View allAll Photos Tagged VueScan
Auf dem Langen Kampe
#Sakura
Fujifilm Velvia
Minolta MD 35-70 f/3.5 with CPL
Vuescan
Plustek 7500i
Mid-res scan
Chandelier for sale
KNSM island, Amsterdam, The Netherlands.
Technical notes: Minolta CLE + Voigtlander Nokton Classic MC 40mm F1.4 on rebranded (by the Hema department store) 400 asa film. Digitised with a Nikon Coolscan V Ed (LS-50) + VueScan.
Sunny days are great for photo-walks through the countryside, and even better for attempts in getting the best bokeh-shots out of unassuming lenses. Not bad for a slow zoom lens.
Taken with Contax 167MT film camera and Tamron Adaptall-2 17A 35–70mm F3.5 zoom lens on expired post-2014. DM Paradies Universal 200 film. Scanned with Plustek OpticFilm 8100 dedicated film scanner, using VueScan x64 9.5.
Former Dutch royal palace, now a national museum, with beautifully restored formal gardens.
Technical notes: Contax G2 + 35mm Carl Zeiss on film. Digitised with a Nikon Coolscan V Ed (LS-50) + VueScan.
Contax II; CZJ Sonnar 135mm f4; Fuji S800 ±0, Developed at Camera wa Suzuki, Yokohama; Driver: VueScan 9 (DNG duplication); Scanner: Plustek Optikfilm 82001 Ai; Raw Editor: Capture One Pro 20 (positive conversion and retouch); Browser: Photo Mechanic 6 (selection, management and uploading)
Somehow I forgot to upload this photo, so here it goes.
Here's a water tank for keeping the garden alive. September 2020.
Taken with Vivitar V2000 film camera and smc Pentax-M 75–150mm F4 zoom lens, on DM Paradies Universal 200 colour negative film.
Scanned with Plustek OpticFilm 8100 film scanner using VueScan.
Shot at Excellence Resort Riviera Maya, Quintana Roo, Mexico. This is a fountain in the middle of the resort, and has fascinated me every time I've been there. Finally, I decided to wait for reasonable light and shoot it so I could keep the memory on film.
Shot with my Mamiya RZ67 Pro II & Sekor C 110mm f/2.8 on Kodak Portra 400 color negative film. Developed at home (normal C41 Process) and scanned on an Epson V600 with Vuescan Professional @ 6400dpi.
Processed in Photoshop CS5: cropped, converted to monochrome, dodged/burned, contrast/clarity, capture/output sharpening, and minor finishing touches.
Newcastle
Ilford FP4+ film shot at 50 ASA developed in Caffenol-C-L for 42 mins at 20'C.
Recepie used: Anhydrous Washing Soda - 8.5g, Vitamin C powder - 5g, Potassium Bromide - 2.5g, Maxwell House Instant Coffee Powder - 19g, dissolved in 500mL deionised water.
Scanned using a Kodak RFS-2035 Plus film scanner using Vuescan software.
The last photo from my recent gravestone relief series, but not the last from the Fritzlar graveyard! Over all, more graveyard prints to follow... ;)
Lith print onto Maco Expo WA3 with Moersch Easy Lith 1+10
Nikon F3 + Nikkor 50mm 1:1.8 + Ilford FP4+ in Rodinal 1+50
Print scanned on a Heidelberg/Linotype-Hell Saphir Ultra II with Vuescan.
Kiev-60 + Arsat80mmF2.8
/ Kodak Tri-X - selfdeveloping Rodinal 1:50
- vuescan
back to monochrome work.
ということで再びモノクロに戻りたいと思います。
Rolleiflex 2.8C Xenotar 80mm; Ilford HP5+ EI400, Developed with Caffenol CH 15min Start 19℃ finish 22℃ Ilford Agitation Method; Driver: VueScan 9 (DNG duplication); Scanner: Plustek Optikfilm 8200i Ai; Raw Editor: Capture One Pro 21 (positive conversion and retouch); Browser: Photo Mechanic 6(selection, management and uploading)
A church in Dragonoš village, in the middle of the mountain range between Samobor, Žumberak and Jastrebarsko. Taken sometime in the summer of 1999, on a trek with my parents and brother, from Žitnica mountain lodge some 3 km away. It was quite an interesting walk, I still remember it vividly, almost 20 years later.
