View allAll Photos Tagged alarm_system,

These three views show Brylaine Optare Solo types operating the IntoTown Services at Boston on a wet and dull mid January Market Day. Part of the route used by these services runs along pedestrianised Wide Bargate and whilst traversing this section the vehicles travel at walking pace and in addition to their hazard warning lights they are also fitted with an audible alarm system.

 

On the Market Place is Brylaine Optare Solo YJ08 PHV seen working an IT2 journey.

 

While many of the exotic cars that were in Monterey for Car Week have sophisticated alarm systems, the driver of this car has a slightly different take on security. While most people fear Pits, many of them are very friendly and this one was no exception. I think that the only way this fellow would have stopped a car thief is if he licked them to death!

 

Camera: Canon EOS 6D

Lens: Canon EF 24-105mm f/4L IS USM @105mm

Exposure: 1/20 sec @ f/4.5 ISO100

 

This image is © Douglas Bawden Photography, please do not use without prior permission.

 

Enjoy my photos and please feel free to comment. The only thing that I ask is no large or flashy graphics in the comments.

 

Visit My Website - Visit My Blog

When bell rings call....

prli.nl/PL-459-xx9Cf5ft-45&rf=2 EUR 241500

 

Spain properties property spanish real estate villa apartment townhouse house

PL-459-xx9Cf5ft-45

 

R127870 Apartment - Ground Floor, Nueva Andalucia, Costa del Sol.n2 Bedrooms, 2 Bathrooms, Built 110 sqm, Terrace 20 sqm.nnSetting : Close To Golf, Close To Town, Urbanisation.nOrientation : North.nCondition : Excellent.nPool : Communal, Private, Children`s Pool.nClimate Control : Air Conditioning, Pre Installed A/C, Hot A/C, Cold A/C, Fireplace.nViews : Country, Pool, Courtyard.nFeatures : Private Terrace, Paddle Tennis, Tennis Court, Marble Flooring, Bar, Barbeque.nFurniture : Fully Furnished.nKitchen : Fully Fitted.nGarden : Communal.nSecurity : Gated Complex, Entry Phone, Alarm System, 24 Hour Security.nParking : Street, More Than One, Communal, Private.nUtilities : Electricity, Drinkable Water.<br /><br />Nueva Andalucia is a well thought out and attractive area just west of Marbella where nearly all house, apartments and buildings are based on traditional Andalusian architecture. The bullring on the right marks the entrance to Nueva Andalucia, while the road climbs towards the mountains affording magnificent views of the coast. On a clear day, you can easily see North Africa. You can find plenty tennis courts, paddle tennis and a gymnasium. For golfers the area could not be more ideal. There are several magnificent courses within virtual distance, including Los Naranjos, Las Brisas, Aloha Golf and La Dama de Noche, which is floodlit for night time play. All the Nueva Andalucia golf courses are surrounded by stunning scenery with a backdrop of mountains. Nueva AndalucÍa is fast becoming known for its international cuisine which ranges from a down home American deli to the ultimate in cordon bleu. It also boasts one of the most popular commercial centres in the area, Centro Plaza comprising quality shops, restaurants, bars and offices, as well as a supermarket, gymnasium and beauty salons. The commercial centre has everything that the consumer might want. There is an excellent street market held next to the bullring here every Saturday morning. Aside from recreational, sport and commercial facilities, Nueva AndalucÍa has several schools, including the international Aloha College. It is also home to one of the Costa del Sol's just two casinos, which boasts a vast gaming room as well as various other facilities. For residents, Nueva AndalucÍa is ideally situated, just a few minutes drive from the glitz and glamour of Marbella and Puerto BanÚs, yet close to the natural beauty of the Sierra de Ronda mountain range and San Pedro Alacantara, a refreshingly unspoilt pueblo.

The new fire alarm system in the historic basement of the Bad Ragaz station building. The blackenings are to prevent misuse via internal phone numbers. Signal boxes are sensitive and supervised areas with restricted access..Switzerland, April 29, 2022. (2/7)

Brighton sewer tour – information mainly from Southern Water website

 

Brighton, part of the city of Brighton and Hove in England has an extensive system of Victorian sewers running under the town, and a large modern storm drain under the beach.

 

The company responsible for the sewers, Southern Water, runs tours for the public during the summer.

 

The system is connected to a number of outfalls at the popular bathing beach, including emergency storm-water outfalls which could still release raw sewage until the 1990s. One of these may be seen in the stone groyne adjacent to the Palace Pier. During the late 1990s a massive storm water collection drain – wide enough to drive a vehicle through – was constructed along the beach, using tunnelling machines similar to those used to cut the Channel Tunnel. These were lowered to the tunnel depth via several deep shafts sunk at intervals along the beach, which were subsequently capped and covered. Pebbles were replaced on top of the shafts to return the beach to its former appearance and public use.

 

Southern Water’s famous sewer tours are unique. There is no other place in Britain where members of the public can walk through the labyrinth of tunnels beneath their towns, learning secrets from 150 years ago.

Brighton boasts Victoriana aplenty, from the Palace Pier to the world’s oldest operating electric railway, but sewer visitors go down the drains to see the largest Victorian exhibit of them all – and are amazed by what they see.

  

Visitors also discover clean spring water bubbling beneath their feet from a freshwater river that still runs under the city and they see barnacles on the walls from where the tide used to come in.

 

You can also learn some fascinating facts about landmarks above the ground, such as the Volks Railway Station at Black Rock. Cleverly disguised as an ornate Victorian station, it’s actually a pumping station which transfers sewage and storm water to our treatment works in Peacehaven.

  

The meeting point for the Sewer Tours is found at Arch number 260, underneath the Brighton Pier.

 

Groups of up to 25 visitors receive safety instructions and hard hats, passes and protective latex gloves to wear.

 

After a short introductory talk and film, the famous Brighton Sewer Tour begins.

 

The tour takes you along narrow, whitewashed corridors and up and down metal ladders to see the route of the day’s waste and stormwater, which flows to a treatment plant to the east of the city before being pumped safely out to sea.

 

You learn how the Victorians encouraged the flow with egg-shaped tunnels, some one metre in diameter and others big enough to accommodate a double-decker bus.

  

The tours take place between May and late September because there is an increased likelihood of the sewers being flooded by storm water at other times of the year.

 

Alarm systems are in place for your protection and warn the guides about sudden rain and a build-up of gases so that you can be taken to safety in good time.

 

The sewers are hosed down before every tour to ensure they are as clean as possible and less slippery.

 

The guides take you on a fascinating journey along 400 yards of the 30 miles of sewers beneath Brighton, unravelling secrets as you go.

 

The tour lasts about an hour and takes you north-eastwards from beneath the Palace Pier to the bottom of St James’s Street and then north west before turning to end near the fountain at Old Steine.

  

Start of Tour

 

Metal doors, guarded by metal gates, hidden beneath the esplanade immediately to the west of Palace Pier – not the most auspicious of settings for what is the entrance to one of the most magnificent examples of Victorian civil engineering.

 

Lecture Room

 

Our visitors gather here – the Lecture Room at the start of the tour. Here you will be supplied with gloves and a hard hat, told what to expect on your tour and watch a short film before exploring the sewer's Victorian secrets.

 

Albion Overflow

 

The Albion Overflow Sewer takes excess rainwater and waste from the Intercepting Sewer during heavy rain, transferring it to huge storm tanks to prevent flooding and the beaches from being polluted.

 

Safety Passage

 

This 75-yard long tunnel was built above the sewer system to allow the sewers to be inspected and cleaned in safe conditions.

 

Visitors use the Safety Passage, which runs under the pedestrian crossing opposite the pier, round the roundabout and across to Marine Parade, to access some of the key parts of the tour.

 

Flushing Chamber

 

At this point you’re 15ft underground in the Flushing Chamber, directly beneath where the busy A259 coast road meets the roundabout at the Palace Pier.

 

The thunder you can hear above your head is vehicles driving over a sewer cover. You can see them if you look up, but best not – you may get grit in your eye.

 

Catch Tank

 

Here you can view one of the six catch tanks built to collect road grit and heavy stones which would otherwise block the sewers.

 

Catch tanks need regular cleaning which takes place late at night when the sewer flow level is low. Every six weeks, 25 tonnes of road silt are dug out by hand and, with three men using a heavy 6in suction hose, transferred to a skip lorry above ground.

 

Marine Parade Overflow

 

This is where half of the sewage from the Kemp Town area of Brighton links with the Intercepting Sewer which, at seven miles long and up to seven feet in diameter, is the main trunk sewer into which other sewers flow.

 

Completed in 1874, the Intercepting Sewer remains the backbone of the sewer system.

 

8ft Storm Water Tunnel

 

This 200-yard long sewer was built to help relieve the pressure on the sewer system during heavy rain.

 

Visitors walk through this sewer by torch light as they make their way to the Old Steine Overflow Chamber.

 

Old Steine Overflow Chamber

 

This impressive chamber, some 30ft underground, was ‘sculpted’ from seven million heavy engineering bricks. This is where the main 8ft diameter sewers, serving London Road and Lewes Road, merge.

 

You can stay dry walking through the overflow chamber, but not if the council decides to empty the fountain at Old Steine. It discharges directly into the chamber and the council has an unfriendly habit of emptying it without warning!

 

End of Tour

 

Sewer guides lead parties of 25 visitors from the sewers via a 15ft vertical ladder, emerging near the fountain in the Old Steine gardens.

 

Kathmandu Durbar Square or Hanuman Dhoka Durbar Square is the plaza in front of the old royal palace of the then Kathmandu Kingdom. It is one of three Durbar (royal palace) Squares in the Kathmandu Valley in Nepal, all of which are UNESCO World Heritage Sites.

 

The Durbar Square is surrounded with spectacular architecture and vividly showcases the skills of the Newar artists and craftsmen over several centuries. The royal palace was originally at Dattaraya square and was later moved to the Durbar square location.

 

The Kathmandu Durbar Square holds the palaces of the Malla and Shah kings who ruled over the city. Along with these palaces, the square surrounds quadrangles revealing courtyards and temples. It is known as Hanuman Dhoka Durbar Square, a name derived from a statue of Hanuman, the monkey devotee of Lord Ram, at the entrance of the palace.

 

HISTORY AND CONSTRUCTION

The preference for the construction of royal palaces at this site dates back to as early as the Licchavi period in the third century. Even though the present palaces and temples have undergone repeated and extensive renovations and nothing physical remains from that period, names like Gunapo and Gupo, which are the names referred to the palaces in the square in early scriptures, imply that the palaces were built by Gunakamadev, a king ruling late in the tenth century. When Kathmandu City became independent under the rule of King Ratna Malla (1484–1520) the palaces in the square became the royal palaces for its Malla kings. When Prithvi Narayan Shah invaded the Kathmandu Valley in 1769, he favored the Kathmandu Durbar Square for his palace. Other subsequent Shah kings continued to rule from the square until 1896 when they moved to the Narayan Hiti Palace.

 

The square is still the center of important royal events like the coronation of King Birendra Bir Bikram Shah in 1975 and King Gyanendra Bir Bikram Shah in 2001.

 

Though there are no written archives stating the history of Kathmandu Durbar Square, construction of the palace in the square is credited to Sankharadev (1069–1083). As the first king of the independent Kathmandu City, Ratna Malla is said to have built the Taleju temple in the Northern side of the palace in 1501. For this to be true then the temple would have had to have been built in the vihara style as part of the palace premise surrounding the Mul Chok courtyard for no evidence of a separate structure that would match this temple can be found within the square.

 

Construction of the Karnel Chok is not clearly stated in any historical inscriptions; although, it is probably the oldest among all the courtyards in the square. The Bhagavati Temple, originally known as a Narayan Temple, rises above the mansions surrounding it and was added during the time of Jagajaya Malla in the early eighteenth century. The Narayan idol within the temple was stolen so Prithvi Narayan Shah replaced it with an image of Bhagavati, completely transforming the name of the temple.

 

The oldest temples in the square are those built by Mahendra Malla (1560–1574). They are the temples of Jagannath, Kotilingeswara Mahadev, Mahendreswara, and the Taleju Temple. This three-roofed Taleju Temple was established in 1564, in a typical Newari architectural style and is elevated on platforms that form a pyramid-like structure. It is said that Mahendra Malla, when he was residing in Bhaktapur, was highly devoted to the Taleju Temple there; the Goddess being pleased with his devotion gave him a vision asking him to build a temple for her in the Kathmandu Durbar Square. With a help of a hermit, he designed the temple to give it its present form and the Goddess entered the temple in the form of a bee.

 

His successors Sadasiva (1575–1581), his son, Shiva Simha (1578–1619), and his grandson, Laxmi Narsingha (1619–1641), do not seem to have made any major additions to the square. During this period of three generations the only constructions to have occurred were the establishment of Degutale Temple dedicated to Goddess Mother Taleju by Shiva Simha and some enhancement in the royal palace by Laksminar Simha.

 

UNDER PRATAP MALLA

In the time of Pratap Malla, son of Laksminar Simha, the square was extensively developed. He was an intellectual, a pious devotee, and especially interested in arts. He called himself a Kavindra, king of poets, and boasted that he was learned in fifteen different languages. A passionate builder, following his coronation as a king, he immediately began enlargements to his royal palace, and rebuilt some old temples and constructed new temples, shrines and stupas around his kingdom. There also took the massacre called Kot Parva where the queen, prime minister, head of the states,and other people with guards died. This massacre took place in the court yard inside the palace.

 

During the construction of his palace, he added a small entrance in the traditional, low and narrow Newari style. The door was elaborately decorated with carvings and paintings of deities and auspicious sings and was later transferred to the entrance of Mohan Chok. In front of the entrance he placed the statue of Hanuman thinking that Hanuman would strengthen his army and protect his home. The entrance leads to Nasal Chok, the courtyard where most royal events such as coronation, performances, and yagyas, holy fire rituals, take place. It was named after Nasadya, the God of Dance, and during the time of Pratap Malla the sacred mask dance dramas performed in Nasal Chok were widely famed. In one of these dramas, it is said that Pratap Malla himself played the role of Lord Vishnu and that the spirit of the Lord remained in the king's body even after the play. After consulting his Tantric leaders, he ordered a stone image of Lord Vishnu in his incarnation as Nara Simha, the half-lion and half-human form, and then transferred the spirit into the stone. This fine image of Nara Simha made in 1673 still stands in the Nasal Chok. In 1650, he commissioned for the construction of Mohan Chok in the palace. This chok remained the royal residential courtyard for many years and is believed to store a great amount of treasure under its surface. Pratap Malla also built Sundari Chok about this time. He placed a slab engraved with lines in fifteen languages and proclaimed that he who can understand the inscription would produce the flow of milk instead of water from Tutedhara, a fountain set in the outer walls of Mohan Chok. However elaborate his constructions may have been, they were not simply intended to emphasize his luxuries but also his and the importance of others' devotion towards deities. He made extensive donations to temples and had the older ones renovated. Next to the palace, he built a Krishna temple, the Vamsagopala, in an octagonal shape in 1649. He dedicated this temple to his two Indian wives, Rupamati and Rajamati, as both had died during the year it was built. In Mohan Chok, he erected a three roofed Agamachem temple and a unique temple with five superimposing roofs. After completely restoring the Mul Chok, he donated to the adjoining Taleju Temple. To the main temple of Taleju, he donated metal doors in 1670. He rebuilt the Degutale Temple built by his grandfather, Siva Simha, and the Taleju Temple in the palace square. As a substitute to the Indreswara Mahadeva Temple in the distant village of Panauti he built a Shiva temple, Indrapura, near his palace in the square. He carved hymns on the walls of the Jagannath Temple as prayers to Taleju in the form of Kali.

 

At the southern end of the square, near Kasthamandap at Maru, which was the main city crossroads for early traders, he built another pavilion named Kavindrapura, the mansion of the king of poets. In this mansion he set an idol of dancing Shiva, Nasadyo, which today is highly worshipped by dancers in the Valley.

 

In the process of beautifying his palace, he added fountains, ponds, and baths. In Sundari Chok, he established a low bath with a golden fountain. He built a small pond, the Naga Pokhari, in the palace adorned with Nagakastha, a wooden serpent, which is said he had ordered stolen from the royal pond in the Bhaktapur Durbar Square. He restored the Licchavi stone sculptures such as the Jalasayana Narayana, the Kaliyadamana, and the Kala Bhairav. An idol of Jalasayana Narayana was placed in a newly created pond in the Bhandarkhal garden in the eastern wing of the palace. As a substitute to the idol of Jalasayana Narayana in Buddhanilkantha, he channeled water from Buddhanilkantha to the pond in Bhandarkhal due bestow authenticity. The Kalyadana, a manifestation of Lord Krishna destroying Kaliya, a water serpent, is placed in Kalindi Chok, which is adjacent to the Mohan Chok. The approximately ten-feet-high image of terrifyingly portrayed Kal Bhairav is placed near the Jagannath Temple. This image is the focus of worship in the chok especially during Durga Puja.

 

With the death of Pratap Malla in 1674, the overall emphasis on the importance of the square came to a halt. His successors retained relatively insignificant power and the prevailing ministers took control of most of the royal rule. The ministers encountered little influence under these kings and, increasingly, interest of the arts and additions to the square was lost on them. They focused less on culture than Pratap Malla during the three decades that followed his death, steering the city and country more towards the arenas of politics and power, with only a few minor constructions made in the square. These projects included Parthivendra Malla building a temple referred to as Trailokya Mohan or Dasavatara, dedicated to Lord Vishnu in 1679. A large statue of Garuda, the mount of Lord Vishnu, was added in front of it a decade later. Parthivendra Malla added a pillar with image of his family in front of the Taleju Temple.

 

Around 1692, Radhilasmi, the widowed queen of Pratap Malla, erected the tall temples of Shiva known as Maju Deval near the Garuda image in the square. This temple stands on nine stepped platforms and is one of the tallest buildings in the square. Then her son, Bhupalendra Malla, took the throne and banished the widowed queen to the hills. His death came early at the age of twenty one and his widowed queen, Bhuvanalaksmi, built a temple in the square known as Kageswara Mahadev. The temple was built in the Newari style and acted as a substitute for worship of a distant temple in the hills. After the earthquake in 1934, the temple was restored with a dome roof, which was alien to the Newari architecture.

 

Jayaprakash Malla, the last Malla king to rule Kathmandu, built a temple for Kumari and Durga in her virginal state. The temple was named Kumari Bahal and was structured like a typical Newari vihara. In his house resides the Kumari, a girl who is revered as the living goddess. He also made a chariot for Kumari and in the courtyard had detailed terra cotta tiles of that time laid down.

 

UNDER THE SHAH DYNASTY

During the Shah dynasty that followed, the Kathmandu Durbar Square saw a number of changes. Two of the most unique temples in the square were built during this time. One is the Nautale, a nine-storied building known as Basantapur Durbar. It has four roofs and stands at the end of Nasal Chok at the East side of the palace. It is said that this building was set as a pleasure house. The lower three stories were made in the Newari farmhouse style. The upper floors have Newari style windows, sanjhya and tikijhya, and some of them are slightly projected from the wall. The other temple is annexed to the Vasantapur Durbar and has four-stories. This building was initially known as Vilasamandira, or Lohom Chok, but is now commonly known as Basantapur or Tejarat Chok. The lower floors of the Basantapur Chok display extensive woodcarvings and the roofs are made in popular the Mughal style. Archives state that Prthivi Narayan Shah built these two buildings in 1770.

 

Rana Bahadur Shah was enthroned at the age of two. Bahadur Shah, the second son of Prithvi Narayan Shah, ruled as a regent for his young nephew Rana Bahadur Shah for a close to a decade from 1785 to 1794 and built a temple of Shiva Parvati in the square. This one roofed temple is designed in the Newari style and is remarkably similar to previous temples built by the Mallas. It is rectangular in shape, and enshrines the Navadurga, a group of goddesses, on the ground floor. It has a wooden image of Shiva and Parvati at the window of the upper floor, looking out at the passersby in the square. Another significant donation made during the time of Rana Bahadur Shah is the metal-plated head of Swet Bhairav near the Degutale Temple. It was donated during the festival of Indra Jatra in 1795, and continues to play a major role during the festival every year. This approximately twelve feet high face of Bhairav is concealed behind a latticed wooden screen for the rest of the year. The following this donation Rana Bahadur donated a huge bronze bell as an offering to the Goddess Taleju. Together with the beating of the huge drums donated by his son Girvan Yudha, the bell was rung every day during the daily ritual worship to the goddess. Later these instruments were also used as an alarm system. However, after the death of his beloved third wife Kanimati Devi due to smallpox, Rana Bahadur Shah turned mad with grief and had many images of gods and goddesses smashed including the Taleju statue and bell, and Sitala, the goddess of smallpox.

 

In 1908, a palace, Gaddi Durbar, was built using European architectural designs. The Rana Prime Ministers who had taken over the power but not the throne of the country from the Shahs Kings from 1846 to 1951 were highly influenced by European styles. The Gaddi Durbar is covered in white plaster, has Greek columns and adjoins a large audience hall, all foreign features to Nepali architecture. The balconies of this durbar were reserved for the royal family during festivals to view the square below.

 

Some of the parts of the square like the Hatti Chok near the Kumari Bahal in the southern section of the square were removed during restoration after the devastating earthquake in 1934. While building the New Road, the southeastern part of the palace was cleared away, leaving only fragments in places as reminders of their past. Though decreased from its original size and attractiveness from its earlier seventeenth-century architecture, the Kathmandu Durbar Square still displays an ancient surrounding that spans abound five acres of land. It has palaces, temples, quadrangles, courtyards, ponds, and images that were brought together over three centuries of the Malla, the Shah, and the Rana dynasties.

 

VISITING

Kathmandu's Durbar Square is the site of the Hanuman Dhoka Palace Complex, which was the royal Nepalese residence until the 19th century and where important ceremonies, such as the coronation of the Nepalese monarch, still take place today. The palace is decorated with elaborately-carved wooden windows and panels and houses the King Tribhuwan Memorial Museum and the Mahendra Museum. It is possible to visit the state rooms inside the palace.

 

Time and again the temples and the palaces in the square have gone through reconstruction after being damaged by natural causes or neglect. Presently there are less than ten quadrangles in the square. The temples are being preserved as national heritage sites and the palace is being used as a museum. Only a few parts of the palace are open for visitors and the Taleju temples are only open for people of Hindu and Buddhist faiths.

 

At the southern end of Durbar Square is one of the most curious attractions in Nepal, the Kumari Chowk. This gilded cage contains the Raj Kumari, a girl chosen through an ancient and mystical selection process to become the human incarnation of the Hindu mother goddess, Durga. She is worshiped during religious festivals and makes public appearances at other times for a fee paid to her guards.

 

WIKIPEDIA

(for further information or pictures please go to the end of page and click on the link!)

The Congregation of the Servants of the Sacred Heart of Jesus

The Congregation of the Servants of the Sacred Heart of Jesus was founded in 1866 by Abbè Peter Victor Brown in Paris.

On the advice of Baron Jaromir Mundy (one of the later founders of the Vienna Ambulance Company), Viennese medical officer and Maltese, who the Sacred Heart sisters became to know and to appreciate during the Franco-German war in a military hospital, summoned the then head of the Rudolf Foundation (Rudolfstifting), Mr. Director Boehm, the Sacred Heart sisters for nursing to Vienna in his hospital.

1873 arrived 13 sisters in Vienna and began their ministry to the sick. Due to the increasing number of sisters the construction of today's mother house (the provincial house at the time) in 1890 in the Keinergasse became necessary. This building which houses the oldest part of the hospital is now a protected monument, as well as church, monastery and "school".

1906 the Sacred Heart Church was consecrated and was followed in 1931 by the opening of the school building with day-care center (kindergarten and nursery).

During World War Second were confiscated all nonessential rooms of the Convent of the Wehrmacht for a military hospital. Our sisters took over the care of the wounded soldiers. From this institution was established in 1945 the private Sacred Heart Hospital (now 141 beds).

In 1989 the staff residence has been given over to its purpose, and 11 years later, in the holy year 2000, followed the tract in the Rabengasse, which is equipped with an interdisciplinary monitoring unit.

According to the motto "serve in love", the sisters, since the founding of the Congregation, make all possible efforts in order to guarantee the welfare of the children, sick and elderly.

Order and hospital chronicle at a glance

1866 - Founded Abbé Victor Brown, a priest from Lorraine, the Congregation of the Servants of the Most Sacred Heart of Jesus. The sisters took care of the poor, abandoned, old and sick people and of neglected children.

1873 - 13 sisters come to Vienna in the Rudolf Foundation for the care of the sick and home nursing.

1874 - Opening of a branch in Gainfarn (Lower Austria) with the take-over of a children's home (Kinderbewahranstalt).

1875 - Sisters from the London house come to Vienna. Acquisition of Crown Prince Rudolf Children's Hospital.

1877 - Appeal of the sisters to St. Anna Children's Hospital/Vienna.

1879 - Acquisition of the house as the first property in Vienna, which is now the provincial house in Austria. Establishment of the first novitiate in Austria

1880 - Takeover of the nursing service in the Epidemic hospital, Triesterstraße/Vienna.

