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By John Watkins
Charles Dickens (1812-1870) was an English writer who is often referred to as the greatest novelist of the Victorian period. He rose to fame in 1836 with the serial publication of The Pickwick Papers and his popularity has continued throughout his lifetime and to the present day. Among his work are some of Britain’s best loved stories such as A Christmas Carol, The Adventures of Oliver Twist and Hard Times.
This portrait is called a carte-de-visite and was taken at the studio of John & Charles Watkins, London, in about 1865. A carte-de-visite is a photograph mounted on a piece of card the size of a formal visiting card of the 1850s. The format was introduced by the French photographer Andre-Adolphe-Eugene Disdéri (1819-1889) in 1854. The craze for collecting celebrity cartes-de-visite in albums reached its peak during the 1860s but the format remained popular until the beginning of the twentieth century.
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ELEGANT WRITER PEN..QUICK SNOW SCENE SKETCH
This was completed entirely with ONE pen...The Elegant Writer Pen.
I have been using this Pen for at least 6 years, incorporating it into almost 200 of my Mixed Media Paintings..and have even painted some entirely with it, like this one.
I took this picture on camel back mountain so I would have a good view of the sky for my concentration. I took a picture of the model bending over the type writer and in Photoshop I added multiple pictures of paper by cutting them out and shaping them in the picture. For the sky I layered and blended three pictures and added a warm filter. Color editing in Lightroom. This picture fits due to the surrealism of the flying papers and the matching color scheme 11.608x15.75 in 240 ppi
Digital Composite
WRITERS RESIST: Louder Together for Free Expression was a literary protest on the steps of the New York Public Library’s Schwarzman Building at 42nd St. that brought together hundreds of writers and artists and thousands of New Yorkers on the birthday of civil rights icon Martin Luther King, Jr. American poet laureates Robert Pinsky, Author and Rita Dove offered each other hope and inspiration with "inaugural" poems.
meglio guardarla ... View On Black
Zhabei Park - Shanghai - Cina ore 7:30 del mattino
Questo signore scrive con un pennello ad acqua.
Lamb House is a Grade II listed 18th-century house situated in Rye, East Sussex, England, and in the ownership of the National Trust.
The house is run as a writer's house museum. It was the home of Henry James from 1897 to 1914, and later of E.F. Benson.
Lamb House was built in 1722 by James Lamb, a wealthy wine merchant and local politician. In the winter of 1726 King George I took refuge at the house after his ship was washed ashore at nearby Camber Sands. James Lamb gave up his bedroom for the King, while Mrs Lamb gave birth to a baby boy during the night. The child was named George and the king consented to be the boy's godfather.
A detached Garden Room, with a large bay window overlooking the street, was built at right angles to the house in 1743, and originally served as a banqueting room. Both Henry James and E. F. Benson later used the Garden Room as a base for their writing during the summer months. The Garden Room was destroyed by a German bomb in 1940.
Benson wrote lovingly of both the garden and house, which he renamed "Mallards", in his popular Mapp and Lucia novels.[6] Lamb House is the subject of Joan Aiken's supernatural book The Haunting of Lamb House (1993), comprising three novellas about residents of the house at different times, including James and Benson (both of whom also wrote ghost stories).
Other tenants have included the novelist Rumer Godden, the author and academic A. C. Benson, the author and politician H. Montgomery Hyde, the artist and publisher Sir Brian Batsford, politician William Mabane, 1st Baron Mabane, the literary agent Graham Watson, the actor Dominic Rowan and his family, and the writers John Senior and Sarah Philo.
Rye is a small town and civil parish in the Rother district, in East Sussex, England, two miles from the sea at the confluence of three rivers: the Rother, the Tillingham and the Brede. In medieval times, as an important member of the Cinque Ports confederation, it was at the head of an embayment of the English Channel, and almost entirely surrounded by the sea.
At the 2011 census, Rye had a population of 4,773. Its historical association with the sea has included providing ships for the service of the Crown in time of war, and being involved in smuggling. The notorious Hawkhurst Gang used its ancient inns The Mermaid Inn and The Olde Bell Inn, which are said to be connected to each other by a secret passageway.
