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Helena Nikonole is a new media artist, independent curator and educator living in Moscow. Her field of interests embraces hybrid art, the new aesthetics, the Internet of Things, and Artificial Intelligence. In her works she explores technology’s potential opportunities, but also potential risks and dangers which techno-evangelists and scientists are not able to realize.
In this way she also conceived her first ever solo exhibition, titled "Contagious Algorithms", presenting her works that use cracks in the system of IP cameras and the Internet of Things.
Using these cracks, Helena Nikonole employs algorithms to generate new meanings and functions of hacked systems, pointing out their shortcomings and revealing how they operate, especially in terms of the amount of data collected by digital devices about their users. These data may be just some digital trash, or maybe have a purpose beyond the usual narrative of the political and marketing manipulation, to us incomprehensible, or perhaps understandable only with the help of divine intervention.
Be sure to visit the exhibition which allows algorithms to show a range of their abilities, from reading and interpreting data to generating new meanings in the form of musical compositions and sacred books.
EXHIBITED WORKS
deus X mchn (media-installation, 2017)
f0rma.suprema (media-installation, 2017 – 2018)
The Other View (media-installation, 2018)
Faces2Voices (Online interactive installation, 2020)
More: drugo-more.hr/en/helena-nikonole/
Photos: Tanja Kanazir / Drugo more
Helena Nikonole is a new media artist, independent curator and educator living in Moscow. Her field of interests embraces hybrid art, the new aesthetics, the Internet of Things, and Artificial Intelligence. In her works she explores technology’s potential opportunities, but also potential risks and dangers which techno-evangelists and scientists are not able to realize.
In this way she also conceived her first ever solo exhibition, titled "Contagious Algorithms", presenting her works that use cracks in the system of IP cameras and the Internet of Things.
Using these cracks, Helena Nikonole employs algorithms to generate new meanings and functions of hacked systems, pointing out their shortcomings and revealing how they operate, especially in terms of the amount of data collected by digital devices about their users. These data may be just some digital trash, or maybe have a purpose beyond the usual narrative of the political and marketing manipulation, to us incomprehensible, or perhaps understandable only with the help of divine intervention.
Be sure to visit the exhibition which allows algorithms to show a range of their abilities, from reading and interpreting data to generating new meanings in the form of musical compositions and sacred books.
EXHIBITED WORKS
deus X mchn (media-installation, 2017)
f0rma.suprema (media-installation, 2017 – 2018)
The Other View (media-installation, 2018)
Faces2Voices (Online interactive installation, 2020)
More: drugo-more.hr/en/helena-nikonole/
Photos: Tanja Kanazir / Drugo more
Much like a fuel gauge in a motor vehicle, the gauge of the Compensatory Reserve Index begins to show a loss in "fuel" well in advance of changes in blood oxygen or heart rate measured by the pulse oximeter. (Photo courtesy of USAISR public affairs)
Read the full story on USAMRMC's official webpage at: mrmc.amedd.army.mil/index.cfm?pageid=media_resources.arti...
Story written by: Steven Galvan, USAISR PAO
Algorithmic tiling pattern generated with an L-system in Processing, exported to Adobe Illustrator with my IgnoCodeLib Processing library, finished in Photoshop,
Helena Nikonole is a new media artist, independent curator and educator living in Moscow. Her field of interests embraces hybrid art, the new aesthetics, the Internet of Things, and Artificial Intelligence. In her works she explores technology’s potential opportunities, but also potential risks and dangers which techno-evangelists and scientists are not able to realize.
In this way she also conceived her first ever solo exhibition, titled "Contagious Algorithms", presenting her works that use cracks in the system of IP cameras and the Internet of Things.
Using these cracks, Helena Nikonole employs algorithms to generate new meanings and functions of hacked systems, pointing out their shortcomings and revealing how they operate, especially in terms of the amount of data collected by digital devices about their users. These data may be just some digital trash, or maybe have a purpose beyond the usual narrative of the political and marketing manipulation, to us incomprehensible, or perhaps understandable only with the help of divine intervention.
Be sure to visit the exhibition which allows algorithms to show a range of their abilities, from reading and interpreting data to generating new meanings in the form of musical compositions and sacred books.
