View allAll Photos Tagged VueScan
**Please excuse the typo in the caption
Kodak Panoram No. 1
Ilford PanF+ / HC110
Epson V500 / Vuescan / Colorperfect / Photoshop
Voigtländer Bessamatic, Color Lanthar 50mm/2.8, Agfaphoto Vista Plus 200, Tetenal Colortec C-41 - 30 Grad, Vuescan, Reflecta CrystalScan 3600, GIMP
KODAK T-MAX 400 TMY 120 + Developer Kodak XTOL + Rolleiflex 2.8D Schneider Xenotar 2,8 / 80mm + Nikon COOLSCAN 8000 ED (Vuescan RAW DNG) fotoplenka.in.ua/p591145263-fotoplenka-kodak-professional...
If you want to go panoramic on film really on a budget, you can always grab one of those cameras from the late 1990s that have light baffles just in front of a film that crops standard photos to fake panoramic. While it is fully faked, with a proper wide-angle lens, the resulting photos can look not that bad!
Here, I did just that - I acquired Pentax MZ-5, one of those cameras with fake panoramic baffles. The good part is it crops even the viewfinder, the bad part is it's just a crop, you'd need a seriously wide-angle lens for a good effect - 19mm here helped.
Bundek park in Zagreb, Croatia, May 2021.
Taken with Pentax MZ-5 film camera, with Cosina AF Zoom 19–35mm F3.5–4.5ultra-wide angle zoom lens, on a roll of Agfa Vista+ 200 film. 1/90 exposure at ƒ/11, box speed, 200 ASA.
Scanned with my trusty Plustek OpticFilm 8100 dedicated film scanner, using VueScan 9.
Cedar Island - Ocracoke Ferry, Cape Hatteras National Seashore, North Carolina, May, 1977
View a slideshow of my Kodachrome album
Nikon F2
Nikkor 35mm f/1.4
Kodachrome 25
Scan: Nikon Super Coolscan 8000 ED, VueScan
► All my images are my own real photography, not fake AI fraudography.
■ Please don't use my images for any purpose, including on websites or blogs, without my explicit permission.
■ S.V.P ne pas utiliser cette photo sur un site web, blog ou tout autre média sans ma permission explicite.
© Tom Freda / All rights reserved - Tous droits réservés
Leica M2
50mm Summicron DR
Fomapan 100 in Rodinal (1:50 for 9 min)
Vuescan
-- Molly enjoying her Christmas present.
"Sloss Furnace"
"Birmingham" "AL"
"Nikon F100"
"35/2 AF-D"
"Arista Premium 400" "expired"
"Pyrocat-HD" "1+1+100"
"Plustek 8100"
"Vuescan"
"Darktable"
Digitized with Negative Lab Pro v2.1.0
Leica M3 | Carl Zeiss Planar T* 50mm f/2 ZM | Tri-X 400
Digitized with Epson Vuescan V550 + Negative Lab Pro v2.1.0 | Lomography
Ilford DDX
Schloss Neuhaus
Neuhaus Castle
Fuji Velvia 50
Expired slide film
Minolta XD5
Minolta MD 50 f/1.7
Plustek 7500I
Low-res scan
Vuescan
Last year, late spring 2014., I acquired a beast of a camera - Horizon 202, Russian swing-lens panoramic film camera.
This was the first roll I shot in it, but not the first developed, though.
The camera has fixed focus, fixed lens, below ƒ/8 is not really sharp, but that lens is apparently optimized for smaller apertures - at ƒ/11 and ƒ/16, it is as sharp as it gets. Also, it is not the easiest camera to use - you should keep it as level as possible, the swing-lens design will exaggerate all mis-levelings. This particular roll also shows slight light-leaks and film tension problems, but none of these problems occurred in later rolls, so I assume it was just because the camera wasn't in use for quite some time, or due to sloppy roll loading.
Taken with Horizon 202 camera, on Fuji Neopan 100 film, developed in Fomadon R09 1+50 at 10 min 21°C, fixed with Fomafix at 6 min 23°C. Scanned with Canon CanoScan 8800F and VueScan 9.
Velvia never fails to amaze me, it’s just such a shame it’s so hard to get one’s hands onto it these days.
Velvia makes vivid colors appear where the barely are any to begin with.
This shot was taken shortly after sunset, to finish off the film so that I could get it to the lab the next day. The light was nearly gone and I wasn't so sure that it would turn out. Very glad that I took it in the end!
Nikon F3 + Sigma Super Wide II 24mm f2.8 + Fujichrome Velvia (old-base stock RVP, not RVP50!)
Expiry date: 2000s (?)
