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Le Monument à Balzac (The Monument to Balzac) by Auguste Rodin was commissioned by the Société des Gens de Lettres, under the impetus of its president, Emile Zola. The original commission to honor one of France's greatest novelists, Honoré de Balzac (1799–1850) went to sculptor Henri Chapu, but after he died in 1891, Rodin agreed to deliver the 3-meter tall bronze sculpture within 18 months, which was to be placed at the Palais-Royal.
Rodin immersed himself in the piece. Since Balzac had been dead for forty years, he faced the challenge of having to render his likeness from photographs. He extensively researched the writer's life and works, made several trips to Balzac's home region of Tourraine, posed models who resembled him, and even went as far as to order suit from Balzac's tailor to visualize his size and girth. Over the course of the next seven years, Roding completed over fifty prepatory studies. Some showed Balzac paunchy, others atheltic. Some were nudes, and others in his preferred work clothes, the Dominican cowl. In 1894, the Société threatend to dissolve the contract and pass the commission onto Alexandre Falguière. Roding responded with a promise to speed up the work.
Rodin finally settled on an athletic figure, leaning slightly backwards. He ordered six plaster casts to be made and had them covered in an empty-sleeved coat. When finally exhibited at the 1898 Salon, it was widely attacked. Critics dismissed it as a crude sketch, associating the figure with everything from an erected phallus to a sack of coal to a snowman, and interpreting him masturbating under his protecting coat. The Société des Gens de Lettres, now presided by Henry Houssaye, rejected piece and the payment it owed him. Rodin's admirers, who mainly supported the politically volatile imprisoned Jewish officer Dreyfus, tried to collect enough to purchase the monument for public display but instead retired it to his studio at Meudon, refusing to allow it to be cast during his lifetime. In 1939, 22 years after Rodin's death, Balzac was finally cast in bronze and placed at the crossing of the boulevards Montparnasse and Raspail.
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The Musée Rodin, displaying the works of the French sculptor, Auguste Rodin, was opened in 1919 in the Hôtel Biron and surrounding grounds. Rodin used the Hôtel Biron as his residence from 1908, and subsequently donated his entire collection of sculptures (along with paintings by Vincent van Gogh and Pierre-Auguste Renoir that he had acquired) to the French State on the condition that they turn the building into a museum dedicated to his works. The Musée Rodin contains most of Rodin's significant creations, including The Thinker and The Kiss.
Maps of racial and ethnic divisions in US cities, inspired by Bill Rankin's map of Chicago, updated for Census 2010.
Red is White, Blue is Black, Green is Asian, Orange is Hispanic, Yellow is Other, and each dot is 25 residents.
Data from Census 2010. Base map © OpenStreetMap, CC-BY-SA
Ascent Penthouse
Client: Mr Dung - IAM Architecture
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@ Long Nguyen & Thu Nguyen
Architecture - Interior Design & 3D Visualization
0979 962 864, Ho Chi Minh City
advlongnguyen@gmail.com
Maps of racial and ethnic divisions in US cities, inspired by Bill Rankin's map of Chicago, updated for Census 2010.
Red is White, Blue is Black, Green is Asian, Orange is Hispanic, Yellow is Other, and each dot is 25 residents.
Data from Census 2010. Base map © OpenStreetMap, CC-BY-SA
Visualization of ragas based on 1000+ features derived from:
- vadi and samvadi
- which notes are included
- bigram and tetragrams in the raga
- distinction of all the above features wrt aaroha vs avaroha
- distinction of all the above features wrt extended notes
- distinction of all the above features wrt second-octave notes
Raw data is available as json and csv:
github.com/kylemcdonald/ragaDB/blob/master/ragasdb/ragas....
github.com/kylemcdonald/ragaDB/blob/master/ragasdb/ragas.csv
And a script is available for generating the derived features: github.com/kylemcdonald/ragaDB/blob/master/ragasdb/make-t...