EXHIBITED WORKS
deus X mchn (media-installation, 2017)
f0rma.suprema (media-installation, 2017 – 2018)
The Other View (media-installation, 2018)
Faces2Voices (Online interactive installation, 2020)
More: drugo-more.hr/en/helena-nikonole/
Photos: Tanja Kanazir / Drugo more
I think something is wrong with either the submission algorithm or people really have nothing to do.
Algorithm - Pixel
+ Aoki Takamasa, Senking Alexander Rishaug & Marius Watz,
Performance
Alexander Rishaug & Marius Watz, Pixel, Aoki Takamasa, Senking
19 May 9pm-1am
Part of Lovebytes 2007
Google Refresh Page Layout Algorithm
In the event that you noticed a big change in your organic search traffic or rankings last week, and have a high rate of advertisements to content at the most effective of your web pages, possibilities have you been could be suffering from a refresh of...
www.coolluca.org/internet/google-layout-algorithm.html?ut...
Helena Nikonole is a new media artist, independent curator and educator living in Moscow. Her field of interests embraces hybrid art, the new aesthetics, the Internet of Things, and Artificial Intelligence. In her works she explores technology’s potential opportunities, but also potential risks and dangers which techno-evangelists and scientists are not able to realize.
In this way she also conceived her first ever solo exhibition, titled "Contagious Algorithms", presenting her works that use cracks in the system of IP cameras and the Internet of Things.
Using these cracks, Helena Nikonole employs algorithms to generate new meanings and functions of hacked systems, pointing out their shortcomings and revealing how they operate, especially in terms of the amount of data collected by digital devices about their users. These data may be just some digital trash, or maybe have a purpose beyond the usual narrative of the political and marketing manipulation, to us incomprehensible, or perhaps understandable only with the help of divine intervention.
Be sure to visit the exhibition which allows algorithms to show a range of their abilities, from reading and interpreting data to generating new meanings in the form of musical compositions and sacred books.
EXHIBITED WORKS
deus X mchn (media-installation, 2017)
f0rma.suprema (media-installation, 2017 – 2018)
The Other View (media-installation, 2018)
Faces2Voices (Online interactive installation, 2020)
More: drugo-more.hr/en/helena-nikonole/
Photos: Tanja Kanazir / Drugo more
"Stealth Care: wellness from the algorithm" delves into the convergence of personal health data, AI, and artistic research. Originating from AI analysis of non-specific symptoms, it intriguingly aligns with a subsequent medical diagnosis of a rare muscle disease.
Photo: Ars Electronica / Martin Hieslmair
These are my scrawled notes, trying to rough out an algorithm. I think they're from my attempt at the 2001 ICFP competition.
Helena Nikonole is a new media artist, independent curator and educator living in Moscow. Her field of interests embraces hybrid art, the new aesthetics, the Internet of Things, and Artificial Intelligence. In her works she explores technology’s potential opportunities, but also potential risks and dangers which techno-evangelists and scientists are not able to realize.
In this way she also conceived her first ever solo exhibition, titled "Contagious Algorithms", presenting her works that use cracks in the system of IP cameras and the Internet of Things.
Using these cracks, Helena Nikonole employs algorithms to generate new meanings and functions of hacked systems, pointing out their shortcomings and revealing how they operate, especially in terms of the amount of data collected by digital devices about their users. These data may be just some digital trash, or maybe have a purpose beyond the usual narrative of the political and marketing manipulation, to us incomprehensible, or perhaps understandable only with the help of divine intervention.
Be sure to visit the exhibition which allows algorithms to show a range of their abilities, from reading and interpreting data to generating new meanings in the form of musical compositions and sacred books.
EXHIBITED WORKS
deus X mchn (media-installation, 2017)
f0rma.suprema (media-installation, 2017 – 2018)
The Other View (media-installation, 2018)
Faces2Voices (Online interactive installation, 2020)
More: drugo-more.hr/en/helena-nikonole/
Photos: Tanja Kanazir / Drugo more
Algorithm - Pixel
+ Aoki Takamasa, Senking, Alexander Rishaug & Marius Watz,
Performance
Alexander Rishaug & Marius Watz, Pixel, Aoki Takamasa, Senking
19 May 9pm-1am
Brevity, ur doin it wrong.
