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played some on my sculpture today. As always... i take the photo of the work and then i play with the photo.... as mentioned before this helps me to see where the work is and where it wants to go.
Sculpture work in progress- photo play
by
Diane Marie Kramer
Holzarbeiten - Verkaufsausstellung während eines Festes im Freilich-Museums-Gelände Hessenpark im Taunus.
Big monstroctopus custom. :D Can’t really tell by this photo but he’s a big one. About 2 1/2 feet antler to antler.
I have been on a knitting kick lately. The project in purple is a linen sweater inspired by a Nicky Epstein design and the neutral garment in back is a finished dress inspired by a Lily Chin design.
We recently had our departmental holiday luncheon with Secret Santa gift giving. I'm fortunate to work with a really nice group. The pottery yarn bowl was the gift I was given - how thoughtful and beautiful! I'd not used one before. Now, I can't imagine knitting without it. It holds my yarn in place, and I now longer have to chase my yarn out from under my desk after it falls when I'm unraveling more yarn.
For those of my "crafty" friends who are interested, the yarn bowl comes from Ning's Pottery.
Best wishes for the holiday season and the New Year!
Maker: George Seeley (1880-1955)
Born: USA
Active: USA
Medium: photogravure
Size: 8 in x 6 1/4 in
Location: USA
Object No. 2010.160
Shelf: A-7
Publication: Camera Work, XXIX, January, 1910
Photography:the first eighty years, Colnaghi, London, 1976, pg 223
Robert Doty, Photo-Secession, Stieglitz and the Fine-Art Movement in Photography,
Camera Work, The Complete Illustrations 1903-1917, Taschen, 1997 pg 491
Camera Work, A Pictorial Guide, Dover, 1978, pg 76
Robert Doty, Photography as a Fine Art, George Eastman House, Rochester, 1960, pl XXI
Other Collections:
Notes: George Seeley was a student of painting and drawing in Boston when he met Fred Holland Day, who introduced him to the pictorial possibilities of photography. His debut came in 1904, when Seeley exhibited fourteen photographs in the First American Photographic Salon in New York. A reviewer enthused: "Mr. Seeley is the new man for whom we are always on the lookout, and his advent among pictorialists will be the sensation of the year." The statement proved true. Critical of the exhibition but supportive of Seeley's work, Alfred Stieglitz invited Seeley to join the Photo-Secession, with which he remained for six years, exhibiting and publishing his photographs. After the break with Stieglitz's group, declining interest in the Pictorialist aesthetic and the increasing unavailability of platinum paper after World War I contributed to the demise of Seeley's photographic career. He continued to exhibit his work into the 1930s, although he had practically ceased to make new work. An amateur ornithologist who was active in his church, Seeley took up oil painting in his later years and was a correspondent for the local Stockbridge, Massachusetts, newspaper. (Source: The Getty Museum)
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Commision work for Kuranosuke
head: NYX Doll Limos
taken by: Sony Xperia Z
I'm doing full service, from skin color matching since it's a hybrid doll, blushing and face up removing, nails painting, face up, and extra scars on his back <3
While the three patrons were immersed in their after office work, the people on the ad poster above them appear to be having a fun time.
This was taken with my large "compact" camera, the Canon PowerShot G1X (the first model).
Sometimes, in my work, I discover places that inspire me. This is only an auxiliar light in a building under construction but I love how light wash the concrete wall. Color is caused by an oversight in white balance of my camera but i love it.
A veces, en mi trabajo descubro lugares que me inspiran. Esta es sólo una luz auxiliar en un edificio en construcción, pero me encanta cómo la luz baña el muro de hormigón. El color se debe a un olvido mio en el balace de blancos de mi camara, pero me gusta como ha quedado.