Those historic roots and its charm make it a tourist destination, with hotels, guest houses, B&Bs, tea rooms, and restaurants. It has a small fishing fleet, and Rye Harbour has facilities for yachts and other vessels.
-Wikipedia
...With apologies to Little Richard & co-writers! This pic does seem to make me look long & tall even though I'm just 5'10" (1.778m) in height- these stiletto platform pumps give me a bit more elevation!
I've matched this marvelous red "Mystique" wet look lycra spandex halter style minidress arrived from coquetryclothing.com with my Premier copper fully fashioned Euro heel stockings from secretsinlace.com and my black patent peep toe platform pumps with the 5" heels from venus.com.
To see more pix of me in stockings and lingerie click this link: www.flickr.com/photos/kaceycdpix/sets/72157627113549549/
To see more pix of me in other tight, sexy and revealing outfits click this link:www.flickr.com/photos/kaceycdpix/sets/72157623668202157/
To see more pix of me in clothes from Coquetry Clothing click this link: www.flickr.com/photos/kaceycdpix/sets/72157626739774869/
DSC_1712-2
The inspired hill of Vézelay
The Burgundy hill of Vézelay, which French writer Paul Claudel named “eternal”, has been drawing hundreds of thousands of pilgrims (nowadays more likely tourists) since time immemorial. It has also drawn strife, battles and pillage: the big monastery was no less than six times destroyed by fire, and always rebuilt. Here, the Second Crusade was preached on Easter Day of 1146 by Bernard, abbot of Clairvaux, whom King Louis VII of France had summoned to be lectured on the sort of penance his royal person should submit to to atone for his many sins: Bernard chose the Crusade. Crusaders congregated here as well for the Third one, in 1190.
The history of Vézelay began around 850, when Count Girard de Roussillon founded a nunnery at the foot of the hill, in the locale now occupied by the village of Saint-Père-sous-Vézelay. Fifteen years later, the nuns had been replaced by monks for reasons that never reached us. What we know is that further to a Viking raid on Burgundy in 887, the monks took refuge at the top of the hill, in the remnants of a Roman oppidum, and never went down again.
Originally dedicated to the Virgin Mary, the monastery they built on the hilltop was placed in 1050 under the patronage of Mary Magdalene, further to the claimed transport of her bones from the Holy Land by a monk named Badillon. This so-called “transposition” was validated by the Pope, but the people of Provence rebelled fiercely against that ruling: it had indeed always been well known that the saint, who had been the very first, even before the apostles, to see Christ resuscitated, had left the Holy Land and come to France where she finished her life in the mountains of the Sainte- Baume, which were named after her. Her bones had been kept in the basilica of Saint-Maximin, the largest church in the whole of Provence.
Thus sanctioned by the Pope, and confirmed yet again by Pascal II in 1103, the claim of the Vézelay monks drew immense crowds (and brought enormous riches). The fact that they also claimed to have the bones of Martha and Lazarus were not for nothing in the considerable attraction the abbey had on a pilgrimage-hungry Christendom. However, the Provençal people were victorious in the end, when they revealed that the bones of the Magdalene, which had been hidden during the 900s as the Saracens drew nearer, were opportunely re-discovered in 1279. This time, Pope Boniface VIII found in their favor and that ruling was never overturned: the pilgrimage to Vézelay was dead, even though the big church kept its dedication.
The rest of the history of Vézelay is a long downhill walk. In 1537, the Benedictine monks are replaced by canons. In 1568, the Protestants seize the church and burn it again. Finally, in 1819, lightning strikes and sets the church aflame for the last time. When architect Viollet-le-Duc, mandated by Minister Prosper Mérimée, arrives on-site in 1840, the abbey church of Vézelay is but a gutted carcass, ready to collapse. That same year, the church was put on the first list of French Historic Landmarks (“Monuments historiques”) and restoration works were undertaken urgently; they were to last until 1861, and many other such works have been undertaken since.