1883 - The sisters are appointed to the by the Countess Malfatti founded St. Josefs-Greisenasyl/Wien (old age asylum).

1884 - The nursing service in the community hospital Bad Vöslau is transferred to the sisters.

1886 - Due to the growth of the sisters, new acquisition of a larger provincial house in Vienna/Ober St. Veit, Himmelhof.

1888 - Takeover of the nursing service in the Kaiser-Franz -Josef Hospital/Vienna and the Wiedner Hospital/Vienna.

1890 - Laying of the foundation stone of the new provincial house in the Keinergasse/Vienna.

Vocation of the Sisters to the Nursing Institute Confraternität.

1892 - Takeover of the municipal poorhouse Scheibbs/Lower Austria and opening of a needlework school.

1893 - Opening of a needlework school and a kindergarten in the Mother House.

1896 - Establishment of a branch in Gaweinstal/Lower Austria .

1897 - Takeover of nursing in Inquisitenspital/Vienna.

1898 - Care of plague victims in the Kaiser-Franz-Josef Hospital.

1899 - Takeover of nursing in the General Hospital/Vienna.

1900 - Extension of the Mother House

1904 - Ground-breaking ceremony of the Sacred Heart Church in the 3rd District of Vienna. Commencement of operations in the poor house and in kindergarten in Kallwang/Styria.

1905 - Takeover of care in the poor house/Laa an der Thaya/Lower Austria. Inauguration of the extension of the Mother House on the Landstraßer Hauptstrasse/Vienna.

1906 - Inauguration of the Sacred Heart Church, Vienna.

1907

-

1912 - Founding of several branches throughout Austria.

1911

-

1913 - During this time, nurses are in Serbia at the war front.

1914 - Takeover of Preyerschen Children's Hospital in the 10th District of Vienna.

1919 - Establishment of a day-care center in the Mother House. Opening of an evening home for girls as young as 14 years. Acquisition of a recovery house in Niederhollabrunn.

1926 - State recognition of the trade school in the Mother House.

1932 - Death of the Superior, Chancellor Dr. Seipel.

1934 - Takeover of care in the General Army Hospital/Vienna. Purchase of a recovery house in St. Reginald/Krems.

1938 - Nazi Party seizes the school building. Expulsion of the Sisters of the kindergartens in Austria and Germany.

1939 - Second World War. By the Nazi Party follows the confiscation of the monastery. In the Mother House establishment of a military hospital. Care of the wounded in hospitals and sick bays.

1944 - In air raids on Vienna the Mother House was bombed. Two sisters killed, church and a part of the house badly damaged. In the bombing of the Franz-Josef-Spital killed five sisters.

1945 - End of war. At the Mother House follows the re-designation of the Reserve Military Hospital into the Sacred Heart Hospital. Reopening of kindergartens and day-care center in the Mother House.

1946 - Reconstruction of the Mother House.

1956 - 50th jubilee of its existence of the Sacred Heart Church.

1966 - The last sisters leave the Rudolf Foundation, in which the activity has begun in Vienna.

1970 - Inauguration of the new Austrian Province House in Mödling.

1971 - Annex to Sacred Heart Hospital.

1973 - 100 years Servants of the Sacred Heart of Jesus in Vienna.

1988 - Construction of a personal residence.

1990 - First CT in a small hospital.

1991 - Clinic for Physical Therapy.

1992 - Orthopaedic Department (only department in the 3rd district)

1993 - Surgical Outpatient Clinic/Department of Conservative orthopedics.

1994 - Annex to Sacred Heart Hospital.

1995 - Renovation of the kitchen of the hospital and 50-year anniversary.

1997 - Bed elevator Keinergasse.

1999 - Spin-off and conversion into a limited company.

2000 - Annex Rabengasse (new surgical classification).

2001 - Geriatrics (only department in the 3rd district).

2003 - Annex for electric supply.

2004 - Official recognition of four interdisciplinary monitoring beds after 30 years of voluntary service. Fire alarm system throughout the hospital.

2005 - Operation Room 3.

2006 - Operation Room 1 + 2. Completion of conversion of all departments.

2007 Integration into the Vincent Group.

www.kh-herzjesu.at/index_html?id=2733

(for further information or pictures please go to the end of page and click on the link!)

The Congregation of the Servants of the Sacred Heart of Jesus

The Congregation of the Servants of the Sacred Heart of Jesus was founded in 1866 by Abbè Peter Victor Brown in Paris.

On the advice of Baron Jaromir Mundy (one of the later founders of the Vienna Ambulance Company), Viennese medical officer and Maltese, who the Sacred Heart sisters became to know and to appreciate during the Franco-German war in a military hospital, summoned the then head of the Rudolf Foundation (Rudolfstifting), Mr. Director Boehm, the Sacred Heart sisters for nursing to Vienna in his hospital.

1873 arrived 13 sisters in Vienna and began their ministry to the sick. Due to the increasing number of sisters the construction of today's mother house (the provincial house at the time) in 1890 in the Keinergasse became necessary. This building which houses the oldest part of the hospital is now a protected monument, as well as church, monastery and "school".

1906 the Sacred Heart Church was consecrated and was followed in 1931 by the opening of the school building with day-care center (kindergarten and nursery).

During World War Second were confiscated all nonessential rooms of the Convent of the Wehrmacht for a military hospital. Our sisters took over the care of the wounded soldiers. From this institution was established in 1945 the private Sacred Heart Hospital (now 141 beds).

In 1989 the staff residence has been given over to its purpose, and 11 years later, in the holy year 2000, followed the tract in the Rabengasse, which is equipped with an interdisciplinary monitoring unit.

According to the motto "serve in love", the sisters, since the founding of the Congregation, make all possible efforts in order to guarantee the welfare of the children, sick and elderly.

Order and hospital chronicle at a glance

1866 - Founded Abbé Victor Brown, a priest from Lorraine, the Congregation of the Servants of the Most Sacred Heart of Jesus. The sisters took care of the poor, abandoned, old and sick people and of neglected children.

1873 - 13 sisters come to Vienna in the Rudolf Foundation for the care of the sick and home nursing.

1874 - Opening of a branch in Gainfarn (Lower Austria) with the take-over of a children's home (Kinderbewahranstalt).

1875 - Sisters from the London house come to Vienna. Acquisition of Crown Prince Rudolf Children's Hospital.

1877 - Appeal of the sisters to St. Anna Children's Hospital/Vienna.

1879 - Acquisition of the house as the first property in Vienna, which is now the provincial house in Austria. Establishment of the first novitiate in Austria

1880 - Takeover of the nursing service in the Epidemic hospital, Triesterstraße/Vienna.

1883 - The sisters are appointed to the by the Countess Malfatti founded St. Josefs-Greisenasyl/Wien (old age asylum).

1884 - The nursing service in the community hospital Bad Vöslau is transferred to the sisters.

1886 - Due to the growth of the sisters, new acquisition of a larger provincial house in Vienna/Ober St. Veit, Himmelhof.

1888 - Takeover of the nursing service in the Kaiser-Franz -Josef Hospital/Vienna and the Wiedner Hospital/Vienna.

1890 - Laying of the foundation stone of the new provincial house in the Keinergasse/Vienna.

Vocation of the Sisters to the Nursing Institute Confraternität.

1892 - Takeover of the municipal poorhouse Scheibbs/Lower Austria and opening of a needlework school.

1893 - Opening of a needlework school and a kindergarten in the Mother House.

1896 - Establishment of a branch in Gaweinstal/Lower Austria .

1897 - Takeover of nursing in Inquisitenspital/Vienna.

1898 - Care of plague victims in the Kaiser-Franz-Josef Hospital.

1899 - Takeover of nursing in the General Hospital/Vienna.

1900 - Extension of the Mother House

1904 - Ground-breaking ceremony of the Sacred Heart Church in the 3rd District of Vienna. Commencement of operations in the poor house and in kindergarten in Kallwang/Styria.

1905 - Takeover of care in the poor house/Laa an der Thaya/Lower Austria. Inauguration of the extension of the Mother House on the Landstraßer Hauptstrasse/Vienna.

1906 - Inauguration of the Sacred Heart Church, Vienna.

1907

-

1912 - Founding of several branches throughout Austria.

1911

-

1913 - During this time, nurses are in Serbia at the war front.

1914 - Takeover of Preyerschen Children's Hospital in the 10th District of Vienna.

1919 - Establishment of a day-care center in the Mother House. Opening of an evening home for girls as young as 14 years. Acquisition of a recovery house in Niederhollabrunn.

1926 - State recognition of the trade school in the Mother House.

1932 - Death of the Superior, Chancellor Dr. Seipel.

1934 - Takeover of care in the General Army Hospital/Vienna. Purchase of a recovery house in St. Reginald/Krems.

1938 - Nazi Party seizes the school building. Expulsion of the Sisters of the kindergartens in Austria and Germany.

1939 - Second World War. By the Nazi Party follows the confiscation of the monastery. In the Mother House establishment of a military hospital. Care of the wounded in hospitals and sick bays.

1944 - In air raids on Vienna the Mother House was bombed. Two sisters killed, church and a part of the house badly damaged. In the bombing of the Franz-Josef-Spital killed five sisters.

1945 - End of war. At the Mother House follows the re-designation of the Reserve Military Hospital into the Sacred Heart Hospital. Reopening of kindergartens and day-care center in the Mother House.

1946 - Reconstruction of the Mother House.

1956 - 50th jubilee of its existence of the Sacred Heart Church.

1966 - The last sisters leave the Rudolf Foundation, in which the activity has begun in Vienna.

1970 - Inauguration of the new Austrian Province House in Mödling.

1971 - Annex to Sacred Heart Hospital.

1973 - 100 years Servants of the Sacred Heart of Jesus in Vienna.

1988 - Construction of a personal residence.

1990 - First CT in a small hospital.

1991 - Clinic for Physical Therapy.

1992 - Orthopaedic Department (only department in the 3rd district)

1993 - Surgical Outpatient Clinic/Department of Conservative orthopedics.

1994 - Annex to Sacred Heart Hospital.

1995 - Renovation of the kitchen of the hospital and 50-year anniversary.

1997 - Bed elevator Keinergasse.

1999 - Spin-off and conversion into a limited company.

2000 - Annex Rabengasse (new surgical classification).

2001 - Geriatrics (only department in the 3rd district).

2003 - Annex for electric supply.

2004 - Official recognition of four interdisciplinary monitoring beds after 30 years of voluntary service. Fire alarm system throughout the hospital.

2005 - Operation Room 3.

2006 - Operation Room 1 + 2. Completion of conversion of all departments.

2007 Integration into the Vincent Group.

www.kh-herzjesu.at/index_html?id=2733

(for further information or pictures please go to the end of page and click on the link!)

The Congregation of the Servants of the Sacred Heart of Jesus

The Congregation of the Servants of the Sacred Heart of Jesus was founded in 1866 by Abbè Peter Victor Brown in Paris.

On the advice of Baron Jaromir Mundy (one of the later founders of the Vienna Ambulance Company), Viennese medical officer and Maltese, who the Sacred Heart sisters became to know and to appreciate during the Franco-German war in a military hospital, summoned the then head of the Rudolf Foundation (Rudolfstifting), Mr. Director Boehm, the Sacred Heart sisters for nursing to Vienna in his hospital.

1873 arrived 13 sisters in Vienna and began their ministry to the sick. Due to the increasing number of sisters the construction of today's mother house (the provincial house at the time) in 1890 in the Keinergasse became necessary. This building which houses the oldest part of the hospital is now a protected monument, as well as church, monastery and "school".

1906 the Sacred Heart Church was consecrated and was followed in 1931 by the opening of the school building with day-care center (kindergarten and nursery).

During World War Second were confiscated all nonessential rooms of the Convent of the Wehrmacht for a military hospital. Our sisters took over the care of the wounded soldiers. From this institution was established in 1945 the private Sacred Heart Hospital (now 141 beds).

In 1989 the staff residence has been given over to its purpose, and 11 years later, in the holy year 2000, followed the tract in the Rabengasse, which is equipped with an interdisciplinary monitoring unit.

According to the motto "serve in love", the sisters, since the founding of the Congregation, make all possible efforts in order to guarantee the welfare of the children, sick and elderly.

Order and hospital chronicle at a glance

1866 - Founded Abbé Victor Brown, a priest from Lorraine, the Congregation of the Servants of the Most Sacred Heart of Jesus. The sisters took care of the poor, abandoned, old and sick people and of neglected children.

1873 - 13 sisters come to Vienna in the Rudolf Foundation for the care of the sick and home nursing.

1874 - Opening of a branch in Gainfarn (Lower Austria) with the take-over of a children's home (Kinderbewahranstalt).

1875 - Sisters from the London house come to Vienna. Acquisition of Crown Prince Rudolf Children's Hospital.

1877 - Appeal of the sisters to St. Anna Children's Hospital/Vienna.

1879 - Acquisition of the house as the first property in Vienna, which is now the provincial house in Austria. Establishment of the first novitiate in Austria

1880 - Takeover of the nursing service in the Epidemic hospital, Triesterstraße/Vienna.

1883 - The sisters are appointed to the by the Countess Malfatti founded St. Josefs-Greisenasyl/Wien (old age asylum).

1884 - The nursing service in the community hospital Bad Vöslau is transferred to the sisters.

1886 - Due to the growth of the sisters, new acquisition of a larger provincial house in Vienna/Ober St. Veit, Himmelhof.

1888 - Takeover of the nursing service in the Kaiser-Franz -Josef Hospital/Vienna and the Wiedner Hospital/Vienna.

1890 - Laying of the foundation stone of the new provincial house in the Keinergasse/Vienna.

Vocation of the Sisters to the Nursing Institute Confraternität.

1892 - Takeover of the municipal poorhouse Scheibbs/Lower Austria and opening of a needlework school.

1893 - Opening of a needlework school and a kindergarten in the Mother House.

1896 - Establishment of a branch in Gaweinstal/Lower Austria .

1897 - Takeover of nursing in Inquisitenspital/Vienna.

1898 - Care of plague victims in the Kaiser-Franz-Josef Hospital.

1899 - Takeover of nursing in the General Hospital/Vienna.

1900 - Extension of the Mother House

1904 - Ground-breaking ceremony of the Sacred Heart Church in the 3rd District of Vienna. Commencement of operations in the poor house and in kindergarten in Kallwang/Styria.

1905 - Takeover of care in the poor house/Laa an der Thaya/Lower Austria. Inauguration of the extension of the Mother House on the Landstraßer Hauptstrasse/Vienna.

1906 - Inauguration of the Sacred Heart Church, Vienna.

1907

-

1912 - Founding of several branches throughout Austria.

1911

-

1913 - During this time, nurses are in Serbia at the war front.

1914 - Takeover of Preyerschen Children's Hospital in the 10th District of Vienna.

1919 - Establishment of a day-care center in the Mother House. Opening of an evening home for girls as young as 14 years. Acquisition of a recovery house in Niederhollabrunn.

1926 - State recognition of the trade school in the Mother House.

1932 - Death of the Superior, Chancellor Dr. Seipel.

1934 - Takeover of care in the General Army Hospital/Vienna. Purchase of a recovery house in St. Reginald/Krems.

1938 - Nazi Party seizes the school building. Expulsion of the Sisters of the kindergartens in Austria and Germany.

1939 - Second World War. By the Nazi Party follows the confiscation of the monastery. In the Mother House establishment of a military hospital. Care of the wounded in hospitals and sick bays.

1944 - In air raids on Vienna the Mother House was bombed. Two sisters killed, church and a part of the house badly damaged. In the bombing of the Franz-Josef-Spital killed five sisters.

1945 - End of war. At the Mother House follows the re-designation of the Reserve Military Hospital into the Sacred Heart Hospital. Reopening of kindergartens and day-care center in the Mother House.

1946 - Reconstruction of the Mother House.

1956 - 50th jubilee of its existence of the Sacred Heart Church.

1966 - The last sisters leave the Rudolf Foundation, in which the activity has begun in Vienna.

1970 - Inauguration of the new Austrian Province House in Mödling.

1971 - Annex to Sacred Heart Hospital.

1973 - 100 years Servants of the Sacred Heart of Jesus in Vienna.

1988 - Construction of a personal residence.

1990 - First CT in a small hospital.

1991 - Clinic for Physical Therapy.

1992 - Orthopaedic Department (only department in the 3rd district)

1993 - Surgical Outpatient Clinic/Department of Conservative orthopedics.

1994 - Annex to Sacred Heart Hospital.

1995 - Renovation of the kitchen of the hospital and 50-year anniversary.

1997 - Bed elevator Keinergasse.

1999 - Spin-off and conversion into a limited company.

2000 - Annex Rabengasse (new surgical classification).

2001 - Geriatrics (only department in the 3rd district).

2003 - Annex for electric supply.

2004 - Official recognition of four interdisciplinary monitoring beds after 30 years of voluntary service. Fire alarm system throughout the hospital.

2005 - Operation Room 3.

2006 - Operation Room 1 + 2. Completion of conversion of all departments.

2007 Integration into the Vincent Group.

www.kh-herzjesu.at/index_html/?id=2733

Visited this huge location and was surprised how much is still to see there in relative good state. Unfortunately the copper kettles are not accessible anymore and are secured by motion alarm system.

 

Please visit www.preciousdecay.com for more pictures or like my facebook fanpage on www.facebook.com/Preciousdecay

TEIGN C Damen Stan 1405

 

IMO: - N/A

MMSI: 235082804

Call Sign: MWBM9

AIS Vessel Type: Dredger

 

GENERAL

DAMEN YARD NUMBER: 503705

Avelingen-West 20

4202 MS Gorinchem

The Netherlands

Phone: +31 (0)183 63 99 11

info@damen.com

DELIVERY DATE August 2001

BASIC FUNCTIONS Towing, mooring, pushing and dredging operations

FLAG United Kingdom [GB]

OWNED Teignmouth Harbour Commission

 

CASSCATION: Bureau Veritas 1 HULL MACH Seagoing Launch

 

DIMENSIONS

LENGTH 14.40 m

BEAM 4.73 m

DEPTH AT SIDES 205 m

DRAUGHT AFT 171 m

DISPLACEMENT 48 ton

  

TANK CAPACITIES

Fuel oil 6.9 m³

 

PERFORMANCES (TRIALS)

BOLLARD PULL AHEAD 8.0 ton

SPEED 9.8 knots

 

PROPULSION SYSTEM

MAIN ENGINE 2x Caterpillar 3406C TA/A

TOTAL POWER 477 bmW (640i hp) at 1800 rpm

GEARBOX 2x Twin Disc MG 5091/3.82:1

PROPELLERS Bronze fixed pitch propeller

KORT NOZZELS Van de Giessen 2x 1000 mm with stainless steel innerings

ENGINE CONTROL Kobelt

STEERING GEAR 2x 25 mm single plate Powered hydraulic 2x 45, rudder indicator

 

AUXILIARY EQUIPMENT

BILGE PUMP Sterling SIH 20, 32 m/hr

BATTERY SETS 2x 24V, 200 Ah + change over facility

COOLING SYSTEM Closed cooling system

ALARM SYSTEM Engines, gearboxes and bilge alarms

FRESH WATER PRESSURE SET Speck 24V

 

DECK LAY-OUT

ANCHORS 2x 48 kg Pool (HHP)

CHAIN 70 m, Ø 13mm, shortlink U2

ANCHOR WINCH Hand-operated

TOWING HOOK Mampaey, 15.3 ton SWL

COUPLING WINCH

PUSHBOW Cylindrical nubber fender Ø 380 mm

 

ACCOMMODATION

The wheelhouse ceiling and sides are insulated with mineral wool and

panelled. The wheelhouse floor is covered with rubber/synthetic floor

covering, make Bolidt, color blue The wheelhouse has one

helmsman seat, a bench and table with chair Below deck two berths, a

kitchen unit and a toilet space are arranged.

 

NAUTICAL AND COMMUNICATION EQUIPMENT

SEARCHLIGHT Den Haan 170 W 24 V

VHF RADIO Sailor RT 2048 25 W

NAVIGATION Navigation lights incl towing and pilot lights

 

Teignmouth Harbour Commission

The Harbour Commission is a Trust Port created by Statute.

The principal Order is the Teignmouth Harbour Order 1924

as amended by the Teignmouth Harbour Revision Order 2003

Home security systems in California may help safeguard both homeowners and residences.

Because there are a variety of different solutions to look at when buying a home security alarm in California, it can be practical to evaluate various deals and models as well as monitoring services before making your selection. With such a wide range of home security packages available nowadays, you can customize the perfect residential security strategy that is perfect for your residence, household and lifestyle.

  

With today's high unemployment rate and the very real possibility of growing crime, countless home owners and business owners are opting to increase their defenses against becoming a recipient of crime. Because it is so easy and cost effective to exercise the adequate measures to secure their households and loved ones, many people are using wireless alarm systems that are secured with security monitoring in order to protect against break-ins and intrusions.

 

Home security systems in California are popular, smart home owners are decreasing their probabilities of robbery and theft by using security systems installed in their residences. Home alarm systems in California may help protect houses by scaring off potential criminals with loud audible alarms and window decals placed in easy to see places.

 

Improvements in modern technology mean that installing a security system in your residence is both hassle-free and affordable. No need to open up walls to run wires, set up can occur within a couple of hours and when you choose 24/7 monitoring you will rest assured if your system is set off, law enforcement will be alerted and sent to check out your residence.

 

Today's technology enables monitoring even if you don't have a conventional phone line. A monitoring company that monitors your house 24 hours a day can contact you on your cellular phone if they detect that your home security and safety is compromised. When the alarm is triggered the standard procedure is that the monitoring specialist will first contact you or the contact of record to make sure that a false alarm is not the cause, if it is not a false alarm or they can't communicate with you the alarm monitoring center will immediately notify your local emergency authorities.

 

Many security system retailers will cover the expense of the equipment after you sign up for a monitoring package which makes the cost to get started very low. A reputable home security company in California can install your system in just a few days and frequently the next day if that is what you ask for.

 

The latest systems are comprised of window sensors, door sensors and motion detectors. The window and door sensor is triggered when a window or door is opened, even by a small amount. In addition to customizing your plan to determine which are the best entry ways to set these sensors, you can have your motion sensors modified to permit the movement of household dogs and cats in an effort to prevent false alarms. Most basic systems include window and door sensors, motion detectors, a lighted control panel, battery back-up power in the event that electricity is out and a few even add a keychain remote so that you are able to activate and disarm the security system from a distance.

 

Consumers choose to install security systems for several benefits, on top of the list is the need to feel safer and more secure while at home or away. Because modern wireless alarm systems are so effective and convenient to use, you can be confident that your home is better protected when you are residing in it and when you're away.

 

No matter what reasons you have for installing a wireless home alarm system, there is no better time to benefit from the cost effective security packages provided in California. If you are intent on getting the best security system for your home at the best prices, be sure to contact a competitive dealer with a good reputation

that offers round the clock security monitoring that is manned by trained security specialists.

Home Security California (more info)

 

Call 877-730-3254 to have Your Questions Answered and Learn More about Your Free Home Security Options.

 

California Home Security Experts

 

Check out our videos here: www.youtube.com/watch?v=EMsw0fl-Jz4

 

Sourcing Products for Oversea Clients

Procuring Products & Executing Orders

Inspection of Goods for Quality & Timely Delivery

Arranging Transportation to the required Destination

Submitting the Documentation according to the Clients

Instruction Bring in together the Manufactures and the

Buyers Oversea Technical Tie-ups & Collaboration of Meg

Projects Ensuring both the Parties are Benefited Mutually

 

WE DEAL IN EXPORT IMPORT FROM CHINA, BATHROOM FITTINGS,

HOTEL FURNITURES,AUDITORIUN CHAIR,HOTEL AMMENITIES,FURNITURES,

CHINA LIGHTS,ROAD LIGHTS,CHANDLIERS,HOME APPLIANCES,SWARMA KABAB MAKER,

CONSTRUCTION MATERIALS,SANITARY WARE, TILES, PIPE FITTINGS,

GLASS, ACP,WOODEN FLOOR, WOODEN DOORS, SHUTTERING PLY, FINGER

PRINT BIOMETRIC LOCKS,FIRE ALARM SYSTEMS, CCTV SECURITY CAMERA

SYSTEM,ROAD TRAFFIC CONE, BARRIERS, DELINEATORS, ROAD STUDS,

SPEED BREAKER HUMP,CHEMICAL, MINERALS, SCRAP, WEIGHING SCALE

MACHINE, PRINTERS, PAPER,MOBILE PHONE, BATTERY ACCESSORIES,

COMPUTER PERIPHALS ACCESSORIES & ETC,WE CAN SOURCE, BUY,

SELL ANY PRODUCTS TO AND FROM CHINA.

