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Abstraction is a performance installation that Inspired by Complicite's A Disappearing Number, this performance installation explores the key themes of mathematics, collision between East and West, and the interconnections of human relationships. Conceptualized as a visual score, and drawing references fro leading contemporary artists like Robert Wilson and Robert Lepage, the performance installation seeks to explore a new perspective accessible to the audience of 21st Century. Merging real-time technology with live performance, this re-invention blurs the lines between arts and science. Abstraction aims to leave behind something of permanent value, reverberating the life of memories.
Abstraction is created and designed by Theatre+Performance and Interactive Art Level 2 Students in collaboration with Acting Level 1 In Lasalle College of Arts.
Project Leaders - Cherilyn Woo a& Mithru Vigneshwara
Assistant project Leaders - Khairul Kamsani
Directors - Cherilyn Woo, Khairul Kamsani, Rachael Nonis, Fairuz Atiqah
Set Designer - Mithru Vigneshwara
VIsual Composers - Jacky Boen, Adam Aw & Mui Rui Yi
Interaction Designer / Developer - Zac Ong
Sound Designer - Khairul Kamsani, Benjamin Low, Adam Aw
Stage Manager - Josiah Yoong
Sound Engineer - Sage Tan
Costume and props Co-ordinator - Fairuz Atiqah
Projection engineer - Kailash
Front of House Manager - Rachael Nonis
Cast
Aninda - Andrew Sutherland
Ruth - Chng XIn Xuan
Al - Benedict Hew
Ramanujan - Ali Anwar
Hardy - Kyle Gannon
Jenaki - Farez Najid
Ramanujan's Mother - Rytasha Rathod
Surita - Frances Lee
Lecture student / Passenger - Dominque De Marco
Lecture student / Passenger - Morweena Maclean
Barbara - chanel chan
Harvard Professor - Shana Yap
Fellow#1 - Lian Sutton
Fellow#2 - Axel Renevey
I started the day thinking, it is possible to condense into a single photo a site with multiple photo possibilities?. The answer is yes and no.
In Mijajima for me was yes.
This picture encapsulates everything I saw that afternoon, we first see a Japanese woman dressed inappropriately for those places filled with mud, fashion bag, the classic shell cell phone, umbrella for the sun and heeled shoes.
In the background the Tori, majestic, immune to everything happening around him.
And all against a backdrop of low tide.
Installation view:
Abstraction and Empathy
Aug 15 - Oct 16, 2009
(c) Deutsche Guggenheim
Photo: Mathias Schormann
2008-2009 / C-Print / 125x125cm
Details Abstractions /
«The evolution of architectural detail, that transforms to an individual element full of technical esthetics and beauty.»
Детальные абстракции /
«Эволюция архитектурной детали, трансформирующейся в самостоятельный элемент полный технической эстетики.»
This series of images was taken on visits to the Getty Center in Los Angeles, California over an eight year period.
I usually find this type of modern architecture sterile, but here the architect Richard Meier created spaces that are not only pleasant to be in but include interesting lines, windows, angles, curves, and textures in almost every view. Looking abstractly at these details reveals patterns that capture my eye as a photographer, and as many visual artists know, once you notice something like this, it’s hard to let go of it. I continue to visit the Getty and add to this collection.
Here's the entire set so far: Getty Center Abstractions
I have a show of these images coming up next month. If you're in the area stop by.
Getty Center Abstractions
Photographs by Richard Wanderman
Opening Saturday, January 7, 3:30 – 5:30 pm
Artist’s talk: 3:45 pm followed by reception
January 7 – April 14, 2012
Gallery Hours: Monday – Saturday, 10 am – 4 pm
Marie Louise Trichet Art Gallery
Wisdom House
229 East Litchfield Rd.
Litchfield, CT 06759
860-567-3163
Images in the 'abstraction - networks' series, and in the 'papercuts' series are all derived from photographs of the expandable paper bowls/vases designed by Torafu Architects of Japan - www.torafu.com
Cento ore dopo la notte
lancio i miei ormeggi
alla tua barca amara
profonda come un silenzio
Cento ore dopo il tuo sonno
levo i miei canti sul tuo rivo grave
dimora di mute sirene
letargiche insonni litanie
pietrificate negli abissi
Cento ore dopo le tue palpebre
approdo - mia caverna naturale-
tra i tuoi occhi stanchi
folle lascito del vento
relitto di muti coralli
Ma altre cent'ore verranno
verrà l'ora
di dissotterrare le nostre conchiglie
di annacquare la nuda salsedine
e altre cento e cento ore
di certo
verranno
verrà pur l'ombra
a cancellare l'ombra
verrà l'ora
di frantumare la nostra clessidra
(DA CLESSIDRE, DI MANUELA GIAMMARIOLI)
This series of images was taken on visits to the Getty Center in Los Angeles, California over an eight year period.
I usually find this type of modern architecture sterile, but here the architect Richard Meier created spaces that are not only pleasant to be in but include interesting lines, windows, angles, curves, and textures in almost every view. Looking abstractly at these details reveals patterns that capture my eye as a photographer, and as many visual artists know, once you notice something like this, it’s hard to let go of it. I continue to visit the Getty and add to this collection.
Here's the entire set so far: Getty Center Abstractions
I have a show of these images coming up next month. If you're in the area stop by.
Getty Center Abstractions
Photographs by Richard Wanderman
Opening Saturday, January 7, 3:30 – 5:30 pm
Artist’s talk: 3:45 pm followed by reception
January 7 – April 14, 2012
Gallery Hours: Monday – Saturday, 10 am – 4 pm
Marie Louise Trichet Art Gallery
Wisdom House
229 East Litchfield Rd.
Litchfield, CT 06759
860-567-3163
Installation view:
Abstraction and Empathy
Aug 15 - Oct 16, 2009
(c) Deutsche Guggenheim
Photo: Mathias Schormann
Installation view:
Abstraction and Empathy
Aug 15 - Oct 16, 2009
(c) Deutsche Guggenheim
Photo: Mathias Schormann
Camera: Minolta XD-11
Lens: Quantaray 28mm F2.8
Used some good ol' black and white film to take some photos using perspective to create an abstraction.