View allAll Photos Tagged WESS
@N_AurelJKT48 : Huh org sakit malah di becandain Wess lah ku bobo aja 😼😼 GN❤️ t.co/K9rhDUs67P (via Twitter twitter.com/N_AurelJKT48/status/788737790506827776)
Some of the portrait shots for a chance to be in the Taylor Wessing photographic Portrait Prize 2021 - Nikul is photographed standing outside the Royal London Hospital where he works as a Consultant Intensivist on the Adult Critical Care Unit.
He talk about his first year as a consultant which has seen him work through the most tumultuous period in our NHS history. Rather than dwell on the negatives he reflects and takes pride in the efforts of the those around him.
All rights reserved © 2014 Bernhard Egger :: ru-moto images
EQUALITY = conscription 4 women...
Durchleuchten wir genauer, wessen Geistes die verklärten „Heldinnen der Frauenbewegung“ gestern und heute wirklich waren, so kommt zutage, wie einseitig egoistisch und männerverachtend viele „Frauenrechtlerinnen“ schon damals waren, im Gegensatz zu den großen Staatsgründern zu Ende des Ersten Weltkriegs:
Die ersten frei und gleich gewählten Parlamente in vielen Staaten, darunter auch Österreich, brachen gleich mehrfach die eigene Verfassung zugunsten von Frauen oder ließen Widersprüche in der Verfassung zu: Das frühere Rentenantrittsalter für Frauen lässt die Rentenkassen heute noch schnaufen, die einseitige Wehrpflicht nur für Männer kostete der nächsten Generation von Männer schon wieder millionenfach Leben und Gesundheit.
Von der geheuchelten „Gerechtigkeit“ vieler „Frauenrechtlerinnen“ war plötzlich nichts mehr zu hören, als es nach gleichen Rechten auch um Pflichten ging. Die Einseitigkeit der heutigen Frauenpolitik hat hundertjährige Tradition.
Auch Sufragetten, die frühen Frauenrechtlerinnen, schlossen sich der Bewegung „Weiße Feder“ an. Sie luden so Schuld auf sich. Männer, welche nicht im Krieg oder in Uniform waren, wurden von diesen Kreisen täglich öffentlich als Feiglinge gebrandmarkt. In organisierten Aktionen übergaben Frauen damals Männern eine weiße Feder als Symbol der Feigheit.
Bald meldeten sich viele dieser Männer freiwillig zum Krieg, um dem bewusst aufgebauten sozialen Druck, der organisierten Ächtung, zu entfliehen. Prominente Beispiele wie Sylvia Pankhurst und ihre Tochter beweisen die historische Tatsache, welche gerade zum Weltfrauentag 2014 nicht verschwiegen werden darf: Selbsternannten „Frauenrechtlerinnen“ von damals klebt Blut von in den Krieg gehetzten Männern an den Händen. Kämpferinnen für Gerechtigkeit sehen anders aus. [Männerpartei]
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► Welche Frau/Feministin will oder wollte jemals wirklich Gleichberechtigung (statt Privilegien & problemloser Versorgung mit Geldmitteln)?
► Gleichberechtigung bedeutet aber auch gleiche Pflichten wie z.B. Wehrpflicht für Frauen!
► Gleichstellung heißt auch Beendigung von Diskriminierung und Verhöhnung männlicher Opfer von weiblicher häuslicher Gewalt. Unbestritten weit häufiger werden Kinder und Alte durch Frauen als durch Männer mißhandelt und getötet...
► Bei einem Mann reicht schon aus, dass die Frau nur behauptet er wäre gewalttätig geworden. Bei Frauen jedoch ist das in unserem Rechtsstaat anders.
