View allAll Photos Tagged Writer
#writershaktitiwari #writer_shakti_tiwari #shorts
Hi Firends ️
🔴 Instagram - 👇
www.instagram.com/writershaktitiwari
Thanks For Watching ✓ Love You All
This is My New Channel
Please Give Your Support To This Channel & Enjoy Videos
Disclaimer :- This Video Is Only For Entertainment Purposes Only. Please Don't Mind
👇 Most Important 👇
Please SUBSCRIBE Our Channel And Click On Bell 🔔 Button So That You Will Never Miss Any Videos From Us.
_ ️_📚 _🎬__🎤_🎻_🎹_️_-📹-📼-📺_ 🎥
फिल्म, सिरियल, वेब सीरीज ,टेलीफिल्म्स, शॉर्ट मूवी, मै काम करने के लिये
और सिंगर अपना ओडियो + विडियो बनवाने के लिए मुझे Instagram पर Contact करे
-------------💜------------------🆔----------------💜------------------
For any business contact Social Media Link
Follow Me - 👇
🔴 Instagram -
www.instagram.com/writershaktitiwari
🔵 Twitter - www.twitter.com/writershakti
🔵 Facebook - www.facebook.com/writershaktitiwari
_______________❤️__Thanks __💕________________
🔹Copyright Disclaimer :-
Under Section 107 of the Copyright Act 1976, allowance is made for 'Fair Use' for purposes such as criticism, comment, news reporting, teaching, scholarship, and research, Fair use is a permitted by copyright statute that might otherwise be infringing, Non-profit, educational or personal use tips the balance in favor of fair use.
::::::::::::::::My::::::::Keyboard::::::::Tags:::::::::::::::
Instagram 🆔 Writer Shakti Tiwari
#writershaktitiwari #writer_shakti_tiwari #reels #foryou #new #funny #comedy #viral #trending
#bollywood #india #like #friendship #short #shorts #shortvideo #foryoypage #explore #explorepage #viralvideo #follow #song #movie #boy #girl #chingari #moj #zili #josh #tiki #Facebook #YouTube
Writer Shakti Tiwari
Writer Shakti
Writer Shakti Tiwari Status
Shakti Tiwari
Shakti status
Shakti
#writer_shakti_tiwari_status
Writershaktitiwari
writer shakti tiwari
Whatsapp Status whatsapp status video whatsapp status song, whatsapp Status full screen, whatsapp Status new , #short hindi whatsapp status video, sad whatsapp status video,30 second video, 30 second video status, 30 second video song, #Quotes 30 second video funny, 30 second video for whatsapp, 30 second status video new, #whatsapp_status
Thought, thought Status, thought of the day, positive status song, good status for whatsapp, good status in hindi , good status video, thought status in hindi, thoughts status video, thought Status for whatsapp, hindi thoughts, hindi thoughts shayari, #ytshort
Quotes, qoute abhut life, qoute status, qoute status for whatsapp, qoute about love, quotes abhut friendship, hindi qoute , qoute status video, hindi qoute status, hindi quotes, #writer
Rasiya Status, Rasiya Status video, Rasiya Status 2021 , Rasiya Status new,Rasiya Status new 2021
Bollywood status, #thought bollywood status song for whatsapp, bollywood status video, bollywood status sad, bollywood status for whatsapp,
Couple songs, Couple song status, Couple status, #viral
Song status, viral videos, writing status video,
YouTube short video
Short status
Short video song #youtubeshort
Short video status
Short video 30 second , #shayari
Love Status, love status for whatsapp, love status tamil , love status video, love status full screen, love status song, love status whatsapp, love status hindi, love status new, love status hindi song, love status hindi whatsapp, #YouTubeshorts
लव स्टेटस वीडियो, लव स्टेटस 2021, हिंदी लव स्टेटस, hindi love status 2021, love video, love #Hindi
Sad status, sad Status for whatsapp, sad status full screen, sad status girl, sad Status boy, sad status Instagram, #hindistatus sad status video, sad status video 2021,hindi sad Status, hindi sad Status song,hindi sad Status full screen, hindi sad Status 2021 #Whatsappstatus
Romantic status, romantic status video, romantic status song, romantic status hindi, romantic status full screen, #Status romantic status video new, Rometic status video hindi, #Author romantic Status video 2021,
Friendship Status, friendship Status video, friendship Status song, friendship Status gilove friendship Status video, friendship Status sad, friendship Status for whatsapp, #sad
Attitude status, attitude song, attitude shayari, attitude,. Attitude shayari status, attitude whatsapp Status, attitude boy status, Attitude song status, attitude Status for boys, attitude status for girls, attitude status shayari, #love
Motivational video, motivational whatsapp Status, motivational status, motivational video status, motivational video status, motivational Status for whatsapp, Hindi motivational Status, motivational Status 2 line, #romantic
Shayari status, shayari, shayari video, shayari Status video, shayari Status sad , shayari Status whatsapp, shayari shayari, shayari Status boy attitude, shayari status love, shayari status attitude.
Unused RPPC with no information on the verso. Looks like this one is a studio shot given the quality of the lighting and the backdrop. Found in OH.
Hoy quiero compartir con ustedes esto que NO se que es, pero es una experimentación erronea de un dibujo anunciado basado en un episodio hipotético de un escrito hecho en un de los tantos viajes hechos desde la estación de quinta paredes hasta el portal Norte rumbo a Zipaquira.
Narrado en tres actos espero que sea de su exquisites iletrada.
ACTO 1
En esta ocasión en una noche de lluvia, nubes negras y lagrimas dulces ya se el cuerpo petrificado del señor pájaro
CAUSA DE MUERTE: paro cardiaco producido por una sobredosis de egocentrismo puro inyectado directamente la personalidad del corazón.
ACTO 2
El telón esta a punto de cerrarse sin antes haber acabado la función de este gran acto de magia, los expectadores cansados deciden dejar el recinto en silencio absoluto, mientras tanto el tiempo espera paciente a que la ultima flor se marchite.
Por favor chicas corran a cambiarse que ya vamos arrancar el tercer acto.