 

ALSO WE HANDLE CONTAINER SHIPPING, AIR CARGO, LOGISTIC,

CUSTOMS CLEARANCES

     

KINDLY CONTACT US FOR ALL YOUR REQUIRMENT

WEB.....http://www.yinzhong313.com

EMAIL...yinzhong313@hotmail.com

MOBILE..00 86 1501 2899 313

 

CHINA Registered Office:

 

Yin Zhong Group of Companies,

NO.2401-2402 QingAn Building

No.2011 Nanhu Road Luohu District

Shenzhen City

Guangdong Province

China

 

Phone : 86-755-8219 3447

: 86-755-8229 6736

: 86-755-8229 4283

Fax : 86-755-8229 7469

Mobile: 86-1501 2899 313

Email : jaffar@yinzhong313.com

MSN : jaffar@yinzhong313.com

Skype : yinzhong313

 

Rover Systems CCTV Philippines

 

Rover Systems Brings you the most advanced wireless alarm technology in the market.

the Rover Systems Wireless Alarm Systems

is a streamlined, space-saving design, offering cost effective

security and connectivity, with all the essential functions of a one-way wireless

technology available in one small high-powered package

 

Rover Systems Wireless Alarm Systems

remote management is driven by home Guard, which give user a direct

operation on the premises. The advanced features include remote programming and

maintenance utilities, arm and disarm the system from anywhere via smartphone

and WEb applications, real-time monitoring of panels and security devices, built-in interface with

PSTN/GSM/GPRS communication modules, configuration of email and SMS Event nitification to users.

 

The simple wireless installation and advanced remote management capabilities of iProteq

Series provide an ideal value-for money solution, which allow user to enjoy a complete sense of control and peace of mind

 

www.roversystems.com.ph

#roversystems #cctvphilippines

 

Eight paramedic students from Central DuPage Hospital recently participated in an active shooter exercise in the College of DuPage's Homeland Security Education Center's immersion lab.

On October 30, 2013, MTA Long Island Rail Road President Helena E. Williams and Assemblywoman Barbara Clark unveiled the newly renovated and enhanced Queens Village LIRR Station. As a part of the project, workers have installed two new heavy duty elevators, one each serving the eastbound and westbound platforms. They also repainted the entire station building and added new signage and a new fire alarm system. The platform waiting room has been rehabilitated, and numerous improvements have been made throughout the complex, including replacement of platform railings, a new shelter shed, replacement of platform lighting, bird abatement devices, drainage and erosion control, and security cameras.

 

Photo: MTA Long Island Rail Road

Kathmandu Durbar Square or Hanuman Dhoka Durbar Square is the plaza in front of the old royal palace of the then Kathmandu Kingdom. It is one of three Durbar (royal palace) Squares in the Kathmandu Valley in Nepal, all of which are UNESCO World Heritage Sites.

 

The Durbar Square is surrounded with spectacular architecture and vividly showcases the skills of the Newar artists and craftsmen over several centuries. The royal palace was originally at Dattaraya square and was later moved to the Durbar square location.

 

The Kathmandu Durbar Square holds the palaces of the Malla and Shah kings who ruled over the city. Along with these palaces, the square surrounds quadrangles revealing courtyards and temples. It is known as Hanuman Dhoka Durbar Square, a name derived from a statue of Hanuman, the monkey devotee of Lord Ram, at the entrance of the palace.

 

HISTORY AND CONSTRUCTION

The preference for the construction of royal palaces at this site dates back to as early as the Licchavi period in the third century. Even though the present palaces and temples have undergone repeated and extensive renovations and nothing physical remains from that period, names like Gunapo and Gupo, which are the names referred to the palaces in the square in early scriptures, imply that the palaces were built by Gunakamadev, a king ruling late in the tenth century. When Kathmandu City became independent under the rule of King Ratna Malla (1484–1520) the palaces in the square became the royal palaces for its Malla kings. When Prithvi Narayan Shah invaded the Kathmandu Valley in 1769, he favored the Kathmandu Durbar Square for his palace. Other subsequent Shah kings continued to rule from the square until 1896 when they moved to the Narayan Hiti Palace.

 

The square is still the center of important royal events like the coronation of King Birendra Bir Bikram Shah in 1975 and King Gyanendra Bir Bikram Shah in 2001.

 

Though there are no written archives stating the history of Kathmandu Durbar Square, construction of the palace in the square is credited to Sankharadev (1069–1083). As the first king of the independent Kathmandu City, Ratna Malla is said to have built the Taleju temple in the Northern side of the palace in 1501. For this to be true then the temple would have had to have been built in the vihara style as part of the palace premise surrounding the Mul Chok courtyard for no evidence of a separate structure that would match this temple can be found within the square.

 

Construction of the Karnel Chok is not clearly stated in any historical inscriptions; although, it is probably the oldest among all the courtyards in the square. The Bhagavati Temple, originally known as a Narayan Temple, rises above the mansions surrounding it and was added during the time of Jagajaya Malla in the early eighteenth century. The Narayan idol within the temple was stolen so Prithvi Narayan Shah replaced it with an image of Bhagavati, completely transforming the name of the temple.

 

The oldest temples in the square are those built by Mahendra Malla (1560–1574). They are the temples of Jagannath, Kotilingeswara Mahadev, Mahendreswara, and the Taleju Temple. This three-roofed Taleju Temple was established in 1564, in a typical Newari architectural style and is elevated on platforms that form a pyramid-like structure. It is said that Mahendra Malla, when he was residing in Bhaktapur, was highly devoted to the Taleju Temple there; the Goddess being pleased with his devotion gave him a vision asking him to build a temple for her in the Kathmandu Durbar Square. With a help of a hermit, he designed the temple to give it its present form and the Goddess entered the temple in the form of a bee.

 

His successors Sadasiva (1575–1581), his son, Shiva Simha (1578–1619), and his grandson, Laxmi Narsingha (1619–1641), do not seem to have made any major additions to the square. During this period of three generations the only constructions to have occurred were the establishment of Degutale Temple dedicated to Goddess Mother Taleju by Shiva Simha and some enhancement in the royal palace by Laksminar Simha.

 

UNDER PRATAP MALLA

In the time of Pratap Malla, son of Laksminar Simha, the square was extensively developed. He was an intellectual, a pious devotee, and especially interested in arts. He called himself a Kavindra, king of poets, and boasted that he was learned in fifteen different languages. A passionate builder, following his coronation as a king, he immediately began enlargements to his royal palace, and rebuilt some old temples and constructed new temples, shrines and stupas around his kingdom. There also took the massacre called Kot Parva where the queen, prime minister, head of the states,and other people with guards died. This massacre took place in the court yard inside the palace.

 

During the construction of his palace, he added a small entrance in the traditional, low and narrow Newari style. The door was elaborately decorated with carvings and paintings of deities and auspicious sings and was later transferred to the entrance of Mohan Chok. In front of the entrance he placed the statue of Hanuman thinking that Hanuman would strengthen his army and protect his home. The entrance leads to Nasal Chok, the courtyard where most royal events such as coronation, performances, and yagyas, holy fire rituals, take place. It was named after Nasadya, the God of Dance, and during the time of Pratap Malla the sacred mask dance dramas performed in Nasal Chok were widely famed. In one of these dramas, it is said that Pratap Malla himself played the role of Lord Vishnu and that the spirit of the Lord remained in the king's body even after the play. After consulting his Tantric leaders, he ordered a stone image of Lord Vishnu in his incarnation as Nara Simha, the half-lion and half-human form, and then transferred the spirit into the stone. This fine image of Nara Simha made in 1673 still stands in the Nasal Chok. In 1650, he commissioned for the construction of Mohan Chok in the palace. This chok remained the royal residential courtyard for many years and is believed to store a great amount of treasure under its surface. Pratap Malla also built Sundari Chok about this time. He placed a slab engraved with lines in fifteen languages and proclaimed that he who can understand the inscription would produce the flow of milk instead of water from Tutedhara, a fountain set in the outer walls of Mohan Chok. However elaborate his constructions may have been, they were not simply intended to emphasize his luxuries but also his and the importance of others' devotion towards deities. He made extensive donations to temples and had the older ones renovated. Next to the palace, he built a Krishna temple, the Vamsagopala, in an octagonal shape in 1649. He dedicated this temple to his two Indian wives, Rupamati and Rajamati, as both had died during the year it was built. In Mohan Chok, he erected a three roofed Agamachem temple and a unique temple with five superimposing roofs. After completely restoring the Mul Chok, he donated to the adjoining Taleju Temple. To the main temple of Taleju, he donated metal doors in 1670. He rebuilt the Degutale Temple built by his grandfather, Siva Simha, and the Taleju Temple in the palace square. As a substitute to the Indreswara Mahadeva Temple in the distant village of Panauti he built a Shiva temple, Indrapura, near his palace in the square. He carved hymns on the walls of the Jagannath Temple as prayers to Taleju in the form of Kali.

 

At the southern end of the square, near Kasthamandap at Maru, which was the main city crossroads for early traders, he built another pavilion named Kavindrapura, the mansion of the king of poets. In this mansion he set an idol of dancing Shiva, Nasadyo, which today is highly worshipped by dancers in the Valley.

 

In the process of beautifying his palace, he added fountains, ponds, and baths. In Sundari Chok, he established a low bath with a golden fountain. He built a small pond, the Naga Pokhari, in the palace adorned with Nagakastha, a wooden serpent, which is said he had ordered stolen from the royal pond in the Bhaktapur Durbar Square. He restored the Licchavi stone sculptures such as the Jalasayana Narayana, the Kaliyadamana, and the Kala Bhairav. An idol of Jalasayana Narayana was placed in a newly created pond in the Bhandarkhal garden in the eastern wing of the palace. As a substitute to the idol of Jalasayana Narayana in Buddhanilkantha, he channeled water from Buddhanilkantha to the pond in Bhandarkhal due bestow authenticity. The Kalyadana, a manifestation of Lord Krishna destroying Kaliya, a water serpent, is placed in Kalindi Chok, which is adjacent to the Mohan Chok. The approximately ten-feet-high image of terrifyingly portrayed Kal Bhairav is placed near the Jagannath Temple. This image is the focus of worship in the chok especially during Durga Puja.

 

With the death of Pratap Malla in 1674, the overall emphasis on the importance of the square came to a halt. His successors retained relatively insignificant power and the prevailing ministers took control of most of the royal rule. The ministers encountered little influence under these kings and, increasingly, interest of the arts and additions to the square was lost on them. They focused less on culture than Pratap Malla during the three decades that followed his death, steering the city and country more towards the arenas of politics and power, with only a few minor constructions made in the square. These projects included Parthivendra Malla building a temple referred to as Trailokya Mohan or Dasavatara, dedicated to Lord Vishnu in 1679. A large statue of Garuda, the mount of Lord Vishnu, was added in front of it a decade later. Parthivendra Malla added a pillar with image of his family in front of the Taleju Temple.

 

Around 1692, Radhilasmi, the widowed queen of Pratap Malla, erected the tall temples of Shiva known as Maju Deval near the Garuda image in the square. This temple stands on nine stepped platforms and is one of the tallest buildings in the square. Then her son, Bhupalendra Malla, took the throne and banished the widowed queen to the hills. His death came early at the age of twenty one and his widowed queen, Bhuvanalaksmi, built a temple in the square known as Kageswara Mahadev. The temple was built in the Newari style and acted as a substitute for worship of a distant temple in the hills. After the earthquake in 1934, the temple was restored with a dome roof, which was alien to the Newari architecture.

 

Jayaprakash Malla, the last Malla king to rule Kathmandu, built a temple for Kumari and Durga in her virginal state. The temple was named Kumari Bahal and was structured like a typical Newari vihara. In his house resides the Kumari, a girl who is revered as the living goddess. He also made a chariot for Kumari and in the courtyard had detailed terra cotta tiles of that time laid down.

 

UNDER THE SHAH DYNASTY

During the Shah dynasty that followed, the Kathmandu Durbar Square saw a number of changes. Two of the most unique temples in the square were built during this time. One is the Nautale, a nine-storied building known as Basantapur Durbar. It has four roofs and stands at the end of Nasal Chok at the East side of the palace. It is said that this building was set as a pleasure house. The lower three stories were made in the Newari farmhouse style. The upper floors have Newari style windows, sanjhya and tikijhya, and some of them are slightly projected from the wall. The other temple is annexed to the Vasantapur Durbar and has four-stories. This building was initially known as Vilasamandira, or Lohom Chok, but is now commonly known as Basantapur or Tejarat Chok. The lower floors of the Basantapur Chok display extensive woodcarvings and the roofs are made in popular the Mughal style. Archives state that Prthivi Narayan Shah built these two buildings in 1770.

 

Rana Bahadur Shah was enthroned at the age of two. Bahadur Shah, the second son of Prithvi Narayan Shah, ruled as a regent for his young nephew Rana Bahadur Shah for a close to a decade from 1785 to 1794 and built a temple of Shiva Parvati in the square. This one roofed temple is designed in the Newari style and is remarkably similar to previous temples built by the Mallas. It is rectangular in shape, and enshrines the Navadurga, a group of goddesses, on the ground floor. It has a wooden image of Shiva and Parvati at the window of the upper floor, looking out at the passersby in the square. Another significant donation made during the time of Rana Bahadur Shah is the metal-plated head of Swet Bhairav near the Degutale Temple. It was donated during the festival of Indra Jatra in 1795, and continues to play a major role during the festival every year. This approximately twelve feet high face of Bhairav is concealed behind a latticed wooden screen for the rest of the year. The following this donation Rana Bahadur donated a huge bronze bell as an offering to the Goddess Taleju. Together with the beating of the huge drums donated by his son Girvan Yudha, the bell was rung every day during the daily ritual worship to the goddess. Later these instruments were also used as an alarm system. However, after the death of his beloved third wife Kanimati Devi due to smallpox, Rana Bahadur Shah turned mad with grief and had many images of gods and goddesses smashed including the Taleju statue and bell, and Sitala, the goddess of smallpox.

 

In 1908, a palace, Gaddi Durbar, was built using European architectural designs. The Rana Prime Ministers who had taken over the power but not the throne of the country from the Shahs Kings from 1846 to 1951 were highly influenced by European styles. The Gaddi Durbar is covered in white plaster, has Greek columns and adjoins a large audience hall, all foreign features to Nepali architecture. The balconies of this durbar were reserved for the royal family during festivals to view the square below.

 

Some of the parts of the square like the Hatti Chok near the Kumari Bahal in the southern section of the square were removed during restoration after the devastating earthquake in 1934. While building the New Road, the southeastern part of the palace was cleared away, leaving only fragments in places as reminders of their past. Though decreased from its original size and attractiveness from its earlier seventeenth-century architecture, the Kathmandu Durbar Square still displays an ancient surrounding that spans abound five acres of land. It has palaces, temples, quadrangles, courtyards, ponds, and images that were brought together over three centuries of the Malla, the Shah, and the Rana dynasties.

 

VISITING

Kathmandu's Durbar Square is the site of the Hanuman Dhoka Palace Complex, which was the royal Nepalese residence until the 19th century and where important ceremonies, such as the coronation of the Nepalese monarch, still take place today. The palace is decorated with elaborately-carved wooden windows and panels and houses the King Tribhuwan Memorial Museum and the Mahendra Museum. It is possible to visit the state rooms inside the palace.

 

Time and again the temples and the palaces in the square have gone through reconstruction after being damaged by natural causes or neglect. Presently there are less than ten quadrangles in the square. The temples are being preserved as national heritage sites and the palace is being used as a museum. Only a few parts of the palace are open for visitors and the Taleju temples are only open for people of Hindu and Buddhist faiths.

 

At the southern end of Durbar Square is one of the most curious attractions in Nepal, the Kumari Chowk. This gilded cage contains the Raj Kumari, a girl chosen through an ancient and mystical selection process to become the human incarnation of the Hindu mother goddess, Durga. She is worshiped during religious festivals and makes public appearances at other times for a fee paid to her guards.

 

WIKIPEDIA

Kathmandu Durbar Square or Hanuman Dhoka Durbar Square is the plaza in front of the old royal palace of the then Kathmandu Kingdom. It is one of three Durbar (royal palace) Squares in the Kathmandu Valley in Nepal, all of which are UNESCO World Heritage Sites.

 

The Durbar Square is surrounded with spectacular architecture and vividly showcases the skills of the Newar artists and craftsmen over several centuries. The royal palace was originally at Dattaraya square and was later moved to the Durbar square location.

 

The Kathmandu Durbar Square holds the palaces of the Malla and Shah kings who ruled over the city. Along with these palaces, the square surrounds quadrangles revealing courtyards and temples. It is known as Hanuman Dhoka Durbar Square, a name derived from a statue of Hanuman, the monkey devotee of Lord Ram, at the entrance of the palace.

 

HISTORY AND CONSTRUCTION

The preference for the construction of royal palaces at this site dates back to as early as the Licchavi period in the third century. Even though the present palaces and temples have undergone repeated and extensive renovations and nothing physical remains from that period, names like Gunapo and Gupo, which are the names referred to the palaces in the square in early scriptures, imply that the palaces were built by Gunakamadev, a king ruling late in the tenth century. When Kathmandu City became independent under the rule of King Ratna Malla (1484–1520) the palaces in the square became the royal palaces for its Malla kings. When Prithvi Narayan Shah invaded the Kathmandu Valley in 1769, he favored the Kathmandu Durbar Square for his palace. Other subsequent Shah kings continued to rule from the square until 1896 when they moved to the Narayan Hiti Palace.

 

The square is still the center of important royal events like the coronation of King Birendra Bir Bikram Shah in 1975 and King Gyanendra Bir Bikram Shah in 2001.

 

Though there are no written archives stating the history of Kathmandu Durbar Square, construction of the palace in the square is credited to Sankharadev (1069–1083). As the first king of the independent Kathmandu City, Ratna Malla is said to have built the Taleju temple in the Northern side of the palace in 1501. For this to be true then the temple would have had to have been built in the vihara style as part of the palace premise surrounding the Mul Chok courtyard for no evidence of a separate structure that would match this temple can be found within the square.

 

Construction of the Karnel Chok is not clearly stated in any historical inscriptions; although, it is probably the oldest among all the courtyards in the square. The Bhagavati Temple, originally known as a Narayan Temple, rises above the mansions surrounding it and was added during the time of Jagajaya Malla in the early eighteenth century. The Narayan idol within the temple was stolen so Prithvi Narayan Shah replaced it with an image of Bhagavati, completely transforming the name of the temple.

 

The oldest temples in the square are those built by Mahendra Malla (1560–1574). They are the temples of Jagannath, Kotilingeswara Mahadev, Mahendreswara, and the Taleju Temple. This three-roofed Taleju Temple was established in 1564, in a typical Newari architectural style and is elevated on platforms that form a pyramid-like structure. It is said that Mahendra Malla, when he was residing in Bhaktapur, was highly devoted to the Taleju Temple there; the Goddess being pleased with his devotion gave him a vision asking him to build a temple for her in the Kathmandu Durbar Square. With a help of a hermit, he designed the temple to give it its present form and the Goddess entered the temple in the form of a bee.

 

His successors Sadasiva (1575–1581), his son, Shiva Simha (1578–1619), and his grandson, Laxmi Narsingha (1619–1641), do not seem to have made any major additions to the square. During this period of three generations the only constructions to have occurred were the establishment of Degutale Temple dedicated to Goddess Mother Taleju by Shiva Simha and some enhancement in the royal palace by Laksminar Simha.

 

UNDER PRATAP MALLA

In the time of Pratap Malla, son of Laksminar Simha, the square was extensively developed. He was an intellectual, a pious devotee, and especially interested in arts. He called himself a Kavindra, king of poets, and boasted that he was learned in fifteen different languages. A passionate builder, following his coronation as a king, he immediately began enlargements to his royal palace, and rebuilt some old temples and constructed new temples, shrines and stupas around his kingdom. There also took the massacre called Kot Parva where the queen, prime minister, head of the states,and other people with guards died. This massacre took place in the court yard inside the palace.

 

During the construction of his palace, he added a small entrance in the traditional, low and narrow Newari style. The door was elaborately decorated with carvings and paintings of deities and auspicious sings and was later transferred to the entrance of Mohan Chok. In front of the entrance he placed the statue of Hanuman thinking that Hanuman would strengthen his army and protect his home. The entrance leads to Nasal Chok, the courtyard where most royal events such as coronation, performances, and yagyas, holy fire rituals, take place. It was named after Nasadya, the God of Dance, and during the time of Pratap Malla the sacred mask dance dramas performed in Nasal Chok were widely famed. In one of these dramas, it is said that Pratap Malla himself played the role of Lord Vishnu and that the spirit of the Lord remained in the king's body even after the play. After consulting his Tantric leaders, he ordered a stone image of Lord Vishnu in his incarnation as Nara Simha, the half-lion and half-human form, and then transferred the spirit into the stone. This fine image of Nara Simha made in 1673 still stands in the Nasal Chok. In 1650, he commissioned for the construction of Mohan Chok in the palace. This chok remained the royal residential courtyard for many years and is believed to store a great amount of treasure under its surface. Pratap Malla also built Sundari Chok about this time. He placed a slab engraved with lines in fifteen languages and proclaimed that he who can understand the inscription would produce the flow of milk instead of water from Tutedhara, a fountain set in the outer walls of Mohan Chok. However elaborate his constructions may have been, they were not simply intended to emphasize his luxuries but also his and the importance of others' devotion towards deities. He made extensive donations to temples and had the older ones renovated. Next to the palace, he built a Krishna temple, the Vamsagopala, in an octagonal shape in 1649. He dedicated this temple to his two Indian wives, Rupamati and Rajamati, as both had died during the year it was built. In Mohan Chok, he erected a three roofed Agamachem temple and a unique temple with five superimposing roofs. After completely restoring the Mul Chok, he donated to the adjoining Taleju Temple. To the main temple of Taleju, he donated metal doors in 1670. He rebuilt the Degutale Temple built by his grandfather, Siva Simha, and the Taleju Temple in the palace square. As a substitute to the Indreswara Mahadeva Temple in the distant village of Panauti he built a Shiva temple, Indrapura, near his palace in the square. He carved hymns on the walls of the Jagannath Temple as prayers to Taleju in the form of Kali.

 

At the southern end of the square, near Kasthamandap at Maru, which was the main city crossroads for early traders, he built another pavilion named Kavindrapura, the mansion of the king of poets. In this mansion he set an idol of dancing Shiva, Nasadyo, which today is highly worshipped by dancers in the Valley.

 

In the process of beautifying his palace, he added fountains, ponds, and baths. In Sundari Chok, he established a low bath with a golden fountain. He built a small pond, the Naga Pokhari, in the palace adorned with Nagakastha, a wooden serpent, which is said he had ordered stolen from the royal pond in the Bhaktapur Durbar Square. He restored the Licchavi stone sculptures such as the Jalasayana Narayana, the Kaliyadamana, and the Kala Bhairav. An idol of Jalasayana Narayana was placed in a newly created pond in the Bhandarkhal garden in the eastern wing of the palace. As a substitute to the idol of Jalasayana Narayana in Buddhanilkantha, he channeled water from Buddhanilkantha to the pond in Bhandarkhal due bestow authenticity. The Kalyadana, a manifestation of Lord Krishna destroying Kaliya, a water serpent, is placed in Kalindi Chok, which is adjacent to the Mohan Chok. The approximately ten-feet-high image of terrifyingly portrayed Kal Bhairav is placed near the Jagannath Temple. This image is the focus of worship in the chok especially during Durga Puja.

 

With the death of Pratap Malla in 1674, the overall emphasis on the importance of the square came to a halt. His successors retained relatively insignificant power and the prevailing ministers took control of most of the royal rule. The ministers encountered little influence under these kings and, increasingly, interest of the arts and additions to the square was lost on them. They focused less on culture than Pratap Malla during the three decades that followed his death, steering the city and country more towards the arenas of politics and power, with only a few minor constructions made in the square. These projects included Parthivendra Malla building a temple referred to as Trailokya Mohan or Dasavatara, dedicated to Lord Vishnu in 1679. A large statue of Garuda, the mount of Lord Vishnu, was added in front of it a decade later. Parthivendra Malla added a pillar with image of his family in front of the Taleju Temple.

 

Around 1692, Radhilasmi, the widowed queen of Pratap Malla, erected the tall temples of Shiva known as Maju Deval near the Garuda image in the square. This temple stands on nine stepped platforms and is one of the tallest buildings in the square. Then her son, Bhupalendra Malla, took the throne and banished the widowed queen to the hills. His death came early at the age of twenty one and his widowed queen, Bhuvanalaksmi, built a temple in the square known as Kageswara Mahadev. The temple was built in the Newari style and acted as a substitute for worship of a distant temple in the hills. After the earthquake in 1934, the temple was restored with a dome roof, which was alien to the Newari architecture.

 

Jayaprakash Malla, the last Malla king to rule Kathmandu, built a temple for Kumari and Durga in her virginal state. The temple was named Kumari Bahal and was structured like a typical Newari vihara. In his house resides the Kumari, a girl who is revered as the living goddess. He also made a chariot for Kumari and in the courtyard had detailed terra cotta tiles of that time laid down.

 

UNDER THE SHAH DYNASTY

During the Shah dynasty that followed, the Kathmandu Durbar Square saw a number of changes. Two of the most unique temples in the square were built during this time. One is the Nautale, a nine-storied building known as Basantapur Durbar. It has four roofs and stands at the end of Nasal Chok at the East side of the palace. It is said that this building was set as a pleasure house. The lower three stories were made in the Newari farmhouse style. The upper floors have Newari style windows, sanjhya and tikijhya, and some of them are slightly projected from the wall. The other temple is annexed to the Vasantapur Durbar and has four-stories. This building was initially known as Vilasamandira, or Lohom Chok, but is now commonly known as Basantapur or Tejarat Chok. The lower floors of the Basantapur Chok display extensive woodcarvings and the roofs are made in popular the Mughal style. Archives state that Prthivi Narayan Shah built these two buildings in 1770.

