View allAll Photos Tagged Visualisation
On the left You can see a photo of old town in Fenghuan County taken by chensiyuan in 2012. On the right you can see a 3d visualisation that was inspired by this photo. This scene (and more oriental scenes) is included in Evermotion Archexteriors vol. 17, available here: bit.ly/12b0nHY
By Wikipedia: "Fenghuang County is located in Xiangxi Prefecture, Hunan Province, People's Republic of China.
It has an exceptionally well-preserved ancient town that harbors unique ethnic languages, customs, arts as well as many distinctive architectural remains of Ming and Qing styles. The city is revered in Miao traditions and funeral rites and is the location of the Southern China Great Wall."
I've been aware of several rather odd information visualisation mash-ups recently, and this is the latest one (brought to my attention by Marcus).
This bar chart-cum-clock is interesting for it's utter hijack of the basic interpretation of a bar chart for the purposes of conveying the time. Not sure what to think really.
Early morning at the very southern tip of Lido Key in Sarasota. I took my brother in law down to fish the pass and I took my camera gear.
This was another one of the shots I really wanted before I left, I've been there a few times and was able to visualise this one ahead of time.
I got a shot I wanted, and my brother in law got the first of a few good 'One that got away' stories, when some beast of the deep snapped one of the treble hooks he was using - 2 points broken clean off and the third was bent out.
It was dark enough at this time that I just used an ND grad filter, and had no need for a solid ND.
Canon Eos 5D, 17-40L, hi-tech grad
Hit L to see this on a dark background.
All of my photos are taken as one shot, unless specifically stated otherwise.
If you are going to post an invite to a group, please read my PROFILE first. Thanks.
..the pendant is now able to record EEG visualisations and play them back, for extra mayhem! More info here: rainycatz.wordpress.com/2013/05/27/eeg-data-visualising-p...
Pour une visualisation d’une page galerie, placez la souris sur le bouton en haut à gauche de la fenêtre flickr www.flickr.com/photos/sebastienduhamel/17553156243/in/pho...
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Albums... musiciens www.flickr.com/photos/sebastienduhamel/collections/721576...
[NB] Dans cette base flickr, les photos sont d’une résolution de 1000x667px.
Pour une visualisation optimale d’une page d’album, placez la souris sur le bouton du centre en haut à droite de la fenêtre flickr, puis cliquez sur le bouton.
Pour une visualisation pleine écran cliquez sur la photo et flèches de direction du clavier.
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Le New Morning est un club de jazz installé au 7-9 rue des Petites-Écuries dans le 10e arrondissement de Paris, dans les locaux de l'ancienne imprimerie du journal Le Parisien. Fondé en 1981 par Eglal Farhi, le club est dirigé depuis 2010 par sa fille Catherine Farhi. Il a une capacité de 500 places. fr.wikipedia.org/wiki/New_Morning_(club)
Le New Morning www.newmorning.com
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Dave Weckl Band au New Morning le 15 mai 2015 à Paris
www.newmorning.com/20150512-3159-the-dave-weckl-acoustic-...
Dave Weckl : batterie www.daveweckl.com
www.youtube.com/user/davewecklmusic/videos
fr.wikipedia.org/wiki/Dave_Weckl
Tom Kennedy : basse www.tomkennedymusic.com
en.wikipedia.org/wiki/Tom_Kennedy_(musician)
Makoto Ozone : piano www.makotoozone.com
en.wikipedia.org/wiki/Makoto_Ozone
Gary Meek : saxophone garymeek.net
en.wikipedia.org/wiki/Gary_Meek
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Performances de cet impressionnant batteur, Dave Weckl
• Dave Weckl/Tom Kennedy Project: "Espiritu del Songo" LIVE 2021 | décembre 2021 www.youtube.com/watch?v=dkWQ0Wqe7f0
• Steve Weingart and Dave Weckl "Child's Play" | mars 2021 www.youtube.com/watch?v=n5RhyLVkolo
• Dave Weckl plays CTA by Chick Corea Elektric Band | mars 2021 www.youtube.com/watch?v=K9aimzDuZME
• Dave Weckl/Steve Weingart "In 5" | mai 2020 www.youtube.com/watch?v=Hz7SI_VS-vc
• Dave Weckl & Oz Ezzeldin: 'Dis Kinda Place | mars 2019 www.youtube.com/watch?v=vcJtKP-PMxU
• Dave Weckl, Steve Weingart, Benjamin Shepherd "Village" | novembre 2018 www.youtube.com/watch?v=h-NB_X1NIYw