ACTO 3
No es perfecta esta unica escena susurra el silencio en un tono sopranico agudo sarcastico, en seguida responde la muerte con una sutil pero letal linea roja TODO LLEGO A SU FINAL, como este acto, todos los actores salen de escena y al fin se acaba la función.
WRITERS RESIST: Louder Together for Free Expression was a literary protest on the steps of the New York Public Library’s Schwarzman Building at 42nd St. that brought together hundreds of writers and artists and thousands of New Yorkers on the birthday of civil rights icon Martin Luther King, Jr. American poet laureates Robert Pinsky, Author and Rita Dove offered each other hope and inspiration with "inaugural" poems.
Ian Hamilton Finlay was a writer, poet, gardener and much more. He was an early exponent of 'concrete' poetry, where the font, calligraphy and layout were as much part of the finished work as the words. Some of his works were printed onto tiles bay Kenneth Townsend in the mid-1970s, here is one on a garden theme. A lot to reflect on from a few words.
If you are interested in this sort of thing, perhaps the Tiles & Architectural Ceramics Society is up your street - take a look at tilesoc.org.uk/tacs/
A brief history of Belgium, and the Place des Martyrs - Martelaarsplaats (Martyrs' Square) in that history -
Among the most moving places to visit in the capital of Belgium, is Martyrs' Square in Brussels, where over 400 heroes of the Belgian Revolution of 1830 lie buried in a crypt beneath the cobblestones. This square is usually known by its French name, La Place des Martyrs, or also by its Dutch name, De Martelaarsplaats. Many of the dead here lie not far from where they were shot, in fierce battles amid the Brussels streets and barricades.
A wonderful monument here honours these heroes who died for the cause of freedom, in the brief 1830-31 revolutionary war that created the Belgian nation.
Particularly extraordinary and moving at the Place des Martyrs - Martelaarsplaats, are four beautiful sculptures of angels, with the angels´ faces in touchingly eternal expressions of mourning for the brave ones who gave their lives for the freedom of others.
These are photos from the daily life of writer, journalist and political refugee from the US, Dr Les (Leslie) Sachs - I am someone who also has nearly died fighting for freedom for others.
These Flickr photos document my new beloved home city of Brussels, Belgium, my life among the people and Kingdom who have given me safety in the face of the threats to destroy me. Brussels has a noble history of providing a safe haven to other dissident refugee writers, such as Victor Hugo, Karl Marx, Charles Baudelaire, and Alexandre Dumas, and I shall forever be grateful that Brussels and Belgium have helped to protect my own life as well. I'm happy to help convey to the world some of Brussels' wonderful cultural heritage.
(To read about the efforts to silence me and my journalism, the attacks on me, the smears and the threats, see the website by European journalists 'About Les Sachs' linked in my Flickr profile, and press articles such as 'Two EU Writers Under Threat of Murder: Roberto Saviano and Dr Les Sachs'.)
The Place des Martyrs - Martelaarsplaats remains a place where today's Belgians continue to remember and honour the heroes who died for them. Some weeks before the earlier group of these pictures were taken, on one rainy morning, I stood at the Place des Martyrs - Martelaarsplaats in the pouring rain, with a small group of Belgians in their 60s, 70s, and 80s, a number of them frail and supporting themselves unsteadily with canes on the uneven cobblestone surface, while a brass band was playing patriotic music. Though the rain was pouring down heavily on the Place des Martyrs, these elderly Belgians did not mind getting drenched, whatever the risk to their health, because these good people were children when the Nazis occupied Belgium, and that rainy day was a day to remember the Belgians who died fighting the fascist occupiers.
Quick sketch of the history of Belgium, and the historical role of Martyrs' Square -
The history of Belgium is not easy to outline. Belgium is today a nation with three official languages, reflecting its two large language groups of French and Dutch speakers, along with a small area whose native language is German. The Romans and Julius Caesar were in the neighbourhood over 2000 years ago, and Caesar wrote of fighting some fierce tribes here called the "Belgae", from whom the nation takes its name.
In fact, Julius Caesar referred to the Belgians or 'Belgae', in the very first sentence of his most famous book, 'De Bello Gallico', his commentary on the 'Gallic Wars': « Gallia est omnis divisa in partes tres, quarum unam incolunt Belgae ... » « The whole of Gaul is divided into three parts, in one of which live the Belgians ... »
As the Roman Empire fell apart, the Belgian region was home to the Merovingian kings in the early "dark ages", and then was part of the empire of Charlemagne. Under Charlemagne's grandson Lothair and great-grandson King Lothair II, the area of current Belgium was part of a kingdom of 'Lotharingia' whose name we know today as the French 'Lorraine'. This kingdom rapidly divided among royal heirs, with 'Upper Lorraine' roughly inside what is now France, and Brussels becoming the capital of a 'Duchy of Lower Lorraine' - roughly today's Low Countries - when a castle was built in Brussels' old centre around the year 979.
Borders and regional identity continued to change quickly in the centuries after Charlemagne, the "high middle ages". What was 'Lower Lorraine' gave way to several of the great mediaeval territories and dukedoms spreading across differing sections of what is now Belgium, with names we still hear today: Flanders, Brabant, Luxembourg. And various smaller territories and fiefdoms were also a part here, amid the ever-shifting landscape of mediaeval and feudal Europe.
The middle part of Belgium, including Brussels, was the historic territory of Brabant, and the Dukes of Brabant, about the year 1100, built premises right at what is known today in Brussels as the Royal Square - Place Royale - Kongingsplaats.
Brabant and much of Belgium then came to be part of the great late-mediaeval dukedom of Burgundy, which reached the height of influence in the 1400s with Brussels as the Burgundian capital along with Dijon. At its height, Burgundy was regarded by many as the richest court in all Europe. Today's independent Belgium is thus a remnant of that long-ago much larger Renaissance realm of Burgundy, as well as of the even more ancient kingdom of mediaeval Lotharingia.
The area of today's Belgium kept its leading role in Europe in the early 1500s, as Burgundy in turn was enveloped into the Holy Roman Empire at its height. The towns of Belgium gave birth and upbringing to the Emperor Charles V, who at one point ruled most of Europe from Brussels. So, about 500 years ago, Brussels was already the 'centre' of Europe.
