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Motivational Work Quotes Success #024 we dedicate this day to you. We provide many kind of quotes in the picture. You can save pictures quotes in your gadgets, share on social media, and download images quotes as you like. To get various quotes images similar Motivational Work Quotes Success #...
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I was at the Coconut Grove Art Festival this weekend. A couple of pieces caught my eye. I was being exceptionally lazy and did not grab either the artists name or the title of the work.
The 0-6-0T is still a placeholder, but I have now completed a second combo. These will be part of the expansion to my California State Railroad Museum display.
Cascais, Portugal.
Yashica 124G with 35mm film adapter. Fomapan 100, shot at rated speed and developed in Rodinal at 1+50 concentration for 8 minutes.
If you develop you own film, please check out the DevClock Darkroom Timer Android app I am developing. I am looking for beta testers to help me complete the app and get it published on the Google Play Store.
A little something-somethings I'm working on for my shop update tomorrow - moustache ornaments, illustrated book signatures, etc.
Blogged here: michelleclement.typepad.com/blog/2009/11/work-in-progress...
WORK Seeker DX (Step Rim)
Machine Silver Polish (MSP) Finish
18x10.0 +40 A-Disk (shown left)
5x114.3
Note: centercaps shown not inserted.
Camera: Leica SL2
Lens: NOKTON 50mm F1.5 ASPH
Option: SHOTEN LM-LSL
Retouch: Lightroom Classic CC 11.0.1
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Hard-core work tabi. Rubberized wool socks, pefect for climbing bamboo scafolding like some ninja. Sensible footwear for someone off to see this:
Startups Good Business for Gunderson Dettmer t.co/eHDu1TpArx Bay Area-based firm cites work in………………………… t.co/n30PMLOzF5 (via Twitter twitter.com/LawsuitInfoCent/status/747465125779562497)
WORK Schwert SC5
Gunmetal Cut Clear (GMP2) Finish
20x9.5 -5 (R-Disk)
20x10.5 -7 (O-Disk)
5x114.3
Note: center caps shown not inserted
At work coming my way this guy in monkey suit, I got a "Hi Heath". I thought I know this guy. Later when asked why he was wearing the monkey suit, he said "Why not".
Click here for my Personal Blog.
St Margaret of Antioch, Cowlinge, Suffolk
Given its proximity to the Cambridgeshire border, some people would argue that this Suffolk church is closer to civilisation than most, and yet St Margaret of Antioch, Cowlinge, has a decidedly remote feel to it. Gentle hills enfold these pretty villages, and St Margaret stands distant from the houses it serves. Cowlinge, pronounced coo-linj, stands about a mile north of the Haverhill to Bury road, not far from the better-known Denston. You approach it up a track from the north, where it is rather hemmed in, but the graveyard opens up widely beyond on the other side.
The first impression is one of redness. From the outside, Cowlinge seems a rather pretty accretion of centuries' work, its tower a typical red brick 18th century rebuilding - there are similar ones across the county at Grundisburgh and Layham. The chancel and nave appear to have met each other by chance as much as intention, and all is pleasantly patched up, with solid red-brick buttressing and just about every kind of window you can think of. There are aisles, there is a clerestory, but this is not a grand church. Rather, it is the kind of building a DIY enthusiast might put together if he wanted a late medieval one in his back garden.
And somehow, this makes it beautiful, especially if seen from the south-east or north-east. You might expect the interior to be similarly ramshackle, but you step through the north door into cool whiteness, and as you walk through this treasure chest of a church, unusual vistas open up at each turn. This is a complex church.
Facing east to start with, the first impression is of the wall-painting above the chancel arch, and the gated rood screen beneath. There are gates in the screens at nearby Withersfield and Denston, but unlike those these doors rise to the full height of the screen. The screen itself is perhaps not as beautiful as the parclose screen enclosing the chapel in the south aisle. Mortlock points out how similar it is to the one up the road at Dalham. The paleness of the wood is very pleasing.I thought it compared very well with the parclose at Dennington, which has been repainted gaudily. Another good parclose of the same age is at Westhorpe. A memorial window contains 1920s glass by Christopher Webb of Christ with the fishermen at Galilee.
