bought an oil can, maybe for his first automobile. My "studio" is still set up from the clothesline pulley/wood chunk and I'm enjoying focus stacking these various objects. Similar to the other shots, this is a thirteen image focus stack that I shot with the Nikon 55mm f/2.8 NIKKOR Micro. The lighting was provided by three lights, one in the back over the top, the main light to the left and a fill light to the right. The oil can stands about 6 inches tall by 10 inches wide with 4 inches of depth and is sitting on a black throw blanket that I use for black backgrounds. After downloading the files, Lightroom loaded them into Photoshop as layers and then PS aligned and stacked the layers into the final image seen here. I was very pleased with the stacking.
BTW: This object does not sit on the old piano or anywhere in the house. It resides in the garage and functions as designed, just as it has since Grandpa bought it so many years ago.
'Aligned'
The Milky Way stands vertically over some Tafoni Sandstone structures on the California coast. The stoney lines and honeycomb structures repeat the starry band and dust lanes in the sky. They stretch out and almost touch each other, but remain separated by the turbulent and ominously dark waters of the Pacific Ocean.
EXIF
Canon EOS-R, astro-modified by Richard Galli from EOS 4Astro
Tamron SP 15-30mm f/2.8
IDAS NBZ filter
iOptron SkyTracker Pro
Low Level Lighting
Sky:
Stack of 5x 90s @ ISO1600, unfiltered & 3x 150s @ ISO6400, filtered
Foreground:
Focus stack of 6x 2s @ISO400 during twilight
These canon and many others on the battlefield are aligned as they were on July 3, 1863
Please see the Vacation set for a better look
This alignment happens in May. I mean the next time this haooens, the sky is overcast and you dont get this shot. So everyone flocks to get that 1 shot... and so did I :)
Instagram: debmukh14
© All rights reserved, don´t use this image without my permission. Contact me at debmalya86@gmail.com
A dramatic break in the storm as light spills across the Mourne Mountains, viewed from the shores of the Irish Sea in Northern Ireland.
Long exposure water movement contrasts with the dark mass of the mountains, while heavy clouds hold tension in the sky above.
The Mournes rise quietly beyond the surf — timeless, powerful, and unmoved by the passing weather — capturing a fleeting moment where sea, land, and light briefly align.
Location: Tamar Park, Admiralty, Hong Kong
I got chance to take this beautiful park after spent a day at Dollvie event (1st day) in Hong Kong.
This HDR photo is the result of merging 27 photos that are from 3 set of HDR bracket photos. All taken with Nikon 14-24mm AFS f/2.8 G ED lens.
It was quite crowed there because people are also wait to take sunset photo. So I have to take Chihaya photo whenever I can although a bit too early in afternoon. In this photo I use (2x9) bracket because half of them was blur but has better composition so I have to manually merge them. This includes extra manual HDR processing.
During sunset and when all building start to lit up, I have few chance to take extra photo but at different composition before clearing the space. One set of nine bracket photos were a bit usable, just for sky color and those lighting that came of each building. It's not well aligned so I have to paint them manually. I almost want to gave up working on this manual paint of building light and upload afternoon version instead. I'm glad that I can finally push it till finish and feel happy with the result.
This picture will not be possible without the help from my friend Ateens Chen , who escorting me there and giviing so many advice for landscape photography. I still want to do more landscape when possible lol
The Skin i Amazing. Her name is Luna. Out now inworld at Diamond Beauty. lmk: maps.secondlife.com/secondlife/Purple%20Hills/240/28/22
Blog Details: goddessdiary.wixsite.com/a-goddess-diary/post/aligning
*I do not own the rights to this music*
We are all trying to plan our photographic trips in advance, but always something takes you by surprise.
This image was taken in Marken, Netherlands and the wind was blowing so hard that our travel tripods didn't stand a chance. Unfortunately, this is one of the few photos that was actually in focus. We love overcast days because of the good opportunity for capturing some nice contrast black and white pictures.
This one came up pretty good. Hope you like it, enjoy!