After Charles, his empire began to break apart, and the territory of today's Belgium had a succession of foreign rulers from within Charles V's widely-flung Habsburg family: First the Spanish, who kept hold of the territory we now call Belgium, while the Dutch to the north broke away during the Protestant Reformation. After the 'War of the Spanish Succession', the Habsburg territories were further divided, with Belgium going under Austrian control from 1714 onwards.
It was under the Austrians, in the late 1700s, that elegant buildings began to be built around a large square which was named the Place Saint-Michel, or Saint Michael's Square. This would later become Place des Martyrs - Martelaarsplaats that you see here.
The beginning of the end of Austrian rule, and the beginning of the story of modern independent Belgium, was the 'Brabantine Revolution' (Révolution Brabançonne - Brabantse Revolutie), whereby in 1789 much of what is now Belgium, asserted its full independence from its then-rulers, the Habsburg emperors of Austria.
In sympathy and parallel with the epoch-changing revolution of 1789 in next-door France, the rebellious provinces of 'Austrian Netherlands' also went into rebellion that same year, and declared the deposition of the Austrian Habsburg Emperor, and the creation of the 'United Belgian States' (États-Belgiques-Unis - Verenigde Belgische Staten), which endured only briefly in 1789-1790. The 'Belgian' name came from the Latin word used by Julius Caesar to identify the fierce fighting tribes who inhabited this region in Caesar's day, the 'Belgae'.
In 1789, the seals of the document declaring the 'United Belgian States' to be 'free' and 'independent', were ornamented by silken tassels of black, yellow and red. The flag of the short-lived Belgian nation of 1789-90, then used these three colours, though in horizontal stripes and in a different order than the current vertically-striped Belgian flag.
The Austrians were able to briefly re-assert control of Belgium in 1790, then lost it to French control in 1792, and won it back one final time in 1793-94. The French then retained control, annexing most of what is now Belgium into France in 1795. As the Napoleonic era ended, Belgium was separated from France in 1814-1815.
As Napoléon was being defeated and his Empire terminated, the European nations meeting at the Council of Vienna of 1814-15, thought that the territories north of France, including modern Belgium and Luxembourg, should all be under the Dutch monarch, creating a single large buffer state between France and England.
The European powers meeting in Vienna avoided what might have seemed a more logical idea, of uniting only Dutch-speaking regions with the Netherlands, while letting the French-speaking regions of Wallonia remain united with France. The powers of 1815 did not want to reward France with territorial expansion to the north, precisely in the area around where Napoléon met his final defeat at Waterloo.
But the Vienna plan of shoving the French-speakers of Wallonia into a new Dutch monarchy, and expanding the Dutch nation and doubling its size, proved to be very unstable. The Dutch of the Netherlands were predominantly Protestant, while the southern populations, including the Dutch-speakers of Flanders, were predominantly Roman Catholic. And not only did the Catholic territories have large numbers of French speakers, the people in Flanders also speak a modestly different Dutch than in the Netherlands, which led them to chafe against the Dutch monarchy in sympathy with their French-speaking neighbours.
Tensions grew until an August, 1830 performance at the Brussels opera house, where political rebellion portrayed on the stage, became a catalyst for rebellion in the streets.
In September of 1830 the street rebellions became a full-blown revolution for Belgian independence. The Place Saint-Michel, Saint Michael's Square, a few hundred metres from the opera house where the fuse for revolution had been lit, became a key site for the declaration of Belgian liberty and independence, and a pivotal site in the fierce and deadly street battles. The central days of the revolution in September 1830 - the 23rd, 24th, 25th and 26th - are the dates inscribed upon the tablet held by the high figure in the monument that you see in the photos, representing the angel or goddess of the Belgian home nation (Latin 'patria'), with a lion by her side.
In 1830, with the hundreds of dead from the revolutionary battles, the decision was made to bury them there at the square, which now became the Square of the Martyrs of Freedom.
The revolution was quickly successful. Some battles continued to take place into 1831, as the Dutch made a last try to hold onto the Belgian territory, but the separation of Belgium and Luxembourg was speedily recognised and secured by the other European powers.
The Revolution of 1830 enabled Belgium to finally fulfil the dreams of the Belgian revolutionaries of 1789. The current Belgian tri-colour flag was established in 1831, using the 1789 colours of the 'Brabantine Revolution'. Belgium became a nation and even acquired a king of its own, the Protestant German Leopold of Saxe-Coburg, who agreed to marry the Catholic daughter of the French monarch, and raise their children as French-speaking Roman Catholics, while he became the first hereditary King of the Belgians.
And today, the political refugee Dr Les (Leslie) Sachs, may owe the saving of his life in the face of the threats to murder him, to protection extended from the royal household of the King of the Belgians, the descendant of that first Belgian monarch.
Léopold I, who was born in 1790, reigned in Belgium until 1865. Early in his reign, he supervised the building of this monument at Martyrs' Square. In one of the photos of the angels by the monument, you see between two angels the large plaque with the text in Latin. Two dates are given. The first is that of the declaration of the nation's identity, on the 25th of September 1830, a date closely tied to the death of the martyrs buried in the crypt below. The second date, the 25th of September 1840, is the date of the completion and dedication of the main part of the monument, with the final line noting that this took place under Léopold I as the reigning monarch.
Though the main monument structure was indeed completed and dedicated in 1840, the lovely and magnificent angels were added some years later, in 1848. Today, it is these sculptured angels which, above all, give Martyrs' Square its high character of deep emotion and magnificence.
The buildings around the square have, over the centuries, partially fallen into a difficult state, and you see one of the buildings undergoing inside-out comprehensive renovation in the photos. The overall revival and restoration of Martyrs' Square has been given a major boost, however, by the government of Belgium's majority Flemish-speaking region.