The church was granted basilica status in 1920, and in 1979 it was listed as a UNESCO World Heritage site, as it is the starting point of one of the major Paths to Compostela, the Via Lemovicensis, so-named because it runs through the large city of Limoges.
On that day of June 2024 I went to Vézelay as a side trip during a photographic expedition for the Fondation pour la Sauvegarde de l’Art Français, one of the non-profit heritage organizations I work for as a pro bono photographer, it was raining. Therefore, I took no photo of the outside, but instead concentrated on the inside. Furthermore, a lot of what can be seen on the outside, including the façade and the tympanum, are re-creations of the 19th century by Viollet-le-Duc, and thus much less interesting for our purpose.
This is, as announced yesterday, the second closeup shot of one of the sculptures on the main tympanum illustrating the peoples of the world. Yesterday, I showed humans with dog heads, today are the pig-headed ones.
They also symbolize the half-man, half-beast depiction of those people yet to be evangelized.
Question mark made from pencil shavings on a writers notepad. generating new ideas concept. Writer workplace on a dark background.
A brief history of Belgium, and the Place des Martyrs - Martelaarsplaats (Martyrs' Square) in that history -
Among the most moving places to visit in the capital of Belgium, is Martyrs' Square in Brussels, where over 400 heroes of the Belgian Revolution of 1830 lie buried in a crypt beneath the cobblestones. This square is usually known by its French name, La Place des Martyrs, or also by its Dutch name, De Martelaarsplaats. Many of the dead here lie not far from where they were shot, in fierce battles amid the Brussels streets and barricades.
A wonderful monument here honours these heroes who died for the cause of freedom, in the brief 1830-31 revolutionary war that created the Belgian nation.
Particularly extraordinary and moving at the Place des Martyrs - Martelaarsplaats, are four beautiful sculptures of angels, with the angels´ faces in touchingly eternal expressions of mourning for the brave ones who gave their lives for the freedom of others.
These are photos from the daily life of writer, journalist and political refugee from the US, Dr Les (Leslie) Sachs - I am someone who also has nearly died fighting for freedom for others.
These Flickr photos document my new beloved home city of Brussels, Belgium, my life among the people and Kingdom who have given me safety in the face of the threats to destroy me. Brussels has a noble history of providing a safe haven to other dissident refugee writers, such as Victor Hugo, Karl Marx, Charles Baudelaire, and Alexandre Dumas, and I shall forever be grateful that Brussels and Belgium have helped to protect my own life as well. I'm happy to help convey to the world some of Brussels' wonderful cultural heritage.
(To read about the efforts to silence me and my journalism, the attacks on me, the smears and the threats, see the website by European journalists 'About Les Sachs' linked in my Flickr profile, and press articles such as 'Two EU Writers Under Threat of Murder: Roberto Saviano and Dr Les Sachs'.)
The Place des Martyrs - Martelaarsplaats remains a place where today's Belgians continue to remember and honour the heroes who died for them. Some weeks before the earlier group of these pictures were taken, on one rainy morning, I stood at the Place des Martyrs - Martelaarsplaats in the pouring rain, with a small group of Belgians in their 60s, 70s, and 80s, a number of them frail and supporting themselves unsteadily with canes on the uneven cobblestone surface, while a brass band was playing patriotic music. Though the rain was pouring down heavily on the Place des Martyrs, these elderly Belgians did not mind getting drenched, whatever the risk to their health, because these good people were children when the Nazis occupied Belgium, and that rainy day was a day to remember the Belgians who died fighting the fascist occupiers.
Quick sketch of the history of Belgium, and the historical role of Martyrs' Square -
The history of Belgium is not easy to outline. Belgium is today a nation with three official languages, reflecting its two large language groups of French and Dutch speakers, along with a small area whose native language is German. The Romans and Julius Caesar were in the neighbourhood over 2000 years ago, and Caesar wrote of fighting some fierce tribes here called the "Belgae", from whom the nation takes its name.