• Oytun Ersan - Mysterious Maze (Fusiolicious) I Ft. Dave Weckl, Dean Brown, Gerry Etkins | avril 2018 www.youtube.com/watch?v=BHTKKtdr2hA
• Dave Weckl "Steroids" Drum Solo | Décembre 2017 www.youtube.com/watch?v=S1BNRvPVGqY
• Dave Weckl with Oz Noy - Just Groove Me | Décembre 2017 www.youtube.com/watch?v=11Gw9VLNHOs
• Dave Weckl drum clinic at ACUSTICANAPOLI | juillet 2016 www.youtube.com/watch?v=dEocXwYxE8w
• Dave Weckl and Jay Oliver “Higher Ground” | juin 2014 www.youtube.com/watch?v=4RS5RsSPssw
• Montreal Drumfest 2012 www.youtube.com/watch?v=WCOP7dPlDtw
• Performance Spotlight 2012 www.youtube.com/watch?v=Rqdha2x18l4
• Mike Stern, Didier Lockwood, Dave Weckl & Tom Kennedy | Jazz à Vienne 2011 www.youtube.com/watch?v=8qIhSQXx3GU
www.youtube.com/watch?v=K-R9u-1R1FI
• Chris Minh Doky Band 2010 www.youtube.com/watch?v=ZJvXYgcARwU
• Festival Jazz San 2008 www.youtube.com/watch?v=hszXw2b2k8c&list=RDhszXw2b2k8...
• En el North Sea Jazz Festival 2003 - Chick Corea Elektric Band - Got a match www.youtube.com/watch?v=CEysTJJTGmU
• Time Check 1994 www.youtube.com/watch?v=Biyt63VCikE
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Photographie de Sébastien Duhamel www.sebastien-duhamel.com
Galerie www.flickr.com/photos/sebastienduhamel
Classeur www.flickr.com/photos/sebastienduhamel/collections
Album www.flickr.com/photos/sebastienduhamel/sets
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Copier-coller l'URL depuis la barre d'adresse.
I created the design for these cat frames (look closely to see the cats) and sent them to Shapeways for SLS (Selective Laser Sintering) 3D printing in sparkly alumide.
The pendant visualises EEG attention (red) and meditation (green) data and visualises it on this LED matrix in real time. Using a Mindwave Mobile, Bluetooth dongle and Shrimp microcontroller.
I've built this for use in excruciating social situations such at conferences, networking, bars, etc. I'm interested in extending our emotive state by displaying if we're paying attention to whom we're speaking to or if our thoughts / attention is drifting off to the canapes or our to-do list. It's a mischievous device, read more about it here rainycatz.wordpress.com/2013/05/27/eeg-data-visualising-p...
Full film visualising plastics entering the Mediterranean sea per second, per day.
Read about the project here:
Data visualisation is key to understanding and communicating the complex content of scientific data. This image illustrates uplift and subsidence in Berlin, Germany, as detected by satellite radars. Different colours represent different rates of deformation. This type of information can be used by urban planning officials to ensure what areas are safe to develop, or if any structures may pose a safety risk.
Credits: DLR
This i a mind map I made after reading the book "A Project Guide To UX-Design". Sometimes it makes more sense to put sum things up in a visual manner.
A old audio visualisation work. I actually use this to choose tracks that work well with the Hoxtron project ( www.play-create.com/id.php?016 ).
This song - Boards Of Canada 'Amo Bishop Roden'
3D Interior Architectural Visualization Services
Website : www.dca.com.sg
Email : don@dca.com.sg
Powered by Designclique Associates specialises in 3D Interior & Architectural Rendering. More than 15 years in hotel, resort, club, commercial, retail, office, condo, residential, shops, bar, cafe, restaurant, ballroom, houses, building, bedroom, spa, salon,swimming pool, clubhouse, architecture, semi detached, clustered houses, bungalow 3D rendering & visualisation. London | Liverpool | Glasgow | Birmingham | Manchester | Sheffield | Bradford | Edinburgh | Bristol | Leeds | Zurich | Vienna | Australia | Geneva | Vancouver | Auckland | sendoff | Munich | Frankfurt | Bern | Sydney | Copenhagen | Wellington | Amsterdam | Brussels | Toronto | Berlin | Melbourne | Luxembourg | Ottawa | Stockholm | Perth | Montreal | Nurnberg | Oslo | Dublin | Calgary | Hamburg | Honolulu | San Francisco | Helsinki | Adelaide | Singapore | Paris | Brisbane | Tokyo | Lyon | Boston | Yokohama | London | Kobe | Milan | Barcelona | Madrid | Washington DC | Osaka | Lisbon | Chicago | Portland | New York City | Seattle | Singapore
We sent our Account Manager Charlee Gough out to a shopping centre in Southampton last week to conduct some market research.