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:: Tags: Familie, vaterverbot, Justiz, Gesetz, Familiengericht, Jugendamt, ASD, Vater, Mutter, family, Kind, PAS, Elternentfremdung, Sorgerecht, Sorgerechtsausübung, Obsorge, Diskriminierung, Besuchsrecht, Gleichberechtigung, Scheidung, Ehe, Geburtstag, Kinderrechtskonventionen, Kindschaftsrecht, Kindeswohl, Rechtsbeugung, Recht, Familienrecht, Zahlväter, Zahlesel, Vaterschaft, Sozialdienst, Fürsorge, Familienwohlfahrt, Ausgrenzung, Deutschland, Österreich, Nürnberg, Solidarisierung, Gericht, Richter, Unterstützung, Kontaktabbruch, Kindesmissbrauch, EGMR, Law, justice, Borderline, Intervention, divorce, visitation rights, parental alienation syndrome, Scheidungsmafia, ФОТОГРАФ, Fotografie, press, media, photographer, professional, supershot, eu-moto, gallery, Galerie, collection, Sammlung, Fotos, Bilder, images, digital, Fotográfico, Canvas Prints, posters, Kunstdruck, Europe, international, poster, print, prints, printed, canvas, quality, fine art, large, wallpaper, delivery, buy, purchase, gift, present, enlarge, enlargement, calendar, Kalender, postcard, greeting card, portfolio, photo-shooting, camera, high-key, low-key, light, shadow, contrast, bargain, opportunity, best, authentic, real, exclusive, original, Kunst, art, Gräuel, Matriarchat, Gynokratie,
«Equal Pay ist dann erreicht, wenn die Hälfte aller Unterhaltszahlenden Mütter sind.»
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Wess e Dori Ghezzi -Un corpo e un' anima
Per tutte le volte che mi hai fatto sorridere...
Smettila
è stupido
litigare
daccordo si pero'....
l'ho vista io
lei ti guardava come fossi suo
e invece c'ero anch' io
oh, no non dir così
è vero
senti vieni qui
così non sò tenerti il muso
se mi stringi tu
mi sciolgo nel tuo abbraccio
e i nervi non ho più
E non ci lasceremo mai
abbiamo troppe cose insieme
se ci arrabbiamo poi....
ci ritroviamo poi
un corpo e un'anima....
Le stesse cose che vuoi tu
le voglio io e questo è amore
anche stasera noi
noi siamo più che mai
un corpo e un'anima....
Ridi già
ecco mi hai già.... perdonato
mio Dio, che sciocco sei
sai bene che
io per amore ti perdono tutto
ed e' piu' bello poi
Oh.... dillo ancora dai....
Ti amo...
Non cambiare mai....
ci vuole poco a fare pace
se anche tu lo vuoi
e stelle sul soffitto
accendiamo noi
E non ci lasceremo mai
abbiamo troppe cose insieme
se ci arrabbiamo poi....
ci ritroviamo poi....
un corpo e un'anima....
Le stesse cose che vuoi tu
le voglio io e questo è amore
anche stasera noi
noi siamo piu' che mai
un corpo e un'anima....
E non ci lasceremo mai....
abbiamo troppe cose insieme
se ci arrabbiamo poi....
ci ritroviamo poi
un corpo e un'anima....
Some of the portrait shots for a chance to be in the Taylor Wessing photographic Portrait Prize 2021 - Nikul is photographed standing outside the Royal London Hospital where he works as a Consultant Intensivist on the Adult Critical Care Unit.
He talk about his first year as a consultant which has seen him work through the most tumultuous period in our NHS history. Rather than dwell on the negatives he reflects and takes pride in the efforts of the those around him.
Assistant Secretary for European and Eurasian Affairs Wess Mitchell signs his appointment papers after being sworn-in at the U.S. Department of State in Washington, D.C. on November 2, 2017. [State Department Photo/ Public Domain]
weße vernunft
Gestaltung einer CD-ROM über die Dammerstocksiedlung Karlsruhe
Design of a CD-ROM on the Dammerstock housing estates Karlruhe
Designed by Béla Stetzer, HfG Dammerstockgruppe 1995.
Image from Rambow Studenten - 5 Jahre Grafik-Design an der Staatlichen Hochschule für Gestaltung Karlsruhe.
Rambow Students
5 Years of Graphic Design at the Staatliche Hochschule für Gestaltung Karlsruhe.
Dammerstocksiedlung Karlsruhe
Design of a CD-ROM on the Dammerstock housing estates Karlruhe
Designed by Béla Stetzer, HfG Dammerstockgruppe 1995.
