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Found this little guy in the bushes outside the front of our house. The web was suspended horizontally over two different bushes and the spider itself was suspended upside-down on the bottom edge of it.
The horizontal edge to the spider web meant I had to shoot at a very steep angle rather than straight on, which led to a kind of interesting composition. Mostly happy that I managed to pull manual focus on the spider as sharp as I did, considering I was shooting through my 50mm and could barely see the spider in the viewfinder.
Submitting for FlickrFriday's "WhiteSpace" -- it's most of the photo and also most of what makes up a spider web, after all.
A large orb web attracted my attention. Looking at it closely at home I found there was another, smaller round orb web built into the larger web. The spider that made it is visible in the center of the smaller orb. I have never heard of or seen a web in another spider's web before now.
Throughout its nearly five years of existence, High Places has toured extensively and performed in a multitude of environments. Whether playing at the Guggenheim Museum in Manhattan or in an industrial warehouse in Santiago, Chile, the band's enveloping sound and propulsive energy allow the music to translate to a variety of venues. Much to our enjoyment, they recently came by Room 205 to play inside our enormous yarn sculpture.
BIO
High Places began as an experiment in collaboration: two people with diverse artistic backgrounds coming together to merge their skills and aesthetic tastes. Rob Barber grew up listening to punk and hardcore, and Mary Pearson studied bassoon performance, but both gravitated toward a DIY compositional style and a love of layers. High Places' songs contain a fascinating range of aural layers: bells and bird calls over a wash of ocean waves; mallets hitting mixing bowls over treated guitar and glockenspiel; Mary's reflective vocals over Rob's homemade beats. The result is an imaginative and spacious amalgam of sounds that is as immediate as it is refreshing.
COMPONENTS
Video
• YouTube: youtube.com/playlist?list=PLC4EEUwd7e4kYsSY8n8HzG6ixrFpKv40m
• Vimeo: vimeo.com/album/2230432
Photos
• Flickr: flic.kr/s/aHsjtMC5pX
Music
• SoundCloud: soundcloud.com/goincase/sets/high-places-at-room-205
CREDITS
Executive Producer
• Incase: goincase.com
Producer
• Arlie Carstens: disastercasual.typepad.com
Director
• Otto Arsenault: ottoarsenault.com
Set Designer
• Sophia Rubio: nothingisbeautifulanymore.com
Audio Engineer
• Butchy Fuego: twitter.com/butchyfuego
Camera
• Jon Barlow: vimeo.com/jonbarlow
• Sophia Rubio: nothingisbeautifulanymore.com
• Otto Arsenault: ottoarsenault.com
Editor
• Otto Arsenault: ottoarsenault.com
Art Department
• Lauren Barlow
• Melissa Huddleston
Gaffer
• Frits Dejong: imdb.com/name/nm0208997
Photos
• Arlie Carstens: disastercasual.typepad.com
Performing Artist
• High Places: hellohighplaces.blogspot.com
Label
• Thrill Jockey: thrilljockey.com
Room 205 Theme Song
• Cora Foxx: theheapsf.com
Result of a "What is Web 2.0?" brainstorming session at FOO Camp 2005. Meme maps adapted from business What Is Web 2.0:Design Patterns and Business Models for the Next Generation of Software
by Tim O'Reilly
Result of a "What is Web 2.0?" brainstorming session at FOO Camp 2005. Meme maps adapted from business model maps developed by Beam Inc.