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My favorite actor ever. I LOVE his profile and insanely long neck. So much beauty in one package! ♥
Photo property of Men's VOGUE
1 available.
Artist?
Printed on the back-
"Harry Potter E A Pedra Filosofal."
‘Harry Potter and the Philosophers' Stone, was the original UK. title.
It was changed to "Sorcerer's Stone."
Thanks to Missive Maven's info.
Aspiring actor and model. I've been stepping out of my comfort zone and doing more photo shoots lately. Watch out for Matthew, I believe he has it in him to do well in the business. Learn more about him here
City Park
New Orleans, Louisiana
I was fortune to visit Majuli Island and these travelling actors were visiting villages performing the Ramayana for the locals. I was fortunate to be allowed backstage to take pics whilst the performance was taking place. This guy was waiting for his cue!
German postcard by Ross Verlag, no. 9104/1, 1935-1936. Photo: Atelier Binder, Berlin.
Wolfgang Liebeneiner (1905-1987) was a German-Austrian film and stage actor, who turned into a successful director in the mid-1930s. Under the Nazi regime, he had a thriving career. He directed a few propaganda films and had important positions at the Reichsfilmkammer and the Ufa. After the war, he could continue his career smoothly in both the theatre and the cinema.
Wolfgang Georg Louis Liebeneiner was born in Liebau in Prussian Silesia Germany (now Lubomierz, Poland) in 1905. He was the son of a textile manufacturer. Wolfgang was sent to the cadet schools Wahlstatt und Berlin-Lichterfelde and went for further schooling to Berlin-Zehlendorf. After graduating, he studied philosophy, Germanistik, and international history in Innsbruck (Austria), Berlin, and Munich. During his studies, he became the head of an academic stage group in Munich. In 1928, he studied acting and directing with Otto Falckenberg, the director of the Munich Kammerspiele. That same year he debuted in Frank Wedekind's Frühlings Erwachen (Spring Awakening) and from then on he devoted himself entirely to acting. In 1931 he made his debut as a theater director and that year he also made his first film appearance as a British lieutenant in the World War I drama Die andere Seite/The Other Side (Heinz Paul, 1931), based on the play 'Journey’s End' by R.C. Sherriff. Conrad Veidt and Theodor Loos were the stars, and Liebeneiner played a supporting part. Soon followed more films, such as the romantic drama Liebelei/Flirtation (Max Ophüls, 1933) with Magda Schneider, the comedy Die schönen Tage von Aranjuez/The good old days of Aranjuez (Johannes Meyer, 1933) starring Brigitte Helm, and the biopic Abschiedswalzer/Farewell Waltz (Géza von Bolváry, 1934), in which he starred as composer Frédéric Chopin. In these films, he often played subtle, tragic lovers, both in supporting as well as leading roles. In 1936, Liebeneiner became a member of the Preußisches Staatstheater Berlin (Prussian State Theatre of Berlin).
In 1937, Wolfgang Liebeneiner directed his first film, Versprich mir nichts!/Promise Me Nothing (Wolfgang Liebeneiner, 1937) with Luise Ulrich. It was soon followed by the Heinz Rühmann comedy Der Mustergatte/Model Husband (Wolfgang Liebeneiner, 1937). Liebeneiner’s career thrived in Nazi Germany. In the following years, he directed a dozen films, including hits as Du und ich/You and I (1938) with Brigitte Horney, the comedy Der Florentiner Hut/The Leghorn Hat (1939), and Bismarck (1940), a biographical film of Otto von Bismarck, the Prime Minister of Prussia, which focuses on how he and his aggressive war policies helped to unite Germany. Liebeneiner was appointed artistic director of the Deutsche Filmakademie Babelsberg (German Film Academy Babelsberg) in 1938 and a year later he became head of the Fachschaft Film of the Reichsfilmkammer (this was a department of the chamber of film, to which all actors, directors and other film-makers had to accede to further pursue their professional activities in Nazi-Germany. This department was responsible for the Berufsverbote for Jews and left-wingers. About 3000 film workers were excluded by the Reichsfilmkammer). In 1941, he directed the film Ich klage an/I accuse (Wolfgang Liebeneiner, 1941) in cooperation with the National Socialist ministry of propaganda. The film was about voluntary Euthanasia of a woman suffering from multiple sclerosis but was intended to support the T-4 Euthanasia Program. (Over 70,000 men, women, and children were killed as a result of this program.). His next film, Die Entlassung/Bismarck's Dismissal (Wolfgang Liebeneiner, 1942) focused once again on Bismarck, played by Emil Jannings. From 1942 to 1945, Liebeneiner became the production chief at the Ufa (Universum Film AG), the largest German film studio at that time. In 1943, Goebbels even appointed him professor.