Image from Rambow Studenten - 5 Jahre Grafik-Design an der Staatlichen Hochschule für Gestaltung Karlsruhe.
Rambow Students
5 Years of Graphic Design at the Staatliche Hochschule für Gestaltung Karlsruhe.
Published by Hatje Cantz Verlag.
"Fichaje de detenidos" en el Estadio Nacional de Chile, el 22 de Septiembre de 1973, por Koen Wessing.
El 22 de septiembre de 1973, se autorizó la primera visita de la prensa y de la Cruz Roja al Estadio Nacional de Chile, después de diez días de total encierro, después de Golpe de Estado. Más de doce mil personas fueron detenidas, en el recinto del Estadio Nacional, entre el 12 de septiembre y el 9 de noviembre de 1973 (59 días), fecha en que se desocupo el complejo deportivo.
Apenas se enteró del golpe militar de 1973, Koen Wessing (1942-2011), fotoperiodista holandés, compro un ticket de avión y viajo a Santiago de Chile. Durante su estadía en Chile, Koen Wessing, logró captar la tensa situación en las calles y la actividad dentro del Estadio Nacional, entonces convertido en campo de prisioneros.
Luego, a su regreso a Europa, Koen Wessing, publicó el libro “Chili, September 1973”, de 48 páginas con 24 fotos en blanco y negro, sin texto, el cual se convirtió en un ensayo visual clásico de la fotografía contemporánea y en uno de los mejores testimonios de la represión en Chile. Con esas y otras fotos, entre el 9 de marzo y el 30 de abril del 2011, se montó una exposición en el Centro GAM, ex Edificio Diego Portales, en Santiago de Chile.
La foto de las páginas centrales de su libro es la conocida como el "Fichaje de los detenidos". El fotógrafo uniformado es el Suboficial de la Fuerza Aérea de Chile, Leopoldo Víctor Vargas.
Uno de los detenidos en el Estadio Nacional era Silvio, uno de los cuatro, de un total de 13, miembros del GAP (Grupo de Amigos del Presidente) que estuvieron combatiendo al interior de La Moneda el día del Golpe y que sobrevivieron para contarlo. Juan Bautista Ossés Beltrán (chapa o nombre político; Silvio), era un joven de 23 años el día 11 de Septiembre de 1973. Los otros tres sobrevivientes de ese día son: Hugo García Herrera (Julio), Luís Renato Gonzáles Córdova (Eladio), y Pablo Manuel Zepeda Camillieri (Ignacio).
Después de escapar con vida del combate en La Moneda y de su posterior detención en el Regimiento Tacna es enviado al Estadio Chile. A su llegada al Estadio Chile (hoy en día Estadio Víctor Jara) se encuentra con antiguos compañeros de la ex Universidad Técnica del Estado (UTE, hoy en día USACH), donde permanecen hasta el sábado 15 de septiembre, cuando son trasladados al Estadio Nacional.
Juan Ossés dice que: “Ahí (en el Estadio Nacional) pasó algo fortuito que también me salvó la vida. Cuando el fiscal me interroga debajo de las tribunas del coliseo, el tipo me dice: “no te creo nada” y me pasó al nivel D que era la tortura, una carnicería. Minutos después un aviador con casco, que era quien sacaba las fotos, toma los papeles, salimos a la tribuna, me pasa un número y exige que cambie la mano y coloque el puño de la izquierda en el pecho. El tipo coloca mis papeles en la letra A de donde se salía libre. Una vez más me salvé.”
Juan Ossés (Silvio) salió en libertad del Estadio Nacional el día 24 de septiembre de 1973. De ahí buscaría su salida al exilio.
Por su parte, mi Padre, el fotógrafo y suboficial de la FACH Leopoldo Vargas, temiendo una sobreexposición extremadamente peligrosa por su contacto tan directo con los detenidos, al tomarle las fotos, solicita al Coronel a cargo del Estadio Nacional su relevo de esta comisión de servicio. Entendiendo sus razones personales el Coronel acepta su subrogación. Así, mi Papá vuelve a su asignación previa en el edificio Diego Portales, desde donde se encontraba gobernando la Junta Militar.
