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How long does it take to form. tune, and decorate an ocarina of this size? The answer is probably, "Too long to ever recover the time invested". Ultimately, the additional time to bisque fire, glaze, glaze fire (repeatedly) will put the pricing of higher quality pieces out of reach...which is cause for reflecting upon the question, "Why do you really do this?"
I grabbed stashed and recycled papers, envelopes and other ephemera to fill up the book. Since the binding clips open and close, I can always move things around, flip pages or add new materials.
Getting close to the finish for this one. Next I've gone over the table with Yellow Ochre, and then a touch of Deco Yellow along the horizon to emphasize the light source.
Then for the background I layered in Indigo Blue to cool it down. I also put some Indigo Blue in the shadows of the fruit, but not as much as in the background. Only in the very core of the shadowed areas, leaving the edges warm with the last layer of Tuscan Red.
Next scan will be of the finished piece! There's work to do on the flesh of the fruit, as well as the skin. I left these last, because it is always best to finish your backgrounds first. Environment greatly affects the color of things, and you'll find what you thought was great work to look flat or off color if you don't follow this rule.
This is my very first coif as a work in progress. This first set of pic's show it as the beanie or skull cap portion. This section of the coif has many expansions in order to get to the proper head diameter.
In Centro de Bellas Artes (Madrid). Exposed Works of: Bloo and Titi, Dingo, Ciril 23, Dier, Curruncho, Mufasa Mordiscos and more people! Thanks to everyone that has come to see the exhibition. The exhibition will be along 5th and 6th of March.
www.youtube.com/watch?v=tMViPKkRImk
Greetings to everyone, enjoy the exhibition.
Edge Guitar Artist, March 2013
I grabbed stashed and recycled papers, envelopes and other ephemera to fill up the book. Since the binding clips open and close, I can always move things around, flip pages or add new materials.
Inaugurazione Museo Vicino Oriente, giovedì 19 marzo 2015 - shar.es/1fwXLI - foto Stefania Sepulcri (settore Ufficio stampa e comunicazione)
Tim Coffee paper and die cuts, stenciled images, copy of watercolor poppy cut out and added, intense pencils to color in stamped images
unfinished, felt applique on fleece. i never got round to sewing anything down but i have it all rolled up somewhere...
I grabbed stashed and recycled papers, envelopes and other ephemera to fill up the book. Since the binding clips open and close, I can always move things around, flip pages or add new materials.
Design, Ink & Capture by Autumn Burns #waterfall #tattoo #workinprogress #autumnburnsart #burnstattoos