We are helping a Chinese retailer enter the UK market and needed an on the ground appraisal of the opportunity and feedback on the potential.
These few photos help to visualise some of our initial findings.
More visualisation of the Tree of Life phylogeny. Each clade is put along a Hilbert curve, giving some sense of locality.
I used graph distance from a top level node for color, node area denotes number of species underneath a node (weighed by phylogenetic distance). I am still terribly annoyed by the long-range links that emerge and the edge crossings, but they could likely be ameliorated by having a postprocessing step that moves them out of the way.
'Curve' Industrial Design Magazine this month wrote up an article on our Holden Design Visualisation group
At least I got one image in there!!! Damn you Potter!!!!
These are screenshots taken from a 3D data visualization i realized at the Copenhagen Institute of Interaction Design for the Quantified-Self workshop (ciid.dk/education/summer-school/ciid-summer-school-2013/quantified-self/) with Marius Watz.
The project is called 'Cycles' and is a visualisation of my sleep cycles data (deep phase, light phase, awake phase, heart rate, efficiency...) recorded via an iPhone application.
The way the towers are built (step-by-step) is a metaphor of the data collection process.
Towers collapse because we are traveling through time (time flies so nothing remains permanently).
Colors are selected from a colour pool.
The longest a sleep cycles is, the more the related color will be selected in the color pool.
Those pics were captured while i was simultaneously drawing the path of the particles (the trails) and moving the camera around.
Frustrated with the never ending criticism of the BBC, I have taken the average weekly household expenditure for 2009 according to National Statistics Online and compared it to the weekly cost of the BBC licence fee. The figures are rounded up and represent £/week.
I was also frustrated with the online data visualisation tools available, so i decided to make my own using:
- Field Notes Memo Book
- Ruler
- Black pen
- Daughters' crayons
- Scanner
- Picnik editor
- Data source: www.statistics.gov.uk/downloads/theme_social/Family-Spend..., www.bbc.co.uk/aboutthebbc/licencefee/
As you can tell, i'm a great supporter of the BBC, and we should all recognise how lucky we are to have it.
I created the design for these cat frames (look closely) and sent them to Shapeways for 3D printing in sparkly alumide.
The pendant visualises EEG attention (red) and meditation (green) data and visualises it on this LED matrix in real time. Using a Mindwave Mobile, Bluetooth dongle and Shrimp microcontroller.
I've built this for use in excruciating social situations such at conferences, networking, bars, etc. I'm interested in extending our emotive state by displaying if we're paying attention to whom we're speaking to or if our thoughts / attention is drifting off to the canapes or our to-do list. It's a mischievous device, read more about it here rainycatz.wordpress.com/2013/05/27/eeg-data-visualising-p...
These are screenshots taken from a 3D data visualization i realized at the Copenhagen Institute of Interaction Design for the Quantified-Self workshop (ciid.dk/education/summer-school/ciid-summer-school-2013/quantified-self/) with Marius Watz.
The project is called 'Cycles' and is a visualisation of my sleep cycles data (deep phase, light phase, awake phase, heart rate, efficiency...) recorded via an iPhone application.
The way the towers are built (step-by-step) is a metaphor of the data collection process.
Towers collapse because we are traveling through time (time flies so nothing remains permanently).
Colors are selected from a colour pool.
The longest a sleep cycles is, the more the related color will be selected in the color pool.
Those pics were captured while i was simultaneously drawing the path of the particles (the trails) and moving the camera around.
sometimes you visualise a shot in your head but, no matter how hard you try, it just doesn't translate to a picture! well, that was my first attempt at todays challange for ODC- roll. i had pictures of pretty coloured sweets, lit up from beneath rolling across the frame... didn't come close to working. Today was a tuffie, nothing was working and my brain didn't want to think, let alone outside of any type of box!!!
i decided to vent all this frustration and tell my daughter my dilema and, as i was... 'lili,' i said 'can you still do that thing with your tongue?' after a minute of looking rather perplexed, she remembered and yes, as you can see, she still could... eureka!!!
so for todays challange... my wonderfully talented daughter, rolling her tongue ;-)
(oh, and the title is 'another talent' if you want to see what her other one is take a look!
www.flickr.com/photos/arrowlili/5001542791/in/set-7215762...