Exposure index: 50
Scanned on a Nikon Coolscan IV ED using Vuescan.
These lonely flowers sat in a corridor at work so I felt sorry for them and gave them a frame of Ektar.
---
Leica M3
Leica Summicron 50 type 2
Kodak Ektar
Sacnned in Vuescan
FED-2 + Industar10 50mmF3.5
/ Kodak Portra160NC
- selfdeveloping Naniwa Color Kit S (1:1)
- vuescan & GTX-970
修理屋さんに旅だった FED2ですが、Industar10の描写、なかなかいいと思いませんか？
catch you up later
Glen Ogle viaduct, Scottish West Highlands. The viaduct is 140 m long, it was built between 1866 and 1870. Here it's seen from a viewpoint on A85 road.
Taken during my trip to Scotland, late April 2019.
Taken with panoramic swing-lens Horizon 202 camera, and its MC2.8/28mm lens, on Agfa Vista+ 200 film. If I'm not mistaken, 1/250 exposure, ƒ/11, metered at 200ASA with my phone.
Scanned with Plustek OpticFilm 8100, with VueScan x64 9.5 to two scans, stitched with AutoPano.
Go visit Istria, and you'll never run out of interesting sights. Some are easy to take a photo of, some aren't, mostly because the crowds there trying to do the same as you. This year was special, too - the first after a pandemic-induced hiatus we had last year, it looks like everybody was trying to be everywhere. :o
Here, in Labin, trying to catch a place to eat. Unsuccessfully.
Taken with Pentax MZ-S film camera, with smc Pentax-FA 100mm F2.8 Macro telephoto lens, on a roll of Silberra Color 50 film. 1/125 exposure, ƒ/4, shot at box speed, at 50 ASA.
Scanned with Plustek OpticFilm 8100 dedicated 35mm film scanner, using VueScan.
Cold but dry January weekend was almost an ideal day for a quick walk around the nearby lake - the lake was still partially frozen, the snow didn't fully melt. If only there was a bit more sun, but hey, I took what I got without complaints!
According to the sources on the 'net, Zenzanon-PG 80mm lens is hard to find, about 500 lenses were made, yet somehow, one ended in my hands.
Taken with Zenza Bronica GS-1 6×7 medium format film camera, with Zenza Bronica Zenzanon-PG 80mm F3.5 lens, on a roll of Kodak Tri-X 320 film, expired in December 2007.
Maxed-out shutter at 1/500, ƒ/9.5, box-speed, 320 ASA. Developed in Kodak Xtol, 1+1 dilution.
Scanned with Canon CanoScan 8800F flatbed scanner, using VueScan x64 9.5.
Neuer Zollhof
Frank O. Gehry architecture
Silver reflecting building
Film is not dead
Expired Fujifilm Sensia
Slide Film
Scanned with Plustek 7500i and Vuescan
Minolta XD5
Minolta MD35-70 f/3.5
A very cold weekend didn't stop me from wandering around the park, trying to catch a good photo here and there. The reflections were great, but by the time I got to that part of the park, I was both positively freezing, and near the end of the roll.
Taken with Minolta X-300s film camera and Minolta MD Rokkor 45mm F2 lens, on a roll of Kentmere 100 black and white film. Developed in Kodak Xtol, 1+1 dilution.
1/60 exposure, ƒ/2.8, box-speed, 100 ASA.
Scanned with my trusty Plustek OpticFilm 8100 dedicated film scanner using VueScan x64 9.5.
It is almost as if the pandemic has served as an early circa 1980s Ghost Town video backdrop for the two-tone Specials - but slowing down and having the time during various lockdowns for urban strolls is an ideal opportunity to take in our less bustling surroundings, where you become more aware of what is around you; or indeed, in many cases, what once was around you in history.
My mötley crew of Thursday Club pub regulars noted the refurbishment of one of their past watering holes, and what wasn't piquing their interest was the aesthetic changes to the Titwood Bar in Strathbungo, in Glasgow's south side, but the faded sign that began to resurface as the facade came down. It took a ghost sign, and those who remembered it before it was a ghost, to bring it back to life.
Likewise, during many lockdown urban strolls, I keep my eye open for 'ghost signs', those wonderful hand-painted signage and advertisement relics - usually dating from 1900 to 1930s - that remind us of a city's past life. And this hobby has a large Facebook following and the hashtag #ghostsign has been used more than 90,000 times on Instagram.
London reigns supreme in this spectral pursuit; Glasgow has dozens and growing, many of them documented on a newish and embryonic ghost-sign walking tour guide, which can be downloaded from Ghost Signs of Glasgow (www.glasgowheritage.org.uk/take-a-walk-on-the-ghost-side-...).