One the wall beside the parclose in the south aisle is a small exposed area of wall painting. It appears to be an unbearded male saint holding something that may well be a chalice, in which case it is St John the Evangelist. The better-known wall painting here is the one I mentioned earlier, above the chancel arch. It is often referred to as a doom, but it is organised rather differently to others of its kind. Instead of the day of judgement, with God in Majesty overseeing the parting of the ways into hell on his right and heaven on his left, it depicts St Michael, to the south of the arch, balancing a set of scales in which a sinner is being weighed against his sins.
St Michael is a common feature of doom paintings - he appears nearby at Stoke by Clare and on the famous doom at Wenhaston. The unusual aspect of this one, however, is to the north of the arch, where the Virgin Mother of God stands. She reaches out with a wand, and tips the balance of the scales. Simon Jenkins, in his England's Thousand Best Churches, suggests that she is tipping the balance in the favour of the virtuous. This is, of course, exactly what she is not doing. The virtuous had no need of intervention; the good in them would outweigh their sins in any case. Mary is intervening on behalf of sinners who have prayed to her for her help, and she is tipping the scales in the favour of those sinners. It represents the efficacy of intercessions to Our Blessed Lady, and as such it was anathema to the 16th century reformers.
In common with other wall paintings, this priceless art treasure was whitewashed over rather than destroyed. It would be interesting to know when this happened. We know that during William Dowsing's iconoclastic progress through Suffolk and Cambridgeshire in 1644, he found no wall paintings still in existence. It has always been assumed that they were covered by the Anglicans when the new Church of England took possession of our parish churches a century earlier. But I do wonder if they might have been done away with a century before even that, perhaps around the middle of the 15th century, when the ruling classes were enforcing orthodox Catholic dogma in the face of the superstitions of the ordinary people. Part of this process involved setting up larger roods at the east end of the nave, and I think this wall-painting may have been covered before that happened here.
The chancel arch beneath the doom is also extensively painted, and also of interest on all of the pillars a large amount of medieval graffiti, some of which is described as being consecration crosses. This, of course, cannot be so, for the medieval church ordered its liturgical needs rather better than this, and these are no doubt the work of some bored 17th century vandal.
Stepping through into the chancel, it is at once one of the loveliest in Suffolk, and one of the most dominated, since Peter Scheemakers' ugly 18th century memorial for Francis Dickins glowers against the north wall. Dickins was responsible for the building of the tower. The figures are life size, and the monument is wholly secular, even pagan. They look like nothing so much as a couple on their way to a toga party pausing to pose with the FA Cup.
Near the north door, a plaque on the wall records the visitation of 1618 when permission was given for the local house of correction to set up seating here for its inmates. There are still banked benches below, but these are later, and were probably intended for the village schoolchildren. Seating on a similar scale can be seen at nearby Kedington, divided there into boys' and girls' sections. On a somewhat larger scale they can also be seen at Laxfield.
A fine view of this church can be had by climbing to the spacious gallery beneath Dickins' tower. Once up here, the space is dominated by another huge classical memorial to Dickins and above it a George II royal arms, which also records that George Finton and Henry Seabrook were the churchwardens who set it up in 1731.
St Margaret is everything a historic church should be. Well-ordered, welcoming, suited to its Protestant present and mindful of its Catholic past. It used to be left open all the time, but a traumatic assault on the building some five years ago by a mentally ill man suffering from a religious mania, during which both screens and the altar were set fire to, means that it is now kept locked, but with a very cheerful churchwarden who was most happy to come and open up.