Belgium today is about 60 per cent Dutch-speaking, with most of the remainder French-speakers along with a few native German-speakers. Brussels itself is officially bi-lingual, and historically was predominantly a Dutch-speaking city through the centuries, from the mediaeval and Renaissance era down to early modern times. However, this changed in the 1800s, and Brussels today is at least 70 per cent French-speaking, with many of the rest of Brussels residents foreign-born rather than Dutch-speaking.
Yet, in one of the many curious paradoxes of Belgium's governmental arrangements, the predominantly French-speaking Brussels remains the 'capital' of the Dutch-speaking region of Flanders, while the French language community of Belgium has its capital in the provincial city of Namur.
Thus today, the Martelaarsplaats - Place des Martyrs, is the site of major national offices of Dutch-speaking Flanders. The Flemish government holds the two major buildings facing each other across the longer distance of the square, and the one you see in the photos in close-up with the three flags over the doorway (the EU flag, the Belgian flag, and the predominantly yellow Flemish flag) is actually the 'Kabinet van de Minister-President' of the 'Vlaamse Regering', or the 'Office of the Minister-President' (Prime Minister) of the Flemish government.
In front of the office of the Flemish Prime Minister, is a monument built in 1897 and dedicated to one of the particular martyrs of the Revolution, Jenneval. 'Jenneval' was the stage name of Louis Alexandre Hippolyte Dechez, as 'Jenneval' a well-known actor, who died from wounds in battle in October 1830. But some weeks before his death, Jenneval penned some of the original words to the Belgian national anthem, the Brabançonne. This monument to Jenneval was dedicated in 1897, on September 25th, precisely amid the 67th anniversary of the 1830 Belgian revolution for independence.
The inscriptions on the Jenneval monument are in both Dutch and French on opposite sides of it, though the French inscription is extremely weather-worn and hard to read. The inscriptions are:
Aan Jenneval
Dichter der Brabançonne
Gesneuveld voor 's lands
Onafhankelijkheid
Hulde der stad Brussel
25 september 1897
À Jenneval
Poète de la Brabançonne
Mort pour l'indépendance
Nationale
Hommage de la ville
de Bruxelles
25 septembre 1897
To Jenneval
Poet of the Brabançonne
Slain for his country's / the nation's independence
A tribute of the city of Brussels
25 September 1897
On the far opposite side of the Place des Martyrs - Martelaarsplaats, in front of the other Flemish government building here, is a monument to another hero of the Belgian Revolution, Comte (Count) Frédéric de Mérode, who was mortally wounded in battle in October 1830 and died a few days later in early November. His brother, Count Félix de Mérode, was a major figure in the Belgian provisional government in the weeks of revolution.
The Mérode monument also carries inscriptions on opposite sides in both French and Dutch:
À
Frédéric de Mérode
Mort pour l'indépendance
De la patrie
Aan
Frederic de Merode
Gestorven voor de
Onafhankelijkheid
van het vaderland
To
Frédéric de Mérode
Who died for the independence
Of our home country
The map with this Flickr photo set will show you how to walk to the Place des Martyrs - Martelaarsplaats. It is a few minutes' walk from either the De Brouckère or Rogier métro stations, via the popular rue Neuve - Nieuwstraat shopping promenade that runs between De Brouckère and Rogier. As you walk along the rue Neuve - Nieuwstraat, you see it visible a very few metres to the east along one of the intersections, at the Rue Saint-Michel - Sint-Michielsstraat, with the central monument of the Place des Martyrs - Martelaarsplaats clearly visible.
The Abai Kazakh State Academic opera and ballet theatre was opened on January, 13th, 1934 by musical performance "Aiman-Sholpan" on libretto of Muhtar Auezov. In it national songs and kui, processed by Ivan Kotsyk sounded. The success of performance was grandiose. All country learned about a birth of new theatre.
Certainly, the opera theatre is a child, first of all of enthusiasts, figures of the literature, composers, writers, artists, actors with good vocal data, all life devoted to service to an opera, one of the finest arts. These people have become history of national culture. Their activity found the continuation all these 70 years, being enriched and developing. Their names are known, loved and remembered by fans of classical music , they for a long time become coryphaeuses of musical culture of Kazakhstan: actress Kuljash Bajseitova, director Zhumat Shanin, the singer and director Kurmanbek Zhandarbekov, the singer, the director and playwright Kanabek Bajseitov, the dancer of Shara Zhienkulova, singer Manarbek Erzhanov, artist Anatoly Nenashev, writers Muhtar Auezov, Gabit Musrepov, Sabit Mukanov,Beimbet Mailin, composer Evgenie Brusilovsky.
Inspired by success of the first performance with even greater creative passion actors-singers, the directors-persons of natural gifts who had no vocational training, undertook creation of opera repertoir of theatre. Brusilovsky was the first composer of the theatre who began national opera art of Kazakhstan. Following performances were: " Kyz Zhibek " (1934), "Zhalbyr" (1935), " Er Targyn " (1936).
In 1935 on the basis of the Kuibyshev opera theatre Russian opera troupe was created. The professional collective for short term (1936-1937) carried out nine performances of Russian and world opera classics. They are "Carmen", "Evgenie Onegin", "Queen of spades", "Demon", "Faust", "Aida", etc.
In 1938 ballet of Tchaikovsky " Swan lake " began creation of ballet troupe. Further there were performances "Koniok-gorbunok", "Raimonda", " the Bakhchsarai fountain ". Recently the first Kazakh ballet " Kalkaman and Mamyr " of V.Velikanov was put on stage.
Close dialogue of Russian and Kazakh opera troupes helped the Kazakh opera singers to seize vocal culture successfully. In repertoir of the theatre there were operas "Prince Igor", "Boris Godunov", "Ivan Susanin", "Mermaid", "Dubrovsky" , "Cherevichki" and others.
The theatre has passed huge way - from simple one-voice national song to a symphonic orchestra, to chorus, to opera and ballet items, from national music al playing to finished musically-vocational establishment.
The first big success of opera theatre took place in days of Decade of the Kazakh literature and art in Moscow in 1936. Opera " Kyz Zhibek " with Kuliash Baiseitova in a leaging role had great success. The singer obtained a unusual recognition. All newspapers dazzled with enthusiastic responses about new theatre and about its singers. Kuliash Baiseitova , the first singer-Kazakh lady, received the title of the national actress of the USSR.