 

Rana Bahadur Shah was enthroned at the age of two. Bahadur Shah, the second son of Prithvi Narayan Shah, ruled as a regent for his young nephew Rana Bahadur Shah for a close to a decade from 1785 to 1794 and built a temple of Shiva Parvati in the square. This one roofed temple is designed in the Newari style and is remarkably similar to previous temples built by the Mallas. It is rectangular in shape, and enshrines the Navadurga, a group of goddesses, on the ground floor. It has a wooden image of Shiva and Parvati at the window of the upper floor, looking out at the passersby in the square. Another significant donation made during the time of Rana Bahadur Shah is the metal-plated head of Swet Bhairav near the Degutale Temple. It was donated during the festival of Indra Jatra in 1795, and continues to play a major role during the festival every year. This approximately twelve feet high face of Bhairav is concealed behind a latticed wooden screen for the rest of the year. The following this donation Rana Bahadur donated a huge bronze bell as an offering to the Goddess Taleju. Together with the beating of the huge drums donated by his son Girvan Yudha, the bell was rung every day during the daily ritual worship to the goddess. Later these instruments were also used as an alarm system. However, after the death of his beloved third wife Kanimati Devi due to smallpox, Rana Bahadur Shah turned mad with grief and had many images of gods and goddesses smashed including the Taleju statue and bell, and Sitala, the goddess of smallpox.

 

In 1908, a palace, Gaddi Durbar, was built using European architectural designs. The Rana Prime Ministers who had taken over the power but not the throne of the country from the Shahs Kings from 1846 to 1951 were highly influenced by European styles. The Gaddi Durbar is covered in white plaster, has Greek columns and adjoins a large audience hall, all foreign features to Nepali architecture. The balconies of this durbar were reserved for the royal family during festivals to view the square below.

 

Some of the parts of the square like the Hatti Chok near the Kumari Bahal in the southern section of the square were removed during restoration after the devastating earthquake in 1934. While building the New Road, the southeastern part of the palace was cleared away, leaving only fragments in places as reminders of their past. Though decreased from its original size and attractiveness from its earlier seventeenth-century architecture, the Kathmandu Durbar Square still displays an ancient surrounding that spans abound five acres of land. It has palaces, temples, quadrangles, courtyards, ponds, and images that were brought together over three centuries of the Malla, the Shah, and the Rana dynasties.

 

VISITING

Kathmandu's Durbar Square is the site of the Hanuman Dhoka Palace Complex, which was the royal Nepalese residence until the 19th century and where important ceremonies, such as the coronation of the Nepalese monarch, still take place today. The palace is decorated with elaborately-carved wooden windows and panels and houses the King Tribhuwan Memorial Museum and the Mahendra Museum. It is possible to visit the state rooms inside the palace.

 

Time and again the temples and the palaces in the square have gone through reconstruction after being damaged by natural causes or neglect. Presently there are less than ten quadrangles in the square. The temples are being preserved as national heritage sites and the palace is being used as a museum. Only a few parts of the palace are open for visitors and the Taleju temples are only open for people of Hindu and Buddhist faiths.

 

At the southern end of Durbar Square is one of the most curious attractions in Nepal, the Kumari Chowk. This gilded cage contains the Raj Kumari, a girl chosen through an ancient and mystical selection process to become the human incarnation of the Hindu mother goddess, Durga. She is worshiped during religious festivals and makes public appearances at other times for a fee paid to her guards.

 

WIKIPEDIA

Kane County Sheriff Joint Swat team at the Sugar Grove Corn Boil doing a demo

Security Alarm - Get the best security alarm for home, office, shops, and corporate company from Spaceage Security, India's best security alarm manufacturing company. Our intrusion alarm system is very effective to monitor intruders, we offer intruder alarms, home alarms, commercial alarm and other security alarm system at a very reasonable price.

USD 109.99/pieceUSD 198.00/pieceUSD 109.00/pieceUSD 45.99/pieceUSD 51.00-54.00/pieceUSD 83.98/pieceUSD 44.99/pieceUSD 249.99/piece How does these WIFI sockets work? Package Content W1 panel*1 S71 wireless sockets*8 (we offer US/UK/EU/AU standard plug,please leave message to us the one...

 

automationkits.space/2016-smart-home-wifi-alarm-systems-s...

The Postcard

 

A carte postale published by Lévy Fils et Cie of Paris.

 

The card was posted in Place Chopin Paris on Tuesday the 17th. June 1913 to:

 

Mrs. Caine,

103, Shirland Road,

Maida Hill,

London W.

Angleterre.

 

The message on the divided back of the card was as follows:

 

"Too busy to write letter

tonight. Writing tomorrow.

Cheer up.

I am so very sorry to hear

how ill you are.

H".

 

Yes, he sounds really cut up about it, doesn't he?

 

The Notre-Dame Fire

 

On the 15th. April 2019, fire broke out in the attic beneath the cathedral's roof at 18:18. At 18:20 the fire alarm sounded and guards evacuated the cathedral. A guard was sent to investigate, but to the wrong location – the attic of the adjoining sacristy – where he found no fire. About fifteen minutes later the error was discovered, but by the time guards had climbed the three hundred steps to the cathedral attic the fire was well advanced.

 

The alarm system was not designed to automatically notify the fire brigade, which was summoned at 18:51 after the guards had returned. Firefighters arrived within ten minutes.

 

Fighting the Notre-Dame Fire

 

More than 400 firefighters were engaged. A hundred government employees along with police and municipal workers moved precious artefacts to safety via a human chain.

 

The fire was primarily fought from inside the structure, which was more dangerous for personnel, but reduced potential damage to the cathedral - applying water from outside risked deflecting flames and hot gases (at temperatures up to 800 °C) inwards. Deluge guns were used at lower-than-usual pressures to minimise damage to the cathedral and its contents. Water was supplied by pump-boat from the Seine.

 

Aerial firefighting was not used because water dropped from heights could have caused structural damage, and heated stone can crack if suddenly cooled. Helicopters were also not used because of dangerous updrafts, but drones were used for visual and thermal imaging, and robots for visual imaging and directing water streams. Molten lead falling from the roof posed a special hazard for firefighters.

 

By 18:52, smoke was visible from the outside; flames appeared within the next ten minutes. The spire of the cathedral collapsed at 19:50, creating a draft that slammed all the doors and sent a fireball through the attic. Firefighters then retreated from within the attic.

 

Shortly before the spire fell, the fire had spread to the wooden framework inside the north tower, which supported eight very large bells. Had the bells fallen, it was thought that the damage done as they fell could have collapsed the towers, and with them the entire cathedral.

 

At 20:30, firefighters abandoned attempts to extinguish the roof and concentrated on saving the towers, fighting from within and between the towers. By 21:45 the fire was under control.

 

Adjacent apartment buildings were evacuated due to concern about possible collapse, but on the 19th. April the fire brigade ruled out that risk. One firefighter and two police officers were injured.

 

Damage to Notre-Dame

 

Most of the wood/metal roof and the spire of the cathedral was destroyed, with about one third of the roof remaining. The remnants of the roof and spire fell atop the stone vault underneath, which forms the ceiling of the cathedral's interior. Some sections of this vaulting collapsed in turn, allowing debris from the burning roof to fall to the marble floor below, but most sections remained intact due to the use of rib vaulting, greatly reducing damage to the cathedral's interior and objects within.

 

The cathedral contained a large number of artworks, religious relics, and other irreplaceable treasures, including a crown of thorns said to be the one Jesus wore at his crucifixion. Other items were a purported piece of the cross on which Jesus was crucified, the Tunic of St. Louis, a pipe organ by Aristide Cavaillé-Coll, and the 14th.-century Virgin of Paris statue.

 

Some artwork had been removed in preparation for the renovations, and most of the cathedral's sacred relics were held in the adjoining sacristy, which the fire did not reach; all the cathedral's relics survived. Many valuables that were not removed also survived.

 

Lead joints in some of the 19th.-century stained-glass windows melted, but the three major rose windows, dating back to the 13th. century, were undamaged. Several pews were destroyed, and the vaulted arches were blackened by smoke, though the cathedral's main cross and altar survived, along with the statues surrounding it.

 

Some paintings, apparently only smoke-damaged, are expected to be transported to the Louvre for restoration. The rooster-shaped reliquary atop the spire was found damaged but intact among the debris. The three pipe organs were not significantly damaged. The largest of the cathedral's bells, the bourdon, was also not damaged. The liturgical treasury of the cathedral and the "Grands Mays" paintings were moved to safety.

 

Environmental Damage

 

Airparif said that winds rapidly dispersed the smoke, carrying it away aloft along the Seine corridor. It did not find elevated levels of particulate air pollution at monitoring stations nearby. The Paris police stated that there was no danger from breathing the air around the fire.

 

The burned-down roof had been covered with over 400 metric tons of lead. Settling dust substantially raised surface lead levels in some places nearby, notably the cordoned-off area and places left open during the fire. Wet cleaning for surfaces and blood tests for children and pregnant women were recommended in the immediate area.

 

People working on the cathedral after the fire did not initially take the lead precautions required for their own protection; materials leaving the site were decontaminated, but some clothing was not, and some precautions were not correctly followed; as a result, the worksite failed some inspections and was temporarily shut down.

 

There was also more widespread contamination; testing, clean-up, and public health advisories were delayed for months, and the neighbourhood was not decontaminated for four months, prompting widespread criticism.

 

Reactions to the Notre-Dame Fire

 

President of France Emmanuel Macron, postponing a speech to address the Yellow Vests Movement planned for that evening, went to Notre-Dame and gave a brief address there. Numerous world religious and government leaders extended condolences.

 

Through the night of the fire and into the next day, people gathered along the Seine to hold vigils, sing and pray.

 

White tarpaulins over metal beams were quickly rigged to protect the interior from the elements. Nettings protect the de-stabilised exterior.

 

The following Sunday at Saint-Eustache Church, the Archbishop of Paris, Michel Aupetit, honoured the firefighters with the presentation of a book of scriptures saved from the fire.

 

Investigation Into The Notre-Dame Fire

 

On the 16th. April, the Paris prosecutor said that there was no evidence of a deliberate act.

 

The fire has been compared to the similar 1992 Windsor Castle fire and the Uppark fire, among others, and has raised old questions about the safety of similar structures and the techniques used to restore them. Renovation works increase the risk of fire, and a police source reported that they are looking into whether such work had caused this incident.

 

The renovations presented a fire risk from sparks, short-circuits, and heat from welding (roof repairs involved cutting, and welding lead sheets resting on timber). Normally, no electrical installations were allowed in the roof space due to the extreme fire risk.

 

The roof framing was of very dry timber, often powdery with age. After the fire, the architect responsible for fire safety at the cathedral acknowledged that the rate at which fire might spread had been underestimated, and experts said it was well known that a fire in the roof would be almost impossible to control.

 

Of the firms working on the restoration, a Europe Echafaudage team was the only one working there on the day of the fire; the company said no soldering or welding was underway before the fire. The scaffolding was receiving electrical supply for temporary elevators and lighting.

 

The roofers, Le Bras Frères, said it had followed procedure, and that none of its personnel were on site when the fire broke out. Time-lapse images taken by a camera installed by them showed smoke first rising from the base of the spire.

 

On the 25th. April, the structure was considered safe enough for investigators to enter. They unofficially stated that they were considering theories involving malfunction of electric bell-ringing apparatus, and cigarette ends discovered on the renovation scaffolding.

 

Le Bras Frères confirmed its workers had smoked cigarettes, contrary to regulations, but denied that a cigarette butt could have started the fire. The Paris prosecutor's office announced on the 26th. June that no evidence had been found to suggest a criminal motive.

 

The security employee monitoring the alarm system was new on the job, and was on a second eight-hour shift that day because his relief had not arrived. Additionally, the fire security system used confusing terminology in its referencing parts of the cathedral, which contributed to the initial confusion as to the location of the fire.

 

As of September, five months after the fire, investigators thought the cause of the fire was more likely an electrical fault than a cigarette. Determining the exact place in which the fire started was expected to take a great deal more time and work. By the 15th. April 2020, investigators stated:

 

"We believe the fire to have been

started by either a cigarette or a

short circuit in the electrical system".

 

Reconstruction of Notre-Dame Cathedral

 

On the night of the fire Macron said that the cathedral, which is owned by the state, would be rebuilt, and launched an international fundraising campaign. France's cathedrals have been owned by the state since 1905, and are not privately insured.

 

The heritage conservation organisation Fondation du Patrimoine estimated the damage in the hundreds of millions of euros, but losses from the fire are not expected to substantially impact the private insurance industry.

 

European art insurers stated that the cost would be similar to ongoing renovations at the Palace of Westminster in London, which currently is estimated to be around €7 billion.

 

This cost does not include damage to any of the artwork or artefacts within the cathedral. Any pieces on loan from other museums would have been insured, but the works owned by the cathedral would not have been insurable.

 

While Macron hoped the cathedral could be restored in time for the 2024 Paris Summer Olympics, architects expect the work could take from twenty to forty years, as any new structure would need to balance restoring the look of the original building, using wood and stone sourced from the same regions used in the original construction, with the structural reinforcement required for preventing a similar disaster in the future.

 

There is discussion of whether to reconstruct the cathedral in modified form. Rebuilding the roof with titanium sheets and steel trusses has been suggested; other options include rebuilding in the original lead and wood, or rebuilding with modern materials not visible from the outside (like the reinforced concrete trusses at Reims Cathedral).

 

Another option would be to use a combination of restored old elements and newly designed ones. Chartres Cathedral was rebuilt with wrought iron trusses and copper sheeting after an 1836 fire.

 

French prime minister Édouard Philippe announced an architectural design competition for a new spire that would be:

 

"Adapted to the techniques

and the challenges of our era."

 

The spire replacement project has gathered a variety of designs and some controversy, particularly its legal exemption from environmental and heritage rules. After the design competition was announced, the French senate amended the government's restoration bill to require the roof to be restored to how it was before the fire.

 

On the 16th. July, 95 days after the fire, the law that will govern the restoration of the cathedral was finally approved by the French parliament. It recognises its UNESCO World Heritage Site status and the need to respect existing international charters and practices, to:

 

"Preserve the historic, artistic and architectural

history of the monument, and to limit any

derogations to the existing heritage, planning,

environmental and construction codes to a

minimum".

 

On the 15th. April 2020, Germany offered to restore some of the large clerestory windows located far above eye level with three expert tradesmen who specialize in rebuilding cathedrals. Monika Grütters, Germany's Commissioner for Culture was quoted as saying that her country would shoulder the costs.

 

As of the 30th. November all of the tangled scaffolding was removed from the spire area, and was therefore no longer a threat to the building.

 

The world will now have to wait for Notre-Dame de Paris to be restored to its former magnificence.

 

Tom Green

 

So what else happened on the day that the card was posted?

 

Well, on the 17th. June 1913, Alfred Thomas "Tom" Green was born. He was an Australian painter, printmaker and art teacher.

 

His work is held in the Art Gallery of New South Wales, Christchurch Art Gallery, and the University of New South Wales.

 

Tom died on the 27th. January 1981.

Kathmandu Durbar Square (Nepali: वसन्तपुर दरवार क्षेत्र, Basantapur Darbar Kshetra) in front of the old royal palace of the former Kathmandu Kingdom is one of three Durbar (royal palace) Squares in the Kathmandu Valley in Nepal, all of which are UNESCO World Heritage Sites.

 

Several buildings in the Square collapsed due to a major earthquake on 25 April 2015. Durbar Square was surrounded with spectacular architecture and vividly showcases the skills of the Newar artists and craftsmen over several centuries. The Royal Palace was originally at Dattaraya square and was later moved to the Durbar square.

 

The Kathmandu Durbar Square held the palaces of the Malla and Shah kings who ruled over the city. Along with these palaces, the square surrounds quadrangles, revealing courtyards and temples. It is known as Hanuman Dhoka Durbar Square, a name derived from a statue of Hanuman, the monkey devotee of Lord Ram, at the entrance of the palace.

 

CONTENTS

HISTORY AND CONSTRUCTION

The preference for the construction of royal palaces at this site dates back to as early as the Licchavi period in the third century. Even though the present palaces and temples have undergone repeated and extensive renovations and nothing physical remains from that period. Names like Gunapo and Gupo, which are the names referred to the palaces in the square in early scriptures, imply that the palaces were built by Gunakamadev, a King ruling late in the tenth-century. When Kathmandu City became independent under the rule of King Ratna Malla (1484–1520), the palaces in the square became the Royal Palaces for its Malla Kings. When Prithvi Narayan Shah invaded the Kathmandu Valley in 1769, he favored the Kathmandu Durbar Square for his palace. Other subsequent Shah kings continued to rule from the square until 1896 when they moved to the Narayan Hiti Palace.

 

The square is still the center of important royal events like the coronation of King Birendra Bir Bikram Shah in 1975 and King Gyanendra Bir Bikram Shah in 2001.

 

Though there are no written archives stating the history of Kathmandu Durbar Square, construction of the palace in the square is credited to Sankharadev (1069–1083). As the first king of the independent Kathmandu City, Ratna Malla is said to have built the Taleju temple in the Northern side of the palace in 1501. For this to be true then the temple would have had to have been built in the vihara style as part of the palace premise surrounding the Mul Chok courtyard for no evidence of a separate structure that would match this temple can be found within the square.

 

Construction of the Karnel Chok is not clearly stated in any historical inscriptions; although, it is probably the oldest among all the courtyards in the square. The Bhagavati Temple, originally known as a Narayan Temple, rises above the mansions surrounding it and was added during the time of Jagajaya Malla in the early eighteenth century. The Narayan idol within the temple was stolen so Prithvi Narayan Shah replaced it with an image of Bhagavati, completely transforming the name of the temple.

 

The oldest temples in the square are those built by Mahendra Malla (1560–1574). They are the temples of Jagannath, Kotilingeswara Mahadev, Mahendreswara, and the Taleju Temple. This three-roofed Taleju Temple was established in 1564, in a typical Newari architectural style and is elevated on platforms that form a pyramid-like structure. It is said that Mahendra Malla, when he was residing in Bhaktapur, was highly devoted to the Taleju Temple there; the Goddess being pleased with his devotion gave him a vision asking him to build a temple for her in the Kathmandu Durbar Square. With a help of a hermit, he designed the temple to give it its present form and the Goddess entered the temple in the form of a bee.

 

His successors Sadasiva (1575–1581), his son, Shiva Simha (1578–1619), and his grandson, Laksmi Narsingha (1619–1641), do not seem to have made any major additions to the square. During this period of three generations the only constructions to have occurred were the establishment of Degutale Temple dedicated to Goddess Mother Taleju by Shiva Simha and some enhancement in the royal palace by Laksminar Simha.

 

UNDER PRATAP MALLA

In the time of Pratap Malla, son of Laksminar Simha, the square was extensively developed. He was an intellectual, a pious devotee, and especially interested in arts. He called himself a Kavindra, king of poets, and boasted that he was learned in fifteen different languages. A passionate builder, following his coronation as a king, he immediately began enlargements to his royal palace, and rebuilt some old temples and constructed new temples, shrines and stupas around his kingdom.During the construction of his palace, he added a small entrance in the traditional, low and narrow Newari style. The door was elaborately decorated with carvings and paintings of deities and auspicious sings and was later transferred to the entrance of Mohan Chok. In front of the entrance he placed the statue of Hanuman thinking that Hanuman would strengthen his army and protect his home. The entrance leads to Nasal Chok, the courtyard where most royal events such as coronation, performances, and yagyas, holy fire rituals, take place. It was named after Nasadya, the God of Dance, and during the time of Pratap Malla the sacred mask dance dramas performed in Nasal Chok were widely famed. In one of these dramas, it is said that Pratap Malla himself played the role of Lord Vishnu and that the spirit of the Lord remained in the king's body even after the play. After consulting his Tantric leaders, he ordered a stone image of Lord Vishnu in his incarnation as Nara Simha, the half-lion and half-human form, and then transferred the spirit into the stone. This fine image of Nara Simha made in 1673 still stands in the Nasal Chok. In 1650, he commissioned for the construction of Mohan Chok in the palace. This chok remained the royal residential courtyard for many years and is believed to store a great amount of treasure under its surface. Pratap Malla also built Sundari Chok about this time. He placed a slab engraved with lines in fifteen languages and proclaimed that he who can understand the inscription would produce the flow of milk instead of water from Tutedhara, a fountain set in the outer walls of Mohan Chok. However elaborate his constructions may have been, they were not simply intended to emphasize his luxuries but also his and the importance of others' devotion towards deities. He made extensive donations to temples and had the older ones renovated. Next to the palace, he built a Krishna temple, the Vamsagopala, in an octagonal shape in 1649. He dedicated this temple to his two Indian wives, Rupamati and Rajamati, as both had died during the year it was built. In Mohan Chok, he erected a three roofed Agamachem temple and a unique temple with five superimposing roofs. After completely restoring the Mul Chok, he donated to the adjoining Taleju Temple. To the main temple of Taleju, he donated metal doors in 1670. He rebuilt the Degutale Temple built by his grandfather, Siva Simha, and the Taleju Temple in the palace square. As a substitute to the Indreswara Mahadeva Temple in the distant village of Panauti he built a Shiva temple, Indrapura, near his palace in the square. He carved hymns on the walls of the Jagannath Temple as prayers to Taleju in the form of Kali.

 

At the southern end of the square, near Kasthamandap at Maru, which was the main city crossroads for early traders, he built another pavilion named Kavindrapura, the mansion of the king of poets. In this mansion he set an idol of dancing Shiva, Nasadyo, which today is highly worshipped by dancers in the Valley.

 

In the process of beautifying his palace, he added fountains, ponds, and baths. In Sundari Chok, he established a low bath with a golden fountain. He built a small pond, the Naga Pokhari, in the palace adorned with Nagakastha, a wooden serpent, which is said he had ordered stolen from the royal pond in the Bhaktapur Durbar Square. He restored the Licchavi stone sculptures such as the Jalasayana Narayana, the Kaliyadamana, and the Kala Bhairav. An idol of Jalasayana Narayana was placed in a newly created pond in the Bhandarkhal garden in the eastern wing of the palace. As a substitute to the idol of Jalasayana Narayana in Buddhanilkantha, he channeled water from Buddhanilkantha to the pond in Bhandarkhal due bestow authenticity. The Kalyadana, a manifestation of Lord Krishna destroying Kaliya, a water serpent, is placed in Kalindi Chok, which is adjacent to the Mohan Chok. The approximately ten-feet-high image of terrifyingly portrayed Kal Bhairav is placed near the Jagannath Temple. This image is the focus of worship in the chok especially during Durga Puja.

 

With the death of Pratap Malla in 1674, the overall emphasis on the importance of the square came to a halt. His successors retained relatively insignificant power and the prevailing ministers took control of most of the royal rule. The ministers encountered little influence under these kings and, increasingly, interest of the arts and additions to the square was lost on them. They focused less on culture than Pratap Malla during the three decades that followed his death, steering the city and country more towards the arenas of politics and power, with only a few minor constructions made in the square. These projects included Parthivendra Malla building a temple referred to as Trailokya Mohan or Dasavatara, dedicated to Lord Vishnu in 1679. A large statue of Garuda, the mount of Lord Vishnu, was added in front of it a decade later. Parthivendra Malla added a pillar with image of his family in front of the Taleju Temple.

 

Around 1692, Radhilasmi, the widowed queen of Pratap Malla, erected the tall temples of Shiva known as Maju Deval near the Garuda image in the square. This temple stands on nine stepped platforms and is one of the tallest buildings in the square. Then her son, Bhupalendra Malla, took the throne and banished the widowed queen to the hills. His death came early at the age of twenty one and his widowed queen, Bhuvanalaksmi, built a temple in the square known as Kageswara Mahadev. The temple was built in the Newari style and acted as a substitute for worship of a distant temple in the hills. After the earthquake in 1934, the temple was restored with a dome roof, which was alien to the Newari architecture.

 

Jayaprakash Malla, the last Malla king to rule Kathmandu, built a temple for Kumari and Durga in her virginal state. The temple was named Kumari Bahal and was structured like a typical Newari vihara. In his house resides the Kumari, a girl who is revered as the living goddess. He also made a chariot for Kumari and in the courtyard had detailed terra cotta tiles of that time laid down.

 

UNDER THE SHAH DYNASTY

During the Shah dynasty that followed, the Kathmandu Durbar Square saw a number of changes. Two of the most unique temples in the square were built during this time. One is the Nautale, a nine-storied building known as Basantapur Durbar. It has four roofs and stands at the end of Nasal Chok at the East side of the palace. It is said that this building was set as a pleasure house. The lower three stories were made in the Newari farmhouse style. The upper floors have Newari style windows, sanjhya and tikijhya, and some of them are slightly projected from the wall. The other temple is annexed to the Vasantapur Durbar and has four-stories. This building was initially known as Vilasamandira, or Lohom Chok, but is now commonly known as Basantapur or Tejarat Chok. The lower floors of the Basantapur Chok display extensive woodcarvings and the roofs are made in popular the Mughal style. Archives state that Prthivi Narayan Shah built these two buildings in 1770.

