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This series of images was taken on visits to the Getty Center in Los Angeles, California over an eight year period.

 

I usually find this type of modern architecture sterile, but here the architect Richard Meier created spaces that are not only pleasant to be in but include interesting lines, windows, angles, curves, and textures in almost every view. Looking abstractly at these details reveals patterns that capture my eye as a photographer, and as many visual artists know, once you notice something like this, it’s hard to let go of it. I continue to visit the Getty and add to this collection.

 

Here's the entire set so far: Getty Center Abstractions

 

I have a show of these images coming up next month. If you're in the area stop by.

 

Getty Center Abstractions

Photographs by Richard Wanderman

 

Opening Saturday, January 7, 3:30 – 5:30 pm

Artist’s talk: 3:45 pm followed by reception

 

January 7 – April 14, 2012

Gallery Hours: Monday – Saturday, 10 am – 4 pm

 

Marie Louise Trichet Art Gallery

Wisdom House

229 East Litchfield Rd.

Litchfield, CT 06759

860-567-3163

www.wisdomhouse.org

size:B3 

 

Technique:アクリル画

 

Pentax K-30, SMC Takumar 55/1.8

 

For the Pentax Forums Single in December: Abstract Day Edition!

size:B3 

 

Technique:アクリル画

Piet Mondrian 'Abstraction', 1939-42, Kimbell Art Museum, Fort Worth, Texas

43X38cm

Oil on canvas

Just the results from an experiment with light.

This series of images was taken on visits to the Getty Center in Los Angeles, California over an eight year period.

 

I usually find this type of modern architecture sterile, but here the architect Richard Meier created spaces that are not only pleasant to be in but include interesting lines, windows, angles, curves, and textures in almost every view. Looking abstractly at these details reveals patterns that capture my eye as a photographer, and as many visual artists know, once you notice something like this, it’s hard to let go of it. I continue to visit the Getty and add to this collection.

 

Here's the entire set so far: Getty Center Abstractions

 

I have a show of these images coming up next month. If you're in the area stop by.

 

Getty Center Abstractions

Photographs by Richard Wanderman

 

Opening Saturday, January 7, 3:30 – 5:30 pm

Artist’s talk: 3:45 pm followed by reception

 

January 7 – April 14, 2012

Gallery Hours: Monday – Saturday, 10 am – 4 pm

 

Marie Louise Trichet Art Gallery

Wisdom House

229 East Litchfield Rd.

Litchfield, CT 06759

860-567-3163

www.wisdomhouse.org

mixed media

pencil 8B

ipad sbw ar iph br

This series of images was taken on visits to the Getty Center in Los Angeles, California over an eight year period.

 

I usually find this type of modern architecture sterile, but here the architect Richard Meier created spaces that are not only pleasant to be in but include interesting lines, windows, angles, curves, and textures in almost every view. Looking abstractly at these details reveals patterns that capture my eye as a photographer, and as many visual artists know, once you notice something like this, it’s hard to let go of it. I continue to visit the Getty and add to this collection.

 

Here's the entire set so far: Getty Center Abstractions

 

I have a show of these images coming up next month. If you're in the area stop by.

 

Getty Center Abstractions

Photographs by Richard Wanderman

 

Opening Saturday, January 7, 3:30 – 5:30 pm

Artist’s talk: 3:45 pm followed by reception

 

January 7 – April 14, 2012

Gallery Hours: Monday – Saturday, 10 am – 4 pm

 

Marie Louise Trichet Art Gallery

Wisdom House

229 East Litchfield Rd.

Litchfield, CT 06759

860-567-3163

www.wisdomhouse.org

Los Angeles, California. Every time I get to the Getty I'm astounded by the architecture. The architect Richard Meier put incredible lines, windows, angles, curves, and textures in almost every view. You look up, down, across and through in almost any place you can get to and there are things of interest to see.

 

Looking at the details of this architecture abstractly reminds me of the work of Kandinsky and other Bauhaus painters and architects as well as the Russian Supremists and I wanted to make a small collection to attempt to document that.

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acrylic, gesso, on heavy paper

Watercolor painting x photo

Collaboration with photographer Patrick Segovia

Styling by Ishii Villaseca

Makeup by Erika Ng

Hair by Adam Seth Teh

Model: Anne Barker

Featured in Zone magazine's art issue issuu.com/zonethemagazine/docs/zone_art (page 124)

2008-2009 / C-Print / 125x125cm

Details Abstractions /

«The evolution of architectural detail, that transforms to an individual element full of technical esthetics and beauty.»

 

Детальные абстракции /

«Эволюция архитектурной детали, трансформирующейся в самостоятельный элемент полный технической эстетики.»

 

          

Canon EOS 7D

Canon EF 100mm f/2.8 Macro

  

Multiple photo transfers from color laser copies (must be powder inks) (Nuexpression does mine on Jonestown Road, Winston-Salem, NC) using CitraSolv Concentrate onto silk scarf then overpainted with dyes by Mary Bailey Thomas of Studios 625 in the Downtown Arts District in Winston-Salem, NC.

I have a thing for sewer grates. I like their geometries and the opportunity for abstraction, thereby. I also love all the unique effects that their various locations uniquely bring them. Someone spilled white paint on this grate and it gives a lovely 'random', organic quality to the straight lines and angles. The wear and tear of traffic and the vicissitudes of the weather all combine to work in different textural markings too. In warmer weather, collections of seeds, keys, petals and the miniscule flotsam of city life collect and sometimes clog them, all to great effect. They're like snowflakes, metallic snowflakes.

While I was prepared to encounter the wildlife and the Giant Mountain itself of Denali, something I was totally unprepared was the vibrant colours of the landscape that Denali presented. The colours and contrasts across the mountain range and tundras presented itself as a canvas painting for most part. Finding that art within the frame was an interestign excercise. Sometimes the line between mystical and reality is so thin, you beging to wonder where you have wondered across to.

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