Taken with Canon Prima Super 115 point'n'shoot compact film camera, on Kodak Gold 200 film. Scanned with Plustek OpticFilm 8100 film scanner using VueScan 9.5.
This photo taken with an Agfa Super Isolette circa 1953 and FujiPro 160 film. Scanned on the Epson V700 at 198 Megapixels using VueScan. The original TIFF file was 1.17 GB and the resulting JPG only 91MB. Pixel Peepers enjoy!
Voigtländer Bessamatic, Color Lanthar 50mm/2.8, Agfaphoto Vista Plus 200, Tetenal Colortec C41 - 30 Grad, Vuescan mit Reflecta CrystalScan 3600
Took a walk to nearby Rečki Gaj vineyards with my brother that day, just before family lunch. My brother took his dog with him, I took my camera, loaded with black & white film. Late December, Christmas 2016.
Taken with Minolta SR-T 101 camera and Minolta MC Rokkor-PF 58mm F1.4 lens, on Agfa APX 400 black & white film. Probably 1/500 and ƒ/8. Scanned with Plustek OpticFilm 8100 via VueScan.
Developed in Fomadon R09, 1+100 for 120+ minutes, with continuous agitation for the first minute, and a few inversions at first two half-hour marks.
Recently, I've been developing black & white film I have in queue, and I dropped a ball with this one - I got sloppy, left it in the developer for more than full two hours, and concluded a few more agitations will be needed. Apparently, there was too much agitation, grain is overwhelming. Then I got sloppy while fixing the film, too, I forgot a few inversions, and apparently, my fixer was near the end of its life and I failed to realize that. I even got impatient, didn't wash the film enough with demineralized water, so I have drying stains all over the emulsion. A few days later, I realized my film is still partially purple, meaning it wasn't fixed enough, so off it went into another 10 minutes of fixing in the exhausted fixer. That solved purple tint issue and most of drying stains, but it took me some time and a few not really gentle attempts to load the film on the reels. So, this poor film took quite a lot of beating and scratching, but that's not all of it - just wait for the other one I developed with this one, that one took even more punishment.
Olympus XA + F-Zuiko 35mm f/2.8 + Kodak Pro Image 100
Digitised using Plustek OpticFilm 120 + Vuescan + ColorPerfect
Early morning on the side of Ullswater
Camera // Yashica Mat
Film // Kodak Portra 160
Developer // Tetenal C-41
Scan // Epson V850 (Vuescan and ColourPerfect)
Evening shot of the bassin de Latone, Versailles, France
Canon AE1, 80-200 4.0L, Fuji Provia400X, pro-lab developed. Scanned with LS5000 & vuescan(linux), decorations added with darktable (linux)
Winter walk to the lake. The lake was partially frozen, the day was dark and gloomy, and my film is unevenly developed - I'd say, I mixed a bit too strong dilution. Oh well, that's the charm of analogue photography and developing at home.
Taken with Minolta Dynax 7000i film camera and Minolta AF Zoom 35–70mm F4 lens, on Fujifilm Neopan 400 black & white film. 35mm, 1/125 exposure, ƒ/11, 400 ASA.
Developed with Fomadon R09, stand-process, 1+100 dilution for 1 hour with one inversion at 30 min mark.
Scanned with Plustek OpticFilm 8100 film scanner using VueScan 9.5.
Body: Canon T-90
Lens: Canon nFD 50mm f/1.4
Film: Fuji Astia 100F (expired 2012)
Developed: Fuji Steenbergen (HEMA)
Scanned: Pacific Image PrimeFilmXA and Vuescan 9
Dubai cityscape, high-rise architecture of Dubai Marina and JLT, a desert in the city, and typical construction site.
One early morning in, I woke up early to catch marvelous morning light. Dubai, late November 2013.
Taken with Pentax MZ-S film camera with smc Pentax-FA 50mm F1.4 lens, on a Fujichrome Sensia 200 film. According to film-border data imprint, shot at 1/500, ƒ/9.5 and box-speed, 200 ASA. Program mode, matrix metering. Gotta love film cameras that write analog EXIF.
