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Obra: En Casa/ En Kabul.
Autor: Tony Kushner.
Dirección: Carlos Gandolfo.
Labor: Diseño de Escenografía. (Junto a Carlos Gandolfo y Florencia Del Gener)
Diseño de Vestuario. (Junto a Florencia Del Gener).
Teatro: Complejo Teatral de Buenos Aires Teatro San Martín.
Sala Casacuberta
Temporada: 2004.
Fotos: Mariana Del Gener.
A Glitch "Pigofilia(φιλία) ~ Ètude XIX”
This art piece were created for my PhD and based on a Digital and Analog Aesthetic Research on "Artistic Practices, Digital Art in Social Networks and Net Art", some digital techniques used of artistic diversity, such as the re-mixed appropriation of image or video, also work conceived as original data work called creative altered binary code, datamoshing, generative art and glitch art worked in all its forms and expressions; works of art with a strong focus decoding the i-frames of images and videos (also known as key frames and altered or distorted creative binary code) mixed with seductive techniques of Pixelsorting Art; making it seem extremely sensitive and abstract; created exclusively for the virtual gallery on-line.
by ™℗®© Louis M o n t i e l
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#visualartists #glitchart #glitch #glitché #pixelsorting #glitchartistscollective #glitchvideo #datamosh #digitalglitch #videoglitch #hyperspektiv #minimalart #videoart #dfkt #pixelsorter #artistsvisual #glitchartoninstagram #glitchartscollective #glitcharts #glitchartistcommunity #glitchartwork #error #glitchartists #glitchartcommunity #glitchartistcollective #glitchartist #pixelsortingart #proceduralart #creativecodeart #glitchportrait
Ocular Solution - What would you do if you had a time machine? 🍺 🍄 🌲 🍔 #ozwyz #artwork #funky #hypnotic #visualartist #mushroom #hallucinogenic #pnwartist #dream #dailyart #hotart #glitch #intense #sparkling #queer #mindexpanding #multimedia #versicolored #psychedelic #visuals #newyork #myoriginalart #artpiece #artistic #artist #graphicartist #tacomawa #weirdart instagr.am/p/CP1LpxbHR2S/
Superwoman. Award-winning artist, printmaker, PAP president, visual artist, architect, teacher. Ma. Victoria Abano.
Happy International Women’s Day!
Let’s think of and thank all the women of the past, for all the strong fights they fought and the tremendous things they reached. Heroines!
Let’s think of and thank all women in present time for all the fights they are fighting here and there and everywhere cause every fight is for all of us.
Thank you!
Let’s applaud the men and hug the boys out there, those who are standing up for women and girls when they see things ain’t being equally treated. They exist too, I know a couple of them and that’s truly beautiful.
Vivan las mujeres!
Vivan!
ink watercolor on paper
instagram loanaibarra
contact ibarraloana@gmail.com
A Glitch “Hecatérides(Ἑκατεριδες)~Ètude III”
by ™℗®© Louis M o n t i e l
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Gyorgy Nemeth (Hungarian, b.1959) – Digital Abstract No. 6, Szingy Digital Art, Szingy Gallery Budapest
“Death Ed is a public health outreach project based at the Institute for Palliative Care in Lund, Sweden. Our goal is to get people talking more about death and dying and create a culture around end-of-life which is less stigmatising, isolating, and fear-provoking. We believe that once we start talking about death more, we can feel more informed and empowered to make decisions and ascertain good care at the end of life.”
The Institute for Palliative Care (PUC) has been developing better ways to educate healthcare professionals and create new tools for understanding and creating quality end-of-life care since 2013. Starting in 2018, PUC is expanding itself into the realm of public health through the Death Ed project.
“I paint mostly — I paint, and do sculptures, and I illustrate, and death is actually a big theme that is with me all the time while I’m working. I don’t think it’s conscious that I try to involve it, it just always comes up in some way in the end. I portrait myself a lot. I’m always there in my art, and then I involve death in it.”
“I was doing this research on open coffins around Latin America, and I realised that many countries have this tradition where you visit the person who has died. They are lying in the coffin, with glass on top so you can see them dead. But, they make them really beautiful, with fabrics around, and you can see the face really well. So, I did myself like that — a painting of my face, surrounded by flowers. And it’s quite dimensional, like an open coffin. I’ve done a lot like that — I’ve made these masks too. In Mexico, there is a big focus on skulls, so I always use those. I also use something that’s very ‘me’ inside it too. So you can see, ‘ah it’s Loana, but in skull form!’”
