View allAll Photos Tagged abstraction
Installation view:
Abstraction and Empathy
Aug 15 - Oct 16, 2009
(c) Deutsche Guggenheim
Photo: Mathias Schormann
Installation view:
Abstraction and Empathy
Aug 15 - Oct 16, 2009
(c) Deutsche Guggenheim
Photo: Mathias Schormann
2008-2009 / C-Print / 125x125cm
Details Abstractions /
«The evolution of architectural detail, that transforms to an individual element full of technical esthetics and beauty.»
Детальные абстракции /
«Эволюция архитектурной детали, трансформирующейся в самостоятельный элемент полный технической эстетики.»
Camera: Minolta XD-11
Lens: Quantaray 28mm F2.8
Manipulation of light and perspective to create abstraction.
Images in the 'abstraction - networks' series, and in the 'papercuts' series are all derived from photographs of the expandable paper bowls/vases designed by Torafu Architects of Japan - www.torafu.com
Cento ore dopo la notte
lancio i miei ormeggi
alla tua barca amara
profonda come un silenzio
Cento ore dopo il tuo sonno
levo i miei canti sul tuo rivo grave
dimora di mute sirene
letargiche insonni litanie
pietrificate negli abissi
Cento ore dopo le tue palpebre
approdo - mia caverna naturale-
tra i tuoi occhi stanchi
folle lascito del vento
relitto di muti coralli
Ma altre cent'ore verranno
verrà l'ora
di dissotterrare le nostre conchiglie
di annacquare la nuda salsedine
e altre cento e cento ore
di certo
verranno
verrà pur l'ombra
a cancellare l'ombra
verrà l'ora
di frantumare la nostra clessidra
(DA CLESSIDRE, DI MANUELA GIAMMARIOLI)
Installation view:
Abstraction and Empathy
Aug 15 - Oct 16, 2009
(c) Deutsche Guggenheim
Photo: Mathias Schormann
Installation view:
Abstraction and Empathy
Aug 15 - Oct 16, 2009
(c) Deutsche Guggenheim
Photo: Mathias Schormann
Camera: Minolta XD-11
Lens: Quantaray 28mm F2.8
Used some good ol' black and white film to take some photos using perspective to create an abstraction.
This series of images was taken on visits to the Getty Center in Los Angeles, California over an eight year period.
I usually find this type of modern architecture sterile, but here the architect Richard Meier created spaces that are not only pleasant to be in but include interesting lines, windows, angles, curves, and textures in almost every view. Looking abstractly at these details reveals patterns that capture my eye as a photographer, and as many visual artists know, once you notice something like this, it’s hard to let go of it. I continue to visit the Getty and add to this collection.
Here's the entire set so far: Getty Center Abstractions
I have a show of these images coming up next month. If you're in the area stop by.
Getty Center Abstractions
Photographs by Richard Wanderman
Opening Saturday, January 7, 3:30 – 5:30 pm
Artist’s talk: 3:45 pm followed by reception
January 7 – April 14, 2012
Gallery Hours: Monday – Saturday, 10 am – 4 pm
Marie Louise Trichet Art Gallery
Wisdom House
229 East Litchfield Rd.
Litchfield, CT 06759
860-567-3163
This series of images was taken on visits to the Getty Center in Los Angeles, California over an eight year period.
I usually find this type of modern architecture sterile, but here the architect Richard Meier created spaces that are not only pleasant to be in but include interesting lines, windows, angles, curves, and textures in almost every view. Looking abstractly at these details reveals patterns that capture my eye as a photographer, and as many visual artists know, once you notice something like this, it's hard to let go of it. I continue to visit the Getty and add to this collection.
Here's the entire set so far: Getty Center Abstractions
View Large and Beautiful On Black
Fire - the life-giving force of our ancestors. It's been around since the beginning of our planet, and has yet to bore us. Considering how easily we become jaded and bored with activities, fire continues to amaze us.
And yet, it makes no sense. Of course, there are scientific processes at play (chemical reactions, release of energy, and the like), but on a simple level, fire just doesn't make sense. You can't touch it, but it can burn you. There is no logical reason for why fire should happen when energy is released (other than following the scientific laws - but where do they come from?).
Anyway, fire is cool.
This shot was taken with a long-exposure, and then brightened a little bit (f-stop a bit too large), and was taken during a fire-poi training at my college. (you light balls on the ends of chains on fire and spin them prettily).