Scanned with Plustek OpticFilm 8100 scanner using VueScan 9.
Mamiya RB 67 Pro S + Sekor 50mm f4.5 + Kodak T-MAX 100
Expiry date: 2004
Exposure index: 100
Dust cleaned and toned in Affinity Photo 2.
Scanned on a Heidelberg/Linotype-Hell Saphir Ultra II using Vuescan.
Hasselblad 500C/M 100 Planar FP4+ Ultrafin liquid 1+10
Scanned with Nikon LS9000 + vuescan(linux) + darktable(linux)
Park in the middle of the town of Jastrebarsko, Croatia. Late October 2009.
Taken with Pentax Spotmatic SP camera and Focal MC 28mm F2.8 wide-angle lens (made by Mitakon), on DM Paradies Action 400 ASA film. Scanned with Plustek OpticFilm 8100 film scanner, using VueScan 9.5.
Gas Street Canal, Birmingham, UK.
Taken during our trip to Birmingham area, early May 2015.
Taken with Yashica Mat 124G medium format twin-lens camera, on Fujicolor Pro 160NS film.
Scanned with Canon CanoScan 8800F and VueScan 9.
Sopote waterfall in Žumberak mountain range, Croatia in early November 2018.
Taken with Minolta 7000 AF camera and Minolta AF Zoom 35–70mm F4 lens, on expired Fujichrome Sensia 200 slide film.
1/100, ƒ/4, 200ASA at 70mm.
Scanned with Plustek OpticFilm 8100 scanner using VueScan 9.
Leica M2
50mm Summicron DR
Fomapan 100 in Rodinal (1:50 for 9 min)
-- The pre-fishing, fishing.
Vuescan
Leica M5 + Nikkor-P 10.5cm f/2.5 + Kodak Portra 160
Digitised using Plustek OpticFilm 120 + Vuescan + ColorPerfect
A few years ago, there were major redecoration and renovation works on Jastrebarsko park, lake, and its islets - finally was introduces a safe way to reach islets. Now, the lake and its islets are popular fishing and recreational spot - something unheard of before.
Taken with Nikon FE camera and Tamron Adaptall-2 02B 28mm F2.5 wide-angle lens, on expired Fujicolor Superia 100 film rated at its box speed - 100ASA. 1/200 exposure at ƒ/10 aperture (I took notes!). Scanned with Plustek OpticFilm 8100 dedicated film scanner via VueScan 9.
Using short telephoto macro lenses wide-open to maximize the amount of bokeh, and minimize the depth of field is a special joy. Here, I indulged as much as I could, Tamron Adaptall-2 90mm Macro is a really wonderful lens.
Taken with Minolta X-300s film camera, with Tamron SP Adaptall-2 52B 90mm F2.5 Macro lens, on FilmNeverDie Iro 200 film.
Scanned with Plustek OpticFilm 8100 dedicated film scanner, using VueScan x64 9.5.
Leica IIif + Summicron 50mmF2
Kodak Portra160
: selfdeveloping naniwa_N / vuescan + lightroom3
35mm縛りもあと一週間となりました。
Contax Aria,
Carl Zeiss Planar 1.7/50,
Kodak Portra 160,
Reflecta ProScan 7200,
VueScan,
ColorPerfect,
Photoshop
Rolleiflex Xenotar 80mm f2.8; PRO 400H ±0, Developed at Photo Ueno, Shibuya, Tokyo; Driver: VueScan 9(DNG duplication); Scanner: Epson GTX980; Raw Editor: Capture One Pro 20(positive conversion and retouch); Browser: Photo Mechanic 6(selection, management and uploading)
From the archives: Olive grove near my friend's house in Bilice, Šibenik county, on the Adriatic sea. Summer 2011.
Taken with Canon New F-1 camera and Canon FD 24mm F2.8 lens, probably wide-open, through cheap ND8 filter, on Efke Gekko MW 100 film. Self-developed in Agfa Rodinal R09. Scanned with Plustek OpticFilm 8100 using VueScan 9.