National ballet, vocal and drama branches in the Moscow conservatory and other educational institutions of Russia were created for updating the theatre by new more professional staff. Their graduates: Baigali Dosymzhanov, Anuarbek Umbetbaev, Rishat and Muslim Abdullin, Shabal Beisekov, Kauken Kenzhetaev, Mukan Tulebaev and others.
Before Great patriotic war in repertoir of theatre 31 opera (from them 9 Kazakh) and 6 ballet (2 Kazakh) performances were available.
In 1941 the theatrereceived the honorary title Academic. Within war the theatre divided with people all its burdens. Nevertheless, despite of all complexities, construction of a new building of theatre, (architect N.A.Prostakov, T.Basenov) which became the most beautiful and large construction of Alma-Ata was finished. The first performance took place in a new building on November, 7th, 1941. In difficult military years the theatre carried out a number of new performances " Zaporozhets beyond Danube ", "Othello", "Mazepa", "Ivan Susanin", etc. At the same time to Alma-Ata many art workers and arts from all Soviet Union were evacuated. Then at the theatre Galina Ulanova with ballet "Zhizel" worked.
1944 was marked by a birth of the Kazakh opera "Abai" of A.Zhubanov and L.Hamidi, the libretto of M. Auezov. It was, undoubtedly, the great creative success, it has been the basic in repertoir of the theatre till this day.
To the 100 anniversary of the great Kazakh educator, the philosopher, the humanist, poet Abai Kunanbaev, the theatre of opera and ballet received name Abai.
The art management of theatre gave the big attention to repertoir. Operas Russian, European and Kazakh were put. Many of them have quitted the stage, not having sustained check by time. Others were included into gold fund of the Kazakh music, such, as "Birzhan and Sara ". It is remarkable, that those years such performances as "Evgenie Onegin", "Chio-Chio-san" and others went in the Kazakh language.
The fifties were marked by occurrence of the professional musicians who received special higher education – Ermek Serkebaev, Rose Dzhamanova, Era Eponeshnikova, Z.Rajbaev, S.Kusherbaeva. The new page of history of the theatre began. Gradually from a role to a role, from an image by the image, improving the skill, getting experience, they became the "stars" of an opera and ballet genre recognized by masters of a stage, favourite by people. With greater success they acted not only in our country, but also in many countries of the world. Having passed the big career, possessing huge scenic experience, they and to this day are instructors and advisers at the theatre. All time there was a work above new performances. They are "Dudarai", " Tolegen Tohtarov ", "Pebble", " The Sold bride ", "Troubadour", " The Imperial bride ", "Traviata", "The Seville barber ", "Rigoletto", "Snow Maiden", " Ruslan and Lyudmila ", "Morozko", "Charodeika", "Demon", " Romeo and Juliet ", " Don Juan ", "Bohemia" ," Hoffmann's Fairy tale " and others.
New performing forces came to theatre. They ares V.Iakovenko, B.Ashimova, M. Мusabaev, N.Karazhigitov, S.Umbetaliev, R.Bajseitova, Z.Kasteeva, G.Esimov, A.Dnishev, E.Isakov, R.Zhubaturova, H.Kalilambekova, R.Bapov, S.Bajsultanov, G.Tutkibaeva, M. Tukeev and others. New performances were carried out: "Nazugum", " Sadyr palvan " of K.Kuzhamjarov, "Zhumbakkyz" of S.Muhamedzhanov, "Alpamys”, " Kamar sulu " of E.Rahmadiev, "Enlik-Kebek", "Kurmangazy", " The Legend about a white bird ", "Hiroshima" of G. Zhubanova.
Historical, political and economic events of the country could not be nonreflected in repertoir of the theatre at all. There were years of great enthusiasm, but also the stagnation period remained in memories. The reorganization time, time of transitive economy and policy played its role.
In 2000 general reconstruction of the theatre came to the end. Favorable conditions for work of collective were created. Today on a stage of the well-known theatre, continuing its rich traditions, singers M. Muhamedkyzy, N.Usenbaeva, D.Baspakova shine. And also such known soloists, as B.Skakov, S.Abilov, M. Shalabaev, L.Dorohovskaja, L.Alpieva, D.Sushkov, K.Sarkytbaeva, U.Kenzhebekov, S.Ishchanova and others.
The modern Abai Kazakh State academic opera and ballet theatre ia leader of musical art of Kazakhstan. At the moment it is the largest theatre of the Euroasian territory. In structure of creative collective of theatre - the glorified masters of a stage and young talents-winners of the various prestigious, international competitions, obtained a world recognition. France, Germany, Italy, Japan, Turkey, China, the USA and other countries clapped to masters of a stage of the Kazakh theatre of opera and ballet. The theatre aspires to close cooperation with other theatrical collectives of the different countries, inviting on performances not only separate executors, but also the whole ensembles of actors. Annually the theatre organises international festival of opera and ballet art.
They're getting everywhere these days!
Some Leeds Writers letting their imaginations out for a flight...
More such experiences - at least in the mind - are had regularly within the Leeds Writers' Circle who often hover near this very location!
Artists in action! The urban art and writers in Taranto, Italy.
They called Acheron, the river as Dante. It is actually a manifestation of street art that will restore color to Taranto, "red and gray city of pollution". The date is February 25 to 27 (10,30) via Dante Alighieri - that's why the name of the show - and gives the cans and also abroad in the 25 participating artists a wall 113 meters long. Acheron is only the first date: many meters are available for the next "crossing" in the next few months. Among the names that come to Checko Lecce Taranto also the writer's art. (By Repubblica Bari Anna Puricella )
In 1931 Sidney Myer (1878 – 1934) Russian émigré turned Melbourne businessman and philanthropist decided to reinvigorate his store the Myer Emporium by redeveloping his flagship Bourke Street store at 314-336 Bourke Street. Part of this included a new façade in the prevailing interwar style of the time – Art Deco and the addition of several more floors to what was already a very large department store. On the sixth floor a chic European style ballroom with soaring ceilings, sweeping stairs and parquet flooring was planned for use by the emporium’s patrons as a dining room by day and in which Myer could host Parisian fashion shows and hold exclusive Melbourne society events by night. The Myer Mural Hall, so called because of an impressive collection of ten murals by Australian artist Napier Waller, was the realisation of Sidney Myer’s dream.
