View allAll Photos Tagged VueScan
Cleaning up my hard drive after calibrating my monitor... Such a large hard disk, and still, it gets full. I'm probably the only one...
I shot this one last year in the late summer, but never came around to processing the scan.
This is one of the places of which I think: "Wish I actually lived here"...
Nikon F80 with AF Nikkor 28-200mm ED G D
Filmdata:
New Agfa Precisia 100 slide film scanned on Plustek Opticfilm 7400 with Vuescan.
Colour correction with Colorperfect 2.0
D-Type - Capel Manor Classic and Vintage Vehicle Show 2016
Ilford FP4+ film shot at 50 ASA developed in Caffenol-C-L for 42 mins at 20'C.
Recepie used: Anhydrous Washing Soda - 8.5g, Vitamin C powder - 5g, Potassium Bromide - 2.5g, Maxwell House Instant Coffee Powder - 19g, dissolved in 500mL deionised water.
Scanned using a Kodak RFS-2035 Plus film scanner using Vuescan software.
From the archives: In the forest shadow, somewhere near my parent's house, Jastrebarsko, Croatia. End of jammed roll produced some light-leaks. Summer 2011.
Taken with Yashica FR II camera and Yashica ML 28mm F2.8 lens, on Efke Gekko MW 100 film. Self-developed in Agfa Rodinal R09. Scanned with Plustek OpticFilm 8100 using VueScan 9.
And hey, the King is back! I wonder how many people would get that joke. :D
Twin towers, probably some kind of grain silos, abandoned for decades, in a now-defunct farm on the outskirts of Jastrebarsko, Croatia. Early August 2014.
See those towers from different location.
Taken with Nikon F801 camera, and Nikkor AI 180mm F2.8 lens, on expired Polaroid-branded Polaroid Color 100 ASA 35mm film, shot at 80ASA. Scanned with Plustek OpticFilm 8100 using VueScan 9.5.
Olympus XA + F-Zuiko 35mm f/2.8 + Kodak Pro Image 100
Digitised using Plustek OpticFilm 120 + Vuescan + ColorPerfect
Camera: Mamiya RB67 Pro-S
Lens(s): Mamiya Sekor C 180mm f/4,5
Film: Ilford FP4
Dev:D76 stock
Scan: Nikon supercoolscan 9000ED, Vuescan softwear
Summer in the countryside, villages, houses, forests, roads, streams and even some football fields hiding everywhere. Here, a stream hiding in the middle of a small village. Late June 2017.
Taken with Honeywell Pentax Spotmatic F camera and SMC Takumar 50mm F1.4 lens, on Fujicolor C200 film.
Scanned as usually, with VueScan x64 9.5 via Plustek OpticFilm 8100 film scanner.
Olympus OM-2 + G.Zuiko Auto-S 50mm f/1.4 + Kodak Portra 800
Digitised using Plustek OpticFilm 120 + Vuescan + ColorPerfect
Contax II; Sonnar 135mm f4, 436 finder; Fuji Superia 400 ±0, Developed at Photo Ueno, Tokyo; Driver: VueScan 9 (DNG duplication); Scanner: Plustek Optikfilm 82001 Ai; Raw Editor: Capture One Pro 20 (positive conversion and retouch); Browser: Photo Mechanic 6(selection, management and uploading)
Leica M3 + Leica Summicron 50mm f/2 DR + Kodak Pro Image 100
Digitised using Plustek OpticFilm 120 + Vuescan + ColorPerfect
Harman Phoenix 200 is one of the very few films developed from scratch (you can read more about it here). In its current iteration, it's a “quirky, experimental film [that] produces high-contrast images with strong, visible grain and punchy, vibrant colours”, and I will agree with Harman Photo's press release – it is a high-contrast film. Grain is not that bad, it has the look of expired film, but its sharpness is decidedly sub-par – it is not a sharp film!
I metered it at 125ASA, two-thirds of a stop below its rated 200ASA speed, and seeing the results, I won't even try to use it at the box speed. Halation effects are clearly present, but not as visible as on CineStill films.
Overall, I'm more than positively surprised, and I am happy with the results!
Here, a reflection of a 202-meter-high chimney of Zagreb's power-and-heating plant, glistening in the morning sun.
Taken with Contax 167MT film camera and Carl Zeiss Planar T∗ 50mm F1.7 lens, on Harman Phoenix 200 film, rated at 125ASA.
Scanned with Plustek OpticFilm 8100 film scanner using VueScan 9.
Seagull in Leiden/NL
Taken with my lovely M7, 75 Apo Summicron, Provia 100F, scanned with Nikon Ls5000/vuescan
Previously, there was an older house on that spot, but it got torn down, and a new, modern three-storey house was to be built. Here, diggers already started digging the place for the foundation of the house. Early April 2017.