Some of the portrait shots for a chance to be in the Taylor Wessing photographic Portrait Prize 2021 - Nikul is photographed standing outside the Royal London Hospital where he works as a Consultant Intensivist on the Adult Critical Care Unit.
He talk about his first year as a consultant which has seen him work through the most tumultuous period in our NHS history. Rather than dwell on the negatives he reflects and takes pride in the efforts of the those around him.
Some of the portrait shots for a chance to be in the Taylor Wessing photographic Portrait Prize 2021 - Nikul is photographed standing outside the Royal London Hospital where he works as a Consultant Intensivist on the Adult Critical Care Unit.
He talk about his first year as a consultant which has seen him work through the most tumultuous period in our NHS history. Rather than dwell on the negatives he reflects and takes pride in the efforts of the those around him.
Some of the portrait shots for a chance to be in the Taylor Wessing photographic Portrait Prize 2021 - Nikul is photographed standing outside the Royal London Hospital where he works as a Consultant Intensivist on the Adult Critical Care Unit.
He talk about his first year as a consultant which has seen him work through the most tumultuous period in our NHS history. Rather than dwell on the negatives he reflects and takes pride in the efforts of the those around him.
On September 22, 1973, was allowed the first visit of the press and the Red Cross into the Estadio Nacional de Chile, after ten days of total reclusion since the Coup d'etat. More than 12,000 people were confined, in the grounds of the National Stadium, from September 12 to November 9, 1973 (59 days), when the sports complex was vacated.
As soon as he learned about the military coup of 1973, Koen Wessing (1942-2011), a Dutch photojournalist, bought a plane ticket and flew to Santiago de Chile. During his stay in Chile, Koen Wessing, managed to capture the tense situation on the streets and the activity inside the National Stadium, then converted into a prison camp.
Upon his return to Europe, Koen Wessing, published '' Chili, September 1973", a 48-page booklet with 24 B&W pictures, with no text, which became an instant classic visual essay of contemporary photography and one of the best testimonies of the repression in Chile. With those and other pics, was mounted an exhibition at the Centro GAM, located in the former Diego Portales’ building in Santiago de Chile from March 9 to April 30, 2011.
The centerfold pic of this book is known as the "Booking of the Detainees". The military photographer wearing a helmet is Chilean Air Force NCO Leopoldo Víctor Vargas. It is noteworthy to mention that Aviator Vargas was wearing a helmet because by then civilians in Chile were used to see Air Force personnel wearing only their customary Garrison (or Flight) caps or their Service (or Peaked) caps. Helmets were mostly associated with army men.
One of the detainees at the National Stadium was Silvio, one of the only four, of a group of 13, members of Allende’s party bodyguards (known as GAP, Spanish acronym for Group of Personal Friends) who were fighting inside La Moneda Palace the day of the coup, and survived to tell the story. Juan Bautista Osses Beltran (a.k.a. Silvio), was a 23 years old young man by September 11, 1973. The other three survivors of that fateful day are: Hugo García Herrera (Julio), Luís Renato Gonzáles Córdova (Eladio), and Pablo Manuel Zepeda Camillieri (Ignacio).
After escaping alive the combat in La Moneda Palace and their subsequent detention in the Tacna Regiment he is sent to the Estadio Chile (Arena). Upon his arrival to the Arena (now named Estadio Víctor Jara) he meets with his former colleagues at the Universidad Técnica del Estado (UTE, known today as USACH), where they remained captive until Saturday 15 September, when they are transferred to the National Stadium.
Juan Ossés says that: "there (at the National Stadium) happened something fortuitous that saved my life again. When the Prosecutor proceeded to interrogate me under the stands in the coliseum, the man tells me: "I don’t believe a word that you are saying" and he sent me to Level D which was for torture, the butchery. Minutes later an Aviator wearing a helmet, who was the one taking the mug shots of the detainees, took my folder, we went out to the stands, passed me a ticket number and orders me to change the hand and put my left fist on my chest. The man placed my folder in the pile letter A of those whom were been set free. Once again I was saved."
Juan Ossés (Silvio) was released from the National Stadium on September 24, 1973. From then on he would seek for his way out into exile.