The Mural Hall, a dining hall suitable for a sitting for one thousand people and a venue for fashion parades and performances, was completed in 1933 as part of the sixth floor which was set aside for dining. It is a large rectangular space with a decorative plaster ceiling and balconies and wall panels in a Streamline Moderne style. However, it is the decoration of ten murals by renowned artist Napier Waller (1893-1972) that are the Mural Hall’s claim to fame. The murals took a little over a year to complete and were painted at Napier Waller’s home at Fairy Hills in Ivanhoe before being transported to the department store where they were hung. Completed in 1934, just after Sidney Myer’s death, eight of the murals are almost floor to ceiling, whilst the remaining two are located over the two side entrances. All pay homage to the seasons and to women and their achievements through history in the areas of art, opera, literature, dance, sport and fashion.
The eastern wall features a mural "Pageant of Women Famous in History". It features: British Queen Boadicea (Boudica) (died 61 A.D.) who lead a revolt against the Romans in the absence of the Roman General, Paulinus; Aethelflaed, Lady of the Mercians (died 918), daughter of Alfred the Great, who fortified Chester and lead the Mercians at the battle of Tettenhall; Eleanor of Aquitaine (1122 – 1204) who was married to Louis VI of France and accompanied him on a crusade to the Holy Land before divorcing him in 1152 when she married Henry Plantagenet (Henry II of England); Agnès Sorel (1421 – 1450) mistress to King Charles VII of France; Jane de Belleville, whose husband Oliver III, was beheaded by Philip de Valois, King of France, so she sided with the English in 1345, armed his fleet and made descents into Normandy as a pirate and stormed castles and pillaged towns; Jeanne d’Arc, the Maid of Orléans (1412 – 1430), who at the age of 17 lead Charles VII army to victory, yet was later tried, condemned and burned as a witch; Catherine de Medici (1519 – 1589), daughter of Lorenzo de Medici who married Henry, Duke of Orléans and became Queen of France in 1547 when Henry became King Henry II; Queen Elizabeth I (1533 – 1603), daughter of Henry VIII and his second wife, Anne Boleyn, who became ruler of England from 1588 until her death; Mary, Queen of Scots (1542 – 1587), daughter of James V, who was beheaded at Fotheringhay Castle for her part in the Babington conspiracy; Jeanne Antoinette Poisson, Marquise de Pompadour (1721 – 1764), member of the French Royal Court and mistress to Louis XV from 1745 until her death; Sarah Jennings, Duchess of Marlborough (1660 – 1774), wife of Colonial John Churchill, who rose to become one of the most influential women in British history thanks to her friendship with Queen Anne of Great Britain (1665 – 1714); Marie-Jeanne Roland (1754 – 1793), better known as Madame Rolland was an ardent supporter of the French Revolution, yet died on the guillotine during the Reign of Terror after falling from favour amongst the revolutionaries; Mary Woolenstonecraft (1759 – 1797) who was an Eighteenth Century British writer of “A Vindication of the Rights of Women” and an advocate for women’s rights; the year 1912 (an important year for women’s suffrage); and Catherine the Great (1729 – 1796), Empress of Russia, wife of Peter III whom she dethroned and then had murdered.
Napier Waller (1893 – 1972) was a noted Australian muralist, mosaicist and painter. He served in France from 1916, being so seriously wounded at Bullecourt that he lost his right arm. He was right-handed but learned to use his left hand while recuperating. Back in Australia, he established his reputation by exhibiting more paintings. He is perhaps best known for the mosaics and stained glass for the Hall of Memory at the Australian War Memorial, Canberra, completed in 1958. However, Melbourne has been described as "a gallery of Napier Waller’s work". Pieces of Napier Waller’s works may be found in the Melbourne Town Hall (1927), the State Library of Victoria (1928), the T & G Life Building (1929), Newspaper House (1933), Florentino’s Restaurant (1934), the Wesley Church (1935) and the University of Melbourne (1940) as well as the Myer Mural Hall.
Sissinghurst Castle Garden, at Sissinghurst in the Weald of Kent in England, was created by Vita Sackville-West, poet and writer, and her husband Harold Nicolson, author and diplomat. It is among the most famous gardens in England and is designated Grade I on Historic England's register of historic parks and gardens. It was bought by Sackville-West in 1930, and over the next thirty years, working with, and later succeeded by, a series of notable head gardeners, she and Nicolson transformed a farmstead of "squalor and slovenly disorder" into one of the world's most influential gardens. Following Sackville-West's death in 1962, the estate was donated to the National Trust for Places of Historic Interest or Natural Beauty. It is one of the Trust's most popular properties, with nearly 200,000 visitors in 2017.
The gardens contain an internationally respected plant collection, particularly the assemblage of old garden roses. The writer Anne Scott-James considered the roses at Sissinghurst to be "one of the finest collections in the world". A number of plants propagated in the gardens bear names related to people connected with Sissinghurst or the name of the garden itself. The garden design is based on axial walks that open onto enclosed gardens, termed "garden rooms", one of the earliest examples of this gardening style. Among the individual "garden rooms", the White Garden has been particularly influential, with the horticulturalist Tony Lord describing it as "the most ambitious ... of its time, the most entrancing of its type."
The site of Sissinghurst is ancient and has been occupied since at least the Middle Ages. The present-day buildings began as a house built in the 1530s by Sir John Baker. In 1554 Sir John's daughter Cecily married Thomas Sackville, 1st Earl of Dorset, an ancestor of Vita Sackville-West. By the 18th century the Baker's fortunes had waned, and the house, renamed Sissinghurst Castle, was leased to the government to act as a prisoner-of-war camp during the Seven Years' War. The prisoners caused great damage and by the 19th century much of Sir Richard's house had been demolished. In the mid-19th century, the remaining buildings were in use as a workhouse, and by the 20th century Sissinghurst had declined to the status of a farmstead. In 1928 the castle was advertised for sale but remained unsold for two years.
