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A snapshot of one nights shooting.
Very little to tweak or dick about with. I shoot RAW and downsave to jpg for the web, left the white balance alone. Tone curved and set the dynamic range a little... so not far from vanilla and straight out of the camera. The shot above was ISO 160, f8/22mm/ and a 30th of a second. Shot on a tripod.
This is a rough workflow sketch.
This is part of a set of early ideas we explored in Notable. Many of the ideas have stood the test of time.
ZURB is a close-knit team of interaction designers and strategists that help companies design better (www.zurb.com).
Back up your work. My workflow includes:
* Back up my month or big projects to a USB stick. I don't trust external hard drives any more, and don't want to shell out for a solid state drive.
* I then back everything up to a DropBox folder. With an app on my phone I can access DropBox, too.
* All my phone photos automatically get backed up here, on Flicker. But if I edit them in Snapseed, I then upload the final here, download it to the stick, then upload to Dropbox.
I've had external hard drives fail, and internal hard drives crash. I've had to spend $$$ to get a couple of hard drives rescued. This is a very pedantic work flow system for me, but I haven't lost anything in the two years of running it.
© Mark V. Krajnak | JerseyStyle Photography | All Rights Reserved 2020
After buying the book and listening to the seminar I'm getting the benefits of a GTD based work routine and layout.
This is my mini extendable pen that fits nicely in my wallet along with the pad.
Sometimes with difficult curves I revert to pencil and paper. The ampersand is a rather complicated shape and I usually end up with the head flopping over one way or another, and the diagonal stroke too prominent.
1 With similar glyphs on the page, sketch a rough outline. The similar glyphs will give the stroke weight and proportions. Here I started with a numeral 8.
2 Repeat, this time tracing a better sketch with result of the previous step on the page behind. Here I made the whole thing rather wider and made all the curves smoother.
3 Scan, straighten and convert to monochrome.
4 Paste into FontLab and push the control points around a bit.
5 Hey presto! The outline looks smooth.
(6 Test in text, repeat step 4 until fully harmonised)
The first experiments with a new post-processing workflow: Less contrast, less structure, less Claus, but more grain ... My attempt to remove me from what some call "over-processed digital look" to a more traditional high-contrast Tri-X look ... Do not know quite how I feel about it yet, maybe I will return to my previous look, maybe ... :)
Just a little bit about how I row.
1. Equipment, I love to shoot with Nikon, I put my life on it, I shoot RAW+ Fine Jepg.
2. Capture, smell the scene and press the shutter, capture the moment.
3. Downloading, use Sandisk Imagemate only, because it is fast and reliable.
4. Pick the good ones
5. Backup/ Archive, back up on 3 external HDD.
6. Editing the shoot with Aperture 2.1.1
7. Post- Production with CS3, using a Wacom 12inch drawing tablet.
8. Output.
Workflow:
1. Non destructive
2. Preparing custom brushes
3. Selection & masking
4. Adjustment and Filters
5. Texturising
6. Lighting effects
7. Fine tuning
8. Adobe Lightroom tuning
Used technique: layers, adjustment, smart object styles, masking, clipping masking, Adobe Lightroom, Adobe Photoshop CC 2017, several Stock Photos, plugins.
Explaining business model & workflow of crowdfunding platform, futuristic visual & real-time information will transfer clear methodologies behind crowdfunding.
Read more @ www.agriya.com/blog/launch-your-crowdfunding-platform-bus...
(C) Simon Perkin
This is the set-up/work flow shot for the end result, which can be seen See here.
Please respect my photography work and do not copy / use this photo without written permission. Any questions, just ask :)