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Joan Mitchell, City Landscape, 1955, oil on linen, 203.2 x 203.2 cm (Art Institute of Chicago), © estate of Joan Mitchell
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Small squares, from the sky like drops of rain, fall on city streets, parks and squares. The flow did not stop for hours, and as soon as the sky went over the horizon, these tiny particles began to shine from the lights of passing cars, lanterns and advertising signs. Like snowflakes, they rattled under pressure. Few people noticed them, it became commonplace. Today was no different than yesterday. One day it began and lasted for many years, then faded, and then gained strength again. It became ordinary, boring.
Estudio Sobre una Flor y un Insect 5
Study On a Flower and a Bug
Gracias por las visitas, amables comentarios e invitaciones
Thank you for the visits, kind comments and invitations
De Kooning worked on the picture for two years, revising it constantly, and aggressively. www.theartstory.org/artist-de-kooning-willem-artworks.htm
Matching set of polymer clay necklace and earrings made with polymer clay canes, sealed with Clear Liquid Polyclay.
Often my collage art is dominated by abstraction and geometry. This art form is the most understandable and attractive for me. My forms are created with a glitch effect from real photographs that I took. This is one of the techniques to change reality the way we are used to understanding it and to give the viewer the opportunity to see the world with my eyes, to touch my inner, non-objective world. Shapes and color. Rhythms and lines. The patterns of destiny in the intricate plexus over time are reflected in the heart by the desire to create and blend, to find new places for photography, in the flow, catching the wave in the process.
AA078 - TWITCH - A dynamic fusion of color and form! 20x27 cms approx acrylic on high-quality 300gsm paper. This abstract composition layers bold strokes of green, orange, black, and yellow, intersecting like a woven tapestry of movement and depth. The textured grid-like structure adds a sense of order within the fluid chaos, creating a balance between spontaneity and precision. And above all, a layer of gold and copper-coloured clouds highlight the structures beneath. What exactly does this piece remind you of...? A cityscape, a forest, or something entirely different? Please feel free to share your thoughts below!
A wide range of printed products featuring this artwork is available at the following link:
Serial Number: GSA-AA078
(C)2025-Artwork Copyright-Graham Seaman Art
Website at: www.grahamseamanart.co.uk
Oil on canvas; 195.5 x 223.5 cm.
Willem de Kooning (April 24, 1904 – March 19, 1997) was a Dutch American abstract expressionist artist who was born in Rotterdam, the Netherlands.
In the post-World War II era, de Kooning painted in a style that came to be referred to as Abstract expressionism or Action painting, and was part of a group of artists that came to be known as the New York School. Other painters in this group included Jackson Pollock, Elaine de Kooning, Lee Krasner, Franz Kline, Arshile Gorky, Mark Rothko, Hans Hofmann, Adolph Gottlieb, Anne Ryan, Robert Motherwell, Philip Guston, and Clyfford Still.
In September 2011 de Kooning's work was honored with a large-scale retrospective exhibition: de Kooning: A Retrospective September 18, 2011 – January 9, 2012 at MoMA in New York City. Organized by John Elderfield it was the first major museum exhibition devoted to the full breadth and depth of de Kooning's career, containing nearly 200 works.
Pierre Soulages (1919-2022) - Painting 89x130 cm, 23 janvier 1954 (1954). In the collection of the Calouste Gulbenkian Foundation, Lisbon.
Soulages passed away on 26 October 2022, two months short of his 103rd birthday.
All based on images of the curved concrete staircase at the base of the new Tate Modern Tower in London. All are double exposures created in a process that also involves split-toning and adding a layer of texture. A lot of experimentation went on here today.
All images copyright Stan Farrow FRPS. Not to be copied without permission.