This is a photograph from the 60th Anniversary Commerative Half Marathon for Tullamore Harriers AC which was held on Saturday 31st August 2013 in Tullamore, Co. Offaly, Ireland at 12:00. This was a really great event and there couldn't be any fault found with any aspect of the race. There were stewarts all along the route, 3 drink stations with bottled water, superb facilities, and great after-race refreshments. The stewards along the route provided great encouragement to all of the runners. Tullamore Harriers and the local community really worked together to make this is a wonderful event.
Race event manangement and organisations was provided by PRECISION TIMING - see their website at [www.precisiontiming.net/]
This photograph is one of a set of photographs from the Tullamore Harriers Half Marathon 2013. The permanent link to the full set of photographs is [http://www.flickr.com/photos/peterm7/sets/72157635307620452/]. This set of photographs includes photographs of the start and then photographs of the finish up to the 2 HOUR finishing time.
This race celebrates the 60th Anniversary (a Diamond Anniversary) of the foundation of Tullamore Harriers AC. The club was formed in the town in November 1953. However, it was almost 1979 before facilities close to what we see today open in the present day site. Over 50 provincial and national athletics meetings are held at Tullamore Harriers every year. The facilities available combined with it's central geographical location joing routes from North, South, East, and West make it a very attractive venue. The race today brings competitive national road racing back to The Harriers. In the past there was the famous Quinnlan Cup
Festival of Races (see a link below for some nostalgia) which was one of Ireland's Blue Ribband events. Today, the facilities at Tullamore Harriers are the envy of many athletics clubs in Ireland. The facilities provided by Tullamore make it one of the premier venues for local and national level athletics in Ireland. There is an Olympic standard tartan track, a fully equipped gym, changing facilities, press and media facilities, meeting room spaces, etc. The club also provides a social center and niteclub which makes "The Harriers" a very well known on the local social scene. Esssentially, the town of Tullamore would be a different place if it weren't for the presence of Tullamore Harriers AC.
Overall Race Summary
Participants: There was about 500 participants of runners, joggers, and walkers.
Weather: The midday start seen warm pleasant conditions for running. The layout of the course meant that there was a stiff breeze into the face of competitors for the first few miles. When the race turned around to return to Tullamore the wind was more favourable to runners.
Course: The race starts on the Charleville Road just outside the entrance to Tullamore Harriers. The race proceeds south along the R421 and onto the N52 before taking a route onto local back roads. The race then completes a large rural road route before it joins to the R421 again and the final 1.5 miles are the same as the first mile of the race. The runners enter tullamore stadium and complete one lap of the tartan track before the finish line. The course is challenging in places with some undulations along the route. But overall it is fair course.
Location Map: Start/finish and registration and race HQ was all at Tullamore Harriers AC Club Grounds: goo.gl/maps/xZ4GM (Google Streetview)
Refreshments: There was a very impressive selection of refreshments including sandwiches, cakes, home-made breads, etc in the Harriers clubhouse afterwards. People were able to enjoy their post race refreshments outside in the warm pleasant sunshine.
Viewing this on a smartphone device?
If you are viewing this Flickr set on a smartphone and you want to see the larger version(s) of this photograph then: scroll down to the bottom of this description under the photograph and click the "View info about this photo..." link. You will be brought to a new page and you should click the link "View All Sizes".
Some Useful Links related to the race
Race Results are available from PRECISION TIMING: www.precisiontiming.net/result/racetimer
Facebook event page: www.facebook.com/events/547723028583924/
The Tullamore Harriers AC Website: www.tullamoreharriers.com/
The Tullamore Harriers Facebook Page: www.facebook.com/tullamore.harriers (Facebook logon required)
The Tullamore Harriers Half Marathon ROUTE on MapMyRun: www.mapmyrun.com/routes/view/217165415
The Boards.ie Athletics Discussion Thread on the Race: www.boards.ie/vbulletin/showthread.php?t=2056942637
Read about Tullamore Town on Wikipedia: en.wikipedia.org/wiki/Tullamore
Quinlan Cup 1997: ireland.iol.ie/~ar5meade/quinlan97.htm
The Entrace to Tullamore Harriers AC Club Grounds: goo.gl/maps/xZ4GM (Google Streetview)
An Aerial Image of the Facilities of Tullamore Harriers AC: binged.it/12UPZ9N (Bing Aerial BirdsEye )
How can I get a full resolution copy of these photographs?
