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This visualisation is a snapshot and shows only one part of one assemblage at one point in time. I place EduTweetOz nominally at the centre only because it provided the starting point of this data story
This gives us the chance to see what certain arrangements may look like when planning pyromusicals and intricate displays.
Situated in the Leeds city centre, adjacent to the train station, Riot Design (UK) Ltd was asked by SMC Gower for a competition to produce a series of photo realistic images to exhibit the eye-catching design of the proposed development.
Visualising Social Stories Workshop, Hong Kong | 1st–2nd April 2017 at Jockey Club Creative Arts Centre,
30 Pak Tin Street, 3413 Shek Kip Mei, Hong Kong.
This is an image of those stars through a UV filter. Note that if scaled linearly to the maximum brightness, the stars only show up as a tiny bright dot in the centre; the central cluster is apparently very dense compared to everything else...
In the future, I could use a logarithmic plot to show the intensity of dimmer stars better. Now, it's Friday evening and I don't want to spend all night coding filters.
A segment of the wall set up in Kings Place on which illustrators from Scriberia visualised fragments of the open weekend's conversation
My recent music listening history, generated with Lastgraph. Also interesting is how you can tell when I was off galavanting on holidays.
Practical Photography - Boot Skills camp. A weekend of photography based at Edwinstowe Youth Hostel. We had sessions on four themes; Visualisation, Composition, Light (using reflectors) and Creativity.
Shows the view from the WFC3 camera of an elliptical galaxy about the distance to Andromeda. The galaxy was simulated by Thorsten Naab et al.
3D renders we did for a garden design company. they were rendered in cinema 4D, then photoshopped for more 'sketchy feeling'
4me4you visits Unit London gallery which featured the artist Teiji Hayama
- “I link, therefore I am”.
Through portraits of instantaneously recognisable icons such as Elvis, Marilyn Monroe and Twiggy, all of whom Hayama describes as “vintage influencers”, the artist explores the process by which a person becomes stratospherically famous, a process the artist himself labels as a “path of no return.”
This path has seemed to unfold via a mixture of hard work and meticulous social maintenance. As such, I link, therefore I am uses these iconic images to expose contemporary issues connected to the evolution of various social technologies.
Hayama blends her images with other iconic celebrities, superheroes and, even, familiar cartoon characters. In creating these hybrid caricatures, the artist attempts to visualise the notion of Multiphrenia: the fragmented self. Largely caused by technologies that increase social contact.
Multiphrenia is the condition of being simultaneously drawn in multiple and conflicting directions. To demonstrate this, Hayama uses a multi-layered and transformative artistic process, which travels from photograph to photoshop, and, finally, to canvas.