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What with the pace and excitement of EdBookFest over these past two weeks I've barely managed to acknowledge the fact that during this time the Bristol Short Story Prize Anthology Volume 4 - one of the most hotly anticipated anthologies of the year for me - dropped through the letter box at RobAround Manor. I've been able to sit down and take stock of things today though, and it's sunk in that what I have before me is what I hope will be another thrilling journey through the story landscapes of 20 exceptionally talented writers.
Truth be told I couldn't contain myself, and I just had to dip in and read this year's winning story, My Girl by Emily Bullock. What did I think? Well, I've still to post my official review for the story, but I will say that it's as punch in the guts powerful (quite literally), as last year's winner was (The Bristol Short Story Prize judges certainly like stories with impact :))
While I'm at it, a huge thumbs-up to the winning designer for this year's cover, Claire Shorrock, a 2011 graduate of the Illustration degree course at the University of the West of England in Bristol. It's difficult to tell from my amateurish snapshot just how good this cover looks, but trust me it's beautiful. Great job, Claire!
Depeche Mode - Enjoy The Silence (Live in Berlin)
Depeche Mode are an English electronic band that formed in 1980 in Basildon, Essex. The group consists of founders Dave Gahan (lead vocals, occasional songwriter since 2005), Martin Gore (guitar, keyboards, vocals, main songwriter since 1982), and Andy Fletcher (keyboards, bass guitar). Depeche Mode released their debut album Speak & Spell in 1981, bringing the band onto the British new wave scene. Original band member Vince Clarke (keyboards, guitar, main songwriter from 1980 to 1981), left the band after the release of the album, leaving the band as a trio to record A Broken Frame, released the following year. Gore took over the lead songwriting duties and, later in 1982, Alan Wilder (keyboards, drums, bass guitar, occasional songwriter) officially joined the band to fill Clarke's spot, establishing a line up that would continue for the next 13 years. Depeche Mode have been a trio again since 1995, when Wilder left.
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Solo volume boost. Used in the loop of a Marshall jcm 800.
Goes loud............
Painted by Trees.
Made for a Lynch fan.
A Tale of Two Consequences: Intended and Unintended Outcomes of the Japan TOPIX Tick Size Changes. Kashyap arxiv.org/abs/1602.00839 #q-fin
Find your voice and let it be heard.
The demonstration, on the 11/06/11 at Sevilla Town Hall, was part of the 15M movement by the 'Indignados' protesting against an unrepresentative and undemocratic political system. The protests are well organised and peaceful and involve a wide spectrum of society. They were sparked by issues such as the banking crisis, high levels of unemployment (especially youth unemployment which stands at around 40%), poverty and a stale two party electoral system.
31453-0421-2
Motown Classic Hits Volume IV
Various Artists
Motown US Polygram CD 1995
31453-0421-2 Various Artists - Motown Classic Hits Volume IV
all tracks are mono
01 The Marvelettes – Locking Up My Heart 2:20
02 Martha and The Vandellas – Quicksand 2:33
03 Mary Wells – What's Easy For Two 2:52
04 Marvin Gaye - Can I Get A Witness 2:46
05 The Temptations – The Girl's Alright With Me 2:53
06 Marvin Gaye – You're A Wonderful One 2:45
07 Stevie Wonder – Hey Harmonica Man 2:31
08 The Marvelettes – Forever 2:20
09 The Contours – Can You Do It 2:18
10 Martha and The Vandellas – Dancing In The Street 2:38
11 The Supremes – A Breath Taking Guy 2:23
12 The Spinners – That's What Girls Are Made For 3:06
tracks 1 to 4 are from Side 1 and tracks 5 to 12 formed side 2 of "Motown 624 Various Artists - A Collection Of 16 Big Hits Volume 3".
Poems
volume 1
by
Henry Wadsworth Longfellow
published in Philadelphia
by
Henry Altemus
no date. c1900
no.41 in the publisher's Petit Trianon Series
decorated half-title printed in grey and red
frontispiece portrait of Longfellow ©1899
decorated title page printed in olive green and red
pages numbered 229 - 352 + 16 page catalog of Henry Altemus' Publications
4 inserted black and white illustrations on glossy stock
decorated endpapers
cream cloth spine, titled, embossed and blocked in gilt with stylised poppies
cream paper covered boards printed to resemble book cloth and printed in gilt with a floral pattern
height: 16.5 cm.
I've been on Flickr since July 4, 2005. While I can't pretend to know the exact numbers, I am certain the Flickr universe has expanded enormously over the past three plus years. I read somewhere recently something like five thousand images are uploaded per minute (and that information may well have been several years old). In any event, it is clear there are lots more photos - and lots more people - on Flickr.
And that's a good thing, except when it isn't.
It's good of course because there are not only more photos; there are lots more good photographs from a widely diverse Flickr membership. I am a huge fan of landscape photography. I love seeing great landscapes from all over the world. Many of them take my breath away. I could say the same thing about portraiture, or macros, or black and whites, or any of the other catergories of photography that turn me on. There have always been great photographers on Flickr. Now there seem to be thousands and thousands of them. Some of them are so great their images make me weep.
I use Flickr as a learning tool. I probably look at anywhere from one hundred to five hundred photos a day. I try to gauge what works or doesn't work in an image. I look for novel points of view, or subjects. I look at EXIF data whenever I can to learn the camera settings which produced a good shot (and I read group notes to learn even more). The better Flickr photos get the better I get as a photographer. While I read articles and books on photography, I believe that, next to taking and working with my own photos, Flickr is the best learning tool I have.
Now for the downside: Flickr obsession, that emotional pull to make Flickr the center of your life, that need to post and post and post and post, to run a myriad of groups and participate in dozens of group discussions, and to comment on hundreds of others' photos, until you suddenly realize its almost two in the morning - for the fifth night in a row! There is the childish need to count how many hits each of your beloved images has, how many faves it has, and to pout if it doesn't have enough hits or faves, to feel under appreciated and to resent that guy with more hits than you. And, worse of all, there are those ocasional negative comments that depress or anger you. You know you are over the line and in need of serious help when you start to have dreams and nightmares about Flickr night after night after night.
I must confess I've had several bouts of Flickr obsession. Indeed, I may be enthralled even now. I am fighting it, I am vowing to take a break. I think I can do it. Maybe. At least I hope so. My wife is giving me those looks again. But I might wait wait till next week, or until the holidays. Perhaps a New Year's resolution is the way to go....
Flickr is a wonder. I can think of no better example of how the Internet has changed my life. But sometimes it is like crack cocaine; it can take over my life. I just wonder how much that is true for the rest of the population of Flickr Nation. Care to comment? We could start a group!!
www.lockedcog.com/bikes/volume-thrasher-v2/
Volume just upped the page for the new V2 Thrasher. Things looking pretty spiffy with the new dropouts, bigger tire clearance and those sick decals. Those are probably my favorite frame graphics yet.
Mickey is happy to help with the well-known box-enclosure technique for measuring the volume of a cat. It would appear that his volume significantly exceeds that of this eight-point-two-litre box.
Dealing with frizzy, curly, fine and colored treated hair? Nunzio Saviano’s paraben-free volumizing shampoo helps you get it worked out for weightless moisture and shine.