Layout and coloring was found using t-sne, with scripts in this repository github.com/kylemcdonald/EmbeddingScripts
There are more variations on the visualization above with different parameters (and varying accuracy in representing the space) here: github.com/kylemcdonald/ragaDB/tree/master/tsne
Pokémon Go Pokéstops in San Francisco. Interactive version of the map: sandbox.morozgrafix.com/pokestopheat/
Visualization is the key to many things, including photography. In this case, visualizing a great performance, from the gun to the end of the track and over all the hurdles in between, 100M away.
I was astounded by Bill Rankin's map of Chicago's racial and ethnic divides and wanted to see what other cities looked like mapped the same way. To match his map, Red is White, Blue is Black, Green is Asian, Orange is Hispanic, Gray is Other, and each dot is 25 people. Data from Census 2000. Base map © OpenStreetMap, CC-BY-SA
Today we had a meeting to talk about our vision for our research lab. In order to do so we were to visualize the current situation and / or our wish for the future. I did a combination of both. The vision part is in A possible future. My corresponding blog post where I talk a little bit about this visualization is Visions with Lego.
Maps of racial and ethnic divisions in US cities, inspired by Bill Rankin's map of Chicago, updated for Census 2010.
Red is White, Blue is Black, Green is Asian, Orange is Hispanic, Yellow is Other, and each dot is 25 residents.
Data from Census 2010. Base map © OpenStreetMap, CC-BY-SA
Try to visualize a beautiful woman. Give it some seconds serious consideration. I shall wait patiently as long...
Now the woman you picture in you head, not only has form and shape, she most likely even have mannerisms and perhaps are wearing clothes. If so we can even with wisdom assume that the clothes she is wearing is consistent with, and thus reflect, the person she is and here is my point. She is to the mental effect almost a person, as your imagination is a VERY powerfull tool. - Mind you not even the Tihane-2 (The Chinese supercomputer) would be able to create in memory what you just did in seconds. (Further more, the Tihane-2 would probably answer that beauty is subjective and continue in long explanations to explain the beauty of binary simplicity, but be quite indifferent as in regard to the beauty of women.)
In your head, from the quest was launched, you started drawing upon your feminine resources of data in your eyes putting together a pretty much ”perfect” women ;o) But make no mistake, in a way she is VERY real, as she is created only and alone from YOUR subconscious imaginative spectrum of what a ”beautiful women” consist of. Those perceptions are not only VERY real, to you it is the whole world and thus, the very definition of beauty.
If you are a crossdresser, transvestite or transexual, you know very well what powers are to be drawn from within that imaginative spectrum, but make no mistake. When ordinary macho heterosexual men watch Expendables 1 (Macho hetero classic - 5 stars from my male side, Lisa says ”No comment!” shaking her head) they very much identify them self, with being amongst such group of battle scarred veterans, knowing each others weaknesses and strengths, using them in unison, like a team, working like clockwork and on backbone alone beating odds no sane person would bet a single dime on.
Women as well have their own visual identification spectrum and I stand accused making following statement without statistic documentation, but I have notion practically all women at some time, have imagined them self walking into a crowded room drawing all attention, dazzling everyone with the mere presence of their radiant beauty. But again, I might be mistaken and women not only may, but trust me will rightfully claim ”What the hell do I REALLY know about women.” and it is in fact quite true.
Never the less there is still much to be obtained from within, the almost magical imaginative spectrum.
You see, something happens to macho heterosexual men, watching not ONLY Expendables 1, but every film made in modern times that has to do with war, fighting, death, violence and murder (several times). Slowly, we find, such identification change such individuals. The same thing happens to T-girls who spend much time in the imaginative female spectrum, they change slowly, becoming more like that in reality as well, changing slowly.
Thus watching many movies on war identifying with being a vengeful warmachine, might actually in a stressfull situation, combined with a life crisis, trigger the hidden imaginative being nurtured by such imagination, making that person pick up a riffle going into warmode showing the world a thing or two. Where as a T-girl in same stressfull life crisis, very well might say ”Fuck it all.” pick up a pair of stilettos and wearing a tight skirt ”showing” (though in a more practical sense) the world a thing or two as well.
