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I've been tirelessly working on these for the past few days and am pretty much brain dead from the long stretches of exposure to one shot enamel and mineral spirits. Time for a break! Whew.....
My first piece of Visual Art - from Grindelwald in Switzerland. The scenery there was just amazing while I had to wait for my train to Interlaken. I had 15minutes to wait so it was clear to take some long exposure shots!
For more check out my website (www.mscgerber.com) or my Instagram (@mscgerber)
Each of these, in its own way is like a visual haiku to me.
"Winter is that time of year, when so much has been taken away, that what is left is even more beautiful."
Garrison Keillor - Prairie Home Companion
A series of assemblages and mixed media paintings by Chiew Sien Kuan (Singapore) displayed along the Esplanade Tunnel during A Little Love Story in Singapore.
I was sitting on the sidewalk in front of my usual perch trying to get some dramatic shots. It was uncomfortable and I stayed just a few minutes.
Love Park
Philadelphia, Pennsylvania
A new visual journal -- courtesy the talented Norma Lydon -- that I just began, having completed the other.
With the weather turned grey and the spring flowers just starting to poke through, it is nice to view again some fall blooming flowers from a lovely front porch garden in Neskowin, Oregon.
Hasselblad 503CX with Carl Zeiss Sonnar 180mm F4 T*
Film: Ektar 100
It's too much, isn't it?
It blocks our breath.
(highly amazed by the Sonnar Lens. More great resolution pics to come. :) )
And just what do we really know about any thing. I think about his fact a lot.
Mike
Look me up on Facebook.
Let me know you know me from here.
I begin my photographic creative journeys with my son AJ at my side because he adds inspiration into the visual experience. I attach several objects to a mobile in our living room and turn up some music. Then I basically dance with my camera in hand, hoping to catch the wonderful flickers of beautiful colors, shapes and movements from the spinning and dancing motion that takes place. Then I use my Macintosh computer with Photoshop to enhance several images and combine them into the final composite prints. Some of the images are not composites but are always enhanced in some way that I feel might be beautifully aesthetically pleasing images to enjoy. These images can really feel and look as if they have been painted by a magic brush. I feel a rush of great joy in seeing one printed and hung on the wall. I feel like they sing, dance and play for my eyes and consider the finished works to be fine art photography. What intrigues me most about all photography are the colors, shapes, and patterns which give me mini vacations and provide great rest and relaxation. My great hope is that I can also offer this same joy to everyone who see my photographs. When it comes to making lasting images and having a great investment in photographic art, the best prints possible are now found to be on aluminum. The colors are vibrant and the luminescence is breathtaking. The detail and resolution are incredible. So you will get from my abstracts just fantastic eye popping art . Paper based prints will last about 20 years. The Aluminum prints are about 150 years for the true color stability. This makes it possible for even your grandchildren to enjoy them. But the best part is this can be a great investment for your love of photographic art. Some of my prints are in limited editions. If you would like to make an investment in my art prints for yourself, please let me know.
AJ Patnode - A Journey of Hope (documentary):
www.youtube.com/watch?v=OR7m8QFcmRM
This shows how we do the Camera work:
www.youtube.com/watch?v=fmjVVGraUVw
AJ'S blog:
Communicating through images today is fast & easy — with your smart phone you can tell the world where you are, what you’re doing & what you’re eating with just a few button presses. But has that cost us something?
Does the sheer amount of mundane images we see make good photos matter less?
Read more on my blog.
Visual notes from JSB's keynote at the 2010 NMC Summer Conference, captured using Autodesk SketchBook Pro on my iPad.
Taken June 12, 2010.
#AB_FAV_FREE_
I had been 'playing' with this concept for a while in my head. I called it (instead of the Silence of the Lambs) the Silence of the Bird. When I had the final result, it came to me immediately: VISUAL SILENCE.
I don't often 'dive' into the digital 'magical' darkroom that photoshop can be, but for certain projects it is a great creative tool!
