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The amount of chiffon burnt away can be controlled to some extent. The density of stitching and the number of layers of chiffon have an effect, as does the length of time the heat gun stays in one place.
You can change the appearance of the background by layering different colours of chiffon over one another, or you can leave a large portion intact, as in this case where I left parts of the blue chiffon over the yellow crochet, which leaves me with an overall impression of green.
If the stitch is dense, and a contrasting colour to the background, this can give an interesting illusion of colour too.
I burn sections at a time, and I do it by an open door because of the fumes.
The whole piece will smell of smoke for quite a while.
Work in progress.
I had my sewing machine out this morning so I doodled some Christmas designs on to a piece of old blanket using brown paper, wrapping paper, newspaper and stitch.
Burnt using a soldering iron.
These are work in progress as I will be adding trims before putting them on cards
Collaboration with ceramicist Trevor Lillistone for Arts Council funded 'Two Make' project with Gloucestershire Guild of Craftsmen. The project developed into a touring exhibition to Corinnium Muesum, Cirencester, Museum in hte Park, Stroud, Walford Mill, Dorset.
Porcelain, neon acrylic
Collaboration with ceramicist Trevor Lillistone for Arts Council funded 'Two Make' project with Gloucestershire Guild of Craftsmen. The project developed into a touring exhibition to Corinnium Muesum, Cirencester, Museum in hte Park, Stroud, Walford Mill, Dorset.
porcelain, neon acrylic
I have been experimenting today with making chains out of a variety of materials.
Some were formed from ripped fabric and finger crocheted, some were made out of wool and crocheted with a hook, and others were knitted in a loose manner.
The textured background is building up nicely.
Work in progress for some ATC cards. Do you remember all the rules about table manners? Yeah me neither. I'll post the finished products later.
I'm so glad I remembered this pattern from the wacky Australian quilting magazine I bought almost a year ago because it's perfect for Rouenneries.
-- Pookie
I'm running a workshop tomorrow and this is the mess I've got into whilst preparing the session.
You should see the laundry and the kitchen too- I've been spreading myself about somewhat.
Still working on it, but I think this should about do it. Allows for nearly full range of articulation, and for the armor layout I like without inhibiting joints.
Changed the knee, elbow, and ankle confirgurations. Also redid the forearm armoring and skirt armor mounts slightly. PROGRESS!
These flowers were made from painted non-woven interfacing with centres of dyed kitchen sponge. The flowers were waxed with acrylic wax before they were sewn to the waistcoat.
I was given a sheet of magazine scraps which had been applied to a background in a haphazard manner and was asked to use this as a source of inspiration!
I find this sort of challenge VERY difficult as I usually work to an idea, not an image.
After a mild panic I decided to gesso the whole page in an attempt to tone down the images and then I used it to create a folder which I then die cut and embossed.
I then grabbed the scrap bag and started to machine embroider images which started to leap from the page.
This is one sample.