Matteo Mauro, UCL Bartlett School of Architecture
“Visual sounds” is a digital painting produced subsequently a study on the relation between music/sound and ornamentation. The paining is generated by an innovative, personally developed technique of computational simulation. Throughout the research, four soundtracks were selected as case studies, and analysed with sound measuring tools that translated them in to spectrograms. The selected tracks relates to specific historical times and ornamentation styles: Traditional Peruvian Baroque song, Traditional Mayan Instrument sound, Peruvian desert recordings, and Rococo Vivaldi Orlando Pazzo. The blend of the acquired information, which translated sound in to mathematical curves, was used to generate “Visual sounds”, a decorative pattern rooted in the world of ornamentation and its deep meanings. Abstraction is achieved; essence is kept.
Admirable dedication to the task by my local primary school. Vaccination stats, regularly updated… in crochet!
The S2 Packaging project has been long due an overhaul.
The four leaf clover package is looking a bit tired so we’ve binned it and brought in a new approach to the visualisation of the package.
The pupils are still taught about graphic composition techniques and apart from the planning stages the whole project is realised using digital skills.
As a department we believe that teaching pupils skills in the graphic industry standard software applications is the correct approach. These skills are entirely transferable and the graphic interface will be familiar to them if they choose to progress in the subject through to tertiary level and beyond. Given the results that S2 pupils can now achieve in S2 it is exciting to imagine what they progress to in S5/6.
The concept here is to design the packaging for a new snack product. Basic layout skills are taught and then pupils progress towards realising their ideas in Adobe Illustrator. Vector skills such as typography, basic Bezier path tools, scaling and colour manipulation are taught at this point. At all times pupils must work from their pre-planned thumbnail planning sketches. Upon completion of the front and back panel of the package in Illustrator the artwork is then rotated, cropped, and saved as two jpegs in Photoshop. Two materials are created in Cinema 4D and the bitmap artwork is now added to the texture channel. The materials are then mapped onto a crisp packet mesh that I created in a pre rigged studio environment and rendered as a high resolution file.
As you can see from the pupil photos everyone was pleased with their results! Jay was heard to say, “That was a pretty good lesson.” I think so too.
The pendant visualises EEG attention (red) and meditation (green) data and visualises it on this LED matrix in real time. Using a Mindwave Mobile, Bluetooth dongle and Shrimp microcontroller.
I've built this for use in excruciating social situations such at conferences, networking, bars, etc. I'm interested in extending our emotive state by displaying if we're paying attention to whom we're speaking to or if our thoughts / attention is drifting off to the canapes or our to-do list. It's a mischievous device, read more about it here rainycatz.wordpress.com/2013/05/27/eeg-data-visualising-p...
This week I completed a visualisation of Snowtopia, a proposed €100 million leisure and extreme sports centre development at Tyrrelstown, 14 kilometres northwest of Dublin. Crazy detail!
You can read more about the proposed development in the Irish Times here
www.irishtimes.com/newspaper/ireland/2008/1219/1229523104...
View Rod's map illustration portfolio
© Rod Hunt 2008
Further examples of Rod Hunt's work here
The S2 Packaging project has been long due an overhaul.
The four leaf clover package is looking a bit tired so we’ve binned it and brought in a new approach to the visualisation of the package.
The pupils are still taught about graphic composition techniques and apart from the planning stages the whole project is realised using digital skills.
As a department we believe that teaching pupils skills in the graphic industry standard software applications is the correct approach. These skills are entirely transferable and the graphic interface will be familiar to them if they choose to progress in the subject through to tertiary level and beyond. Given the results that S2 pupils can now achieve in S2 it is exciting to imagine what they progress to in S5/6.
The concept here is to design the packaging for a new snack product. Basic layout skills are taught and then pupils progress towards realising their ideas in Adobe Illustrator. Vector skills such as typography, basic Bezier path tools, scaling and colour manipulation are taught at this point. At all times pupils must work from their pre-planned thumbnail planning sketches. Upon completion of the front and back panel of the package in Illustrator the artwork is then rotated, cropped, and saved as two jpegs in Photoshop. Two materials are created in Cinema 4D and the bitmap artwork is now added to the texture channel. The materials are then mapped onto a crisp packet mesh that I created in a pre rigged studio environment and rendered as a high resolution file.