Sackville-West was born in 1892 at Knole, the ancestral home of the Sackvilles. But for her sex, Sackville-West would have inherited Knole on the death of her father in 1928. Instead, following primogeniture, the house and the title passed to her uncle, a loss she felt deeply. In 1930, after she and Nicolson became concerned that their home Long Barn was threatened by development, Sackville-West bought Sissinghurst Castle. On purchasing Sissinghurst, Sackville-West and Nicolson inherited little more than some oak and nut trees, a quince, and a single old rose. Sackville-West planted the noisette rose 'Madame Alfred Carrière' on the south face of the South Cottage even before the deeds to the property had been signed. Nicolson was largely responsible for planning the garden design, while Sackville-West undertook the planting. Over the next thirty years, working with her head gardeners, she cultivated some two hundred varieties of roses and large numbers of other flowers and shrubs. Decades after Sackville-West and Nicolson created "a garden where none was", Sissinghurst remains a major influence on horticultural thought and practice.
-Wikipedia
*** *** ***
I'm stampolina and I love to take photos of stamps. Thanks for visiting this pages on flickr.
I'm neither a typical collector of stamps, nor a stamp dealer. I'm only a stamp photograph. I'm fascinated of the fine close-up structures which are hidden in this small stamp-pictures. Please don't ask of the worth of these stamps - the most ones have a worth of a few cents or still less.
By the way, I wanna say thank you to all flickr users who have sent me stamps! Great! Thank you! Someone sent me 3 or 5 stamps, another one sent me more than 20 stamps in a letter. It's everytime a great surprise for me and I'm everytime happy to get letters with stamps inside from you!
thx, stampolina
For the case you wanna send also stamps - it is possible. (...I'm pretty sure you'll see these stamps on this photostream on flickr :) thx!
stampolina68
Mühlenweg 3/2
3244 Ruprechtshofen
Austria - Europe
* * * * * * * * *
stamp Austria 55c Theodor Herzl 1860-1904 stamp 55 cent € 0,55 Austria postage timbre autriche selo sello Austria francobolli bollo bolli mapka Austria special issue stamp, commemorative issue, émission commémorative timbre stamp selo franco bollo postage porto sellos marka briefmarke
following info 'bout this stamp-theme with friendly acceptance by austrian post:
Theodor Herzl
Theodor Herzl was born in Budapest (Hungary) on May 2, 1860, and was a writer, journalist and essayist. He studied law in Vienna, acquiring his doctorate in 1884, although his actual ambition was to be a writer. When the Viennese "Neue Freie Presse" offered him the post of Paris correspondent, he seized the opportunity and moved to France in 1891 to work as a journalist. In Paris, his activity involved observing the Dreyfuss affair and the resulting antisemitic riots. It was under the influence of these events that he began to write his 86-page book "The Jewish State - An Attempt at a Modern Solution to the Jewish Question". In 1896, he was appointed editor of the famous Neue Freie Presse Review in Vienna, and in the same year published his book in an edition of only 3000 copies. This book made the journalist Herzl the most famous Zionist, and the book itself became the prelude to the state of Israel. In 1897, together with O. Marmorek and N. Nordau, he initiated the first Zionist World Congress in Basle with participants from 16 countries, at which he was elected the first President of the World Zionist Organisation. The Viennese monthly journal "Die Welt" was the central publication of the new movement. Herzl negotiated with the German Kaiser Wilhelm II, the Turkish Sultan, England and Russia, but without success.
Theodor Herzl himself never saw the realisation of his dream, dying of exhaustion on July 3, 1904 in Edlach (Lower Austria). His corpse was transferred to Israel in 1949, and is now buried west of Jerusalem on a mountain named after him.
The stamp is issued jointly with the Hungarian and Israeli post offices.
It’s heree!!! I was denying myself that I don’t need another pink microjournal. But now look at my desk… full of pink and it became complete with the flamingo microjournal rev.7
Un Kyu Lee included the switch and the keycaps which looked nice, but I got to try this transparent keycaps.
The edge is a little bit chipped probably because of the custom and tax inspection 😔. A little bit upset that they were the one who opened the package and charge the customer for the repackage but still broke the package. Fortunately I have a friend who is a toy designer so I can consult him on how to fix the part. Or I will use that famous hack: instant noodle + superglue.
Edward Lear (1812-1888) was a prolific landscape painter as well as a prominent satirical writer. The last of twenty-one children, he was raised and educated by his sisters, due to financial troubles in the family. From adolescence he started painting for a living but because of the precarious state of his health he was obliged to travel to warmer climates. Thus, he toured Italy, Greece, Albania, Palestine, Syria, Egypt and many other places, even India when he was in his sixties. Lear also travelled in Switzerland, the Adriatic Sea, Southern France, Malta and Turkey. He spent some of the happiest years of his life in the Ionian Islands. He died in San Remo, Italy. As a writer, he is often compared to Lewis Carroll. Both are considered among the most influential exponents of nonsense literature during the Victorian Age. Lear adopted the limerick, a verse form already widely used, to compose his satirical rhymes. He had the talent to avoid vulgarity and a sense of humour that defied common sense.
Lear cultivated his drawing skills while painting subjects from nature on commission. He became very fond of colours and detail, but due to his poor eyesight he was forced to turn to landscape painting. From 1837, Lear lived in Italy. In 1848 he made his first journey to Greek lands, enthusiastically intent on depicting the country’s authentic face. He bequeathed us hundreds of Greek landscapes painted in his unique style, and equally impressive, thoroughly detailed diaries and letters on his life in Greece. In Corfu, Edward Lear engaged Giorgos Kokkalis, who served as his valet and travel companion for the next thirty years. Lear learned Greek and was acquainted with the British circles of the Ionian Islands, albeit only for professional reasons. He was fond of photography, but his principal technique was the pencil drawing, picked out in watercolour. Lear accompanied his drawings with handwritten notes, usually on topography. He would ink in the sketches months or even years later. He travelled in the Ionian Islands, Athens and Attica, Euboea, Boeotia, Epirus, Mount Athos, Thessaly, Macedonia, Albania, the Peloponnese, Crete and other islands, leaving behind him some 3,000 works, representative of an endeavour to interpret the Greek landscape. His images are an invaluable testimony on the country in the years following the War of Independence, and preceding uncontrolled human intervention and the invasion of Western elements.