In fact, Julius Caesar referred to the Belgians or 'Belgae', in the very first sentence of his most famous book, 'De Bello Gallico', his commentary on the 'Gallic Wars': « Gallia est omnis divisa in partes tres, quarum unam incolunt Belgae ... » « The whole of Gaul is divided into three parts, in one of which live the Belgians ... »
As the Roman Empire fell apart, the Belgian region was home to the Merovingian kings in the early "dark ages", and then was part of the empire of Charlemagne. Under Charlemagne's grandson Lothair and great-grandson King Lothair II, the area of current Belgium was part of a kingdom of 'Lotharingia' whose name we know today as the French 'Lorraine'. This kingdom rapidly divided among royal heirs, with 'Upper Lorraine' roughly inside what is now France, and Brussels becoming the capital of a 'Duchy of Lower Lorraine' - roughly today's Low Countries - when a castle was built in Brussels' old centre around the year 979.
Borders and regional identity continued to change quickly in the centuries after Charlemagne, the "high middle ages". What was 'Lower Lorraine' gave way to several of the great mediaeval territories and dukedoms spreading across differing sections of what is now Belgium, with names we still hear today: Flanders, Brabant, Luxembourg. And various smaller territories and fiefdoms were also a part here, amid the ever-shifting landscape of mediaeval and feudal Europe.
The middle part of Belgium, including Brussels, was the historic territory of Brabant, and the Dukes of Brabant, about the year 1100, built premises right at what is known today in Brussels as the Royal Square - Place Royale - Kongingsplaats.
Brabant and much of Belgium then came to be part of the great late-mediaeval dukedom of Burgundy, which reached the height of influence in the 1400s with Brussels as the Burgundian capital along with Dijon. At its height, Burgundy was regarded by many as the richest court in all Europe. Today's independent Belgium is thus a remnant of that long-ago much larger Renaissance realm of Burgundy, as well as of the even more ancient kingdom of mediaeval Lotharingia.
The area of today's Belgium kept its leading role in Europe in the early 1500s, as Burgundy in turn was enveloped into the Holy Roman Empire at its height. The towns of Belgium gave birth and upbringing to the Emperor Charles V, who at one point ruled most of Europe from Brussels. So, about 500 years ago, Brussels was already the 'centre' of Europe.
After Charles, his empire began to break apart, and the territory of today's Belgium had a succession of foreign rulers from within Charles V's widely-flung Habsburg family: First the Spanish, who kept hold of the territory we now call Belgium, while the Dutch to the north broke away during the Protestant Reformation. After the 'War of the Spanish Succession', the Habsburg territories were further divided, with Belgium going under Austrian control from 1714 onwards.
It was under the Austrians, in the late 1700s, that elegant buildings began to be built around a large square which was named the Place Saint-Michel, or Saint Michael's Square. This would later become Place des Martyrs - Martelaarsplaats that you see here.
The beginning of the end of Austrian rule, and the beginning of the story of modern independent Belgium, was the 'Brabantine Revolution' (Révolution Brabançonne - Brabantse Revolutie), whereby in 1789 much of what is now Belgium, asserted its full independence from its then-rulers, the Habsburg emperors of Austria.
In sympathy and parallel with the epoch-changing revolution of 1789 in next-door France, the rebellious provinces of 'Austrian Netherlands' also went into rebellion that same year, and declared the deposition of the Austrian Habsburg Emperor, and the creation of the 'United Belgian States' (États-Belgiques-Unis - Verenigde Belgische Staten), which endured only briefly in 1789-1790. The 'Belgian' name came from the Latin word used by Julius Caesar to identify the fierce fighting tribes who inhabited this region in Caesar's day, the 'Belgae'.
In 1789, the seals of the document declaring the 'United Belgian States' to be 'free' and 'independent', were ornamented by silken tassels of black, yellow and red. The flag of the short-lived Belgian nation of 1789-90, then used these three colours, though in horizontal stripes and in a different order than the current vertically-striped Belgian flag.