The interview laid foundation for an artist talk at the Institute for Palliative Care at Lund University for both medicine students, doctors, pathologists and people handling bodies after life
For complete interview “Handling fear of death: how art can be the best medicine”
deatheducationlund.com/2018/04/24/handling-fear-of-death-...
contact ibarraloana@gmail.com
Title: #132. Acrylic Painting... 24x24 inches, Acrylic on Canvas. Painting by Terry David Silvercloud (Butch).
Today, we celebrate the man who played left-handed but wrote with his right... the guy whose melodies are smoother than a glass of cognac on a Liverpool night. That’s right — Sir Paul McCartney.
They used to call him the cute one. But don't let the mop top fool ya, behind those puppy dog eyes is a mind like a melody factory, crankin’ out hits like Henry Ford rolled off Model T’s.
Paul was born in 1942. That’s the same year Bing Crosby was singin’ about white Christmases and Glenn Miller was disappearin’ over the English Channel. McCartney came from good stock; his daddy played ragtime on the piano and gave Paul his first instrument: a trumpet. But the trumpet went out the window when Paul heard Elvis on the radio. That guitar slung low changed everything.
They say he met John Lennon at a church picnic. A hot day, some warm beer, and two songwriters crossin' paths like freight trains at a midnight switch. They started writin’ together, tighter than two strings on a steel guitar. The Beatles got goin’, and the world tilted just a little bit more toward the strange and the beautiful. Paul was the romantic one he gave us “Yesterday,” and “Here, There and Everywhere.” But don’t be fooled he could also turn on the gasoline and light it too. Just listen to “Helter Skelter”, that ain’t no lullaby. After the Beatles, Paul didn’t fade. He kept movin’, like a rolling stone on a mission. Wings took flight with “Band on the Run,” and he wrote songs for frogs, orchestras and to other youngsters out there. The guy can do it all — rock, pop, classical, even a little electronic now and then. He’s like a jukebox made outta stardust and stubbornness.
They gave him a knighthood, but Paul was already royalty, the kind you don't need a crown to recognize. He’s been on more stages than a Shakespeare company and written more melodies than a mockingbird on a sugar high.
So here’s to Paul, the oldie with a bass like a rifle and a heart full of harmony.
ink watercolor on paper
contact ibarraloana@gmail.com
Two different ways of approaching self-portraiture. The result of a reasoned meditation, which art requires.
“Loanification” 70cm x 100cm
Acrylic, embroidery on canvas.
“Untitled”
Watercolor, embroidery on paper.
contact ibarraloana@gmail.com
Kim Weller "CYMK Pillows" 2002
metal chain, glitter, pom poms, leatherette, batting, image transfer, resin
Well, gather around folks, there’s a tale to tell about a lady on an album cover who wears a spell. It’s Mellon Collie and the Infinite Sadness, 1995, The Smashing Pumpkins’ ride on a rollercoaster sky alive.
Now, that face you see, all longing and pale, came drifting down from a painting, a French tale. Jean Baptiste Greuze, 1797, called it The Souvenir, eyes like they’re carrying decades of fear. But the body, oh, the body it’s from another age, Raphael’s Saint Catherine, 1507 on the page. A Renaissance echo stitched into a collage, a Frankenstein dream, born from a visual mirage.
You see, Billy Corgan had plans, Victorian in kind, a band in oil paints, a moment in time. But John Craig, the illustrator, got the album in his ear, and whispered, “Let me wander, let me steer.” Faxes flew like pigeons in the wind, Corgan said, “Go ahead,” let the magic begin.
A color copier spun the colors just right, celestial backgrounds from old books, a child’s delight. Craig spread faces across his table, a dozen or more, picked the one that sang, let the Raphael dress soar. Rippling like rivers, primary colors ablaze, a cover born from chaos, yet calm as a gaze.
And so it stands, this icon in history, a lady of sadness, of beauty, of mystery. Not just a picture, but a song without sound, a floating vision where melancholy’s crowned.
So, that’s it, you’re welcome.