Meanwhile, my father, the photographer and Aviation NCO Leopoldo Vargas, fearing for an overexposure due to his extremely dangerous direct contact with the detainees, while taking their mug shots, asks the Army Colonel in charge of the National Stadium for his release of this assignment. Understanding his personal reasons the Colonel accepts his dismissal. Thus my Father returns again to his previous assignment, at the Diego Portales’ building, where the military Junta was governing.
Some of the portrait shots for a chance to be in the Taylor Wessing photographic Portrait Prize 2021 - Nikul is photographed standing outside the Royal London Hospital where he works as a Consultant Intensivist on the Adult Critical Care Unit.
He talk about his first year as a consultant which has seen him work through the most tumultuous period in our NHS history. Rather than dwell on the negatives he reflects and takes pride in the efforts of the those around him.
Some of the portrait shots for a chance to be in the Taylor Wessing photographic Portrait Prize 2021 - Nikul is photographed standing outside the Royal London Hospital where he works as a Consultant Intensivist on the Adult Critical Care Unit.
He talk about his first year as a consultant which has seen him work through the most tumultuous period in our NHS history. Rather than dwell on the negatives he reflects and takes pride in the efforts of the those around him.
Some of the portrait shots for a chance to be in the Taylor Wessing photographic Portrait Prize 2021 - Nikul is photographed standing outside the Royal London Hospital where he works as a Consultant Intensivist on the Adult Critical Care Unit.
He talk about his first year as a consultant which has seen him work through the most tumultuous period in our NHS history. Rather than dwell on the negatives he reflects and takes pride in the efforts of the those around him.
Some of the portrait shots for a chance to be in the Taylor Wessing photographic Portrait Prize 2021 - Nikul is photographed standing outside the Royal London Hospital where he works as a Consultant Intensivist on the Adult Critical Care Unit.
He talk about his first year as a consultant which has seen him work through the most tumultuous period in our NHS history. Rather than dwell on the negatives he reflects and takes pride in the efforts of the those around him.
This is one of the more unusual family monuments I've seen; for some reason they decided to set a block of stone on animal feet.
1869-1953
from Cincinnati, the Queen City, 1788-1912
An extensive business enterprise is that conducted under the name of The
B. H. Wess Grain & Coal Company at Winton Place, one of the attractive suburbs of Cincinnati. This business was incorporated in 1907 and Mr. Wess has since been the president and treasurer. His carefully formulated plans and unfaltering energy constitute the foundation upon which the success of the undertaking rests.
A native of Cincinnati, Mr. Wess was born in 1869 and was a son of Gerhard J. Wess, who came to America in 1855. Gerhard Wess was born in Germany in 1821 and at the age of thirty- four years crossed the Atlantic to the new world, establishing his home in Cincinnati. For a time he was connected with the wholesale grocery business, first with Straight, Demming & Company and later with their successors, the McFarlan Baldwin Company. His association with the wholesale grocery trade covered about thirty-five years and, in 1890, he was joined by his sons John G. and B. H. Wess in the establishment of a grain and coal business, which was conducted under the name of G. J. Wess & Sons. From the beginning the new undertaking proved a success and, in 1901, the name was changed to G. J. Wess & Son, following the death
of the elder son, John G. Wess, in that year. The father passed away in 1906 and, in 1907, the business was incorporated under the present style.
When thirty-five years of age G. J. Wess was united in marriage to Miss Anna T. Berger, also a native of Germany, whence she came to the new world in her childhood days. She is still living at the advanced age of eighty years and four of their six children still survive. John G. Wess, at one time in partnership with his father and brother, was born in Cincinnati in 1865 and educated in the parochial schools of the city. He had been connected with the cracker trade as a traveling salesman for several years prior to 1890, when he joined with his father and brother in establishing the present business.