All of the photographs here on this Flickr set have a visible watermark embedded in them. All of the photographs posted here on this Flickr set are available offline, free, at no cost, at full image resolution WITHOUT watermark. We take these photographs as a hobby and as a contribution to the running community in Ireland. Our only "cost" is our request that if you are using these images: (1) on social media sites such as Facebook, Tumblr, Pinterest, Twitter,LinkedIn, Google+, etc or (2) other websites, web multimedia, commercial/promotional material that you provide a link back to our Flickr page to attribute us. This also extends the use of these images for Facebook profile pictures. In these cases please make a separate wall or blog post with a link to our Flickr page. If you do not know how this should be done for Facebook or other social media please email us and we will be happy to help suggest how to link to us.
Please email petermooney78 AT gmail DOT com with the links to the photographs you would like to obtain a full resolution copy of. We also ask race organisers, media, etc to ask for permission before use of our images for flyers, posters, etc. We reserve the right to refuse a request.
In summary please remember - all we ask is for you to link back to our Flickr set or Flickr pages. Taking the photographs and preparing them for online posting does take a significant effort. We are not posting photographs to Flickr for commercial reasons. If you really like what we do please spread the link around your social media, send us an email, leave a comment beside the photographs, send us a Flickr email, etc.
If you would like to contribute something for your photograph(s)?
Many people offer payment for our photographs. As stated above we do not charge for these photographs. We take these photographs as our contribution to the running community in Ireland. If you feel that the photograph(s) you request are good enough that you would consider paying for their purchase from other photographic providers we would suggest that you can provide a donation to any of the great charities in Ireland who do work for Cancer Care or Cancer Research in Ireland.
I ran in the race - but my photograph doesn't appear here in your Flickr set! What gives?
As mentioned above we take these photographs as a hobby and as a voluntary contribution to the running community in Ireland. Very often we have actually ran in the same race and then switched to photographer mode after we finished the race. Consequently, we feel that we have no obligations to capture a photograph of every participant in the race. However, we do try our very best to capture as many participants as possible. But this is sometimes not possible for a variety of reasons:
►You were hidden behind another participant as you passed our camera
►Weather or lighting conditions meant that we had some photographs with blurry content which we did not upload to our Flickr set
►There were too many people - some races attract thousands of participants and as amateur photographs we cannot hope to capture photographs of everyone
►We simply missed you - sorry about that - we did our best!
You can email us petermooney78 AT gmail DOT com to enquire if we have a photograph of you which didn't make the final Flickr selection for the race. But we cannot promise that there will be photograph there. As alternatives we advise you to contact the race organisers to enquire if there were (1) other photographs taking photographs at the race event or if (2) there were professional commercial sports photographers taking photographs which might have some photographs of you available for purchase. You might find some links for further information above.
Don't like your photograph here?
That's OK! We understand!
If, for any reason, you are not happy or comfortable with your picture appearing here in this photoset on Flickr then please email us at petermooney78 AT gmail DOT com and we will remove it as soon as possible. We give careful consideration to each photograph before uploading.
I want to tell people about these great photographs!
Great! Thank you! The best link to spread the word around is probably www.flickr.com/peterm7/sets
Trying to shape the fuselage into one, with both 2C and NC putty. The P-38 canopy also needs some treatment, since it is rather wide for the small fuselage, but its shape is almost perfect for the Me 334 and it is the option I currently have at hand.
In the background the radiator intake grille for the snout can be seen - a fine plastic mesh has been glued to the frame (an air intake from a Su-25...), so that the cooling fan behind can be seen. Nice detail which rather evolved accidently. ^^