//your always nerdy Loana Ibarra
A Glitch “Áditi(Āditiás-terra mater) ~ Ètude II”
by ™℗®© Louis M o n t i e l
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A Glitch ”Hunah K’uh (Χουνάκου) ~ Ètude II”
by ™℗®© Louis M o n t i e l
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Interpretes-criadores: Marcio Antunes, sabrina Viana, Renato de Sena, Gustavo Fonseca
Direcao de video e arte: Douglas Caleja
Orientacao: Joana Ribeiro
Cenografia: Rene Salazar
Op. de video: Felipe Collyer
Op. de luz: Ge Lisboa
Direcao: Gustavo Fonseca
A Glitch "Kinjiki (couleurs interdites) ~ Ètude VII”
by ™℗®© Louis M o n t i e l
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It is said that in ancient Greece, the pomegranate was known as the ‘fruit of the dead’.
Tulips, on the other hand, symbolize rebirth and new beginnings.
I don’t know about that.
Anna Maria Janiszewska is a photographer, visual and installation artist best known for her analogue photographic work. Having grown up Poland and moving to Ireland in her early twenties she studied at the Institute of Art, Design & Technology in Dun Laoghaire and Ireland’s National College of Art and Design. Janiszewska is interested in using photographic tools and processes to rupture the reality of the everyday, skewing documentary and fiction in order to highlight alternative ways of seeing and experiencing. Over the years her photographic works have been exhibited in many places in Ireland and Poland.
A Glitch "Ormeau Rouge (κόκκινο κολύμπι) ~ Ètude I”
This art piece were created for my PhD and based on a Digital and Analog Aesthetic Research on "Artistic Practices, Digital Art in Social Networks and Net Art", some digital techniques used of artistic diversity, such as the re-mixed appropriation of image or video, also work conceived as original data work called creative altered binary code, datamoshing, generative art and glitch art worked in all its forms and expressions; works of art with a strong focus decoding the i-frames of images and videos (also known as key frames and altered or distorted creative binary code) mixed with seductive techniques of Pixelsorting Art; making it seem extremely sensitive and abstract; created exclusively for the virtual gallery on-line.
by ™℗®© Louis M o n t i e l
~ FOLLOW ME & SUBSCRIBE ~
Instagram ~ louismontielt
Facebook ~ Louis Montiel
YouTube ~ Louis M o n t i e l
Vimeo ~ Louis M o n t i e l
#visualartists #glitchart #glitch #glitché #pixelsorting #glitchartistscollective #glitchvideo #datamosh #digitalglitch #videoglitch #hyperspektiv #minimalart #videoart #dfkt #pixelsorter #artistsvisual #glitchartoninstagram #glitchartscollective #glitcharts #glitchartistcommunity #glitchartwork #error #glitchartists #glitchartcommunity #glitchartistcollective #glitchartist #pixelsortingart #proceduralart #creativecodeart #glitchportrait
Some singers sound like they came from a city. Some sound like they came from a highway. The one we celebrate today sounds like he came from a road that wasn't on the map yet. That’s Devendra Banhart.
You hear Banhart’s voice and you start looking around for old postcards, sun-faded photographs, somebody's forgotten garden. Sounds like a conversation between a folk singer, a mystic, and a parrot who learned philosophy from a traveling circus.
He showed up during a time when music was getting polished smooth as a river stone, and he came carrying splinters. Strange songs. Tender songs. Songs that wandered off the trail and came back with stories nobody could quite verify. You could trace his roots from the hills of South America to the coffeehouses and apartments in some places in the world, but the trail never stays straight for long. It twists through old folk records, psychedelic daydreams, backyard gatherings, and late-night notebooks.
Some artists build cathedrals. Some build houses. Banhart always seemed more interested in building treehouses. Places connected by rope bridges, where every room has a different weather system and nobody asks too many questions. His songs can feel centuries old and brand new at the same time. Like finding a wildflower growing through a crack in a parking lot. You don't know how it got there, but you're glad it did.
And that's the thing about travelers. They're not always trying to arrive somewhere. Sometimes they're just showing us roads we didn't know existed.
So here's Devendra Banhart. Open the window if you've got one nearby. You never know what might fly in.
ink, watercolor on paper
contact ibarraloana@gmail.com