After the war, Wolfgang Liebeneiner could soon resume his theatre career. Already in the autumn of 1945, he was directing again. In 1947, he directed the premiere of Wolfgang Borchert's play 'Draußen vor der Tür' at the Hamburger Kammerspiele. He also directed the film version, Liebe 47/ Love ‘47 (Wolfgang Liebeneiner, 1949) with Hilde Krahl. From then he directed two to three light entertainment films a year. In the Adenauer era, Liebeneiner directed romantic dramas in which Ruth Leuwerik repeatedly played the lead role, such as Die Trapp-Familie/The Trapp Family (Wolfgang Liebeneiner, 1956) with Hans Holt, and Königin Luise/Queen Louise (Wolfgang Liebeneiner, 1957) with Dieter Borsche. These films were all very successful in the German-speaking countries, and Liebeneiner also played bit parts in some of them. In the 1960s he turned more and more to television, for which he filmed mainly plays, novels, and short stories. Incidentally, he made a film, for instance, Schwejks Flegeljahre/Schweik's Years of Indiscretion (Wolfgang Liebeneiner, 1965) with Peter Alexander in the role of soldier Josef Schwejk. In 1966 he directed the Mini-series Die Schatzinsel/Treasure Island, based on Robert Louis Stevenson's novel. In 1977 he made one final feature film, Das chinesische Wunder/The Chinese Wonder (Wolfgang Liebeneiner, 1977) starring Senta Berger and Heinz Rühmann. Jan Onderwater at IMDb: “This is a dreadful and almost unbearable drama (…) Not only the subject of the badly written script is boring, Liebeneiner directs with disinterest.” He continued to make TV films till 1984. Meanwhile, in the theatre, he focused particularly on the staging of operas and operettas at various opera houses. After a long illness, Wolfgang Liebeneiner died in 1987 in Mödling near Vienna, Austria. He had been married twice: first, from 1934 to actress Ruth Hellberg. This marriage ended in a divorce. In 1944 he married the actress Hilde Krahl, whom he had met during the filming of Yvette, and who starred in several of his films. They had two daughters, of which Johanna Liebeneiner also became an actress.
Sources: Rudi Polt (IMDb), Wikipedia (German and English), and IMDb.
And, please check out our blog European Film Star Postcards.
These are three actors prior to a re-enactment of action during WW II in the South Pacific. A narrator gave us a lesson on the history of some to these battles for our education. He was very well versed.
This "Sailor" was showing the actresses shots he had taken with his camera; probably candids of the two of them earlier. The one in green "fatigues" is shading the screen while the Aviatrix is admiring the photos.
Most of the actors/actresses were volunteers at the Nimitz Museum in Fredericksburg, TX. The show was outstanding and quite realistic of one of the battles. They actually demonstrated some weapons by firing a Thompson Machine Gun, a 12 guage shotgun, a 1903 Springfield rifle and an M1 rifle. During the "battle" they also fired a "flame thrower."
The battle was real enough to cause one to really think about the real thing.
A guest was introduced who sat near us who had been in the battle of Iwo Jima. He had to be in his 90's but, was very spry and animated waving to the crowd,
Actor
Learn more about Bryan here
www.imdb.com/name/nm6882080/?ref_=nmmd_md_nm
Rivertown
Kenner, Louisiana
Stepping more and more out of my comfort zone. Learn more about Matthew here:
New Orleans Lakefront
New Orleans, Louisiana
Hello friends, if you are looking for information relating to richest actors then you can visit this website: richestnetworth.org/richest-actors/
attends the 2009 World Football Challenge game Chelsea FC vs Inter Milan, at the Rose Bowl stadium in Pasadena, California, on July 21, 2009
Aspiring actor and model. I've been stepping out of my comfort zone and doing more photo shoots lately. Watch out for Matthew, I believe he has it in him to do well in the business. Learn more about him here
City Park
New Orleans, Louisiana
.... John Barrymore (born John Sidney Blyth; February 14 or 15, 1882 – May 29, 1942) was an American actor on stage, screen and radio. A member of the Drew and Barrymore theatrical families, he initially tried to avoid the stage, and briefly attempted a career as an artist, but appeared on stage together with his father Maurice in 1900, and then his sister Ethel the following year. He began his career in 1903 and first gained attention as a stage actor in light comedy, then high drama, culminating in productions of Justice (1916), Richard III (1920) and Hamlet (1922); his portrayal of Hamlet led to him being called the "greatest living American tragedian".
After a success as Hamlet in London in 1925, Barrymore left the stage for 14 years and instead focused entirely on films. In the silent film era, he was well received in such pictures as Dr. Jekyll and Mr. Hyde (1920), Sherlock Holmes (1922) and The Sea Beast (1926). During this period, he gained his nickname, the Great Profile. His stage-trained voice proved an asset when sound films were introduced, and three of his works, Grand Hotel (1932), Twentieth Century (1934) and Midnight (1939) have been inducted into the National Film Registry.
Barrymore's personal life has been the subject of much attention before and since his death. He struggled with alcohol abuse from the age of 14, was married and divorced four times, and declared bankruptcy later in life. Much of his later work involved self-parody and the portrayal of drunken has-beens ....
Here at the University of Kansas, I have had the pleasure of working with a number of college actors and actresses. Aden is one of my most recent clients, and I had a great time working with him!
Strobist info: 1 Nikon SB-26 on 1/4 power for two of the photos; bare bulb and bouncing off the walls. Triggered via Cactus V5's. Note: for the photo on the left, subject was positioned in front of a large window; the outside was over-exposed.
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