One of my favourites is a true haunt for many from the past, an old Woolies, the back entrance to the store on 22-26 Charing Cross Mansions, St. Georges Road, backing on to Renfrew Street. The store traded from this location for about 50 years before closing in the early 1970s as the city redeveloped that part of the town for a motorway bypass. Only in the past few years, some original 1920s era signage was revealed at Renfrew Street (the back of the store) – and it is still there today.
Leica M3 & 1.4/50 Summilux pre-asph v2
Ilford FP4+ (200)
Perceptol (1+1 - 13min)
Vuescan & Plustek 7600i
Yashica Mat 124G, Yashinon 80mm f3.5. Lomography Color Negative 100 developed in Tetenal Colortec C41 kit
Nearby vineyard slowly sinking into the darkness. December 2023.
Taken with Minolta Dynax 5 film camera and Minolta AF Zoom 35–70mm F4 lens on AgfaPhoto APX 400 film. Developed in Adox Adonal, 1+50 dilution at 22.75°C.
Scanned with Plustek OpticFilm 8100 and VueScan.
Both Zagreb's levees are popular jogging and walking spots, even on cloudy days like that one.
Taken with Pentax MZ-5 film camera in its panorama mode, with smc Pentax-FA 100mm F2.8 Macro lens, on Silberra Pan 160 black and white film.
Developed in Adox Adonal, 1+50 dilution at 22°C and scanned with Plustek OpticFilm 8100 using VueScan.
That's an ancient Roman column right there, hiding in the shade, and it's a part of an Archaeological Museum in Split, Croatia.
Taken with Pentax MV film camera and smc Pentax-M 40mm F2.8 pancake lens on AgfaPhoto APX 400 film. Developed in Adonal, 1+50 dilution at slightly above 22°C.
Scanned with Plustek OpticFilm 8100 film scanner using VueScan.
Walking around the block, on a weekend. Even when there were people around, everybody looked like they want to be at home. Cold and clean day in January 2023.
Taken with Pentax SF1 film camera, and Sigma AF Super-Wide II 24mm F2.8 wide-angle lens, on a shortened roll of Agfa APX 400 black and white film.
Developed in Adox Adonal, 1+50 dilution, for 19 minutes.
Scanned with Plustek OpticFilm 8100 film scanner, using VueScan x64 9.5.
Spa
Graduation Towers
Spa Graduation Tower
Clock Tower in the background
Club Color 200 @ 50
Expired color negative film
Minolta XD5
Minolta Rokkor 50 mm f/1.7 MD
Mid-res scan
Converted to B/W
Vuescan
Plustek 7500i
Classic Vehicle Meeting Bünde Ahle
Vintage farm tractors
Deutz - IFA - Massey Ferguson
Fujifilm Velvia
Expired Slide Film
Minolta XD5
Minolta Rokkor 50mm f/1.7
Mid-res scan - Vuescan -Plustek 7500i
Rolleiflex 2.8E, Planar 80mm f2.8; ARISTA 100±0; Developed at Mono Lab National, Jingumae, Tokyo; Driver: VueScan 9 (DNG duplication); Scanner: Epson GT-X980; Raw Editor: Capture One Pro 20 (positive conversion and retouch); Browser: Photo Mechanic 6 (selection, management and uploading)
I've been driving through the countryside I know the best, villages near my grandparent's place, for quite a number of years now. It never gets boring, there's always some new take on a familiar sight.
This time, I was testing a compact camera I've had for more than a decade, yet I've never used it. It's Soligor branded soap-bar autofocus camera with a reasonably wide 30mm lens. Not the best lens out there, but again, reasonably good for an inexpensive camera.
Taken with Soligor AF-34 compact film camera, with its 30mm F4.5 lens, on Kodacolor 200 film. The camera did everything automagically, I just pointed it, and shot.
Scanned with Plustek OpticFilm 8100 dedicated film scanner, using VueScan 9.5.
Is the actual leader of our feline team. 16 years. Quiet guy.
Contax II; CZJ Sonnar 135mm f4,440 finder; Fuji S800 ±0, Developed at Camer wa Suzuki, Yokohama; Driver: VueScan 9 (DNG duplication); Scanner: Plustek Optikfilm 82001 Ai; Raw Editor: Capture One Pro 20 (positive conversion and retouch); Browser: Photo Mechanic 6 (selection, management and uploading)
Leica IIIf + Elmar 50mmF2.8 / Agfa Visata+400
: selfdeveloping Naniwa_N / vuescan
the mood.