The Austrians were able to briefly re-assert control of Belgium in 1790, then lost it to French control in 1792, and won it back one final time in 1793-94. The French then retained control, annexing most of what is now Belgium into France in 1795. As the Napoleonic era ended, Belgium was separated from France in 1814-1815.
As Napoléon was being defeated and his Empire terminated, the European nations meeting at the Council of Vienna of 1814-15, thought that the territories north of France, including modern Belgium and Luxembourg, should all be under the Dutch monarch, creating a single large buffer state between France and England.
The European powers meeting in Vienna avoided what might have seemed a more logical idea, of uniting only Dutch-speaking regions with the Netherlands, while letting the French-speaking regions of Wallonia remain united with France. The powers of 1815 did not want to reward France with territorial expansion to the north, precisely in the area around where Napoléon met his final defeat at Waterloo.
But the Vienna plan of shoving the French-speakers of Wallonia into a new Dutch monarchy, and expanding the Dutch nation and doubling its size, proved to be very unstable. The Dutch of the Netherlands were predominantly Protestant, while the southern populations, including the Dutch-speakers of Flanders, were predominantly Roman Catholic. And not only did the Catholic territories have large numbers of French speakers, the people in Flanders also speak a modestly different Dutch than in the Netherlands, which led them to chafe against the Dutch monarchy in sympathy with their French-speaking neighbours.
Tensions grew until an August, 1830 performance at the Brussels opera house, where political rebellion portrayed on the stage, became a catalyst for rebellion in the streets.
In September of 1830 the street rebellions became a full-blown revolution for Belgian independence. The Place Saint-Michel, Saint Michael's Square, a few hundred metres from the opera house where the fuse for revolution had been lit, became a key site for the declaration of Belgian liberty and independence, and a pivotal site in the fierce and deadly street battles. The central days of the revolution in September 1830 - the 23rd, 24th, 25th and 26th - are the dates inscribed upon the tablet held by the high figure in the monument that you see in the photos, representing the angel or goddess of the Belgian home nation (Latin 'patria'), with a lion by her side.
In 1830, with the hundreds of dead from the revolutionary battles, the decision was made to bury them there at the square, which now became the Square of the Martyrs of Freedom.
The revolution was quickly successful. Some battles continued to take place into 1831, as the Dutch made a last try to hold onto the Belgian territory, but the separation of Belgium and Luxembourg was speedily recognised and secured by the other European powers.
The Revolution of 1830 enabled Belgium to finally fulfil the dreams of the Belgian revolutionaries of 1789. The current Belgian tri-colour flag was established in 1831, using the 1789 colours of the 'Brabantine Revolution'. Belgium became a nation and even acquired a king of its own, the Protestant German Leopold of Saxe-Coburg, who agreed to marry the Catholic daughter of the French monarch, and raise their children as French-speaking Roman Catholics, while he became the first hereditary King of the Belgians.
And today, the political refugee Dr Les (Leslie) Sachs, may owe the saving of his life in the face of the threats to murder him, to protection extended from the royal household of the King of the Belgians, the descendant of that first Belgian monarch.
Léopold I, who was born in 1790, reigned in Belgium until 1865. Early in his reign, he supervised the building of this monument at Martyrs' Square. In one of the photos of the angels by the monument, you see between two angels the large plaque with the text in Latin. Two dates are given. The first is that of the declaration of the nation's identity, on the 25th of September 1830, a date closely tied to the death of the martyrs buried in the crypt below. The second date, the 25th of September 1840, is the date of the completion and dedication of the main part of the monument, with the final line noting that this took place under Léopold I as the reigning monarch.
Though the main monument structure was indeed completed and dedicated in 1840, the lovely and magnificent angels were added some years later, in 1848. Today, it is these sculptured angels which, above all, give Martyrs' Square its high character of deep emotion and magnificence.
The buildings around the square have, over the centuries, partially fallen into a difficult state, and you see one of the buildings undergoing inside-out comprehensive renovation in the photos. The overall revival and restoration of Martyrs' Square has been given a major boost, however, by the government of Belgium's majority Flemish-speaking region.