Try to visualize a beautiful woman. Give it some seconds serious consideration. I shall wait patiently as long...
Now the woman you picture in you head, not only has form and shape, she most likely even have mannerisms and perhaps are wearing clothes. If so we can even with wisdom assume that the clothes she is wearing is consistent with, and thus reflect, the person she is and here is my point. She is to the mental effect almost a person, as your imagination is a VERY powerfull tool. - Mind you not even the Tihane-2 (The Chinese supercomputer) would be able to create in memory what you just did in seconds. (Further more, the Tihane-2 would probably answer that beauty is subjective and continue in long explanations to explain the beauty of binary simplicity, but be quite indifferent as in regard to the beauty of women.)
In your head, from the quest was launched, you started drawing upon your feminine resources of data in your eyes putting together a pretty much ”perfect” women ;o) But make no mistake, in a way she is VERY real, as she is created only and alone from YOUR subconscious imaginative spectrum of what a ”beautiful women” consist of. Those perceptions are not only VERY real, to you it is the whole world and thus, the very definition of beauty.
If you are a crossdresser, transvestite or transexual, you know very well what powers are to be drawn from within that imaginative spectrum, but make no mistake. When ordinary macho heterosexual men watch Expendables 1 (Macho hetero classic - 5 stars from my male side, Lisa says ”No comment!” shaking her head) they very much identify them self, with being amongst such group of battle scarred veterans, knowing each others weaknesses and strengths, using them in unison, like a team, working like clockwork and on backbone alone beating odds no sane person would bet a single dime on.
Women as well have their own visual identification spectrum and I stand accused making following statement without statistic documentation, but I have notion practically all women at some time, have imagined them self walking into a crowded room drawing all attention, dazzling everyone with the mere presence of their radiant beauty. But again, I might be mistaken and women not only may, but trust me will rightfully claim ”What the hell do I REALLY know about women.” and it is in fact quite true.
Never the less there is still much to be obtained from within, the almost magical imaginative spectrum.
You see, something happens to macho heterosexual men, watching not ONLY Expendables 1, but every film made in modern times that has to do with war, fighting, death, violence and murder (several times). Slowly, we find, such identification change such individuals. The same thing happens to T-girls who spend much time in the imaginative female spectrum, they change slowly, becoming more like that in reality as well, changing slowly.
Thus watching many movies on war identifying with being a vengeful warmachine, might actually in a stressfull situation, combined with a life crisis, trigger the hidden imaginative being nurtured by such imagination, making that person pick up a riffle going into warmode showing the world a thing or two. Where as a T-girl in same stressfull life crisis, very well might say ”Fuck it all.” pick up a pair of stilettos and wearing a tight skirt ”showing” (though in a more practical sense) the world a thing or two as well.
Try to visualize a beautiful woman. Give it some seconds serious consideration. I shall wait patiently as long...
Now the woman you picture in you head, not only has form and shape, she most likely even have mannerisms and perhaps are wearing clothes. If so we can even with wisdom assume that the clothes she is wearing is consistent with, and thus reflect, the person she is and here is my point. She is to the mental effect almost a person, as your imagination is a VERY powerfull tool. - Mind you not even the Tihane-2 (The Chinese supercomputer) would be able to create in memory what you just did in seconds. (Further more, the Tihane-2 would probably answer that beauty is subjective and continue in long explanations to explain the beauty of binary simplicity, but be quite indifferent as in regard to the beauty of women.)
In your head, from the quest was launched, you started drawing upon your feminine resources of data in your eyes putting together a pretty much ”perfect” women ;o) But make no mistake, in a way she is VERY real, as she is created only and alone from YOUR subconscious imaginative spectrum of what a ”beautiful women” consist of. Those perceptions are not only VERY real, to you it is the whole world and thus, the very definition of beauty.
