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8192 triangles are drawn in 3 dimensional space and used to approximate a source image. An algorithm refines the colors and positions of the vertices until the image converges on the target.
Made with Processing (processing.org)
Julian Palacz (AT) has developed a clever search tool. It finds spoken or sung words and word combinations and then indicates precisely where they occur in a particular song or video sequence. His work is called "algorithmic search for love".
credit: rubra
Algorithm Nation abstract paintings in motion, Artparade, Soho, New York, USA Originals can be found here
Algorithmic art created with Processing using blue noise dot patterns, wave functions, and various other computational techniques.
I keep telling myself it's time to retool this generative system--use functions more complicated than simple sine waves, different shapes--but when I set out to retool, I discover aspects I hadn't yet explored.
The series Sturdy, Rendition, Fuste, Eyeteeth, and Elpenor do use many more points than earlier images. Voluntad (like Chupatintas and a few others) uses different color rules. Otherwise, these are all variations on a basic generative system.
See www.openprocessing.org/visuals/?visualID=15891 for code used to generate "dot pattern" images.
8192 triangles are drawn in 3 dimensional space and used to approximate a source image. An algorithm refines the colors and positions of the vertices until the image converges on the target.
Made with Processing (processing.org)
Julian Palacz (AT) has developed a clever search tool. It finds spoken or sung words and word combinations and then indicates precisely where they occur in a particular song or video sequence. His work is called "algorithmic search for love".
credit: rubra
I think something is wrong with either the submission algorithm or people really have nothing to do.
Algorithm Nation abstract paintings in motion, Artparade, Soho, New York, USA Originals can be found here
Helena Nikonole is a new media artist, independent curator and educator living in Moscow. Her field of interests embraces hybrid art, the new aesthetics, the Internet of Things, and Artificial Intelligence. In her works she explores technology’s potential opportunities, but also potential risks and dangers which techno-evangelists and scientists are not able to realize.
In this way she also conceived her first ever solo exhibition, titled "Contagious Algorithms", presenting her works that use cracks in the system of IP cameras and the Internet of Things.
Using these cracks, Helena Nikonole employs algorithms to generate new meanings and functions of hacked systems, pointing out their shortcomings and revealing how they operate, especially in terms of the amount of data collected by digital devices about their users. These data may be just some digital trash, or maybe have a purpose beyond the usual narrative of the political and marketing manipulation, to us incomprehensible, or perhaps understandable only with the help of divine intervention.
Be sure to visit the exhibition which allows algorithms to show a range of their abilities, from reading and interpreting data to generating new meanings in the form of musical compositions and sacred books.
EXHIBITED WORKS
deus X mchn (media-installation, 2017)
f0rma.suprema (media-installation, 2017 – 2018)
The Other View (media-installation, 2018)
Faces2Voices (Online interactive installation, 2020)
More: drugo-more.hr/en/helena-nikonole/
Photos: Tanja Kanazir / Drugo more
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