As you can see from the pupil photos everyone was pleased with their results! Jay was heard to say, “That was a pretty good lesson.” I think so too.
The result of my LinkedIn connections being visualised via MapMyConnections - www.kortsteroutes.nl/mmc/
I took a picture of our 6 year olds desk in his bedroom and then added it as a background in Autodesk Inventor to show the forklift toy in it's true environment
The above is a screenshot of the Autodesk Inventor window - it is not a rendered image.
RELEASE DATE: 21st May 2019
PRESS RELEASE
Dare to Dream: New ‘Craftivism’ project
announced by Heritage Open Days
13th-22nd September 2019
This year, England’s largest festival of culture and heritage will celebrate its 25th anniversary, with a new arts commission focusing on those who have affected positive change and the power of gentle protest.
In 2019, Heritage Open Days will celebrate its anniversary with 25 Years of People Power. Against a backdrop of Brexit - a time of unprecedented social division and uncertainty - hundreds of events across the country will celebrate change-makers; those whose visions and dreams have brought positive developments to our society, both large and small.
Alongside festival walks, talks and openings, the Dare to Dream project will explore the power of positive visualisation in effecting change and finding solutions to the problems that surround us. Through a series of ‘craftivism workshops’ designed by Sarah Corbett, founder of the global Craftivist Collective, participants will have an opportunity to think about the issues that matter to them, and how to be an active part of bringing positive change, both locally and globally. The commission is the third in Heritage Open Days’ Unsung Stories strand, made possible by support from players of People’s Postcode Lottery with the aim of exploring lesser-known histories in new and innovative ways.
Participants will hand-stitch their positive visions for the future onto fabric ‘dream clouds’, share their creations on social media, and display them in meaningful locations to encourage us all to be solution-seekers and change-makers. “We’re thrilled to be working with Sarah, who embodies the gentle form of People Power that is at the heart of Heritage Open Days,” says HODs National Manager, Annabelle Thorpe.
“Throughout history, real change has come from those who have thought differently, dreamed big and believed solutions are there to be found. Dare to Dream offers a chance for everyone to think about how we can all positively shape the future, and make our dreams for a fairer, happier society become reality.”
Across the Heritage Open Days festival, Sarah will lead four free workshops, launching at
Dartington Hall in Totnes, where the concept for the NHS was established in the 1940s. Moving to Norwich, Manchester and Durham, each session will take inspiration from local dream-makers whose historic ideas helped to shape a new reality. Downloadable instruction packs will also enable organisers to run their own Dare to Dream workshops, enabling nationwide participation. After the festival, insights drawn from the workshops will create a picture of our dreams and hopes for society in the next 25 years.
"By having a vision rather than just fixating on a problem, our brains start finding ways to turn
those visions into reality” says campaigner, Sarah Corbett. “Join us and craft your creation, whilst you think deeply about what your dream for a better world will look like, and how you can be part of making it. Stitch by soothing stitch, we can help become change-makers."
Yesterday’s dreams shaped today’s reality. This September, join Heritage Open Days and the
Craftivist Collective to create individual dreams for a positive future.
- - -
For more information and photographs:
Laura Davey, Press and Communications Officer
020 3097 1977 | laura.davey@heritageopendays.org.uk
More details about Dare to Dream can be found at
www.heritageopendays.org.uk/visiting/unsung-stories/dare-...
NOTES TO EDITORS
About Heritage Open Days
• Heritage Open Days (13th-22nd September 2019) is England’s largest festival of history and
culture; in 2018, over 5,500 events welcomed more than three million visitors across the
country.
• All events are free, including access to many sites that usually charge for admission.
• Heritage Open Days is coordinated and promoted nationally by the National Trust with
support from players of People’s Postcode Lottery, and run locally by a large range of
organisations (including civic societies, heritage organisations, and local councils,
community champions and thousands of enthusiastic volunteers).
• Heritage Open Days is England’s contribution to European Heritage Days, taking place
across 50 countries. Other events in the UK are Doors Open Days in Scotland
(www.doorsopendays.org.uk); Open Doors Days in Wales
(www.cadw.wales.gov.uk/opendoors); European Heritage Open Days in Northern Ireland
(www.communities-ni.gov.uk/articles/european-heritage-open...); Open House London
• For further details, visit www.heritageopendays.org.uk, follow on Twitter
@HeritageOpenDay, or subscribe to the newsletter.