Taken with Pentax MX camera and adapted M42 Pentax Super-Takumar 28mm F3.5 wide-angle lens, on Agfa APX400 black & white film.
400 ASA film shot at the box speed, 1/500 exposure, f/9 aperture.
Developed in Fomadon R09, semi-stand process, 90 min development time with inversions each 30 min, 1+100 dilution, at 20°C. The first film I developed in two years. Scanned with Plustek OpticFilm 8100 via VueScan 9.
A residential tower in Zapruđe, some 650 meters away from my vantage point - my balcony. Early April 2017.
Taken with Nikon F801s film camera and Tamron SP Adaptall-2 52A 70–210mm F3.5–4 tele-zoom lens on Agfa Vista Plus 200 film. Scanned with Plustek OpticFilm 8100 using VueScan 9.
The same lens, the same tower, but taken on a full-frame digital camera, half a year later - see the photo here.
I've been digging through my library, I found some ready-to-upload photos, waiting their turn.
Here, my vineyard after all the work has been done.
Taken with Honeywell Pentax Spotmatic F camera, with Super-Multi-Coated Takumar 28mm F3.5 lens, on Fujicolor Pro 160C film.
Scanned with Canon CanoScan 8800F and VueScan 9.2 x64.
Bronica GS-1, Bronica Zenzanon-PG 100mm f/3.5, Ilford HP5 Plus, Clayton F76+ 1+9; scanned with Epson V850 Pro and Vuescan, converted with Negative Lab Pro
Leica IIIf + Industar10 50mmF3.5
: Kodak Tri-X
: selfdeveloping Rodinal 1:50 38C EI1600
: vuescan + LR3
Gotta go to the party tonight .... catch you up later.
Olympus XA + F-Zuiko 35mm f/2.8 + Kodak Pro Image 100
Digitised using Plustek OpticFilm 120 + Vuescan + ColorPerfect
Photos shot with a Pentax ME with a 28mm Travenar on AgfaFoto APX 400 @400 during a pure analog photo tour from Bardowick to Lüneburg on February 12, 2017. This time (semi) stand developed with Adonal (Rodinal) 1+100 for 60 minutes, with 10 inversions on start and one inversion after 30 minutes. Fixed with Adofix 1+9 for 5 Minutes. Scanned with VueScan on a CanoScan 9000f Mark II. Post-processing in Lightroom including sharpening for prints with Nik Sharpener Pro. Self-developed AgfaPhoto APX 400 #2
Lily Tarn
Camera // HOLGA 120N
Film // Kodak Portra 160
Developer // Tetenal C-41
Scan // Epson V850 (Vuescan and ColourPerfect)
Bronica GS-1, Bronica Zenzanon-PG 150mm f/4, Fujifilm Pro 400H, developed by Samy's Camera of Pasadena, CA; scanned with Epson V850 Pro and Vuescan, converted with Negative Lab Pro
Model: Katherine Kiss
Lighting: Robert Chuck
A flower, growing on a brink of a lake, near Desinec, Jastrebarsko county, in Croatia.
Taken one hot summer Sunday in August 2014. This is the first developed roll from this camera since it is in my hands.
Taken with Horizon 202 panoramic swing-lens camera, on cheap new-series DM Paradies 200 film.
Scanned with Canon CanoScan 8800F and VueScan 9.
Contax II; Zeiss Triotar 85mm f4; TX EI 400, Home Developed in ID11 1+3 20℃ 46.5min Mortensen Method; Driver: VueScan 9 (DNG duplication); Scanner: Plustek Opticfilm 8200i Ai; Raw Editor: Capture One Pro 22 (positive conversion and retouch); Browser: Photo Mechanic 6(selection, management and uploading)
Rolleiflex Planar 80mm f2.8; Ektar±0, Developed at Photo Ueno, Shibuya, Tokyo; Driver: VueScan 9(DNG duplication); Scanner: Epson GTX980; Raw Editor: Capture One Pro 20(positive conversion and retouch); Browser: Photo Mechanic 6(selection, management and uploading)
A forgotten film shot what feels like forever ago, but really was just early March. Shot on Ilford Delta 100 on my Hasselblad 500 C/M with an 80mm 2.8 CF lens. I was seduced by the color of the scene so much that I did not even develop this roll of film until yesterday. But I enjoy it quite a bit as a black and white. Developed for 7 minutes at 68 degrees in Kodak TMAX Developer. Scanned on an Epson Perfect 4870 Photo with VueScan software. Edited with Lightroom 5 and Photoshop CS6.
Strobist: Sunset with a LumoPro LP160 in a Joe McNally Lastolite softbox, camera left. It was probably about 1/2 power and 10-ish feet away from her. The camera settings were likely around 1/250 or 1/500 at f/11. 100 ISO. Triggered by Paul C. Buff Cybersyncs. Must shoot more b&w at sunset with a flash ...
