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Homage to the Square.A pattern generated by an audio signal mapped to a Hilbert curve, reduced to 1-bit and colored using a flood fill algorithm in selections derived from Josef Albers’ Homage to the Square.
The Algorithm (métal progressif / electro, France), festival Prog Frog, 31 mars 2017, KIFF, Aarau (Suisse).
Photo: Stéphane Gallay, sous licence Creative Commons (CC-BY)
Still playing around with my first work, Process_01. Either you take to it or not. I kind of like the forms it's making.
It was working well with listening to Minamo's 'When Unwelt Melts'
Colorized by Artificial Intelligence Algorithm Tool from originally scanned hi-res photo from the respective source.
Credit disclaimer: I do not own the original scanned image and believe that it is in the public domain. These images have been collected from Flickr's search results and/or collected from various internet sources. If you know the link to the original image, please kindly put it into comment section as I will update the description to give full credit to the respective owner.
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Algorithmically generated colors and coloring rules. Random pruning of top layer. No edits after output.
Precision at top 30 candidates recommended by the algorithm when using different levels of fitness score thresholds, along with the number of candidates expected to pass a score threshold.
This figure is associated with CABBI’s Year 2 Summary Narrative.
Figure courtesy of Chengxiang Zhai, Co-PI of a Conversion lab at the University of Illinois Urbana-Champaign.
Algorithmic composition. A zoomable image can be found here. This work is based on pattern piling with feedback, see this blog post.
Pour éclairer ces questions, France Stratégie organise avec l’EHESS et Inria un cycle de débats mensuels Mutations technologiques, mutations sociales. La séance « Algorithmes, libertés et responsabilités », a été introduite par Daniel Le Métayer, directeur de recherche Inria, et Antoinette Rouvroy, chercheuse qualifiée du FNRS au Centre de recherche en information, droit et société (CRIDS), à l’Université de Namur.
En savoir plus :
Algorithmic tiling pattern generated with an L-system in Processing, random pruning of branches. No editing. Algorithmically-generated colors.
The Algorithm (métal progressif / electro, France), festival Prog Frog, 31 mars 2017, KIFF, Aarau (Suisse).
Photo: Stéphane Gallay, sous licence Creative Commons (CC-BY)
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