B. H. Wess pursued his education in the parochial schools and in St. Joseph College in Cincinnati and also became connected with the cracker business, acting first as shipping clerk for John Bailey, while later he was identified with the Sol Langdon & Son Company until 1890. He then became a partner in the firm of G. J. Wess & Sons, the changes in the partnership occuring as previously stated following the death of the brother and father. In 1907 the business was incorporated with a capital stock of seventy-five thousand dollars, with Bernard H. Wess as president and treasurer; his wife, Mary Wess, as vice president; and W. J. Pirron, as secretary. They grind com for feed and occupy a two-story brick building, with twenty thousand square feet floor space. They also have extensive coalyards and a coal office, which they purchased, and in 1906 they erected an elevator, which is situated on Durham avenue and the Baltimore & Ohio Railroad. The main office of the company is at Spring Grove and Mitchell avenues and employment is furnished to twenty-five people, while twelve teams are used in hauling and delivering their product.
The business has grown along substantial lines and the enterprise and the progressive spirit of the owner seem to indicate further growth in the future. In addition to his other interests Mr. Wess has extended his efforts to the financial field and is now president of the Citizens Bank, of St. Barnard, Ohio,, and a director of the Winton Savings Bank, of Winton Place.
On September 23, 1891, Mr. Wess was united in marriage to Miss Mary Schroeder, a daughter of Lawrence and Bemardina (Ronnebaum) Schroeder, the former one of the early pioneer hardware merchants of Cincinnati. They have become parents of six children, Gertrude, Loretta, Marie, Bernard, Charles and George. Mr. Wess holds membership with the Fraternal Order of Eagles and with the Knights of Columbus and his religious faith is that of the Roman Catholic church. He is a member of the Chamber of Commerce and also of the Cincinnati Commercial Association. His attention is largely concentrated upon his business affairs and he never falters in the performance of any task that devolves upon him relative to the upbuilding of the trade or the furtherance of the best interests of the two banks with which he is connected.
Born in St Bernard, Ohio, USA on 28 Mar 1900 to Bernard Henry Wess and Mary Schroder. Bernard J married Mathilda Memmel and had 5 children. He passed away on 13 Jun 1969 in Cincinnati, Ohio, USA.
Charles Wess
1903-1952
Some of the portrait shots for a chance to be in the Taylor Wessing photographic Portrait Prize 2021 - Nikul is photographed standing outside the Royal London Hospital where he works as a Consultant Intensivist on the Adult Critical Care Unit.
He talk about his first year as a consultant which has seen him work through the most tumultuous period in our NHS history. Rather than dwell on the negatives he reflects and takes pride in the efforts of the those around him.
Some of the portrait shots for a chance to be in the Taylor Wessing photographic Portrait Prize 2021 - Nikul is photographed standing outside the Royal London Hospital where he works as a Consultant Intensivist on the Adult Critical Care Unit.
He talk about his first year as a consultant which has seen him work through the most tumultuous period in our NHS history. Rather than dwell on the negatives he reflects and takes pride in the efforts of the those around him.
Some of the portrait shots for a chance to be in the Taylor Wessing photographic Portrait Prize 2021 - Nikul is photographed standing outside the Royal London Hospital where he works as a Consultant Intensivist on the Adult Critical Care Unit.
He talk about his first year as a consultant which has seen him work through the most tumultuous period in our NHS history. Rather than dwell on the negatives he reflects and takes pride in the efforts of the those around him.
Some of the portrait shots for a chance to be in the Taylor Wessing photographic Portrait Prize 2021 - Nikul is photographed standing outside the Royal London Hospital where he works as a Consultant Intensivist on the Adult Critical Care Unit.
He talk about his first year as a consultant which has seen him work through the most tumultuous period in our NHS history. Rather than dwell on the negatives he reflects and takes pride in the efforts of the those around him.
Some of the portrait shots for a chance to be in the Taylor Wessing photographic Portrait Prize 2021 - Nikul is photographed standing outside the Royal London Hospital where he works as a Consultant Intensivist on the Adult Critical Care Unit.
He talk about his first year as a consultant which has seen him work through the most tumultuous period in our NHS history. Rather than dwell on the negatives he reflects and takes pride in the efforts of the those around him.
Some of the portrait shots for a chance to be in the Taylor Wessing photographic Portrait Prize 2021 - Nikul is photographed standing outside the Royal London Hospital where he works as a Consultant Intensivist on the Adult Critical Care Unit.
He talk about his first year as a consultant which has seen him work through the most tumultuous period in our NHS history. Rather than dwell on the negatives he reflects and takes pride in the efforts of the those around him.