少しずつライカに慣れてきました。新しくて安いレンズをマツバラ光機さんで買ったしまだまだ続く35mm判。防湿庫で寝ている 120用の Ilford HP5+が活躍するのはいつなのか？
Agfaはvividすぎるような気がしますね〜
Camera: Nikon F 80;
Lens: Sigma 24-105mm f/4 DG (OC)* HS I AF;
Film: Agfa CT Precisa 100 (process before 2015.08);
Filter: No filter;
Exposure: as ISO 80 - 2020.01;
Scanned: Minolta Dimage Scan Elite 5400 by VueScan
Technical notes: Nikon F2 + Nikkor 105mm f2.5 + Kodak Tri-X. Digitised with a Nikon Coolscan V Ed (LS-50) + VueScan.
Russian autumn
Camera: Nikon F 80;
Lens: Sigma 24-105mm f/4 DG (OC)* HS I AF;
Film: FujiColor 200;
Filter: No filter;
Exposure:
Scanned: Minolta Dimage Scan Elite 5400 by VueScan.
Собор Богоявления Господня — православный собор в Вышнем Волочке, Тверская область, Россия
Здание храма построено из кирпича в 1810—1814 годах на острове между двумя рукавами Цны на месте ветхой деревянной церкви во имя Богоявления Господня с приделом архистратига Михаила. В 1864—1866 годах собор был основательно перестроен. От первоначального объёма сохранились части восточной и западной стен, превращенные в столбы, южная и северная стены, возможно, частично световой барабан, опирающийся на четыре столба.
В 1931 году собор был закрыт, но не разрушен, здание использовалось в складских целях. Вновь открыт храм был не как большинство церквей в конце 1980-х или 1990-е годы, а уже в 1945 году.
Сегодня Богоявленский собор является главным действующим храмом Вышнего Волочка, духовным оплотом православных горожан и одной из главных достопримечательностей города. В храме в иконостасе и киотах сохранились иконы XVII—XVIII веков, в том числе резной образ Николы Можайского, а также Богородичные иконы — Иверская, Выдропужская и именуемые «Скоропослушница», «Утоли Моя Печали», «Всех Скорбящих Радость».
The Epiphany Cathedral is an Orthodox cathedral in Vyshny Volochek.
The building of the temple was built of brick in 1810-1814 on the island between the two arms of Tsna on the site of a dilapidated wooden church in the name of the Epiphany of God with the chapel of the Archangel Michael. In 1864–1866, the cathedral was thoroughly rebuilt. Parts of the eastern and western walls have been preserved from the original volume, turned into pillars, the southern and northern walls, possibly partially light drum, supported by four pillars.
In 1931 the cathedral was closed, but not destroyed, the building was used for storage purposes. The reopened temple was not like most churches in the late 1980s or 1990s, but already in 1945.
Today, the Epiphany Cathedral is the main temple of the Most High Voloshok, the spiritual stronghold of Orthodox citizens and one of the main attractions of the city. In the temple in the iconostasis and icon cases preserved icons of the XVII-XVIII centuries, including the carved image of Nikola Mozhaisky, as well as the Theotokos icons - Iverskaya, Vydropuzhskaya and named "Skorobuslnitsa", "Soothe My Sorrows", "Joy of All Who Sorrow".
Leica M7 50mm Summicron HP5+ self-developed, in Microphen stock
Self-scanned with Nikon LS9000 + vuescan(linux) + darktable (linux)
So I buy a new (to me) flatbed scanner, a really cheap one but I'm trying to get the best results possible, I'm still experimenting with VueScan trying to get decents results because, to be honest, this is a very regular scanner, scanning a frame of 35mm film at 2400 DPI can take a significant amount of time, but the results were pretty good compared to the original software of HP, which is pretty useless to scan negatives of any kind, I'm still experimenting with medium format film and soon I'll be posting more content with this interesting pair
(HP G4050 & VueScan Software.)
Please leave your thoughts in the comments because that's very important to me so I can know what can I do to progress in my work, thanks ;)
Btw, gear used here was:
Nikon F100
Nikon Serie E 50mm 1:1.8
Kodak ProImage 100
We've had a few days worth of nice weather, and I did the right thing, I went out and took a few rolls of film. I've got a new film to use, a new lens to test, as well!
Here, a road in the countryside, a few minutes before sundown. On this film, sunshine looks quite greenish!
Taken with Contax 167MT film camera on Yashica ML 28mm F2.8 wide-angle lens, on FPP Svema Color 125 film I got in my Analogue Wonderbox. 1/90 exposure, ƒ/8, 125 ASA.
Scanned with my Plustek OpticFilm 8100 dedicated film scanner, using VueScan 9.5