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Abstraction is a performance installation that Inspired by Complicite's A Disappearing Number, this performance installation explores the key themes of mathematics, collision between East and West, and the interconnections of human relationships. Conceptualized as a visual score, and drawing references fro leading contemporary artists like Robert Wilson and Robert Lepage, the performance installation seeks to explore a new perspective accessible to the audience of 21st Century. Merging real-time technology with live performance, this re-invention blurs the lines between arts and science. Abstraction aims to leave behind something of permanent value, reverberating the life of memories.
Abstraction is created and designed by Theatre+Performance and Interactive Art Level 2 Students in collaboration with Acting Level 1 In Lasalle College of Arts.
Project Leaders - Cherilyn Woo a& Mithru Vigneshwara
Assistant project Leaders - Khairul Kamsani
Directors - Cherilyn Woo, Khairul Kamsani, Rachael Nonis, Fairuz Atiqah
Set Designer - Mithru Vigneshwara
VIsual Composers - Jacky Boen, Adam Aw & Mui Rui Yi
Interaction Designer / Developer - Zac Ong
Sound Designer - Khairul Kamsani, Benjamin Low, Adam Aw
Stage Manager - Josiah Yoong
Sound Engineer - Sage Tan
Costume and props Co-ordinator - Fairuz Atiqah
Projection engineer - Kailash
Front of House Manager - Rachael Nonis
Cast
Aninda - Andrew Sutherland
Ruth - Chng XIn Xuan
Al - Benedict Hew
Ramanujan - Ali Anwar
Hardy - Kyle Gannon
Jenaki - Farez Najid
Ramanujan's Mother - Rytasha Rathod
Surita - Frances Lee
Lecture student / Passenger - Dominque De Marco
Lecture student / Passenger - Morweena Maclean
Barbara - chanel chan
Harvard Professor - Shana Yap
Fellow#1 - Lian Sutton
Fellow#2 - Axel Renevey
All ten photographs in this sequence of abstract images are derived from photographs I took of sections of a glass vase of mine. Perhaps I should photograph the whole vase! It's very beautiful :)
UPDATE - I did photograph it. You can see it here -
The abstract from the real--just finished: mesmering reference image shot while I was canoing in the lake in front of my property last summer in the country near Bancroft--and used to paint: 'Lake Surface Abstraction', oil on canvas, 20" x 30". And, yes, it drove me nuts getting all that detail resolved--and a lot more time than I usually spend creating a painting of this size. But I am satisfied with the outcome.
Latex scribbles
She hangs any way you like! Which way round would you hang her??
Latex has been rather popular in the studio recently mainly due to the fact that we get to peel it off at the end like you used to do with PVA on your hand when you were in art class at school. Surely everyone had a go at that??
For today’s piece we’ve gone abstract again mainly because the technique called for it and when we peeled the latex off you’re left with a glorious cacophony of colour. Which we approved of. She’s on a reclaimed 60x60cm canvas and is ready to go to a new home. She’s ready to hang whichever way round you prefer too! You can drop us a line or she’ll be on our new website in due course (www.id-iom.com).
Having said all that if she’s sat around for too long without selling and if I can think of anything that will next level this bad girl then don’t be surprised if I get the paint out and slap something on. The clock is ticking…
Cheers
id-iom
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