Olympus XA + F-Zuiko 35mm f/2.8 + Kodak Pro Image 100
Digitised using Plustek OpticFilm 120 + Vuescan + ColorPerfect
Rolleiflex 2.8c, Xenotar 80mm f2.8; Ektar 100±0; Developed at Mono Lab National, Jingumae, Tokyo; Driver: VueScan 9 (DNG duplication); Scanner: Epson GT-X980; Raw Editor: Capture One Pro 20 (positive conversion and retouch); Browser: Photo Mechanic 6 (selection, management and uploading)
This photo was taken with my first 35mm camera in June, 1971, from the Skylon Tower in Niagara Falls, Canada. (New York State, USA on the left piece of land sticking out, the Canadian Horsehoe Falls and Ontario, Canada in the center and right).
The camera I used was a hand-me-down 1950s Kodak Signet 35 rangefinder (1951-1958), with an an excellent Tessar formula Ektar 44mm f/3.5 lens. It was given to me by my grandmother when I was 13 years old, the year before this photo. I still have the camera in my collection and it still works great.
I've added some crops to show how well this lens performed. Note this photo was taken handheld from a rotating observation tower!
The film used was Kodachrome X slide film, ASA 64. It was an overcast day, so the exposure was probably either 1/60 at f/8 or 1/125 at f/5.6.
Kodachrome in those days tended toward unpredictable color shifts in overcast light. It also doesn't scan that well, usually requiring some manual tweaking in post to get right. So it took a bit of adjusting to balance the color to something that looks OK.
I never had a handheld light meter, so my exposure was likely based on the recommendations of the film data sheet that came with the film, or the neat exposure calculator on the back of the camera.
Kodak Signet 35
Ektar 44mm f/3.5
Kodachrome X (ASA/ISO 64)
Scan: Nikon Super Coolscan 8000 ED, VueScan
View a slideshow of my Kodachrome album
► All my images are my own real photography, not fake AI fraudography.
■ Please don't use my images for any purpose, including on websites or blogs, without my explicit permission.
■ S.V.P ne pas utiliser cette photo sur un site web, blog ou tout autre média sans ma permission explicite.
© Tom Freda / All rights reserved - Tous droits réservés
Bulldozer at nearby quarry, in Sv. Jana, near Jastrebarsko. It was dull and cloudy Sunday, so the photos turned out the same.
Taken with Pentax MZ-S camera and Sears 135mm F2.8 lens, on Fuji Neopan Acros 100 ASA film. Exposure 1/350s, ƒ/3.5, matrix metering, program mode. Gotta love cameras that write EXIF-equivalent data on film borders. :)
Developed with Fomadon R09 developer, 1+50 dilution at 11 min. Fixed with Fomafix, scanned with CanoScan 8800F and VueScan 9.
Yeah, I have problems with Newton's rings and dusty negatives, I know. :/
Body: Canon T-90
Lens: Canon FD 35mm f/2 (chrome nose)
Film: Kodak Ektachrome E100VS (expired 01-2004) shot @ ISO 80
Developed: CeWe lab (by DM)
Scanned with: Pacific Image PrimeFilmXA and Vuescan 9
Post-proces: Colorperfect and sharpening
I forgot to upload the photo for the FF, lol.
Leica IIIf + Hektor135mmF4.5
Kodak Tri-X : selfdeveloping Rodinal 1:25 EI400
vuescan / lightroom 3
Have a nice weekend, my friends.
Camera: Mamiya RB67 Pro-S
Dev: Tanol 1 + 1 + 100, personal dilution for 500 cl A- 4.00cl, B 5.80 cl and water to reach 500 cl
Agitation 30 '' + 2 gentle overturnings every minute 16 '20 °
Stop Bath: 2.30 'of tap water
Fix: Moersch ATS, 4 '
Washing: 10 minutes of tap water
Wetting agent: a drop of Svelto detergent
Scan: Nikon supercoolscan 9000ED, Vuescan softwear
no correction with PhotoShop
Small clearing leading to a meadow. I've been exploring the neighbourhood once again, this time in late October, hoping for some good weather. Unfortunately, the weather wasn't that cooperative, I got just fair weather. So, no good photos, just fair photos. :)
Taken with Zenit 11 film camera and Pentacon Electric 50mm F1.8 lens, on Kodacolor 200 film. Scanned with Plustek OpticFilm 8100 scanner, via VueScan x64 9.5.