 

Rana Bahadur Shah was enthroned at the age of two. Bahadur Shah, the second son of Prithvi Narayan Shah, ruled as a regent for his young nephew Rana Bahadur Shah for a close to a decade from 1785 to 1794 and built a temple of Shiva Parvati in the square. This one roofed temple is designed in the Newari style and is remarkably similar to previous temples built by the Mallas. It is rectangular in shape, and enshrines the Navadurga, a group of goddesses, on the ground floor. It has a wooden image of Shiva and Parvati at the window of the upper floor, looking out at the passersby in the square. Another significant donation made during the time of Rana Bahadur Shah is the metal-plated head of Swet Bhairav near the Degutale Temple. It was donated during the festival of Indra Jatra in 1795, and continues to play a major role during the festival every year. This approximately twelve feet high face of Bhairav is concealed behind a latticed wooden screen for the rest of the year. The following this donation Rana Bahadur donated a huge bronze bell as an offering to the Goddess Taleju. Together with the beating of the huge drums donated by his son Girvan Yudha, the bell was rung every day during the daily ritual worship to the goddess. Later these instruments were also used as an alarm system. However, after the death of his beloved third wife Kanimati Devi due to smallpox, Rana Bahadur Shah turned mad with grief and had many images of gods and goddesses smashed including the Taleju statue and bell, and Sitala, the goddess of smallpox.

 

In 1908, a palace, Gaddi Durbar, was built using European architectural designs. The Rana Prime Ministers who had taken over the power but not the throne of the country from the Shahs Kings from 1846 to 1951 were highly influenced by European styles. The Gaddi Durbar is covered in white plaster, has Greek columns and adjoins a large audience hall, all foreign features to Nepali architecture. The balconies of this durbar were reserved for the royal family during festivals to view the square below.

 

Some of the parts of the square like the Hatti Chok near the Kumari Bahal in the southern section of the square were removed during restoration after the devastating earthquake in 1934. While building the New Road, the southeastern part of the palace was cleared away, leaving only fragments in places as reminders of their past. Though decreased from its original size and attractiveness from its earlier seventeenth-century architecture, the Kathmandu Durbar Square still displays an ancient surrounding that spans abound five acres of land. It has palaces, temples, quadrangles, courtyards, ponds, and images that were brought together over three centuries of the Malla, the Shah, and the Rana dynasties. It was destroyed in the April 2015 Nepal earthquake.

 

VISITING

Kathmandu's Durbar Square is the site of the Hanuman Dhoka Palace Complex, which was the royal Nepalese residence until the 19th century and where important ceremonies, such as the coronation of the Nepalese monarch, took place. The palace is decorated with elaborately-carved wooden windows and panels and houses the King Tribhuwan Memorial Museum and the Mahendra Museum. It is possible to visit the state rooms inside the palace.

 

Time and again the temples and the palaces in the square have gone through reconstruction after being damaged by natural causes or neglect. Presently there are less than ten quadrangles in the square. The temples are being preserved as national heritage sites and the palace is being used as a museum. Only a few parts of the palace are open for visitors and the Taleju temples are only open for people of Hindu and Buddhist faiths.

 

At the southern end of Durbar Square is one of the most curious attractions in Nepal, the Kumari Chok. This gilded cage contains the Raj Kumari, a girl chosen through an ancient and mystical selection process to become the human incarnation of the Hindu mother goddess, Durga. She is worshiped during religious festivals and makes public appearances at other times for a fee paid to her guards.

 

WIKIPEDIA

 

Rover Systems CCTV Philippines

 

Rover Systems Brings you the most advanced wireless alarm technology in the market.

the Rover Systems Wireless Alarm Systems

is a streamlined, space-saving design, offering cost effective

security and connectivity, with all the essential functions of a one-way wireless

technology available in one small high-powered package

 

Rover Systems Wireless Alarm Systems

remote management is driven by home Guard, which give user a direct

operation on the premises. The advanced features include remote programming and

maintenance utilities, arm and disarm the system from anywhere via smartphone

and WEb applications, real-time monitoring of panels and security devices, built-in interface with

PSTN/GSM/GPRS communication modules, configuration of email and SMS Event nitification to users.

 

The simple wireless installation and advanced remote management capabilities of iProteq

Series provide an ideal value-for money solution, which allow user to enjoy a complete sense of control and peace of mind

 

www.roversystems.com.ph

#roversystems #cctvphilippines

 

Tugboat Haggerty Girls downbound on the Hudson River passing between Breakneck Ridge and Storm King Mountain

 

Built in 2013, by SENESCO Marine of North Kingston, Rhode Island (hull #208) as the Haggerty Girls for Reinauer Transportation Companies of Staten Island, New York.

 

She is the third FACETTUG II class tug designed by Robert Hill of Ocean Tug and barge Engineering for Reinauer Transportation. The tug will be shorter in length and narrower in beam, than the previous class of FACETTUG tugs.

 

Powered by two MTU/DDC 16v4000 series diesel engines rated 2,360 horsepower at 1,800 RPMs. With two Lufkin marine reverse reduction gears for a rated 4,000 horsepower.

 

The tug is outfitted with a Beacon JAK 400 coupler system. With control cabinet and remote. For service with Reinauer Transportation's JAK equipped 60,000 bbl barges and 80,000 bbl barges.

 

Her electrical service is provided by three John Deere 6068-T marine diesel generator sets, with 99kW generators. The tug will be fitted with a John Deere 4045-T emergency generator with a marine diesel generator set with 65kW generator.

 

The is fitted with two Nautican nozzles, with a 104(in) stainless steel fixed pitch propellers. With pre constructed mounting headboxes, triple rudders, stocks, pintles, steering cylinders and rudder linkages, and stern strut tube and inlet stators.

 

Her deck machinery consists of a 25 horsepower JonRie INTERtech capstan, with control panel. And A SOLAS approved rescue boat with a SOLAS approved electro hydraulic davit.

 

She is also fitted with remote monitoring displaying Machinery Alarms systems, and monitoring systems that includes tank level alarms as well as automation for main engine start/stop operation. She will be fitted with a ballast system for trimming, dewatering and partial fuel compensation. The Tug's machinery spaces are served by an FM-200 fixed chemical extinguishing system.

 

She features an International Paint coating in the tanks, accommodation spaces, and exterior. Accommodations include three single staterooms and four double staterooms, galley and mess area and exercise room. Insulation includes spray on insulation as well as wall board insulation and sound dampening.

 

Vessel Name: HAGGERTY GIRLS

USCG Doc. No.: 1249567

Vessel Service: TOWING VESSEL

IMO Number: 9653252

Trade Indicator: Coastwise Unrestricted, Registry

Call Sign: WDG9740

Hull Material: STEEL

Hull Number: 208

Ship Builder: SENESCO

Year Built: 2013

Length: 110

Hailing Port: NEW YORK, NY.

Hull Depth: 18

Hull Breadth: 33

Gross Tonnage: 264

Net Tonnage: 179

Owner:

REINAUER TRANSPORTATION COMPANIES LLC

1983 RICHMOND TERRACE

STATEN ISLAND, NY 10302

Previous Vessel Owners:

REINAUER TRANSPORTATION COMPANIES LLC

 

tugboatinformation.com/tug.cfm?id=2074

   

Kathmandu Durbar Square or Hanuman Dhoka Durbar Square is the plaza in front of the old royal palace of the then Kathmandu Kingdom. It is one of three Durbar (royal palace) Squares in the Kathmandu Valley in Nepal, all of which are UNESCO World Heritage Sites.

 

The Durbar Square is surrounded with spectacular architecture and vividly showcases the skills of the Newar artists and craftsmen over several centuries. The royal palace was originally at Dattaraya square and was later moved to the Durbar square location.

 

The Kathmandu Durbar Square holds the palaces of the Malla and Shah kings who ruled over the city. Along with these palaces, the square surrounds quadrangles revealing courtyards and temples. It is known as Hanuman Dhoka Durbar Square, a name derived from a statue of Hanuman, the monkey devotee of Lord Ram, at the entrance of the palace.

 

HISTORY AND CONSTRUCTION

The preference for the construction of royal palaces at this site dates back to as early as the Licchavi period in the third century. Even though the present palaces and temples have undergone repeated and extensive renovations and nothing physical remains from that period, names like Gunapo and Gupo, which are the names referred to the palaces in the square in early scriptures, imply that the palaces were built by Gunakamadev, a king ruling late in the tenth century. When Kathmandu City became independent under the rule of King Ratna Malla (1484–1520) the palaces in the square became the royal palaces for its Malla kings. When Prithvi Narayan Shah invaded the Kathmandu Valley in 1769, he favored the Kathmandu Durbar Square for his palace. Other subsequent Shah kings continued to rule from the square until 1896 when they moved to the Narayan Hiti Palace.

 

The square is still the center of important royal events like the coronation of King Birendra Bir Bikram Shah in 1975 and King Gyanendra Bir Bikram Shah in 2001.

 

Though there are no written archives stating the history of Kathmandu Durbar Square, construction of the palace in the square is credited to Sankharadev (1069–1083). As the first king of the independent Kathmandu City, Ratna Malla is said to have built the Taleju temple in the Northern side of the palace in 1501. For this to be true then the temple would have had to have been built in the vihara style as part of the palace premise surrounding the Mul Chok courtyard for no evidence of a separate structure that would match this temple can be found within the square.

 

Construction of the Karnel Chok is not clearly stated in any historical inscriptions; although, it is probably the oldest among all the courtyards in the square. The Bhagavati Temple, originally known as a Narayan Temple, rises above the mansions surrounding it and was added during the time of Jagajaya Malla in the early eighteenth century. The Narayan idol within the temple was stolen so Prithvi Narayan Shah replaced it with an image of Bhagavati, completely transforming the name of the temple.

 

The oldest temples in the square are those built by Mahendra Malla (1560–1574). They are the temples of Jagannath, Kotilingeswara Mahadev, Mahendreswara, and the Taleju Temple. This three-roofed Taleju Temple was established in 1564, in a typical Newari architectural style and is elevated on platforms that form a pyramid-like structure. It is said that Mahendra Malla, when he was residing in Bhaktapur, was highly devoted to the Taleju Temple there; the Goddess being pleased with his devotion gave him a vision asking him to build a temple for her in the Kathmandu Durbar Square. With a help of a hermit, he designed the temple to give it its present form and the Goddess entered the temple in the form of a bee.

 

His successors Sadasiva (1575–1581), his son, Shiva Simha (1578–1619), and his grandson, Laxmi Narsingha (1619–1641), do not seem to have made any major additions to the square. During this period of three generations the only constructions to have occurred were the establishment of Degutale Temple dedicated to Goddess Mother Taleju by Shiva Simha and some enhancement in the royal palace by Laksminar Simha.

 

UNDER PRATAP MALLA

In the time of Pratap Malla, son of Laksminar Simha, the square was extensively developed. He was an intellectual, a pious devotee, and especially interested in arts. He called himself a Kavindra, king of poets, and boasted that he was learned in fifteen different languages. A passionate builder, following his coronation as a king, he immediately began enlargements to his royal palace, and rebuilt some old temples and constructed new temples, shrines and stupas around his kingdom. There also took the massacre called Kot Parva where the queen, prime minister, head of the states,and other people with guards died. This massacre took place in the court yard inside the palace.

 

During the construction of his palace, he added a small entrance in the traditional, low and narrow Newari style. The door was elaborately decorated with carvings and paintings of deities and auspicious sings and was later transferred to the entrance of Mohan Chok. In front of the entrance he placed the statue of Hanuman thinking that Hanuman would strengthen his army and protect his home. The entrance leads to Nasal Chok, the courtyard where most royal events such as coronation, performances, and yagyas, holy fire rituals, take place. It was named after Nasadya, the God of Dance, and during the time of Pratap Malla the sacred mask dance dramas performed in Nasal Chok were widely famed. In one of these dramas, it is said that Pratap Malla himself played the role of Lord Vishnu and that the spirit of the Lord remained in the king's body even after the play. After consulting his Tantric leaders, he ordered a stone image of Lord Vishnu in his incarnation as Nara Simha, the half-lion and half-human form, and then transferred the spirit into the stone. This fine image of Nara Simha made in 1673 still stands in the Nasal Chok. In 1650, he commissioned for the construction of Mohan Chok in the palace. This chok remained the royal residential courtyard for many years and is believed to store a great amount of treasure under its surface. Pratap Malla also built Sundari Chok about this time. He placed a slab engraved with lines in fifteen languages and proclaimed that he who can understand the inscription would produce the flow of milk instead of water from Tutedhara, a fountain set in the outer walls of Mohan Chok. However elaborate his constructions may have been, they were not simply intended to emphasize his luxuries but also his and the importance of others' devotion towards deities. He made extensive donations to temples and had the older ones renovated. Next to the palace, he built a Krishna temple, the Vamsagopala, in an octagonal shape in 1649. He dedicated this temple to his two Indian wives, Rupamati and Rajamati, as both had died during the year it was built. In Mohan Chok, he erected a three roofed Agamachem temple and a unique temple with five superimposing roofs. After completely restoring the Mul Chok, he donated to the adjoining Taleju Temple. To the main temple of Taleju, he donated metal doors in 1670. He rebuilt the Degutale Temple built by his grandfather, Siva Simha, and the Taleju Temple in the palace square. As a substitute to the Indreswara Mahadeva Temple in the distant village of Panauti he built a Shiva temple, Indrapura, near his palace in the square. He carved hymns on the walls of the Jagannath Temple as prayers to Taleju in the form of Kali.

 

At the southern end of the square, near Kasthamandap at Maru, which was the main city crossroads for early traders, he built another pavilion named Kavindrapura, the mansion of the king of poets. In this mansion he set an idol of dancing Shiva, Nasadyo, which today is highly worshipped by dancers in the Valley.

 

In the process of beautifying his palace, he added fountains, ponds, and baths. In Sundari Chok, he established a low bath with a golden fountain. He built a small pond, the Naga Pokhari, in the palace adorned with Nagakastha, a wooden serpent, which is said he had ordered stolen from the royal pond in the Bhaktapur Durbar Square. He restored the Licchavi stone sculptures such as the Jalasayana Narayana, the Kaliyadamana, and the Kala Bhairav. An idol of Jalasayana Narayana was placed in a newly created pond in the Bhandarkhal garden in the eastern wing of the palace. As a substitute to the idol of Jalasayana Narayana in Buddhanilkantha, he channeled water from Buddhanilkantha to the pond in Bhandarkhal due bestow authenticity. The Kalyadana, a manifestation of Lord Krishna destroying Kaliya, a water serpent, is placed in Kalindi Chok, which is adjacent to the Mohan Chok. The approximately ten-feet-high image of terrifyingly portrayed Kal Bhairav is placed near the Jagannath Temple. This image is the focus of worship in the chok especially during Durga Puja.

 

With the death of Pratap Malla in 1674, the overall emphasis on the importance of the square came to a halt. His successors retained relatively insignificant power and the prevailing ministers took control of most of the royal rule. The ministers encountered little influence under these kings and, increasingly, interest of the arts and additions to the square was lost on them. They focused less on culture than Pratap Malla during the three decades that followed his death, steering the city and country more towards the arenas of politics and power, with only a few minor constructions made in the square. These projects included Parthivendra Malla building a temple referred to as Trailokya Mohan or Dasavatara, dedicated to Lord Vishnu in 1679. A large statue of Garuda, the mount of Lord Vishnu, was added in front of it a decade later. Parthivendra Malla added a pillar with image of his family in front of the Taleju Temple.

 

Around 1692, Radhilasmi, the widowed queen of Pratap Malla, erected the tall temples of Shiva known as Maju Deval near the Garuda image in the square. This temple stands on nine stepped platforms and is one of the tallest buildings in the square. Then her son, Bhupalendra Malla, took the throne and banished the widowed queen to the hills. His death came early at the age of twenty one and his widowed queen, Bhuvanalaksmi, built a temple in the square known as Kageswara Mahadev. The temple was built in the Newari style and acted as a substitute for worship of a distant temple in the hills. After the earthquake in 1934, the temple was restored with a dome roof, which was alien to the Newari architecture.

 

Jayaprakash Malla, the last Malla king to rule Kathmandu, built a temple for Kumari and Durga in her virginal state. The temple was named Kumari Bahal and was structured like a typical Newari vihara. In his house resides the Kumari, a girl who is revered as the living goddess. He also made a chariot for Kumari and in the courtyard had detailed terra cotta tiles of that time laid down.

 

UNDER THE SHAH DYNASTY

During the Shah dynasty that followed, the Kathmandu Durbar Square saw a number of changes. Two of the most unique temples in the square were built during this time. One is the Nautale, a nine-storied building known as Basantapur Durbar. It has four roofs and stands at the end of Nasal Chok at the East side of the palace. It is said that this building was set as a pleasure house. The lower three stories were made in the Newari farmhouse style. The upper floors have Newari style windows, sanjhya and tikijhya, and some of them are slightly projected from the wall. The other temple is annexed to the Vasantapur Durbar and has four-stories. This building was initially known as Vilasamandira, or Lohom Chok, but is now commonly known as Basantapur or Tejarat Chok. The lower floors of the Basantapur Chok display extensive woodcarvings and the roofs are made in popular the Mughal style. Archives state that Prthivi Narayan Shah built these two buildings in 1770.

 

Rana Bahadur Shah was enthroned at the age of two. Bahadur Shah, the second son of Prithvi Narayan Shah, ruled as a regent for his young nephew Rana Bahadur Shah for a close to a decade from 1785 to 1794 and built a temple of Shiva Parvati in the square. This one roofed temple is designed in the Newari style and is remarkably similar to previous temples built by the Mallas. It is rectangular in shape, and enshrines the Navadurga, a group of goddesses, on the ground floor. It has a wooden image of Shiva and Parvati at the window of the upper floor, looking out at the passersby in the square. Another significant donation made during the time of Rana Bahadur Shah is the metal-plated head of Swet Bhairav near the Degutale Temple. It was donated during the festival of Indra Jatra in 1795, and continues to play a major role during the festival every year. This approximately twelve feet high face of Bhairav is concealed behind a latticed wooden screen for the rest of the year. The following this donation Rana Bahadur donated a huge bronze bell as an offering to the Goddess Taleju. Together with the beating of the huge drums donated by his son Girvan Yudha, the bell was rung every day during the daily ritual worship to the goddess. Later these instruments were also used as an alarm system. However, after the death of his beloved third wife Kanimati Devi due to smallpox, Rana Bahadur Shah turned mad with grief and had many images of gods and goddesses smashed including the Taleju statue and bell, and Sitala, the goddess of smallpox.

 

In 1908, a palace, Gaddi Durbar, was built using European architectural designs. The Rana Prime Ministers who had taken over the power but not the throne of the country from the Shahs Kings from 1846 to 1951 were highly influenced by European styles. The Gaddi Durbar is covered in white plaster, has Greek columns and adjoins a large audience hall, all foreign features to Nepali architecture. The balconies of this durbar were reserved for the royal family during festivals to view the square below.

 

Some of the parts of the square like the Hatti Chok near the Kumari Bahal in the southern section of the square were removed during restoration after the devastating earthquake in 1934. While building the New Road, the southeastern part of the palace was cleared away, leaving only fragments in places as reminders of their past. Though decreased from its original size and attractiveness from its earlier seventeenth-century architecture, the Kathmandu Durbar Square still displays an ancient surrounding that spans abound five acres of land. It has palaces, temples, quadrangles, courtyards, ponds, and images that were brought together over three centuries of the Malla, the Shah, and the Rana dynasties.

 

VISITING

Kathmandu's Durbar Square is the site of the Hanuman Dhoka Palace Complex, which was the royal Nepalese residence until the 19th century and where important ceremonies, such as the coronation of the Nepalese monarch, still take place today. The palace is decorated with elaborately-carved wooden windows and panels and houses the King Tribhuwan Memorial Museum and the Mahendra Museum. It is possible to visit the state rooms inside the palace.

 

Time and again the temples and the palaces in the square have gone through reconstruction after being damaged by natural causes or neglect. Presently there are less than ten quadrangles in the square. The temples are being preserved as national heritage sites and the palace is being used as a museum. Only a few parts of the palace are open for visitors and the Taleju temples are only open for people of Hindu and Buddhist faiths.

 

At the southern end of Durbar Square is one of the most curious attractions in Nepal, the Kumari Chowk. This gilded cage contains the Raj Kumari, a girl chosen through an ancient and mystical selection process to become the human incarnation of the Hindu mother goddess, Durga. She is worshiped during religious festivals and makes public appearances at other times for a fee paid to her guards.

 

WIKIPEDIA

Fire officials said that the massive three-alarm fire at a Crystal Lake apartment building early Wednesday morning was caused by an unattended candle and damage is estimated at $3.5 million.

 

The Crystal Lake Fire Rescue Department responded at 3:02 a.m. Wednesday to a report of a structure fire in the 500 block of Devonshire Lane.

 

Six minutes later the first fire crew arrived and found a two-story multi-family apartment style building with flames coming from the roof, Crystal Lake Fire Rescue Chief Paul DeRaedt said.

 

“Police and fire personnel immediately began to evacuate the residents while other crews worked to put water on the fire,” DeRaedt said. There were no injuries to any of the residents but one firefighter suffered minor injuries.

 

A third alarm was requested through the Mutual Aid Box Alarm System (MABAS). The fire was first noticed on the roof and quickly spread the entire length of the building through the attic, DeRaedt said.

 

Fire crews set up multiple ladder trucks to get water onto the roof and attic. Firefighters also helped two residents evacuate their apartments by ladder. 19 apartment units in the building were deemed uninhabitable due to fire and water damage and 21 residents were displaced.

 

Some pets were rescued by fire crews and reunited with their owners, Crystal Lake Deputy Fire Rescue Chief Christopher Olsen said.

 

The fire was declared under control at 5:20 a.m., three hours after it started. The American Red Cross and building management are working with the displaced residents to provide shelter.

 

Olsen said that investigators believe an unattended candle on a balcony may have caused the fire, which was deemed accidental in nature. Damage was estimated at $3.5 million.

 

(Article Source: LMCS)

TEIGN C Damen Stan 1405

 

IMO: - N/A

MMSI: 235082804

Call Sign: MWBM9

AIS Vessel Type: Dredger

 

GENERAL

DAMEN YARD NUMBER: 503705

Avelingen-West 20

4202 MS Gorinchem

The Netherlands

Phone: +31 (0)183 63 99 11

info@damen.com

DELIVERY DATE August 2001

BASIC FUNCTIONS Towing, mooring, pushing and dredging operations

FLAG United Kingdom [GB]

OWNED Teignmouth Harbour Commission

 

CASSCATION: Bureau Veritas 1 HULL MACH Seagoing Launch

 

DIMENSIONS

LENGTH 14.40 m

BEAM 4.73 m

DEPTH AT SIDES 205 m

DRAUGHT AFT 171 m

DISPLACEMENT 48 ton

  

TANK CAPACITIES

Fuel oil 6.9 m³

 

PERFORMANCES (TRIALS)

BOLLARD PULL AHEAD 8.0 ton

SPEED 9.8 knots

 

PROPULSION SYSTEM

MAIN ENGINE 2x Caterpillar 3406C TA/A

TOTAL POWER 477 bmW (640i hp) at 1800 rpm

GEARBOX 2x Twin Disc MG 5091/3.82:1

PROPELLERS Bronze fixed pitch propeller

KORT NOZZELS Van de Giessen 2x 1000 mm with stainless steel innerings

ENGINE CONTROL Kobelt

STEERING GEAR 2x 25 mm single plate Powered hydraulic 2x 45, rudder indicator

 

AUXILIARY EQUIPMENT

BILGE PUMP Sterling SIH 20, 32 m/hr

BATTERY SETS 2x 24V, 200 Ah + change over facility

COOLING SYSTEM Closed cooling system

ALARM SYSTEM Engines, gearboxes and bilge alarms

FRESH WATER PRESSURE SET Speck 24V

 

DECK LAY-OUT

ANCHORS 2x 48 kg Pool (HHP)

CHAIN 70 m, Ø 13mm, shortlink U2

ANCHOR WINCH Hand-operated

TOWING HOOK Mampaey, 15.3 ton SWL

COUPLING WINCH

PUSHBOW Cylindrical nubber fender Ø 380 mm

 

ACCOMMODATION

The wheelhouse ceiling and sides are insulated with mineral wool and

panelled. The wheelhouse floor is covered with rubber/synthetic floor

covering, make Bolidt, color blue The wheelhouse has one

helmsman seat, a bench and table with chair Below deck two berths, a

kitchen unit and a toilet space are arranged.

 

NAUTICAL AND COMMUNICATION EQUIPMENT

SEARCHLIGHT Den Haan 170 W 24 V

VHF RADIO Sailor RT 2048 25 W

NAVIGATION Navigation lights incl towing and pilot lights

 

Teignmouth Harbour Commission

The Harbour Commission is a Trust Port created by Statute.