If you are a crossdresser, transvestite or transexual, you know very well what powers are to be drawn from within that imaginative spectrum, but make no mistake. When ordinary macho heterosexual men watch Expendables 1 (Macho hetero classic - 5 stars from my male side, Lisa says ”No comment!” shaking her head) they very much identify them self, with being amongst such group of battle scarred veterans, knowing each others weaknesses and strengths, using them in unison, like a team, working like clockwork and on backbone alone beating odds no sane person would bet a single dime on.
Women as well have their own visual identification spectrum and I stand accused making following statement without statistic documentation, but I have notion practically all women at some time, have imagined them self walking into a crowded room drawing all attention, dazzling everyone with the mere presence of their radiant beauty. But again, I might be mistaken and women not only may, but trust me will rightfully claim ”What the hell do I REALLY know about women.” and it is in fact quite true.
Never the less there is still much to be obtained from within, the almost magical imaginative spectrum.
You see, something happens to macho heterosexual men, watching not ONLY Expendables 1, but every film made in modern times that has to do with war, fighting, death, violence and murder (several times). Slowly, we find, such identification change such individuals. The same thing happens to T-girls who spend much time in the imaginative female spectrum, they change slowly, becoming more like that in reality as well, changing slowly.
Thus watching many movies on war identifying with being a vengeful warmachine, might actually in a stressfull situation, combined with a life crisis, trigger the hidden imaginative being nurtured by such imagination, making that person pick up a riffle going into warmode showing the world a thing or two. Where as a T-girl in same stressfull life crisis, very well might say ”Fuck it all.” pick up a pair of stilettos and wearing a tight skirt ”showing” (though in a more practical sense) the world a thing or two as well.
A young special guest star performing his talent for the crowd.
Records of a Juneteenth celebration in OKC back in 2017.
For those that don't know, Juneteenth is a holiday celebrating the emancipation of those who had been enslaved in the United States. It commemorates the event of the word finally getting to Texas that all enslaved peoples were free that occurred on June 19, 1865 (two and a half years after Lincoln had sign the Emancipation Proclamation freeing all slaves).
I have so many connections on LinkedIn it became almost unusable and started becoming a repository of business contacts. This visualization, though mesmerizing to me at first and to others as well, is interesting though the groups are spread around time, location, profession and education.
The top and left is more related to my design expertise, the lower right is more my personal life.
Also the edges are filled with people I barely know. Then again in the center it is often the same.
Once the best example of elegant, simple, and very substantive, and informational journalism, apparently the Economist is drifting into infotainment. Look at how distracting the image of the burger is. I know how a burger looks like: it is not needed. But even worse, look at how the image hides the fundamentally important line of global average, which gets mostly lost behind the image. Shame on you Economist. Online version of this horror: www.economist.com/research/articlesBySubject/displaystory...
Visualizing the various features of the SwiftRiver distributed reputation and veracity functionality.
Things like Time, Location, Activeness as well as Global and Local interaction, are all considered in scoring. Time (green) and Location (dark grey) are optional, for scenarios like a conflict or war. The content producer’s location, or proximity to ‘ground zero’ tells the system to factor this in to its score. Also the length of time that content is produced after the initial event may also tell us a lot. Things like ‘time’ and ‘location’ are optional because if your Swift instance is tracking something like a political scandal, time and proximity may not actually add any value to authority calculations.
Purple represents how active Users 1 and 2 are. In and of itself how much someone uses a Swift instance is irrelevants. It could mean that they are an eager member providing valuable assistance, or it could mean they are attempting a brute force attack on the system similar to the Figure 1 scenario. However, when coupled with other factors, frequency of interaction is considered and can positively or negatively weight the score for a user.
The Ars Electronica Futurelab made a high-profile guest appearance in Los Angeles. As part of the Walt Disney Concert Hall’s IN/SIGHT series, Esa Pekka Salonen conducted the L.A. Philharmonic Orchestra in a performance of Ravel’s “Mother Goose” that featured impressive visualizations designed by the Linz-based media art lab.