(I found this in another paper in the very prestigious journal I'm writing for now.)
Theatre of Restless Automata comprises three animated universes modeled from variations of the same computational formula. Each universe has a distinct aesthetic quality, which ranges from geometric abstraction to decorative figuration. Using computer algorithms based on scientific modeling techniques, the artists demonstrate how simple programming rules can create an infinite number of elaborate patterns. From these mosaics of pixels emerge small robotic figures (beings), which perform in a digital 'theatre of life'.
Helena Nikonole is a new media artist, independent curator and educator living in Moscow. Her field of interests embraces hybrid art, the new aesthetics, the Internet of Things, and Artificial Intelligence. In her works she explores technology’s potential opportunities, but also potential risks and dangers which techno-evangelists and scientists are not able to realize.
In this way she also conceived her first ever solo exhibition, titled "Contagious Algorithms", presenting her works that use cracks in the system of IP cameras and the Internet of Things.
Using these cracks, Helena Nikonole employs algorithms to generate new meanings and functions of hacked systems, pointing out their shortcomings and revealing how they operate, especially in terms of the amount of data collected by digital devices about their users. These data may be just some digital trash, or maybe have a purpose beyond the usual narrative of the political and marketing manipulation, to us incomprehensible, or perhaps understandable only with the help of divine intervention.
Be sure to visit the exhibition which allows algorithms to show a range of their abilities, from reading and interpreting data to generating new meanings in the form of musical compositions and sacred books.
EXHIBITED WORKS
deus X mchn (media-installation, 2017)
f0rma.suprema (media-installation, 2017 – 2018)
The Other View (media-installation, 2018)
Faces2Voices (Online interactive installation, 2020)
More: drugo-more.hr/en/helena-nikonole/
Photos: Tanja Kanazir / Drugo more
Algorithms, Journalism & Democracy -sessiossa Betaworksin Gilad Lotan ja Poynterin Kelly McBride pitivät erinomaisen esityksen demokratian haasteista algoritmien aikakaudella. #sxsw
3:00 pm - 3:50 pm
Koch Tent
Seth Berkley, Lizzie Dorfman, Jay Komarneni
Moderator: Alan Weil
Property of the Aspen Institute / Photo Credit: Riccardo Savi
Algorithm Nation abstract paintings in motion, Artparade, Soho, New York, USA Originals can be found here
How do Sorting Algorithms look like? A pixelrow of a photograph is taken and then sorted by colorvalues. Done with processing.
Participants at the Bodily Algorithms workshop, 4 April 2011, Ian Potter Sculpture Court.
Hosted by Tim Schork, Charles Anderson and Gideon Obarzanek.
Helena Nikonole is a new media artist, independent curator and educator living in Moscow. Her field of interests embraces hybrid art, the new aesthetics, the Internet of Things, and Artificial Intelligence. In her works she explores technology’s potential opportunities, but also potential risks and dangers which techno-evangelists and scientists are not able to realize.
In this way she also conceived her first ever solo exhibition, titled "Contagious Algorithms", presenting her works that use cracks in the system of IP cameras and the Internet of Things.
Using these cracks, Helena Nikonole employs algorithms to generate new meanings and functions of hacked systems, pointing out their shortcomings and revealing how they operate, especially in terms of the amount of data collected by digital devices about their users. These data may be just some digital trash, or maybe have a purpose beyond the usual narrative of the political and marketing manipulation, to us incomprehensible, or perhaps understandable only with the help of divine intervention.
Be sure to visit the exhibition which allows algorithms to show a range of their abilities, from reading and interpreting data to generating new meanings in the form of musical compositions and sacred books.
EXHIBITED WORKS
deus X mchn (media-installation, 2017)
f0rma.suprema (media-installation, 2017 – 2018)
The Other View (media-installation, 2018)
Faces2Voices (Online interactive installation, 2020)
More: drugo-more.hr/en/helena-nikonole/
Photos: Tanja Kanazir / Drugo more