The principal Order is the Teignmouth Harbour Order 1924

as amended by the Teignmouth Harbour Revision Order 2003

There is an Atlas-F rocket on display at Kennedy Space Center with a dummy Agena stage on top. In reality, almost all Atlas-Agena rockets were “Atlas-D” models.

 

Atlas-Agena

 

The Atlas-Agena was an American expendable launch system derived from the SM-65 Atlas missile. It was a member of the Atlas family of rockets, and was launched 109 times between 1960 and 1978. It was used to launch the first five Mariner unmanned probes to the planets Venus and Mars, and the Ranger and Lunar Orbiter unmanned probes to the Moon. The upper stage was also used as an unmanned orbital target vehicle for the Gemini manned spacecraft to practice rendezvous and docking. However, the launch vehicle family was originally developed for the Air Force and most of its launches were classified DoD payloads.

 

The Atlas-Agena was a two-and-a-half-stage rocket, with a stage-and-a-half Atlas missile as the first stage, and an RM-81 Agena second stage. Initially, Atlas D missiles, re-designated as the LV-3, were used as the first stage. These were later replaced by the standardized Atlas SLV-3, and its derivatives, the SLV-3A and B. The final Atlas-Agena launch used an Atlas E/F.

 

The earliest Agena variant was the Agena A in 1959-60, which did not have restart capability. Most of these were flown on Thor-Agena boosters for the Discoverer program and only four used Atlases (Midas 1, Midas 2, Samos 1, and Samos 2), two of which failed.

 

Late in 1960, Lockheed introduced the uprated Agena B stage which was restartable and had longer propellant tanks for more burn time. It first flew on the Thor and did not make its maiden voyage on an Atlas for months, when Midas 3 launched on July 12, 1961. Atlas-Agenas were then used for DoD and NASA programs, but proved a reliability nightmare as one failure after another happened. In late 1962, after Ranger 5 suffered another booster malfunction (albeit a minor one that ground controllers were able to work around), NASA convened a review board which undertook a wholesale reevaluation of the Atlas-Agena as a launch vehicle. The board found that quality control and checkout procedures were poor, and that this situation was exacerbated by the several dozen configurations of the booster, as each individual DoD and NASA program necessitated custom modifications to the Atlas and Agena, and the latter also differed in its Atlas and Thor variants. The board recommended improved quality control, better hardware, and also establishing one standardized launch vehicle for all space programs.

 

The end result was the Atlas SLV-3 and Agena D, standardized versions of the Atlas D core and Agena B which would be the same on every launch (at least as far as the Atlas was concerned, Agena Ds often still had customized setups, especially for DoD payloads). The Agena D first flew in July 1963 for DoD launches, but NASA continued using Agena Bs for the remaining Ranger missions. The Atlas SLV-3 meanwhile first flew in August 1964. Dozens of Atlas SLV-3/Agena D boosters were flown over the following years, mostly for the KH-7 Gambit program, also for a few NASA missions. The last Atlas-Agena was flown in 1978 to launch SEASAT, but on a repurposed Atlas F missile rather than the SLV-3.

 

Launches were conducted from Launch Complexes 12, 13 and 14 at the Cape Canaveral Air Force Station, and Launch Complexes 1 and 2 at Point Arguello (now SLC-3 and 4 at Vandenberg Air Force Base).

 

•General Specifications

oFunction: Expendable launch system

oManufacturer: Convair; General Dynamics

oCountry of Origin: United States

•Size

oHeight: 118.0 feet (36.0 m)

oDiameter: 10.0 feet (3.0 m)

oWidth: 16.0 feet (4.9 m)

oMass: 341,000 pounds (155,000 kg)

oStages: 2½

•Capacity

oPayload to LEO: 2,200 pounds (1,000 kg)

oPayload to GEO: 1,540 pounds (700 kg)

oPayload to TLI: 850 pounds (390 kg)

oPayload to Escape: 575 pounds (261 kg)

•Launch History

oStatus: Retired

oLaunch Sites: LC-12, 13 & 14, CCAFS; SLC-3 & 4, Vandenberg

oTotal launches: 109

oSuccesses: 93

oFailures: 13

oPartial Failures: 3

oFirst Flight: February 26, 1960

oLast Flight: June 27, 1978

•Boosters

oNo. Boosters: 1

oWidth: 16.0 feet (4.9 m)

oEngines: 2

oThrust: 233,000 pounds-force (1,040 kN)

oBurn Time: 134 seconds

oFuel: RP-1/LOX

•First Stage

oDiameter: 10.0 feet (3.0 m)

oEngines: 1

oThrust: 67,000 pounds-force (300 kN)

oBurn Time: 5 minutes

oFuel: RP-1/LOX

•Second Stage – Agena D

oLength: 248 inches (6.3 m)

oDiameter: 5.0 feet (1.5 m)

oEngines: 1 Bell Aerospace 8247

oThrust: 16,000 pounds-force (71 kN)

oBurn Time: 265 seconds

oFuel: UDMH/IRFNA

 

Variants

 

•Atlas LV-3 Agena-A

oFirst Launch: 1960-02-26

oLast Launch: 1961-01-31

oLaunches: 4

oSuccesses: 2

oFailures: 2

oPartial Failures: 0

oRemarks: Early Atlas-Agena variant flown four times for the Midas and Samos programs

•Atlas LV-3 Agena-B

oFirst Launch: 1961-07-12

oLast Launch: 1965-03-21

oLaunches: 28

oSuccesses: 21

oFailures: 5

oPartial Failures: 2

oRemarks: Enhanced, restartable Agena. Used for a variety of NASA and Air Force programs, including Ranger, Mariner, Samos, and Midas.

•Atlas LV-3 Agena-D

oFirst Launch: 1963-07-12

oLast Launch: 1965-07-20

oLaunches: 15

oSuccesses: 15

oFailures: 0

oPartial Failures: 0

oRemarks: Standardized Agena B used for a variety of NASA and Air Force programs, including Ranger, Mariner, Midas, and Gambit.

•Atlas SLV-3 Agena-D

oFirst Launch: 1964-08-14

oLast Launch: 1967-11-05

oLaunches: 47

oSuccesses: 41

oFailures: 5

oPartial Failures: 1

oRemarks: Standardized SLV-3 Atlas+Agena D used for a variety of NASA and Air Force programs, including Mariner, Vela, and Gambit.

•Atlas SLV-3B Agena-D

oFirst Launch: 1966-04-08

oLast Launch: 1966-04-08

oLaunches: 1

oSuccesses: 1

oFailures: 0

oPartial Failures: 0

oRemarks: One-off Atlas variant used for the first OAO satellite.

•Atlas SLV-3 Agena-B

oFirst Launch: 1966-06-07

oLast Launch: 1966-06-07

oLaunches: 1

oSuccesses: 1

oFailures: 0

oPartial Failures: 0

oRemarks: One-off Atlas variant used for OAO-3

•Atlas SLV-3A Agena-D

oFirst Launch: 1968-03-04

oLast Launch: 1978-04-08

oLaunches: 12

oSuccesses: 11

oFailures: 1

oPartial Failures: 0

oRemarks: Extended tank Atlas. Used for OGO-5 and Canyon/Rhyolite SIGNIT satellites.

•Atlas E/F Agena D

oFirst Launch: 1978-06-27

oLast Launch: 1978-06-27

oLaunches: 1

oSuccesses: 1

oFailures: 0

oPartial Failures: 0

oRemarks: One-off Atlas variant mating the last Agena stage flown to a refurbished Atlas F missile for the launch of Seasat.

 

Destruct System

 

All Atlas-Agena vehicles contained an Inadvertent Separation Destruct System to destroy the Agena in the event that it separated prematurely from the Atlas, a situation that could be caused by a booster hard-over or if the Atlas self-destructed in flight. The ISDS charges were mounted on the adapter section between the two vehicles and would activate if a series of tripwires were broken. During the coasting period between staging, the ISDS charges were disabled. The Atlas’s own RSO charges were also wired so that they would destroy both vehicles if activated. Most Agenas also had their own separate RSO charges, although NASA planetary probes omitted them for weight-saving reasons and due to the flight trajectory used, which meant that destruct of the Agena was no longer possible following staging.

 

Two Atlas-Agena flights involved an intentional destruct of the Atlas (Mariner 1 and Canyon 4) while two others (Midas 6 and Midas 8) resulted in an ISDS destruction of the Agena following in-flight malfunction and self-destruct of the Atlas.

 

The Gemini-Agena Target Vehicle had a specially modified Range Safety destruct system designed to fire slugs into the propellant tanks rather than the conventional method of rupturing them externally, since an inadvertent activation of the RSO system in orbit could endanger the Gemini astronauts.

 

The very first Atlas-Agena flight, Midas 1 in February 1960, failed when the unproven ISDS system mistakenly activated at staging, rupturing the Atlas’s LOX tank and causing the breakup of the Agena. The ISDS system was redesigned afterwards and this failure mode did not repeat itself.

 

Production Launches

 

Ranger

 

Ranger block I spacecraft bus was used for the first two Rangers, and also for the first two Mariner interplanetary probes.

 

The Ranger spacecraft were designed to impact the Moon, returning photographs of the lunar surface until their destruction. The spacecraft was designed in three Blocks, all similar in appearance with a forward antenna and magnetometer, supported by a boom, with more sensors and two solar panels and a dish antenna mounted at the base. The first two Block I spacecraft, Ranger 1 and Ranger 2, were launched on August 23 and November 18, 1961, not to the Moon, but in intended high Earth orbits to test the Atlas-Agena and spacecraft capabilities. However, the Agena malfunctioned on both flights and left the probes trapped in a useless low Earth orbit from which they soon decayed.

 

The Block II missions, Ranger 3, Ranger 4, and Ranger 5, were launched away from Earth in January, April, and October 1962, but all three failed due to either malfunctions of the probe or launch vehicle difficulties. Ranger 3 missed the Moon entirely. Ranger 4’s solar panels failed to deploy, and the navigation system failed, sending the probe to impact the lunar far side without returning any pictures or data. Ranger 5 suffered an unknown failure which deprived it of power, and it missed the Moon by 725 kilometers (391 nautical miles).

 

Ranger 6, launched January 30, 1964, successfully impacted the Moon but its cameras failed to return pictures. The last three Rangers were finally successful: Ranger 7 in July 1964, Ranger 8 in February 1965, and Ranger 9 in March 1965.

 

Mariner

 

The Mariner spacecraft were built by NASA’s Jet Propulsion Laboratory. Mariner 1 and Mariner 2 were twins, launched on July 22 and August 27, 1962, to fly by the planet Venus. The first two craft used the same spacecraft bus as the Block I Rangers, each weighing 446 pounds (202 kg) and instrumented to perform radiometric temperature measurements of the planet, and to measure interplanetary magnetic fields and particles. Mariner 1’s Atlas-Agena malfunctioned and went off course, requiring its destruction approximately 5 minutes after liftoff. Mariner 2 successfully made the 3½-month flight, becoming the first spacecraft to fly by another planet. It carried microwave and infrared radiometers, and sensors for cosmic dust, solar plasma and high-energy radiation, and magnetic fields.

 

Mariner 3 and Mariner 4 used a redesigned spacecraft bus weighing 575 pounds (261 kg), and were launched on November 5 and November 28, 1964 to fly by the planet Mars. Mariner 3 failed after a successful launch when its payload shroud failed to open. These Mariners carried cameras, and Mariner 4 successfully returned pictures of Mars as it flew by.

 

The 540-pound (240 kg) Mariner 5 was successfully launched to Venus on June 14, 1967 and flew by in October, probing Venus’ atmosphere with radio waves, scanning its brightness in ultraviolet light, and sampling solar particles and magnetic field fluctuations above the planet.

 

Gemini

 

The Agena rocket stage was used as the passive docking target for the Gemini manned space program. After docking, the Agena could also be fired by the astronauts to raise the combined Gemini-Agena spacecraft into a higher orbit. The first attempt at such a docking mission was made for the Gemini 6 mission on October 25, 1965, but the Agena suffered an engine failure and did not reach orbit. This forced postponement and replanning of the Gemini 6A mission, which performed rendezvous with Gemini 7 without docking.

 

The GATV was first successfully launched for Gemini 8 on March 16, 1966, permitting the first successful docking in space. GATV-8 was later used as the secondary Agena target for Gemini 10, which also docked with its own GATV. GATV-9 failed to orbit when the Atlas suffered a control malfunction, forcing a similar reschedule of the Gemini 9A mission using a backup Augmented Target Docking Adapter atop an Atlas, but with no Agena rocket stage. Two more GATVs were successfully launched and used on Gemini 11 and Gemini 12.

 

Lunar Orbiter

 

A series of five Lunar Orbiter spacecraft were launched from August 1966 through August 1967, to help select landing sites for the Apollo manned lunar landing program by mapping the Moon’s surface. Each spacecraft weighed 850 pounds (390 kg) and was 4.9 feet (1.5 m) in diameter, minus the four extended solar panels. All launches were successful, and a total of 99 percent of the surface of the Moon (near and far side) was mapped with resolution as high as 3 ft. 3 in (1 meter). Altogether the Orbiters returned 2180 high resolution and 882 medium resolution frames. The spacecraft also carried micrometeroid sensors, which showed the average micro-meteoroid flux near the Moon to be two orders of magnitude greater than in interplanetary space, but slightly less than the near-Earth environment.

 

OAO

 

Orbiting Astronomical Observatory was a series of NASA satellites flown between 1966 and 1972 for astronomy studies. The first OAO (launched April 8, 1966) used a one-off Atlas variant, mating an Agena D to the LV-3C variant of the Atlas and encased in a Centaur-type payload shroud. The remaining three launches used actual Atlas-Centaur vehicles.

 

ATS

 

Applications Technology Satellite was a series of NASA satellites flown in 1967-69 to perform various technology tests. Only the first ATS was launched on an Atlas-Agena, the remainder using Atlas-Centaurs. ATS-1 was a partial failure when the Agena failed to restart, leaving it in LEO.

 

OGO

 

Orbiting Geophysical Observatory was a series of NASA satellites flown between 1964 and 1969 for magnetosphere studies. These satellites used several different booster types, including Thor-Agenas. Five of them used Atlas-Agenas, and OGO 5 (launched March 4, 1968) was the sole civilian use of the Atlas SLV-3A Agena.

 

Midas

 

Missile Defense Alarm System was a series of Air Force satellites flown between 1960 and 1966 for infrared detection of ballistic missile exhaust plumes on Atlas-Agena A, B, and D. There were several failures and overall program performance was poor, but it would give way to the more successful DSP satellites.

 

Samos

 

Samos was a series of Air Force satellites flown between 1960 and 1962 for photoreconnaissance on Atlas-Agena A and B. There were several failures, including an on-pad explosion of an Atlas, and the program was cancelled at the end of 1962 without ever demonstrating any operational capability.

 

Gambit

 

KH-7 Gambit was a series of Air Force satellites flown between 1963 and 1966 for photoreconnaissance on Atlas-Agena D. Although there were a number of mission failures, Gambit overall was highly successful in comparison with the bungled Samos program and it returned high-value area reconnaissance of the USSR and China before giving way to KH-8 Gambit in 1967.

 

Rhyolite/Canyon

 

Rhyolite/Canyon was a series of Air Force satellites flown between 1968 and 1978 for SIGNIT intelligence on Atlas SLV-3A Agena. One Canyon mission failed when its Atlas went off course and had to be destroyed. These were the final launches of Atlas-Agena vehicles aside from the one-off Atlas F/Agena used to launch Seasat.

 

Vela

 

Vela consisted of two sets of Air Force satellites flown in 1964-65 to monitor Soviet compliance with the Nuclear Test Ban Treaty on Atlas-Agena Ds.

 

Snapshot

 

Snapshot was a one-off Air Force test of a nuclear satellite flown in 1965 on an Atlas-Agena D.

Kane County Sheriff Joint Swat team at the Sugar Grove Corn Boil doing a demo

On October 30, 2013, MTA Long Island Rail Road President Helena E. Williams and Assemblywoman Barbara Clark unveiled the newly renovated and enhanced Queens Village LIRR Station. As a part of the project, workers have installed two new heavy duty elevators, one each serving the eastbound and westbound platforms. They also repainted the entire station building and added new signage and a new fire alarm system. The platform waiting room has been rehabilitated, and numerous improvements have been made throughout the complex, including replacement of platform railings, a new shelter shed, replacement of platform lighting, bird abatement devices, drainage and erosion control, and security cameras.

 

Photo: Metropolitan Transportation Authority / Salvatore Arena

ROVER SYSTEMS - CCTV PHILIPPINES

 

For more information: www.roversystems.com.ph

 

Rover Systems believes that nothing else matters more than the safety of the things that are significant and essential to each one of us. Every person has varying concerns when it comes to safety, it could be the safety of your home, business, work place and most importantly the protection of our loved ones.

 

We are one of the world's leading providers of a wide range and state-of-the-art Closed Circuit Television (CCTV) Systems. Our major aim is to provide electronic security solution to all households, small businesses and large industries such as educational facilities, airports, hospitals and the like. Our highly trained personnel can provides quality supports & services for our customer’s satisfaction. We are a highly diversified and aggressive company engaged in making the world a safer place to live in.

 

By exploring our website, you'll get to know more about these smart, proactive and helpful security equipments which can make a big difference to your life!

 

Follow us :

Facebook - www.facebook.com/cctv.adspromo?ref=tn_tnmn

Twitter - twitter.com/rover_systems

Tumblr - roversystems.tumblr.com/

   

Letter on reverse dated 7.III.16, but not postally used. No postmarks etc.

 

The positioning of the tin cans immediately in front of this "defensive position" would leave the defenders little time to man their positions should an enemy attack rattle these simple - but effective warning devices. Thus, I believe the above is either a training aid, to instruct recruits how to arrange such things, or merely a group of bored soldiers mucking about. I'd lean toward the latter.

Kathmandu Durbar Square (Nepali: वसन्तपुर दरवार क्षेत्र, Basantapur Darbar Kshetra) in front of the old royal palace of the former Kathmandu Kingdom is one of three Durbar (royal palace) Squares in the Kathmandu Valley in Nepal, all of which are UNESCO World Heritage Sites.

 

Several buildings in the Square collapsed due to a major earthquake on 25 April 2015. Durbar Square was surrounded with spectacular architecture and vividly showcases the skills of the Newar artists and craftsmen over several centuries. The Royal Palace was originally at Dattaraya square and was later moved to the Durbar square.

 

The Kathmandu Durbar Square held the palaces of the Malla and Shah kings who ruled over the city. Along with these palaces, the square surrounds quadrangles, revealing courtyards and temples. It is known as Hanuman Dhoka Durbar Square, a name derived from a statue of Hanuman, the monkey devotee of Lord Ram, at the entrance of the palace.

 

CONTENTS

HISTORY AND CONSTRUCTION

The preference for the construction of royal palaces at this site dates back to as early as the Licchavi period in the third century. Even though the present palaces and temples have undergone repeated and extensive renovations and nothing physical remains from that period. Names like Gunapo and Gupo, which are the names referred to the palaces in the square in early scriptures, imply that the palaces were built by Gunakamadev, a King ruling late in the tenth-century. When Kathmandu City became independent under the rule of King Ratna Malla (1484–1520), the palaces in the square became the Royal Palaces for its Malla Kings. When Prithvi Narayan Shah invaded the Kathmandu Valley in 1769, he favored the Kathmandu Durbar Square for his palace. Other subsequent Shah kings continued to rule from the square until 1896 when they moved to the Narayan Hiti Palace.

 

The square is still the center of important royal events like the coronation of King Birendra Bir Bikram Shah in 1975 and King Gyanendra Bir Bikram Shah in 2001.

 

Though there are no written archives stating the history of Kathmandu Durbar Square, construction of the palace in the square is credited to Sankharadev (1069–1083). As the first king of the independent Kathmandu City, Ratna Malla is said to have built the Taleju temple in the Northern side of the palace in 1501. For this to be true then the temple would have had to have been built in the vihara style as part of the palace premise surrounding the Mul Chok courtyard for no evidence of a separate structure that would match this temple can be found within the square.

 

Construction of the Karnel Chok is not clearly stated in any historical inscriptions; although, it is probably the oldest among all the courtyards in the square. The Bhagavati Temple, originally known as a Narayan Temple, rises above the mansions surrounding it and was added during the time of Jagajaya Malla in the early eighteenth century. The Narayan idol within the temple was stolen so Prithvi Narayan Shah replaced it with an image of Bhagavati, completely transforming the name of the temple.

 

The oldest temples in the square are those built by Mahendra Malla (1560–1574). They are the temples of Jagannath, Kotilingeswara Mahadev, Mahendreswara, and the Taleju Temple. This three-roofed Taleju Temple was established in 1564, in a typical Newari architectural style and is elevated on platforms that form a pyramid-like structure. It is said that Mahendra Malla, when he was residing in Bhaktapur, was highly devoted to the Taleju Temple there; the Goddess being pleased with his devotion gave him a vision asking him to build a temple for her in the Kathmandu Durbar Square. With a help of a hermit, he designed the temple to give it its present form and the Goddess entered the temple in the form of a bee.

 

His successors Sadasiva (1575–1581), his son, Shiva Simha (1578–1619), and his grandson, Laksmi Narsingha (1619–1641), do not seem to have made any major additions to the square. During this period of three generations the only constructions to have occurred were the establishment of Degutale Temple dedicated to Goddess Mother Taleju by Shiva Simha and some enhancement in the royal palace by Laksminar Simha.

 

UNDER PRATAP MALLA

In the time of Pratap Malla, son of Laksminar Simha, the square was extensively developed. He was an intellectual, a pious devotee, and especially interested in arts. He called himself a Kavindra, king of poets, and boasted that he was learned in fifteen different languages. A passionate builder, following his coronation as a king, he immediately began enlargements to his royal palace, and rebuilt some old temples and constructed new temples, shrines and stupas around his kingdom.During the construction of his palace, he added a small entrance in the traditional, low and narrow Newari style. The door was elaborately decorated with carvings and paintings of deities and auspicious sings and was later transferred to the entrance of Mohan Chok. In front of the entrance he placed the statue of Hanuman thinking that Hanuman would strengthen his army and protect his home. The entrance leads to Nasal Chok, the courtyard where most royal events such as coronation, performances, and yagyas, holy fire rituals, take place. It was named after Nasadya, the God of Dance, and during the time of Pratap Malla the sacred mask dance dramas performed in Nasal Chok were widely famed. In one of these dramas, it is said that Pratap Malla himself played the role of Lord Vishnu and that the spirit of the Lord remained in the king's body even after the play. After consulting his Tantric leaders, he ordered a stone image of Lord Vishnu in his incarnation as Nara Simha, the half-lion and half-human form, and then transferred the spirit into the stone. This fine image of Nara Simha made in 1673 still stands in the Nasal Chok. In 1650, he commissioned for the construction of Mohan Chok in the palace. This chok remained the royal residential courtyard for many years and is believed to store a great amount of treasure under its surface. Pratap Malla also built Sundari Chok about this time. He placed a slab engraved with lines in fifteen languages and proclaimed that he who can understand the inscription would produce the flow of milk instead of water from Tutedhara, a fountain set in the outer walls of Mohan Chok. However elaborate his constructions may have been, they were not simply intended to emphasize his luxuries but also his and the importance of others' devotion towards deities. He made extensive donations to temples and had the older ones renovated. Next to the palace, he built a Krishna temple, the Vamsagopala, in an octagonal shape in 1649. He dedicated this temple to his two Indian wives, Rupamati and Rajamati, as both had died during the year it was built. In Mohan Chok, he erected a three roofed Agamachem temple and a unique temple with five superimposing roofs. After completely restoring the Mul Chok, he donated to the adjoining Taleju Temple. To the main temple of Taleju, he donated metal doors in 1670. He rebuilt the Degutale Temple built by his grandfather, Siva Simha, and the Taleju Temple in the palace square. As a substitute to the Indreswara Mahadeva Temple in the distant village of Panauti he built a Shiva temple, Indrapura, near his palace in the square. He carved hymns on the walls of the Jagannath Temple as prayers to Taleju in the form of Kali.

 

At the southern end of the square, near Kasthamandap at Maru, which was the main city crossroads for early traders, he built another pavilion named Kavindrapura, the mansion of the king of poets. In this mansion he set an idol of dancing Shiva, Nasadyo, which today is highly worshipped by dancers in the Valley.

 

In the process of beautifying his palace, he added fountains, ponds, and baths. In Sundari Chok, he established a low bath with a golden fountain. He built a small pond, the Naga Pokhari, in the palace adorned with Nagakastha, a wooden serpent, which is said he had ordered stolen from the royal pond in the Bhaktapur Durbar Square. He restored the Licchavi stone sculptures such as the Jalasayana Narayana, the Kaliyadamana, and the Kala Bhairav. An idol of Jalasayana Narayana was placed in a newly created pond in the Bhandarkhal garden in the eastern wing of the palace. As a substitute to the idol of Jalasayana Narayana in Buddhanilkantha, he channeled water from Buddhanilkantha to the pond in Bhandarkhal due bestow authenticity. The Kalyadana, a manifestation of Lord Krishna destroying Kaliya, a water serpent, is placed in Kalindi Chok, which is adjacent to the Mohan Chok. The approximately ten-feet-high image of terrifyingly portrayed Kal Bhairav is placed near the Jagannath Temple. This image is the focus of worship in the chok especially during Durga Puja.