Credit: Ars Electronica Futurelab
This is a visualization of a blog community. It's one of the end results of our project. In the visualization, thicker lines suggest a stronger connection between the two blogs. If you want to know more, or play with it, hop over to www.blogslikethis.com/
Hydrogen accounts for about 74 percent of the normal matter in the Universe. This visualization shows the electron clouds of hydrogen through the probability density function when the principal quantum number, N, is 1 and 2. The probability density illustrates where the electron is most likely to be found if measured, red indicates high probability, blue indicates low probability.
Update: 2020/06/22: A 16k version is now available.
Update: 2020/07/06: A visualization showing all electron orbitals for N=1 to 6 is also available on Youtube: youtu.be/HyRHT4yOvms
Maps of racial and ethnic divisions in US cities, inspired by Bill Rankin's map of Chicago, updated for Census 2010.
Red is White, Blue is Black, Green is Asian, Orange is Hispanic, Yellow is Other, and each dot is 25 residents.
Data from Census 2010. Base map © OpenStreetMap, CC-BY-SA
Created by Martin Wattenberg with Marek Walczak (who licenses it under this CC license), Thinking Machine 4 explores the invisible, elusive nature of thought. Play chess against a transparent intelligence, its evolving thought process visible on the board before you.
The artwork is an artificial intelligence program, ready to play chess with the viewer. If the viewer confronts the program, the computer's thought process is sketched on screen as it plays. A map is created from the traces of literally thousands of possible futures as the program tries to decide its best move. Those traces become a key to the invisible lines of force in the game as well as a window into the spirit of a thinking machine.
The average San Francisco prices go beyond the $700k limit. But even so, housing is way cheaper in Baltimore.
Sources:
VersuS: love vs turin, visualizing the realtime lives of cities
www.artisopensource.net/2011/10/16/versus-rome-october-15...
How do people express their emotions on social networks?
Information has become ubiquitously accessible, thus transforming our perception of cities and of the ways we work, learn, communicate and relate to other people.
VersuS analyzes the digital lives of cities to suggest a scenario in which digital and analog realities interweave and become one.
By performing realtime content harvesting on social networks we are able to perform natural language analyses on the conversations running between users, to peek into their emotions, wishes, expectations and desires.
We can make this information available and accessible using information visualizations, mobile applications and generative design artifacts, thus creating the tools which enable the creation of a new form of public space which merges the digital and analog lives of people, transforming them into active agents in a new idea of citizenship, enabling novel forms of expression and representation.
In "love VS turin", we focus on an emotional approach, visualizing the expressions of love and passion of the citizens of the city of Turin, in a realtime collective conversation.
The visualization is put side by side with 3D objects produced using various digital fabrication techniques, and which represent a tangible representation of the emotional condition of the whole territory of the city of Turin.
"Love" can be replaced with other emotions, thus enabling scenarios of focal importance for ecology, public administrations, security, economy and the overall possibility to evaluate the wellness of the people on a certain territory.
VersuS is designed as an evocative tool for people, institutions and organizations, fostering the creation of new, positive, imaginaries for the future of our lives and our relation with the planet and with our fellow human beings.
VersuS is a concept by Art is Open Source and FakePress Publishing, and it is part of the ConnectiCity initiative.
It has been created together with the Fablab Italia and with the Piemonte Share Festival, in a transdisciplinary process in which arts and sciences collaborate to the creation of innovative, breakthrough, scenarios.
VersuS will be officially presented at the 2011 edition of the Piemonte Share Festival together with the Fablab Italia.
Check these websites for more information:
sent to my group www.flickr.com/groups/abc-visualized for the letter A:
1. Port Lockroy and the Europa., 2. A, 3. Looking Back..., 4. Landing
Mike Moradi, Founder and Chief Executive Officer, Sensulin, USA; Young Global Leader capture during the Session: "Visualizing Disease" at the World Economic Forum - Annual Meeting of the New Champions in Dalian, People's Republic of China 2017. Copyright by World Economic Forum / Sikarin Fon Thanachaiary