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lighting done with one softbox with one E27 135W bulb and one speedlite power 1/2

Aitken Gallery of the Kett Optometry Museum, Melbourne.

Mamiya 645J, 55mm, Kodak Ektar 100

  

Die Eismeerkathedrale in Tromsdalen bei Tromsø und die Tromsøbrua am 12. Juli 2011 von der nächtlichen Sonne beschienen, vom Zentrum von Tromsø fotografiert.

 

The Arctic Cathedral at Tromsdalen near Tromsø and the Tromsøbrua shot by night on July 12, 2011 from the center of Tromsø.

IMG_8792GPPcSq&[r180]2exHDRCompo

 

For maximum effect, click the image, to go into the Lightbox, to view at the largest size; or, perhaps, by clicking the expansion arrows at top right of the page for a Full Screen view.

Don't use or reproduce this image on Websites/Blog or any other media without my explicit permission.

© All Rights Reserved - Jim Goodyear 2019.

 

www.flickriver.com/photos/unclebobjim/popular-interesting/

 

The open air museum in Nowy Sącz with its largest wooden church.

The sun helps to light one of the old chimneys of the former tin mines at Botallack, Cornwall, England

Lemons are true gifts from Nature as they can be used in so many different ways. They are rich in vitamin C, can be used for cleaning or purifying, can be used in food such as jams, puddings and cakes, can kill weeds, can stop fruit and vegetables from going brown and the juice of the lemon can remove sticky labels. Also once you have used the inside of the lemon the peel can go into the garden which will then feed your plants. What a fantastic gift from Mother Nature.

Canonet QL19 - Kodak Portra 400

Mizushima Complex is a complex composed mainly of companies located in the Mizushima Seaside Industrial Zone in the southern part of Kurashiki City, Okayama Prefecture, Japan. This photo is the evening view of the Mizushima Complex in cloudy weather.

Sur la Saône à Lyon, en début de soirée.

A shipwreck on Race Point Beach on Cape Cod possibly from the late 1800's or early 1900's.

#1 DUM VIVO | solange ich lebe

Fotoausstellung 2022 - Thema: Nichtigkeit

 

Vom Mittelalter bis heute verknüpfen Vanitas-Stillleben "Eitelkeit" und "Vergänglichkeit" mit unserem Leben. Dabei spielen die arrangierten Gegenstände eine gravierende sinnbildliche Rolle.

Mit meiner modernen Interpretation der Vanitas-Stillleben möchte ich den Betrachter zu einer aktiven gedanklichen Teilnahme auffordern und zu einer Selbstreflexion des heutigen Überflusses anregen.

 

Das verbindende Element der Serie ist je ein modernes Objekt sowie das Stilmittel der Levitation-Fotografie (schwebende Gegenstände).

 

From the Middle Ages to the present day, vanitas still lifes link vanity and transience with our lives. In this context, the arranged objects play a grave symbolic role.

With my modern interpretation of the vanitas still life, I would like to invite the viewer to an active mental participation and to stimulate a self-reflection on today's abundance.

 

The unifying element of the series is one modern object each as well as the stylistic device of levitation photography (floating objects).

 

schaut euch alle Fotos dieser Serie an | check out all the photos in this series:

www.flickr.com/gp/mias-fotografie/61p3g333a2

 

in explore - highest position: #464 on Wednesday, July 26, 2022

 

follow me on Instagram:

@matthiasbauernschmidtfotograf

 

check my website:

www.mias-fotografie.de

This was achieved by putting the screws, nuts and bolts on a black porcelain tile with a photo of a long exposure sky behind it. Two soft boxes with continuous lights were placed on either side of the tile and I needed to take the photo really low so that the end screws appeared to be on the horizon. In PS I used the smudge tool to create a slight moment so it appeared as if reflecting in water, I then selected the bottom half of the image and used Gaussian blur.

Après les vues iconiques, Vernazza au crépuscule sous un angle inhabituel.

Glasstract studies at No.1 London Bridge

Dumfries river nith near the rowing club

This building reminds me of a bow of a ship cutting through the water. I see it every week while driving around in San Diego and finally decided to go shoot it, the Illumina i3 Campus.

Melbourne marshalling yards on the western edge of the CBD.. With the Southern Star and the city skyline in the background. From a recent photo-stroll with PW-pix

  

One of several projects, that explore photography as evidence amongst other ideas.

 

Blog | Tumblr | Twitter | Website | Instagram | Photography links | s2z digital garden

 

Plastic Hairbrush Bristles- hope everyone is keeping safe :)

The crystal-blue ocean pool at Mona Vale, Sydney.

Mavic 2 Pro, PolarPro Polariser

...miner's greeting at the facade of an old foundry.

 

graef-photography.de

On the National Register of Historic Places. Piedras Blancas is a stunningly beautiful location on California’s central coast.

Villa Toeplitz è una residenza situata nel quartiere Sant'Ambrogio Olona di Varese, in Viale Giovanbattista Vico, con parco comunale annesso. Residenza di campagna della famiglia tedesca degli Hannesen, venne acquistata dal banchiere di origine polacca Jósef Leopold Toeplitz nel 1914.Negli anni successivi molti furono gli ampliamenti agli edifici presenti e al parco di proprietà. La parte superiore del complesso richiama i giardini alla francese, e fu infatti progettata da uno studio parigino; convoglia le acque del vicino Monte Martica.La parte inferiore, invece, meno geometrica, richiama i giardini inglesi ed è realizzata in stile neoclassico. Alla morte del banchiere, avvenuta nel 1938, il complesso venne ereditato dalla moglie Edvige Mrozowska e dal figlio Ludovico i quali, al termine della seconda guerra mondiale, vendettero la proprietà a una famiglia legnanese che la utilizzò come residenza privata. Nel 1972 il comune di Varese acquistò l'intera proprietà, che a seguito di una completa ristrutturazione venne aperta al pubblico.La Villa ospitò innumerevoli personalità di rilievo del secolo scorso tra le quali anche membri della famiglia Agnelli.

Pier Luigi Nervi designed the Flaminio Stadium with his son, the architect Antonio Nervi, between 1957 and 1958. The structure was built for the XVII Olympic Games in Rome (1960) and inaugurated in 1959. The Stadio Flaminio was built on the site of the previous Stadio Nazionale PNF. It was mostly devoted to football matches and served as the venue for the football final in the 1960 Summer Olympics.

 

This stadium is a remarkable example of different ways to use concrete: in situ castings, prefabricated elements, undulating slabs of ferrocement. The Flaminio Stadium is a unique work that offers a highly original union between form and structure and between architecture and engineering. It testifies to a special and internationally recognised period for Italian architectural culture, characterised by a highly fertile relationship between different disciplines. The project also frames a unique moment in the work of Pier Luigi Nervi, unanimously recognised as the most ingenious Italian engineer and a pioneer of the study and use of reinforced concrete.

 

Now the stadium is abandoned

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