 

With the death of Pratap Malla in 1674, the overall emphasis on the importance of the square came to a halt. His successors retained relatively insignificant power and the prevailing ministers took control of most of the royal rule. The ministers encountered little influence under these kings and, increasingly, interest of the arts and additions to the square was lost on them. They focused less on culture than Pratap Malla during the three decades that followed his death, steering the city and country more towards the arenas of politics and power, with only a few minor constructions made in the square. These projects included Parthivendra Malla building a temple referred to as Trailokya Mohan or Dasavatara, dedicated to Lord Vishnu in 1679. A large statue of Garuda, the mount of Lord Vishnu, was added in front of it a decade later. Parthivendra Malla added a pillar with image of his family in front of the Taleju Temple.

 

Around 1692, Radhilasmi, the widowed queen of Pratap Malla, erected the tall temples of Shiva known as Maju Deval near the Garuda image in the square. This temple stands on nine stepped platforms and is one of the tallest buildings in the square. Then her son, Bhupalendra Malla, took the throne and banished the widowed queen to the hills. His death came early at the age of twenty one and his widowed queen, Bhuvanalaksmi, built a temple in the square known as Kageswara Mahadev. The temple was built in the Newari style and acted as a substitute for worship of a distant temple in the hills. After the earthquake in 1934, the temple was restored with a dome roof, which was alien to the Newari architecture.

 

Jayaprakash Malla, the last Malla king to rule Kathmandu, built a temple for Kumari and Durga in her virginal state. The temple was named Kumari Bahal and was structured like a typical Newari vihara. In his house resides the Kumari, a girl who is revered as the living goddess. He also made a chariot for Kumari and in the courtyard had detailed terra cotta tiles of that time laid down.

 

UNDER THE SHAH DYNASTY

During the Shah dynasty that followed, the Kathmandu Durbar Square saw a number of changes. Two of the most unique temples in the square were built during this time. One is the Nautale, a nine-storied building known as Basantapur Durbar. It has four roofs and stands at the end of Nasal Chok at the East side of the palace. It is said that this building was set as a pleasure house. The lower three stories were made in the Newari farmhouse style. The upper floors have Newari style windows, sanjhya and tikijhya, and some of them are slightly projected from the wall. The other temple is annexed to the Vasantapur Durbar and has four-stories. This building was initially known as Vilasamandira, or Lohom Chok, but is now commonly known as Basantapur or Tejarat Chok. The lower floors of the Basantapur Chok display extensive woodcarvings and the roofs are made in popular the Mughal style. Archives state that Prthivi Narayan Shah built these two buildings in 1770.

 

Rana Bahadur Shah was enthroned at the age of two. Bahadur Shah, the second son of Prithvi Narayan Shah, ruled as a regent for his young nephew Rana Bahadur Shah for a close to a decade from 1785 to 1794 and built a temple of Shiva Parvati in the square. This one roofed temple is designed in the Newari style and is remarkably similar to previous temples built by the Mallas. It is rectangular in shape, and enshrines the Navadurga, a group of goddesses, on the ground floor. It has a wooden image of Shiva and Parvati at the window of the upper floor, looking out at the passersby in the square. Another significant donation made during the time of Rana Bahadur Shah is the metal-plated head of Swet Bhairav near the Degutale Temple. It was donated during the festival of Indra Jatra in 1795, and continues to play a major role during the festival every year. This approximately twelve feet high face of Bhairav is concealed behind a latticed wooden screen for the rest of the year. The following this donation Rana Bahadur donated a huge bronze bell as an offering to the Goddess Taleju. Together with the beating of the huge drums donated by his son Girvan Yudha, the bell was rung every day during the daily ritual worship to the goddess. Later these instruments were also used as an alarm system. However, after the death of his beloved third wife Kanimati Devi due to smallpox, Rana Bahadur Shah turned mad with grief and had many images of gods and goddesses smashed including the Taleju statue and bell, and Sitala, the goddess of smallpox.

 

In 1908, a palace, Gaddi Durbar, was built using European architectural designs. The Rana Prime Ministers who had taken over the power but not the throne of the country from the Shahs Kings from 1846 to 1951 were highly influenced by European styles. The Gaddi Durbar is covered in white plaster, has Greek columns and adjoins a large audience hall, all foreign features to Nepali architecture. The balconies of this durbar were reserved for the royal family during festivals to view the square below.

 

Some of the parts of the square like the Hatti Chok near the Kumari Bahal in the southern section of the square were removed during restoration after the devastating earthquake in 1934. While building the New Road, the southeastern part of the palace was cleared away, leaving only fragments in places as reminders of their past. Though decreased from its original size and attractiveness from its earlier seventeenth-century architecture, the Kathmandu Durbar Square still displays an ancient surrounding that spans abound five acres of land. It has palaces, temples, quadrangles, courtyards, ponds, and images that were brought together over three centuries of the Malla, the Shah, and the Rana dynasties. It was destroyed in the April 2015 Nepal earthquake.

 

VISITING

Kathmandu's Durbar Square is the site of the Hanuman Dhoka Palace Complex, which was the royal Nepalese residence until the 19th century and where important ceremonies, such as the coronation of the Nepalese monarch, took place. The palace is decorated with elaborately-carved wooden windows and panels and houses the King Tribhuwan Memorial Museum and the Mahendra Museum. It is possible to visit the state rooms inside the palace.

 

Time and again the temples and the palaces in the square have gone through reconstruction after being damaged by natural causes or neglect. Presently there are less than ten quadrangles in the square. The temples are being preserved as national heritage sites and the palace is being used as a museum. Only a few parts of the palace are open for visitors and the Taleju temples are only open for people of Hindu and Buddhist faiths.

 

At the southern end of Durbar Square is one of the most curious attractions in Nepal, the Kumari Chok. This gilded cage contains the Raj Kumari, a girl chosen through an ancient and mystical selection process to become the human incarnation of the Hindu mother goddess, Durga. She is worshiped during religious festivals and makes public appearances at other times for a fee paid to her guards.

 

WIKIPEDIA

 

Rover Systems CCTV Philippines

 

Product of the Month

Rover Systems Wireless Alarm Systems

For more info:

Call us: 7237959 / 7441389 to 91

Website: www.roversystems.com.ph

‪#‎roversystems‬ ‪#‎cctvphilippines‬

Need Home Security System India for Home and Office, Contact DFS Services. Buy High Quality Home Security Intruder Alarm System or Burglar Alarm System, Video Doorbell and Security Cameras (IP Camera). Dfs Services is the best company for Home Security Systems in India.

©AVucha 2018

A McHenry man was arrested Sunday morning after allegedly threatening a person with a firearm and refusing to cooperate with police.

 

William B. Cheatham, 56, was arrested at his home in the 1000 block of North Front Street, according to a statement from McHenry Police Chief John Birk.

 

Officers were called to the scene about 8:30 p.m. after a report of a domestic disturbance. When officers arrived, it was reported that Cheatham threatened to harm one of the victims with a firearm, Birk said. Cheatham reportedly retreated into his residence and refused to answer responding officers.

 

An investigation revealed that Cheatham was a convicted felon and in possession of numerous firearms. A search warrant for the residence was obtained.

 

Because of a threat of weapons, the McHenry Police Department requested assistance from the Emergency Services Team of the Northern Illinois Police Alarm System. NIPAS is a joint venture of suburban municipal police agencies that provide mutual aid.

 

Police entered the residence, and Cheatham was taken into custody without incident. During a search of the residence, investigators recovered 13 long guns, two handguns and ammunition, Birk said. To help ensure the safety of other area residents, Route 31 was closed to traffic for about four hours.

 

Cheatham faces charges of unlawful possession of a firearm by a felon, assault and disorderly conduct.

 

Cheatham was processed and taken to the McHenry County Jail to await a bond hearing.

McHenry police could not be reached for information Sunday.

 

Caller shares her story

 

Cheatham’s girlfriend, Jami Stefko, told the Northwest Herald on Sunday morning that Cheatham threatened to put a gun to her 17-year-old daughter’s head. Stefko said Cheatham came home from work intoxicated and was upset that her daughter had guests.

 

To avoid conflict, Stefko said she escorted her daughter and their guests out of the home before calling 911.

 

“He threatened my 17-year-old daughter, and he has guns. He didn’t pull one out, but the point is he shouldn’t say that,” Stefko said. “She’s doing OK. She’s here with me sleeping.”

 

She said Cheatham was the only person inside the home when police arrived and the hours-long standoff began.

 

“They had to break our bedroom window on the side of the house, where it’s taped and broken, and they had to throw tear gas in,” Stefko said.

 

Stefko, who was busy airing out their bedroom Sunday, said the fate of their relationship is unclear.

 

“I don’t know what’s going to happen. I’m tired right now,” she said. “It’s upsetting, but everybody’s safe. That’s the most important. At least it didn’t end bad. Bill’s alive, no cops got hurt, we’re all OK.”

 

Cheatham was convicted of aggravated driving under the influence after being arrested in May 2012.

 

Area bar cleared

 

Bartender Dana Johnson said the nearby Corner Tap, 3901 Main St., was shut down during the standoff. When she returned to work Sunday morning, the place looked like “everyone went out for a cigarette” and never came back.

 

“This morning it was kind of funny coming in because everything was left as if everyone was still drinking,” Johnson said. “Everybody had to leave. Lights were left on. Cash was left out. It was really crazy.”

 

Johnson said Cheatham was a regular and got along with most patrons.

 

“He helps the community all the time,” she said. “He’s a veteran. I never would have imagined this happening. Never.”

  

*Written by Daniel Gaitan, Northwest Herald

  

This photograph is being made available only for personal use printing by the subject(s) of the photograph. The photograph may not be manipulated in any way and may not be used in commercial material, advertisements, emails, products, promotions without the expressed consent of Alex Vucha.

©AVucha 2014

A 30-year-old Cary man was safely escorted from a neighborhood residence and to a hospital after he barricaded himself from a large police contingent for roughly four hours Wednesday.

Cary Police Deputy Chief James Fillmore said the man, who was threatening to harm himself and "under a lot of emotional stress," was taken to Centegra Hospital-McHenry at 3:12 p.m. after first responders arrived on the scene at Hillhurst Drive at 11 a.m. The man was unarmed and no one was hurt during the situation, Fillmore said.

The man had climbed into the garage attic and refused to come down for family members, police said.

Fillmore said no charges would be filed in the incident. Fillmore said police have responded to domestic disturbances at the home on the 300 block of Hillhurst Drive several times in the past.

The four-hour operation required a heavy police presence that included officers from Cary, Streamwood, Round Lake, Roselle, Fox River Grove and other municipalities. On scene, marked and unmarked vehicles lined the surrounding streets, and armed, vested officers, including K9 units, were seen walking toward the residence.

A large Northern Illinois Police Alarm System vehicle also was on scene. Cary Police blocked off a square area from Decker Drive to Hillhurst Drive bordered by Bryan and Bell drives. School bus routes were also redirected because of the situation.

The incident comes within a week of a Holiday Hills man shooting and wounding two McHenry County Sheriff’s officers. That incident led to an even larger police response as a 16-hour manhunt ensued before Scott B. Peters was arrested and charged with shooting the officers.

 

*Article obtained from the Northwest Herald

Illinois Law Enforcement Alarm System - Region 3

Olympia was the first US Navy Ship fitted with a mechanically chilled drinking water dispenser or scuttlebutt.

 

USS Olympia (C-6/CA-15/CL-15/IX-40) is a protected cruiser that saw service in the United States Navy from her commissioning in 1895 until 1922. This vessel became famous as the flagship of Commodore George Dewey at the Battle of Manila Bay during the Spanish-American War in 1898. The ship was decommissioned after returning to the U.S. in 1899, but was returned to active service in 1902.

 

She served until World War I as a training ship for naval cadets and as a floating barracks in Charleston, South Carolina. In 1917, she was mobilized again for war service, patrolling the American coast and escorting transport ships.

 

Following the end of World War I, Olympia participated in the 1919 Allied intervention in the Russian Civil War, and conducted cruises in the Mediterranean and Adriatic Seas to promote peace in the unstable Balkan countries. In 1921, the ship carried the remains of World War I's Unknown Soldier from France to Washington, DC, where his body was interred in Arlington National Cemetery. Olympia was decommissioned for the last time in December 1922 and placed in reserve.

 

In 1957, the U.S. Navy ceded title to the Cruiser Olympia Association, which restored the ship to her 1898 configuration. Since then, Olympia has been a museum ship in Philadelphia, Pennsylvania, and is now part of the Independence Seaport Museum. Olympia is the oldest steel US warship still afloat. However, the Museum has been unable to fund essential maintenance for the old ship, and attempts to secure outside funding have failed. Therefore the current steward, under direction of the US Navy has put the ship up for availability to new stewards. It will take an estimated ten million dollars to put Olympia in a stable condition.

 

Olympia was designated a National Historic Landmark in 1966.

 

As of 2012, Olympia's future was uncertain; repairs are desperately needed to keep the ship afloat. Four entities from San Francisco, California, Beaufort, South Carolina, Philadelphia, Pennsylvania, and Washington, DC, are vying to be a new steward, but it is a race against time due to the waterline deterioration of the hull. As the current entities are in competition for the ship, no significant repairs have been made, although the current steward has done some minor repairs. In reaction to this gap in coverage, the National Trust for Historic Preservation (NTHP) has set up a fund repository which, if funds are raised, will be directly applied to immediate repairs of the vessel with the cooperation of the current steward. At the present time, March 2012, the NTHP is considering a triple application by the Naval Historical Foundation, the Historic Naval Ships Association, and the National Maritime Association to have Olympia placed on the NTHP's list of the eleven most endangered "places". The steward applicants from San Francisco (Mare Island), and Beaufort, S.C., have endorsed the application. Despite these positive steps, Olympia is in critical danger due to the lack of funds.

 

Since 2011, Independence Seaport Museum has renewed its commitment to the continued preservation of the Cruiser Olympia until the Transfer Application Process reaches its conclusion in summer 2014. The Museum has invested in extensive stabilization measures including reinforcing the most deteriorated areas of the hull, expanding the alarm system, installing a network of bilge pumping stand pipes (which will provide greater damage control capability in the unlikely event of a hull breech), extensive deck patching and extensive repair and recoating of the ship’s rigging. Although still in need of dry docking and substantial restoration, the Olympia is in a more stable condition now than it has been for years. This work was made possible by donations from the National Trust for Historic Preservation, The U.S. Cruiser Sailors Association and many individual donors.

 

Of the six candidates that originally applied for stewardship of the cruiser Olympia, only two remain: an organization in California and an organization in South Carolina. The Museum continues to seek resources to preserve the ship for education and interpretation. The ship will remain open to the public seven days a week from 10:00 am to 5:00 pm, and until 7:00 pm on Thursdays, Fridays and Saturdays from Memorial Day weekend through Labor Day weekend.

 

www.phillyseaport.org/olympia

en.wikipedia.org/wiki/USS_Olympia_%28C-6%29

Kathmandu Durbar Square (Nepali: वसन्तपुर दरवार क्षेत्र, Basantapur Darbar Kshetra) in front of the old royal palace of the former Kathmandu Kingdom is one of three Durbar (royal palace) Squares in the Kathmandu Valley in Nepal, all of which are UNESCO World Heritage Sites.

 

Several buildings in the Square collapsed due to a major earthquake on 25 April 2015. Durbar Square was surrounded with spectacular architecture and vividly showcases the skills of the Newar artists and craftsmen over several centuries. The Royal Palace was originally at Dattaraya square and was later moved to the Durbar square.

 

The Kathmandu Durbar Square held the palaces of the Malla and Shah kings who ruled over the city. Along with these palaces, the square surrounds quadrangles, revealing courtyards and temples. It is known as Hanuman Dhoka Durbar Square, a name derived from a statue of Hanuman, the monkey devotee of Lord Ram, at the entrance of the palace.

 

CONTENTS

HISTORY AND CONSTRUCTION

The preference for the construction of royal palaces at this site dates back to as early as the Licchavi period in the third century. Even though the present palaces and temples have undergone repeated and extensive renovations and nothing physical remains from that period. Names like Gunapo and Gupo, which are the names referred to the palaces in the square in early scriptures, imply that the palaces were built by Gunakamadev, a King ruling late in the tenth-century. When Kathmandu City became independent under the rule of King Ratna Malla (1484–1520), the palaces in the square became the Royal Palaces for its Malla Kings. When Prithvi Narayan Shah invaded the Kathmandu Valley in 1769, he favored the Kathmandu Durbar Square for his palace. Other subsequent Shah kings continued to rule from the square until 1896 when they moved to the Narayan Hiti Palace.

 

The square is still the center of important royal events like the coronation of King Birendra Bir Bikram Shah in 1975 and King Gyanendra Bir Bikram Shah in 2001.

 

Though there are no written archives stating the history of Kathmandu Durbar Square, construction of the palace in the square is credited to Sankharadev (1069–1083). As the first king of the independent Kathmandu City, Ratna Malla is said to have built the Taleju temple in the Northern side of the palace in 1501. For this to be true then the temple would have had to have been built in the vihara style as part of the palace premise surrounding the Mul Chok courtyard for no evidence of a separate structure that would match this temple can be found within the square.

 

Construction of the Karnel Chok is not clearly stated in any historical inscriptions; although, it is probably the oldest among all the courtyards in the square. The Bhagavati Temple, originally known as a Narayan Temple, rises above the mansions surrounding it and was added during the time of Jagajaya Malla in the early eighteenth century. The Narayan idol within the temple was stolen so Prithvi Narayan Shah replaced it with an image of Bhagavati, completely transforming the name of the temple.

 

The oldest temples in the square are those built by Mahendra Malla (1560–1574). They are the temples of Jagannath, Kotilingeswara Mahadev, Mahendreswara, and the Taleju Temple. This three-roofed Taleju Temple was established in 1564, in a typical Newari architectural style and is elevated on platforms that form a pyramid-like structure. It is said that Mahendra Malla, when he was residing in Bhaktapur, was highly devoted to the Taleju Temple there; the Goddess being pleased with his devotion gave him a vision asking him to build a temple for her in the Kathmandu Durbar Square. With a help of a hermit, he designed the temple to give it its present form and the Goddess entered the temple in the form of a bee.

 

His successors Sadasiva (1575–1581), his son, Shiva Simha (1578–1619), and his grandson, Laksmi Narsingha (1619–1641), do not seem to have made any major additions to the square. During this period of three generations the only constructions to have occurred were the establishment of Degutale Temple dedicated to Goddess Mother Taleju by Shiva Simha and some enhancement in the royal palace by Laksminar Simha.

 

UNDER PRATAP MALLA

In the time of Pratap Malla, son of Laksminar Simha, the square was extensively developed. He was an intellectual, a pious devotee, and especially interested in arts. He called himself a Kavindra, king of poets, and boasted that he was learned in fifteen different languages. A passionate builder, following his coronation as a king, he immediately began enlargements to his royal palace, and rebuilt some old temples and constructed new temples, shrines and stupas around his kingdom.During the construction of his palace, he added a small entrance in the traditional, low and narrow Newari style. The door was elaborately decorated with carvings and paintings of deities and auspicious sings and was later transferred to the entrance of Mohan Chok. In front of the entrance he placed the statue of Hanuman thinking that Hanuman would strengthen his army and protect his home. The entrance leads to Nasal Chok, the courtyard where most royal events such as coronation, performances, and yagyas, holy fire rituals, take place. It was named after Nasadya, the God of Dance, and during the time of Pratap Malla the sacred mask dance dramas performed in Nasal Chok were widely famed. In one of these dramas, it is said that Pratap Malla himself played the role of Lord Vishnu and that the spirit of the Lord remained in the king's body even after the play. After consulting his Tantric leaders, he ordered a stone image of Lord Vishnu in his incarnation as Nara Simha, the half-lion and half-human form, and then transferred the spirit into the stone. This fine image of Nara Simha made in 1673 still stands in the Nasal Chok. In 1650, he commissioned for the construction of Mohan Chok in the palace. This chok remained the royal residential courtyard for many years and is believed to store a great amount of treasure under its surface. Pratap Malla also built Sundari Chok about this time. He placed a slab engraved with lines in fifteen languages and proclaimed that he who can understand the inscription would produce the flow of milk instead of water from Tutedhara, a fountain set in the outer walls of Mohan Chok. However elaborate his constructions may have been, they were not simply intended to emphasize his luxuries but also his and the importance of others' devotion towards deities. He made extensive donations to temples and had the older ones renovated. Next to the palace, he built a Krishna temple, the Vamsagopala, in an octagonal shape in 1649. He dedicated this temple to his two Indian wives, Rupamati and Rajamati, as both had died during the year it was built. In Mohan Chok, he erected a three roofed Agamachem temple and a unique temple with five superimposing roofs. After completely restoring the Mul Chok, he donated to the adjoining Taleju Temple. To the main temple of Taleju, he donated metal doors in 1670. He rebuilt the Degutale Temple built by his grandfather, Siva Simha, and the Taleju Temple in the palace square. As a substitute to the Indreswara Mahadeva Temple in the distant village of Panauti he built a Shiva temple, Indrapura, near his palace in the square. He carved hymns on the walls of the Jagannath Temple as prayers to Taleju in the form of Kali.

 

At the southern end of the square, near Kasthamandap at Maru, which was the main city crossroads for early traders, he built another pavilion named Kavindrapura, the mansion of the king of poets. In this mansion he set an idol of dancing Shiva, Nasadyo, which today is highly worshipped by dancers in the Valley.

 

In the process of beautifying his palace, he added fountains, ponds, and baths. In Sundari Chok, he established a low bath with a golden fountain. He built a small pond, the Naga Pokhari, in the palace adorned with Nagakastha, a wooden serpent, which is said he had ordered stolen from the royal pond in the Bhaktapur Durbar Square. He restored the Licchavi stone sculptures such as the Jalasayana Narayana, the Kaliyadamana, and the Kala Bhairav. An idol of Jalasayana Narayana was placed in a newly created pond in the Bhandarkhal garden in the eastern wing of the palace. As a substitute to the idol of Jalasayana Narayana in Buddhanilkantha, he channeled water from Buddhanilkantha to the pond in Bhandarkhal due bestow authenticity. The Kalyadana, a manifestation of Lord Krishna destroying Kaliya, a water serpent, is placed in Kalindi Chok, which is adjacent to the Mohan Chok. The approximately ten-feet-high image of terrifyingly portrayed Kal Bhairav is placed near the Jagannath Temple. This image is the focus of worship in the chok especially during Durga Puja.

 

With the death of Pratap Malla in 1674, the overall emphasis on the importance of the square came to a halt. His successors retained relatively insignificant power and the prevailing ministers took control of most of the royal rule. The ministers encountered little influence under these kings and, increasingly, interest of the arts and additions to the square was lost on them. They focused less on culture than Pratap Malla during the three decades that followed his death, steering the city and country more towards the arenas of politics and power, with only a few minor constructions made in the square. These projects included Parthivendra Malla building a temple referred to as Trailokya Mohan or Dasavatara, dedicated to Lord Vishnu in 1679. A large statue of Garuda, the mount of Lord Vishnu, was added in front of it a decade later. Parthivendra Malla added a pillar with image of his family in front of the Taleju Temple.

 

Around 1692, Radhilasmi, the widowed queen of Pratap Malla, erected the tall temples of Shiva known as Maju Deval near the Garuda image in the square. This temple stands on nine stepped platforms and is one of the tallest buildings in the square. Then her son, Bhupalendra Malla, took the throne and banished the widowed queen to the hills. His death came early at the age of twenty one and his widowed queen, Bhuvanalaksmi, built a temple in the square known as Kageswara Mahadev. The temple was built in the Newari style and acted as a substitute for worship of a distant temple in the hills. After the earthquake in 1934, the temple was restored with a dome roof, which was alien to the Newari architecture.

 

Jayaprakash Malla, the last Malla king to rule Kathmandu, built a temple for Kumari and Durga in her virginal state. The temple was named Kumari Bahal and was structured like a typical Newari vihara. In his house resides the Kumari, a girl who is revered as the living goddess. He also made a chariot for Kumari and in the courtyard had detailed terra cotta tiles of that time laid down.

 

UNDER THE SHAH DYNASTY

During the Shah dynasty that followed, the Kathmandu Durbar Square saw a number of changes. Two of the most unique temples in the square were built during this time. One is the Nautale, a nine-storied building known as Basantapur Durbar. It has four roofs and stands at the end of Nasal Chok at the East side of the palace. It is said that this building was set as a pleasure house. The lower three stories were made in the Newari farmhouse style. The upper floors have Newari style windows, sanjhya and tikijhya, and some of them are slightly projected from the wall. The other temple is annexed to the Vasantapur Durbar and has four-stories. This building was initially known as Vilasamandira, or Lohom Chok, but is now commonly known as Basantapur or Tejarat Chok. The lower floors of the Basantapur Chok display extensive woodcarvings and the roofs are made in popular the Mughal style. Archives state that Prthivi Narayan Shah built these two buildings in 1770.

