Curso: A+Fs

Autor: Javier Rivera Hernández.

Año: 2018

DATOS TÉCNICOS

Apertura: f/16.0

Velocidad: 1/15

ISO: 100

En esta fotografía logré capturar la imagen desde otro punto de enfoque, logrando captar un punto de fuga y que tuviera una perspectiva tridimensional, resaltando los colores al llevar cabo la post-edición en Photoshop.

Camera Canon EOS 1000D

Focal Length 60 mm

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© All rights reserved to me,

Please do not use image without my consent

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Image captured in the Chicago Cultural Center during a workshop organized by Photography Unfolded. Acros film simulation.

Swan's Island, Maine

True green

black gesso, acrylic, ink, nero lead, brushpen

50x70cm fabriano pittura 400g/m2 paper

Lens: Carl Zeiss Jena Pancolar 50mm ƒ/1.8 zebra. Manual focus

Pentax K3-II, objectif Pentax DA 50mm f:1.8. F22, 100 iso, 0.5s, bague allonge, RAW DNG. Mode manuel. Post-traitement.

Aucun montage, hormis une correction ponctuelle. La différence de couleur à la base est due à la présence de 2 fonds différents. Le reflet est celui du soleil.

?

An old one

pond abstraction

from a shot of my office wastebasket...

Lens: Carl Zeiss Jena Pancolar 50mm ƒ/1.8 zebra. Manual focus

2016.

Abstraction utilising layered filters from both Superphoto & Enjoyphoto apps installed on my cameraphone.

Nikon D80

Nikon 18 - 135 mm

OLYMPUS DIGITAL CAMERA

Boxes Abstraction Color Series

Fujinon 55mm f/2.2 M42 lens.

www.stuff.co.nz/the-press/news/christchurch-earthquake-20...

Demolition work well under way on my walk around the city to see what I may find April 19, 2014 Christchurch New Zealand.

Tate Britain, London

The work of British sculptor Phyllida Barlow.

(I ALWAYS USE MY OWN PHOTOGRAPHS. I USE TEXTURES FROM MANY SOURCES).

This discussion has been carried on in another photostream but I posted to add to the dialogue. What do you think?

Abstract or Abstraction?

art in a frog pond

PENTACON 50mm f1.8 sur SONY A7.