About People Power and Unsung Stories
• People Power is Heritage Open Days’ theme for 2019, celebrating the 25th anniversary of
the festival, and highlighting the ability of local communities, groups and individuals to evoke change. For more information, visit www.heritageopendays.org.uk/organising/people-
power
• The Unsung Stories programme is annual arts-based strand of Heritage Open Days,
commissioning artists to work with local organisers, bringing to life stories, and reflecting
HODs’ belief that history belongs to all of us. For more information, visit
www.heritageopendays.org.uk/visiting/unsung-stories
About the Craftivist Collective and Sarah Corbett
• Sarah Corbett is an award-winning campaigner, author of How to be a Craftivist: The Art of
Gentle Protest, and founder and Creative Director of the global Craftivist Collective. She
grew up in a low-income area of Liverpool and was born into an activist family. Her TED
talk ‘Activism Needs Introverts’ has been viewed over 1 million times.
• The Craftivist Collective is a social enterprise providing products and services to help
individuals, groups and organisations around the world learn and take part in ‘a gentle
protest’ approach to craftivism (craft + activism), and transform the way people practice
activism in more emotionally intelligent, creative and kind and effective ways.
• Previous craftivism projects have addressed mental health, living wage and climate change
amongst other issues. Their projects have helped change laws and policies, as well as hearts
and minds.
• They have worked with Save the Children, Unicef and Mind, have helped create the new
Girlguiding craftivism badge, as well as collaborating with Secret Cinema and V&A, amongst
others.
• Sarah is experienced as an interviewee for print, online, live or prerecorded audio,
television and vlogs.
• For further details, visit www.craftivist-collective.com or follow on Twitter and Instagram
@Craftivists.
About People’s Postcode Lottery
• People’s Postcode Lottery manages multiple society lotteries promoted by different
charities and good causes. People play with their chosen postcodes for a chance to win
cash prizes. A minimum of 32% from each subscription goes directly to charities and good
causes across Great Britain and internationally -- players have raised £416 million so far.
For details of the charities and good causes which are promoting and benefitting from the
lottery draws, please visit www.postcodelottery.co.uk/good-causes/draw-calendar
• It costs £10 a month to play and winning postcodes are announced every day. The
maximum amount a single ticket can win is 10% of the draw proceed. For details, please
visitwww.postcodelottery.co.uk/prizes
• New players can sign up to pay using direct debit by calling 0808 10 9 8 7 6 5. New players
who sign up online at www.postcodelottery.co.uk can pay using direct debit, debit card or
PayPal.
• Postcode Lottery Limited is regulated by the Gambling Commission under licence
numbers: 000-000829-N-102511 and 000-000829-R-102513. Registered office: Titchfield
House, 69/85 Tabernacle Street, London, EC2A 4BD
• Follow us @PostcodePress
A talk on Barcode Wales - Beyond the Visible at Chongqing University of Post and Communications - the students are undergraduates with majors in either biosciences, art, journalism or design.
I start with some background on DNA barcoding and the Barcode Wales project and Andrea continues with an explanation about her artwork and the Barcode Wales - Beyond the Visible exhibition. We then discuss the links between the art and the science.
Andrea's photographs illustrate some of the plant species DNA barcoded as part of the Barcode Wales project. She takes a different approach to her subjects. Instead of photographs that look 'at' the world around us, she wants us to be part of that landscape and involved with it. Instead of 'pictures of plants' she asks us to imagine being part of their world, like a bee foraging through their habitat. Her photographs give equal value to all plants not just the rare or conventionally beautiful.
Below the photographs is a visual representation of the plants DNA barcode. The Barcode Wales project is also about giving value to every plant species and its DNA barcode allows us to understand their habitats in new ways. The name of the species is not given on the photographs, instead the DNA barcode represents the signature of the species, as it is the DNA code locked up in every cell of the plant's body. The DNA barcode visualisations use the actual rbcL DNA barcode of the species with the A,G,C,Ts of the DNA bases each having a different colour and shape. The shapes are the Morse code for that letter. The visualisations were designed by Col Ford who wrote a software script to generate the visualisations from the Barcode Wales database. The Barcode Wales - Beyond the Visible exhibition is a collaboration between art, science and software engineering.
The Barcode Wales Paper: dx.plos.org/10.1371/journal.pone.0037945