 

Rana Bahadur Shah was enthroned at the age of two. Bahadur Shah, the second son of Prithvi Narayan Shah, ruled as a regent for his young nephew Rana Bahadur Shah for a close to a decade from 1785 to 1794 and built a temple of Shiva Parvati in the square. This one roofed temple is designed in the Newari style and is remarkably similar to previous temples built by the Mallas. It is rectangular in shape, and enshrines the Navadurga, a group of goddesses, on the ground floor. It has a wooden image of Shiva and Parvati at the window of the upper floor, looking out at the passersby in the square. Another significant donation made during the time of Rana Bahadur Shah is the metal-plated head of Swet Bhairav near the Degutale Temple. It was donated during the festival of Indra Jatra in 1795, and continues to play a major role during the festival every year. This approximately twelve feet high face of Bhairav is concealed behind a latticed wooden screen for the rest of the year. The following this donation Rana Bahadur donated a huge bronze bell as an offering to the Goddess Taleju. Together with the beating of the huge drums donated by his son Girvan Yudha, the bell was rung every day during the daily ritual worship to the goddess. Later these instruments were also used as an alarm system. However, after the death of his beloved third wife Kanimati Devi due to smallpox, Rana Bahadur Shah turned mad with grief and had many images of gods and goddesses smashed including the Taleju statue and bell, and Sitala, the goddess of smallpox.

 

In 1908, a palace, Gaddi Durbar, was built using European architectural designs. The Rana Prime Ministers who had taken over the power but not the throne of the country from the Shahs Kings from 1846 to 1951 were highly influenced by European styles. The Gaddi Durbar is covered in white plaster, has Greek columns and adjoins a large audience hall, all foreign features to Nepali architecture. The balconies of this durbar were reserved for the royal family during festivals to view the square below.

 

Some of the parts of the square like the Hatti Chok near the Kumari Bahal in the southern section of the square were removed during restoration after the devastating earthquake in 1934. While building the New Road, the southeastern part of the palace was cleared away, leaving only fragments in places as reminders of their past. Though decreased from its original size and attractiveness from its earlier seventeenth-century architecture, the Kathmandu Durbar Square still displays an ancient surrounding that spans abound five acres of land. It has palaces, temples, quadrangles, courtyards, ponds, and images that were brought together over three centuries of the Malla, the Shah, and the Rana dynasties. It was destroyed in the April 2015 Nepal earthquake.

 

VISITING

Kathmandu's Durbar Square is the site of the Hanuman Dhoka Palace Complex, which was the royal Nepalese residence until the 19th century and where important ceremonies, such as the coronation of the Nepalese monarch, took place. The palace is decorated with elaborately-carved wooden windows and panels and houses the King Tribhuwan Memorial Museum and the Mahendra Museum. It is possible to visit the state rooms inside the palace.

 

Time and again the temples and the palaces in the square have gone through reconstruction after being damaged by natural causes or neglect. Presently there are less than ten quadrangles in the square. The temples are being preserved as national heritage sites and the palace is being used as a museum. Only a few parts of the palace are open for visitors and the Taleju temples are only open for people of Hindu and Buddhist faiths.

 

At the southern end of Durbar Square is one of the most curious attractions in Nepal, the Kumari Chok. This gilded cage contains the Raj Kumari, a girl chosen through an ancient and mystical selection process to become the human incarnation of the Hindu mother goddess, Durga. She is worshiped during religious festivals and makes public appearances at other times for a fee paid to her guards.

 

WIKIPEDIA

Kathmandu Durbar Square or Hanuman Dhoka Durbar Square is the plaza in front of the old royal palace of the then Kathmandu Kingdom. It is one of three Durbar (royal palace) Squares in the Kathmandu Valley in Nepal, all of which are UNESCO World Heritage Sites.

 

The Durbar Square is surrounded with spectacular architecture and vividly showcases the skills of the Newar artists and craftsmen over several centuries. The royal palace was originally at Dattaraya square and was later moved to the Durbar square location.

 

The Kathmandu Durbar Square holds the palaces of the Malla and Shah kings who ruled over the city. Along with these palaces, the square surrounds quadrangles revealing courtyards and temples. It is known as Hanuman Dhoka Durbar Square, a name derived from a statue of Hanuman, the monkey devotee of Lord Ram, at the entrance of the palace.

 

HISTORY AND CONSTRUCTION

The preference for the construction of royal palaces at this site dates back to as early as the Licchavi period in the third century. Even though the present palaces and temples have undergone repeated and extensive renovations and nothing physical remains from that period, names like Gunapo and Gupo, which are the names referred to the palaces in the square in early scriptures, imply that the palaces were built by Gunakamadev, a king ruling late in the tenth century. When Kathmandu City became independent under the rule of King Ratna Malla (1484–1520) the palaces in the square became the royal palaces for its Malla kings. When Prithvi Narayan Shah invaded the Kathmandu Valley in 1769, he favored the Kathmandu Durbar Square for his palace. Other subsequent Shah kings continued to rule from the square until 1896 when they moved to the Narayan Hiti Palace.

 

The square is still the center of important royal events like the coronation of King Birendra Bir Bikram Shah in 1975 and King Gyanendra Bir Bikram Shah in 2001.

 

Though there are no written archives stating the history of Kathmandu Durbar Square, construction of the palace in the square is credited to Sankharadev (1069–1083). As the first king of the independent Kathmandu City, Ratna Malla is said to have built the Taleju temple in the Northern side of the palace in 1501. For this to be true then the temple would have had to have been built in the vihara style as part of the palace premise surrounding the Mul Chok courtyard for no evidence of a separate structure that would match this temple can be found within the square.

 

Construction of the Karnel Chok is not clearly stated in any historical inscriptions; although, it is probably the oldest among all the courtyards in the square. The Bhagavati Temple, originally known as a Narayan Temple, rises above the mansions surrounding it and was added during the time of Jagajaya Malla in the early eighteenth century. The Narayan idol within the temple was stolen so Prithvi Narayan Shah replaced it with an image of Bhagavati, completely transforming the name of the temple.

 

The oldest temples in the square are those built by Mahendra Malla (1560–1574). They are the temples of Jagannath, Kotilingeswara Mahadev, Mahendreswara, and the Taleju Temple. This three-roofed Taleju Temple was established in 1564, in a typical Newari architectural style and is elevated on platforms that form a pyramid-like structure. It is said that Mahendra Malla, when he was residing in Bhaktapur, was highly devoted to the Taleju Temple there; the Goddess being pleased with his devotion gave him a vision asking him to build a temple for her in the Kathmandu Durbar Square. With a help of a hermit, he designed the temple to give it its present form and the Goddess entered the temple in the form of a bee.

 

His successors Sadasiva (1575–1581), his son, Shiva Simha (1578–1619), and his grandson, Laxmi Narsingha (1619–1641), do not seem to have made any major additions to the square. During this period of three generations the only constructions to have occurred were the establishment of Degutale Temple dedicated to Goddess Mother Taleju by Shiva Simha and some enhancement in the royal palace by Laksminar Simha.

 

UNDER PRATAP MALLA

In the time of Pratap Malla, son of Laksminar Simha, the square was extensively developed. He was an intellectual, a pious devotee, and especially interested in arts. He called himself a Kavindra, king of poets, and boasted that he was learned in fifteen different languages. A passionate builder, following his coronation as a king, he immediately began enlargements to his royal palace, and rebuilt some old temples and constructed new temples, shrines and stupas around his kingdom. There also took the massacre called Kot Parva where the queen, prime minister, head of the states,and other people with guards died. This massacre took place in the court yard inside the palace.

 

During the construction of his palace, he added a small entrance in the traditional, low and narrow Newari style. The door was elaborately decorated with carvings and paintings of deities and auspicious sings and was later transferred to the entrance of Mohan Chok. In front of the entrance he placed the statue of Hanuman thinking that Hanuman would strengthen his army and protect his home. The entrance leads to Nasal Chok, the courtyard where most royal events such as coronation, performances, and yagyas, holy fire rituals, take place. It was named after Nasadya, the God of Dance, and during the time of Pratap Malla the sacred mask dance dramas performed in Nasal Chok were widely famed. In one of these dramas, it is said that Pratap Malla himself played the role of Lord Vishnu and that the spirit of the Lord remained in the king's body even after the play. After consulting his Tantric leaders, he ordered a stone image of Lord Vishnu in his incarnation as Nara Simha, the half-lion and half-human form, and then transferred the spirit into the stone. This fine image of Nara Simha made in 1673 still stands in the Nasal Chok. In 1650, he commissioned for the construction of Mohan Chok in the palace. This chok remained the royal residential courtyard for many years and is believed to store a great amount of treasure under its surface. Pratap Malla also built Sundari Chok about this time. He placed a slab engraved with lines in fifteen languages and proclaimed that he who can understand the inscription would produce the flow of milk instead of water from Tutedhara, a fountain set in the outer walls of Mohan Chok. However elaborate his constructions may have been, they were not simply intended to emphasize his luxuries but also his and the importance of others' devotion towards deities. He made extensive donations to temples and had the older ones renovated. Next to the palace, he built a Krishna temple, the Vamsagopala, in an octagonal shape in 1649. He dedicated this temple to his two Indian wives, Rupamati and Rajamati, as both had died during the year it was built. In Mohan Chok, he erected a three roofed Agamachem temple and a unique temple with five superimposing roofs. After completely restoring the Mul Chok, he donated to the adjoining Taleju Temple. To the main temple of Taleju, he donated metal doors in 1670. He rebuilt the Degutale Temple built by his grandfather, Siva Simha, and the Taleju Temple in the palace square. As a substitute to the Indreswara Mahadeva Temple in the distant village of Panauti he built a Shiva temple, Indrapura, near his palace in the square. He carved hymns on the walls of the Jagannath Temple as prayers to Taleju in the form of Kali.

 

At the southern end of the square, near Kasthamandap at Maru, which was the main city crossroads for early traders, he built another pavilion named Kavindrapura, the mansion of the king of poets. In this mansion he set an idol of dancing Shiva, Nasadyo, which today is highly worshipped by dancers in the Valley.

 

In the process of beautifying his palace, he added fountains, ponds, and baths. In Sundari Chok, he established a low bath with a golden fountain. He built a small pond, the Naga Pokhari, in the palace adorned with Nagakastha, a wooden serpent, which is said he had ordered stolen from the royal pond in the Bhaktapur Durbar Square. He restored the Licchavi stone sculptures such as the Jalasayana Narayana, the Kaliyadamana, and the Kala Bhairav. An idol of Jalasayana Narayana was placed in a newly created pond in the Bhandarkhal garden in the eastern wing of the palace. As a substitute to the idol of Jalasayana Narayana in Buddhanilkantha, he channeled water from Buddhanilkantha to the pond in Bhandarkhal due bestow authenticity. The Kalyadana, a manifestation of Lord Krishna destroying Kaliya, a water serpent, is placed in Kalindi Chok, which is adjacent to the Mohan Chok. The approximately ten-feet-high image of terrifyingly portrayed Kal Bhairav is placed near the Jagannath Temple. This image is the focus of worship in the chok especially during Durga Puja.

 

With the death of Pratap Malla in 1674, the overall emphasis on the importance of the square came to a halt. His successors retained relatively insignificant power and the prevailing ministers took control of most of the royal rule. The ministers encountered little influence under these kings and, increasingly, interest of the arts and additions to the square was lost on them. They focused less on culture than Pratap Malla during the three decades that followed his death, steering the city and country more towards the arenas of politics and power, with only a few minor constructions made in the square. These projects included Parthivendra Malla building a temple referred to as Trailokya Mohan or Dasavatara, dedicated to Lord Vishnu in 1679. A large statue of Garuda, the mount of Lord Vishnu, was added in front of it a decade later. Parthivendra Malla added a pillar with image of his family in front of the Taleju Temple.

 

Around 1692, Radhilasmi, the widowed queen of Pratap Malla, erected the tall temples of Shiva known as Maju Deval near the Garuda image in the square. This temple stands on nine stepped platforms and is one of the tallest buildings in the square. Then her son, Bhupalendra Malla, took the throne and banished the widowed queen to the hills. His death came early at the age of twenty one and his widowed queen, Bhuvanalaksmi, built a temple in the square known as Kageswara Mahadev. The temple was built in the Newari style and acted as a substitute for worship of a distant temple in the hills. After the earthquake in 1934, the temple was restored with a dome roof, which was alien to the Newari architecture.

 

Jayaprakash Malla, the last Malla king to rule Kathmandu, built a temple for Kumari and Durga in her virginal state. The temple was named Kumari Bahal and was structured like a typical Newari vihara. In his house resides the Kumari, a girl who is revered as the living goddess. He also made a chariot for Kumari and in the courtyard had detailed terra cotta tiles of that time laid down.

 

UNDER THE SHAH DYNASTY

During the Shah dynasty that followed, the Kathmandu Durbar Square saw a number of changes. Two of the most unique temples in the square were built during this time. One is the Nautale, a nine-storied building known as Basantapur Durbar. It has four roofs and stands at the end of Nasal Chok at the East side of the palace. It is said that this building was set as a pleasure house. The lower three stories were made in the Newari farmhouse style. The upper floors have Newari style windows, sanjhya and tikijhya, and some of them are slightly projected from the wall. The other temple is annexed to the Vasantapur Durbar and has four-stories. This building was initially known as Vilasamandira, or Lohom Chok, but is now commonly known as Basantapur or Tejarat Chok. The lower floors of the Basantapur Chok display extensive woodcarvings and the roofs are made in popular the Mughal style. Archives state that Prthivi Narayan Shah built these two buildings in 1770.

 

Rana Bahadur Shah was enthroned at the age of two. Bahadur Shah, the second son of Prithvi Narayan Shah, ruled as a regent for his young nephew Rana Bahadur Shah for a close to a decade from 1785 to 1794 and built a temple of Shiva Parvati in the square. This one roofed temple is designed in the Newari style and is remarkably similar to previous temples built by the Mallas. It is rectangular in shape, and enshrines the Navadurga, a group of goddesses, on the ground floor. It has a wooden image of Shiva and Parvati at the window of the upper floor, looking out at the passersby in the square. Another significant donation made during the time of Rana Bahadur Shah is the metal-plated head of Swet Bhairav near the Degutale Temple. It was donated during the festival of Indra Jatra in 1795, and continues to play a major role during the festival every year. This approximately twelve feet high face of Bhairav is concealed behind a latticed wooden screen for the rest of the year. The following this donation Rana Bahadur donated a huge bronze bell as an offering to the Goddess Taleju. Together with the beating of the huge drums donated by his son Girvan Yudha, the bell was rung every day during the daily ritual worship to the goddess. Later these instruments were also used as an alarm system. However, after the death of his beloved third wife Kanimati Devi due to smallpox, Rana Bahadur Shah turned mad with grief and had many images of gods and goddesses smashed including the Taleju statue and bell, and Sitala, the goddess of smallpox.

 

In 1908, a palace, Gaddi Durbar, was built using European architectural designs. The Rana Prime Ministers who had taken over the power but not the throne of the country from the Shahs Kings from 1846 to 1951 were highly influenced by European styles. The Gaddi Durbar is covered in white plaster, has Greek columns and adjoins a large audience hall, all foreign features to Nepali architecture. The balconies of this durbar were reserved for the royal family during festivals to view the square below.

 

Some of the parts of the square like the Hatti Chok near the Kumari Bahal in the southern section of the square were removed during restoration after the devastating earthquake in 1934. While building the New Road, the southeastern part of the palace was cleared away, leaving only fragments in places as reminders of their past. Though decreased from its original size and attractiveness from its earlier seventeenth-century architecture, the Kathmandu Durbar Square still displays an ancient surrounding that spans abound five acres of land. It has palaces, temples, quadrangles, courtyards, ponds, and images that were brought together over three centuries of the Malla, the Shah, and the Rana dynasties.

 

VISITING

Kathmandu's Durbar Square is the site of the Hanuman Dhoka Palace Complex, which was the royal Nepalese residence until the 19th century and where important ceremonies, such as the coronation of the Nepalese monarch, still take place today. The palace is decorated with elaborately-carved wooden windows and panels and houses the King Tribhuwan Memorial Museum and the Mahendra Museum. It is possible to visit the state rooms inside the palace.

 

Time and again the temples and the palaces in the square have gone through reconstruction after being damaged by natural causes or neglect. Presently there are less than ten quadrangles in the square. The temples are being preserved as national heritage sites and the palace is being used as a museum. Only a few parts of the palace are open for visitors and the Taleju temples are only open for people of Hindu and Buddhist faiths.

 

At the southern end of Durbar Square is one of the most curious attractions in Nepal, the Kumari Chowk. This gilded cage contains the Raj Kumari, a girl chosen through an ancient and mystical selection process to become the human incarnation of the Hindu mother goddess, Durga. She is worshiped during religious festivals and makes public appearances at other times for a fee paid to her guards.

 

WIKIPEDIA

©AVucha 2014

A 30-year-old Cary man was safely escorted from a neighborhood residence and to a hospital after he barricaded himself from a large police contingent for roughly four hours Wednesday.

Cary Police Deputy Chief James Fillmore said the man, who was threatening to harm himself and "under a lot of emotional stress," was taken to Centegra Hospital-McHenry at 3:12 p.m. after first responders arrived on the scene at Hillhurst Drive at 11 a.m. The man was unarmed and no one was hurt during the situation, Fillmore said.

The man had climbed into the garage attic and refused to come down for family members, police said.

Fillmore said no charges would be filed in the incident. Fillmore said police have responded to domestic disturbances at the home on the 300 block of Hillhurst Drive several times in the past.

The four-hour operation required a heavy police presence that included officers from Cary, Streamwood, Round Lake, Roselle, Fox River Grove and other municipalities. On scene, marked and unmarked vehicles lined the surrounding streets, and armed, vested officers, including K9 units, were seen walking toward the residence.

A large Northern Illinois Police Alarm System vehicle also was on scene. Cary Police blocked off a square area from Decker Drive to Hillhurst Drive bordered by Bryan and Bell drives. School bus routes were also redirected because of the situation.

The incident comes within a week of a Holiday Hills man shooting and wounding two McHenry County Sheriff’s officers. That incident led to an even larger police response as a 16-hour manhunt ensued before Scott B. Peters was arrested and charged with shooting the officers.

 

*Article obtained from the Northwest Herald

Brighton sewer tour – information mainly from Southern Water website

 

Brighton, part of the city of Brighton and Hove in England has an extensive system of Victorian sewers running under the town, and a large modern storm drain under the beach.

 

The company responsible for the sewers, Southern Water, runs tours for the public during the summer.

 

The system is connected to a number of outfalls at the popular bathing beach, including emergency storm-water outfalls which could still release raw sewage until the 1990s. One of these may be seen in the stone groyne adjacent to the Palace Pier. During the late 1990s a massive storm water collection drain – wide enough to drive a vehicle through – was constructed along the beach, using tunnelling machines similar to those used to cut the Channel Tunnel. These were lowered to the tunnel depth via several deep shafts sunk at intervals along the beach, which were subsequently capped and covered. Pebbles were replaced on top of the shafts to return the beach to its former appearance and public use.

 

Southern Water’s famous sewer tours are unique. There is no other place in Britain where members of the public can walk through the labyrinth of tunnels beneath their towns, learning secrets from 150 years ago.

Brighton boasts Victoriana aplenty, from the Palace Pier to the world’s oldest operating electric railway, but sewer visitors go down the drains to see the largest Victorian exhibit of them all – and are amazed by what they see.

  

Visitors also discover clean spring water bubbling beneath their feet from a freshwater river that still runs under the city and they see barnacles on the walls from where the tide used to come in.

 

You can also learn some fascinating facts about landmarks above the ground, such as the Volks Railway Station at Black Rock. Cleverly disguised as an ornate Victorian station, it’s actually a pumping station which transfers sewage and storm water to our treatment works in Peacehaven.

  

The meeting point for the Sewer Tours is found at Arch number 260, underneath the Brighton Pier.

 

Groups of up to 25 visitors receive safety instructions and hard hats, passes and protective latex gloves to wear.

 

After a short introductory talk and film, the famous Brighton Sewer Tour begins.

 

The tour takes you along narrow, whitewashed corridors and up and down metal ladders to see the route of the day’s waste and stormwater, which flows to a treatment plant to the east of the city before being pumped safely out to sea.

 

You learn how the Victorians encouraged the flow with egg-shaped tunnels, some one metre in diameter and others big enough to accommodate a double-decker bus.

  

The tours take place between May and late September because there is an increased likelihood of the sewers being flooded by storm water at other times of the year.

 

Alarm systems are in place for your protection and warn the guides about sudden rain and a build-up of gases so that you can be taken to safety in good time.

 

The sewers are hosed down before every tour to ensure they are as clean as possible and less slippery.

 

The guides take you on a fascinating journey along 400 yards of the 30 miles of sewers beneath Brighton, unravelling secrets as you go.

 

The tour lasts about an hour and takes you north-eastwards from beneath the Palace Pier to the bottom of St James’s Street and then north west before turning to end near the fountain at Old Steine.

  

Start of Tour

 

Metal doors, guarded by metal gates, hidden beneath the esplanade immediately to the west of Palace Pier – not the most auspicious of settings for what is the entrance to one of the most magnificent examples of Victorian civil engineering.

 

Lecture Room

 

Our visitors gather here – the Lecture Room at the start of the tour. Here you will be supplied with gloves and a hard hat, told what to expect on your tour and watch a short film before exploring the sewer's Victorian secrets.

 

Albion Overflow

 

The Albion Overflow Sewer takes excess rainwater and waste from the Intercepting Sewer during heavy rain, transferring it to huge storm tanks to prevent flooding and the beaches from being polluted.

 

Safety Passage

 

This 75-yard long tunnel was built above the sewer system to allow the sewers to be inspected and cleaned in safe conditions.

 

Visitors use the Safety Passage, which runs under the pedestrian crossing opposite the pier, round the roundabout and across to Marine Parade, to access some of the key parts of the tour.

 

Flushing Chamber

 

At this point you’re 15ft underground in the Flushing Chamber, directly beneath where the busy A259 coast road meets the roundabout at the Palace Pier.

 

The thunder you can hear above your head is vehicles driving over a sewer cover. You can see them if you look up, but best not – you may get grit in your eye.

 

Catch Tank

 

Here you can view one of the six catch tanks built to collect road grit and heavy stones which would otherwise block the sewers.

 

Catch tanks need regular cleaning which takes place late at night when the sewer flow level is low. Every six weeks, 25 tonnes of road silt are dug out by hand and, with three men using a heavy 6in suction hose, transferred to a skip lorry above ground.

 

Marine Parade Overflow

 

This is where half of the sewage from the Kemp Town area of Brighton links with the Intercepting Sewer which, at seven miles long and up to seven feet in diameter, is the main trunk sewer into which other sewers flow.

 

Completed in 1874, the Intercepting Sewer remains the backbone of the sewer system.

 

8ft Storm Water Tunnel

 

This 200-yard long sewer was built to help relieve the pressure on the sewer system during heavy rain.

 

Visitors walk through this sewer by torch light as they make their way to the Old Steine Overflow Chamber.

 

Old Steine Overflow Chamber

 

This impressive chamber, some 30ft underground, was ‘sculpted’ from seven million heavy engineering bricks. This is where the main 8ft diameter sewers, serving London Road and Lewes Road, merge.

 

You can stay dry walking through the overflow chamber, but not if the council decides to empty the fountain at Old Steine. It discharges directly into the chamber and the council has an unfriendly habit of emptying it without warning!

 

End of Tour

 

Sewer guides lead parties of 25 visitors from the sewers via a 15ft vertical ladder, emerging near the fountain in the Old Steine gardens.

 

Kane County Joint Swat Team At 2011 Chicagoland Emergency Vehicle Show

 

ONLY Emergency Services Departments are allowed to use my photos. All others must ask permission.

©AVucha 2014

A 30-year-old Cary man was safely escorted from a neighborhood residence and to a hospital after he barricaded himself from a large police contingent for roughly four hours Wednesday.

Cary Police Deputy Chief James Fillmore said the man, who was threatening to harm himself and "under a lot of emotional stress," was taken to Centegra Hospital-McHenry at 3:12 p.m. after first responders arrived on the scene at Hillhurst Drive at 11 a.m. The man was unarmed and no one was hurt during the situation, Fillmore said.

The man had climbed into the garage attic and refused to come down for family members, police said.

Fillmore said no charges would be filed in the incident. Fillmore said police have responded to domestic disturbances at the home on the 300 block of Hillhurst Drive several times in the past.

The four-hour operation required a heavy police presence that included officers from Cary, Streamwood, Round Lake, Roselle, Fox River Grove and other municipalities. On scene, marked and unmarked vehicles lined the surrounding streets, and armed, vested officers, including K9 units, were seen walking toward the residence.

A large Northern Illinois Police Alarm System vehicle also was on scene. Cary Police blocked off a square area from Decker Drive to Hillhurst Drive bordered by Bryan and Bell drives. School bus routes were also redirected because of the situation.

The incident comes within a week of a Holiday Hills man shooting and wounding two McHenry County Sheriff’s officers. That incident led to an even larger police response as a 16-hour manhunt ensued before Scott B. Peters was arrested and charged with shooting the officers.

 

*Article obtained from the Northwest Herald

1 2 ••• 13 14 16 18 19 ••• 79 80