Here, in the case of visual silence, what is being absorbed is not sound but gaze.
If silence is the absence of noise, then this visual silence is defined as the gradual absence, the vanishing, of what surrounds it, where we burrow from the visible surface to the invisible core.
Our focus on the image involves a diminution of the optic field:
in this sense, visual silence is like a poem, its power arising from its sheer vulnerability.
The image cannot be penetrated even by the most powerful of gazes because it is already open, in full view... and yet the transparency of the image, one that does not attempt to hide anything, is still capable of mystery.
Visual silence arrests us because it is the interface between two realms of partial knowledge: between he who does not know he is being watched and those who do not know what they are watching.
Some images leave us speechless, we watch them in silent awe.
Ultimately the camera is merely an extension of the human eye, it only sees and cannot wholly know what it is seeing.
Each time I think... that's it, there's only so much you can do with flowers... and yet again and again, I'll see something new.
Being creative is not a choice... it is an urge in me.
May PEACE be with you and thanx for everything, M, (*_*)
For more of my other work visit here: www.indigo2photography.com
Please do not use any of my images on websites, blogs or any other media without my explicit permission. © All rights reserved
feathers, indigo, eyes, blue, flowers gerbera, daisy, post-processed, digital, square, studio, visual-silence, visual-art, Hasselblad, Zeiss, Magda indigo
I'm entering this in a call for visual journals by the Brooklyn Sketchbook Library to be put in a time capsule for 50 years (!). I've decided the theme will be birds, with the Emily Dickinson quote in mind, "I hope you love birds too. It's economical. It saves going to heaven."
The scenes portraying Christ on the cross, often referred to also as the Crucifixion of Christ, derive their visual details mainly from the four Gospels. However, these accounts vary considerably in detail and therefore it is not unnatural that different aspects and variations of the scene could be represented.
The standard iconographic composition almost always presents crucified Christ positioned in the middle of the scene where he is shown stripped of his cloths. The figures of Virgin Mary and St. John the Apostle are frequently the only figures included in the composition. Other expended versions of the theme, however, include several other pairs of figures of both historical and symbolic relevance that traditionally appear to the right and the left of the cross. In some variations, the scene presents Christ`s cross erected between those of two thieves who were crucified at the same time with him. In other variations, the scene might include soldiers who cast lots for Christ`s cloths, or the figure of centurion, the Roman army officer, who pierced Christ`s side with a spear and afterward declared him to be the Son of God. Often, on the upper part of the composition, there are small personifications of the Sun and Moon which were eclipsed at the Crucifixion. In some cases, the scene depicts an affixed sign on the cross with the Latin acronym “INRI” (Iēsus Nazarēnus, Rēx Iūdaeōrum), which in English reads as “Jesus of Nazareth, The King of the Jews”.
Link to the "Crucifixion of Christ" set.
Link to the "Scenes from the life of Chris" collection.
Manuscript title: Irish Evangelary from St. Gall (Quatuor evangelia)
Origin: Ireland
Period: 8th century
Image source: St. Gallen, Stiftsbibliothek, Cod. Sang. 51, p. 266 – Irish Evangelary from St. Gall (Quatuor evangelia) (www.e-codices.unifr.ch/en/csg/0051/266)
As an aircraft approaches the transonic range, shock waves begin to build up at certain points on the aircraft. These shock waves cause distortion of light waves and a great example of this effect can be seen in this shot, which is a crop from the previous shot in my photostream.
Camera: Canon EOS 50D
Lens: Canon EF 400 f/5.6L
Exposure: 1/640 Second @ f/7.1 ISO100
This image is © Douglas Bawden Photography, please do not use without prior permission.
Enjoy my photos and please feel free to comment. The only thing that I ask is no large, flashy graphics in the comments.
More from this Visual Disturbances series here
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Subject Two: Zoe Seabrook, Short-sightedness + Weak Astigmatism - Right Eye: Unknown Prescription