View allAll Photos Tagged WorkInProgress
These were treated with the crackle medium which didn't work at all. It also left the image very hard and shiny so it was difficult to crumple.
I will have to look for another use for this product.
Gathering together some unusual books for a forthcoming workshop.
I will be experimenting with book forms which are suitable for embroidered samples.
About half way through a work in progress. The highest print is from a copper plate that I abandoned because I left it in the acid too long and it etched too deeply, which meant that all of the tone printed as pure black. Very dramatic, but no use. The lower three are from another plate. I etched it until it printed quite dark, but wasn't as horrible as the first one, and I've been burnishing it gradually to bring out highlights and more interesting tones. Also, obviously, I used blue ink for the most recent proof. Maybe I'll go back to black, though.
A page made out of hand made paper, and hand dyed fabric.
These have been part bleached and have overpainted details.
I hope to illustrate the creative and life cycle with these drawings.
Mixed media
More or less the final(ish) version. User-icons had to go due to technical limits of Plaisio.gr's existing system.
Inaugurazione Museo Vicino Oriente, giovedì 19 marzo 2015 - shar.es/1fwXLI - foto Stefania Sepulcri (settore Ufficio stampa e comunicazione)
Finally got around to updating this. I put it on the shelf awhile ago and only recently realized it was the base, not the mini, that was annoying me. Going to pull him off and sculpt a new base.
Fotos können honorarfrei im Kontext redaktioneller Berichterstattung über Work in Progress bei Namensnennung genutzt werden. Jede andere Nutzung bedarf ausdrücklicher Zustimmung durch Hamburg Kreativ Gesellschaft. Fotos: Selim Sudheimer (www.facebook.com/selimsudheimer)
a sushi tray unfit to be eaten from as the oils in Zircote are toxic. It would damage the paint as well. [EDIT] No actually it is not toxic at all, The oils are just an added irritant to the lungs when working it. oops. And it is ziricote, double oops.
I finally got back to this quilt I've been making for Clark, buckled down and did the main piecing of it. This has been a total bear of a no pattern quilt in that there are variable lengths and widths--all to incorporate the different sized fussy cut robots. I can't believe it actually looks pretty much like I wanted it to.
Been stretching tea-stained watercolor paper over wood framing.
The large one is 16"x20" and the small one is 11"x14"
It will be the moment of truth when I print all three together!
I'm sure I will find a few things I need to change before I can declare the print finished.
I say mostly because I'm going to add a border to it, but the blocks have been all sewn together. I'm delighted with the layout and the overall look and blending of all the pastels and jewel like colors and the beautiful pictures in the centers of the blocks.
OK, so I've got one-fourth done. It was actually kind of fun! I'm just using some random scraps, some Parisville, some AMH, some Heather Bailey, so it's going to be a serious mish-mash of fabrics, but I'm just trying it out for my bee peeps - I think this is what I'm going to ask for next month in the {Sew} Beautiful Bee...now if only I could decide on some fabrics...