Belgium today is about 60 per cent Dutch-speaking, with most of the remainder French-speakers along with a few native German-speakers. Brussels itself is officially bi-lingual, and historically was predominantly a Dutch-speaking city through the centuries, from the mediaeval and Renaissance era down to early modern times. However, this changed in the 1800s, and Brussels today is at least 70 per cent French-speaking, with many of the rest of Brussels residents foreign-born rather than Dutch-speaking.
Yet, in one of the many curious paradoxes of Belgium's governmental arrangements, the predominantly French-speaking Brussels remains the 'capital' of the Dutch-speaking region of Flanders, while the French language community of Belgium has its capital in the provincial city of Namur.
Thus today, the Martelaarsplaats - Place des Martyrs, is the site of major national offices of Dutch-speaking Flanders. The Flemish government holds the two major buildings facing each other across the longer distance of the square, and the one you see in the photos in close-up with the three flags over the doorway (the EU flag, the Belgian flag, and the predominantly yellow Flemish flag) is actually the 'Kabinet van de Minister-President' of the 'Vlaamse Regering', or the 'Office of the Minister-President' (Prime Minister) of the Flemish government.
In front of the office of the Flemish Prime Minister, is a monument built in 1897 and dedicated to one of the particular martyrs of the Revolution, Jenneval. 'Jenneval' was the stage name of Louis Alexandre Hippolyte Dechez, as 'Jenneval' a well-known actor, who died from wounds in battle in October 1830. But some weeks before his death, Jenneval penned some of the original words to the Belgian national anthem, the Brabançonne. This monument to Jenneval was dedicated in 1897, on September 25th, precisely amid the 67th anniversary of the 1830 Belgian revolution for independence.
The inscriptions on the Jenneval monument are in both Dutch and French on opposite sides of it, though the French inscription is extremely weather-worn and hard to read. The inscriptions are:
Aan Jenneval
Dichter der Brabançonne
Gesneuveld voor 's lands
Onafhankelijkheid
Hulde der stad Brussel
25 september 1897
À Jenneval
Poète de la Brabançonne
Mort pour l'indépendance
Nationale
Hommage de la ville
de Bruxelles
25 septembre 1897
To Jenneval
Poet of the Brabançonne
Slain for his country's / the nation's independence
A tribute of the city of Brussels
25 September 1897
On the far opposite side of the Place des Martyrs - Martelaarsplaats, in front of the other Flemish government building here, is a monument to another hero of the Belgian Revolution, Comte (Count) Frédéric de Mérode, who was mortally wounded in battle in October 1830 and died a few days later in early November. His brother, Count Félix de Mérode, was a major figure in the Belgian provisional government in the weeks of revolution.
The Mérode monument also carries inscriptions on opposite sides in both French and Dutch:
À
Frédéric de Mérode
Mort pour l'indépendance
De la patrie
Aan
Frederic de Merode
Gestorven voor de
Onafhankelijkheid
van het vaderland
To
Frédéric de Mérode
Who died for the independence
Of our home country
The map with this Flickr photo set will show you how to walk to the Place des Martyrs - Martelaarsplaats. It is a few minutes' walk from either the De Brouckère or Rogier métro stations, via the popular rue Neuve - Nieuwstraat shopping promenade that runs between De Brouckère and Rogier. As you walk along the rue Neuve - Nieuwstraat, you see it visible a very few metres to the east along one of the intersections, at the Rue Saint-Michel - Sint-Michielsstraat, with the central monument of the Place des Martyrs - Martelaarsplaats clearly visible.
Writers’ Tears undertakes a programme of celebrations for the Centenary of Ulysses; Carlow, Ireland – 25, May 2022: Writers’ Tears® super-premium Irish whiskey has released a limited, collector’s edition bottle of its Copper Pot expression. The bottling commemorates the centenary of one of the world’s most renowned literary works – James Joyce’s Ulysses.
A family member was in Ireland recently and picked this up for me for Father's Day. Not available for sale directly in US. I don't know why.
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