Body: Canon T-90
Lens: nFD 50mm f/1.4
Film: AgfaPhoto Vista plus 400
Developed by: Myself, Digibase C-41 home development kit
Scanned with: Pacific Image PrimeFilm XA and Vuescan
This is part of the axle of the Deutz V6M536r diesellocomotive I'm restoring.
A village near Dragonoš village, in the middle of the mountain range between Samobor, Žumberak and Jastrebarsko, the exact location is lost in time. Taken sometime in the summer of 1999, on a trek with my parents and brother, from Žitnica mountain lodge, some 3 km away. It was quite an interesting walk, I still remember it vividly, almost 20 years later.
Taken with Canon Prima Super 115 point'n'shoot compact film camera, on Kodak Gold 200 film. Scanned with Plustek OpticFilm 8100 film scanner using VueScan 9.5.
Body: Canon T-90
Lens: nFD 50mm f/1.4
Film: AgfaPhoto CT Precisa 100
Development: Fuji Steenbergen (HEMA)
Scanned: Pacific Image PrimeFilm XA and Vuescan 9
Post proces Colorperfect and additional sharpening
A tree bordering a path to the lake, near Desinec, Jastrebarsko county, in Croatia.
Taken one hot summer Sunday in August 2014, this is the first developed roll from this camera since it is in my hands.
Taken with Horizon 202 panoramic swing-lens camera, on cheap new-series DM Paradies 200 film.
Scanned with Canon CanoScan 8800F and VueScan 9.
Scan-120902-0001-SanBernardinoSaluzzo Contax G2 Carl Zeiss Planar 2/45 Kodak BW400CN VueScan CanoScan 2700F Luglio 2011
Leica M3 + Leica Summicron 50mm f/2 DR + Kodak Pro Image 100
Digitised using Plustek OpticFilm 120 + Vuescan + ColorPerfect
This stone lion is trying to gaze into the bokeh in front of him, but since he's just a stone lion, he can't focus it out. Poor lion! Mid-October 2014.
Taken with Canon A-1 camera and Tamron Adaptall-2 07A 28–50mm F3.5–4.5 zoom lens, on DM Paradies Universal 200 film. Scanned with Plustek OpticFilm 8100 via VueScan 9.
Head-on view of one of the high-rise residential buildings in Središće, Zagreb. Early April 2017.
Taken with Minolta Dynax 7000i film camera and Minolta AF Zoom 100–300mm F4.5–5.6 lens, on Agfa Vista Plus 200 colour negative film.
Scanned with Plustek OpticFilm 8100 film scanner using VueScan 9.5.
Many people around here know about "The big Willow tree", where it stands, how huge it is, and everyone agrees that it is a very old tree. This is actually quite special, because it stands all alone by itself, in the midst of the fields. Vulnerable to fierce storms, and or lightning, it seems to be a tree of good luck...
A marker of time....
Nikon F80 + AF-D Nikkor 28-200 mm ED G
Filmdata:
Agfa CT Precisia 100 scanned on Plustek OpticFilm 7400 with Vuescan
Nikon FM3A
Nikon 28mm f/2.8 ais @ f/4 - 1/1000
Kodak Portra 400
Scanned with Pacific Image PrimeFilm XE and Vuescan
Post: Lightroom
Film: Bought at Beau Photo, Processed at The Lab
Warm, sunny summer day on Mrežnica river, August 2013.
APS film isn't that bad. Yeah, this one is pretty grainy, but this is a 400 ASA film, and at least 6 years expired. So, not bad at all.
Taken with Minolta Vectis S-1 APS camera, Minolta V 22–80mm F4 lens, on expired Fujifilm Nexia Advantix 400 APS film.
Scanned on Canon CanoScan 8800F, with VueScan 9.
Canon EOS 3 Eye Control
EF 35mm F2 IS USM
Kodak Ektar 100
Reflecta MF5000
Vuescan
Negativ Lab Pro
Ligtroom - Photoshop
"Lunch Walk"
"Birmingham, AL"
"Canon 7"
"CV 35/2.5 Color-Skopar"
"Fuji" "Acros"
"Thorntons Two Bath"
"Plustek 8100"
"Vuescan"
"Darktable"
Leica IIIf + Elmar50mmF2.8 /w Y2 filter
Fuji Neopan PRESTO400
... selfdeveloping Rodinal 1:25 EI800
vuescan setting : 48bit 3200dpi raw > 16bit grayscale
Leica M3 + Leitz Wetzlar Summicron 50mm f/2 DR + B+W ND 4x + Kodak Portra 400
Digitised using Plustek OpticFilm 120 + Vuescan + ColorPerfect
Leica M3 + Leica Summicron 50mm f/2 DR + Kodak Pro Image 100
Digitised using Plustek OpticFilm 120 + Vuescan + ColorPerfect