This publication refers to Lear’s journey to Crete, a destination that, as he notes, he considered obligatory for every traveller. One of the reasons Lear visited Crete was that he was fond of speaking Greek and communicating with people, and the island lent itself to such pursuits. Thus, in April 1864, at the age of sixty, he sailed from Corfu and by way of Athens and Syros arrived at the island, where he stayed until June. He toured mostly in western Crete, Chania and its larger area to Vamos and Kissamos, Rethymnon to Arkadi and Tymbaki, and from Archanes to Herakleion. In his diary he records almost minute by minute his observations on nature and his emotions during his wearying journey.
As a successful landscape painter, in all his works Lear manages to render the vegetation and the rugged mountains of Crete, as well as notable monuments and buildings. At the same time, he enlivens his drawings with human figures involved in everyday tasks, in the foreground. He always made his drawings from the optimal viewpoint, thus enhancing the unique beauty of each landscape.
İngiliz asıllı yazar ve ressam Edward Lear (1812-1888) en üretken peyzaj ressamlarından ve yergi edebiyatının önemli simalarından biridir. Yirmi bir çocuklu bir ailenin son çocuğuydu. Maddi zorluklar yüzünden terbiye ve eğitimini ablaları üstlenmişti. Ekmeğini kazanmak için ergenlik yaşından itibaren resim yapmaya başlar, ancak sağlığının zayıf olması onu sıcak iklimlere doğru yönelmeye mecbur eder. Böylece İtalya, Yunanistan, Arnavutluk, Filistin, Suriye, Mısır, hatta 60 yaşlarına varmışken Hindistan, gezilerinin uğrak yerlerinden birkaçı olur. Ayrıca İsviçre, Adriyatik denizi, güney Fransa, Malta ve Türkiye'yi gezer; bu arada İyon adalarında hayatının en mutlu yıllarından birkaçını geçirip İtalya'nın San Remo şehrinde ölür. Yazar olarak çoğu kez Victoria devrinin başlıca absürd yazarlarından Lewis Carroll ile kıyaslanmıştır. Lear, yergi mısralarında, bilinen bir şiir yapısı benimserken bayağılıktan kaçınan ve sağduyuyu harekete geçiren bir mizah yeteneğine sahip. Sipariş üzerine doğa tarihi temaları resimlemekle desen çizme yeteneğini geliştirir, renk ve ayrıntıya özel bir sevgi besler, ancak görme kabiliyetinin zayıflaması yüzünden peyzaj resmine yönelmeye mecbur kalır. 1837 yılından itibaren İtalya'da yaşayıp 1848'de yunan topraklarına ilk seyahatini yapar; büyük bir coşkuyla ülkenin özgün çehresini kağıt üzerine aktarmayı amaçlar; sonuçta bize Yunanistan'dan eşsiz sanatkâr uslubuyla yapılmış, çarpıcı ve son derece ayrıntılı, günlük ve mektup türünde metinlerle tamamlanan yüzlerce peyzaj resmi bırakır. Korfu'dayken yanında Yorgos Kokalis'i yardımcı olarak çalıştırır; Kokalis bundan sonra otuz yıl boyunca özel hizmetçisi ve yolculuk arkadaşı olacaktı. Lear yunanca öğrenir, İyon adalarındaki ingilizlerle sadece meslek gereği temas kurar, fotoğraf çekmeyi sever ama özellikle kara kalemle resim çizip bunlara sulu boyayla renk katardı. Desenini el yazısıyla yazılmış topoğrafya ile ilgili notlarla tamamlar, karalamasını ise aylar hatta yıllar sonra bitirirdi. İyon adaları, Atina ve Attika, Eğriboz (Eubea), Boeotia, Epir, Aynaroz, Tesalya, Makedonya, Arnavutluk, Peloponez, Girit ve daha birçok adayı gezip yunan peyzajını yorumlayan tipik bir çalışmanın sonucunda 3.000'e yakın yapıt bırakır.
Verdiği görüntüler, Yunan İsyanı sonrası dönemde, şiddetli insan müdahalesi ve batılı unsurların istilası olmadan önce, mekân hakkında son derece değerli bir tanıklık oluşturuyor.
Sözkonusu yayın Girit yolculuğu hakkındadır. Lear notlarında Girit'i ziyaret etmeyi olmazsa olmaz saydığını yazar. Girit'e gitmesinin nedenlerinden biri insanlarla iletişim kurmaktan ve yunan dilini konuşmaktan hoşlanması idi, nitekim ada kendisine bu fırsatı sağlıyordu. Böylece, altmış yaşına basmışken, 1864 yılının Nisan ayında Korfu'dan yola çıkıp Atina ve Siros adasından geçerek Girit'e gelir ve Haziran'a dek burada kalır. Özellikle batı Girit'i, Hanya ve çevresini, Kisamos, Vamos, Rethimno (Resmo), Arkadi ve Timbaki'yi gezer, Arhanes yolundan ise Kandiye'ye (İraklion) gelir. Günlüğünde doğa üzerindeki gözlemlerini dakikası dakikasına aktarır ve yorucu gezisi sırasındaki duygu ve yaşantılarını kaydeder.
Başarılı bir peyzajist olarak yapıtlarının tümünde bitki örtüsünü, Girit'in dağlık kesimlerini ve dikkate değer yapıları yada anıtları yansıtabilmiştir. Desenlerinin ilk planında günlük faaliyetlerde bulunan insan figürleri genel görünüme çeşitlilik katmakta; her manzaranın görüş açısı ise ayrı güzelliğini belirgin kılmak amacıyla en uygun noktaya yerleştirilmiştir.
Part of a photo series about the german writer and illustrator Dieter Schaefer. Taken with a Leica Monochrom.