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Stockton University's Vision Tour took place at the Tower Club in Fort Lauderdale on 01/19/2016

BMW Vision EfficientDynamics auf der IAA 2009 in Frankfurt am Main / Germany | Fotograf Thomas Koschoreck | (c) www.koschipics.de

Nikon F90 Kodak Vision2 250D Self-developed remjet removed by mixing 1 teaspoon each of baking soda and washing soda. Shake well and rinse well then proceed with standard C-41 development

Woodcut illustrations by Victoria Francis

 

Published in: Community Eye Health Journal Vol. 35 No. 117 2022 www.cehjournal.org

Vision Video Concert at Dragon Con 2022

A tiny critter takes a stroll along the edge of a Noni fruit bud, growing defiantly along a weathered cliff high above the ocean.

Vision Video

Velvet Underground, Toronto

Sunday Apr 28, 2024

설악산, sorak mountain

Vision Video Concert at Dragon Con 2022

photo credit: Dari Ward, N.H. Sea Grant

Auguste Renoir - French, 1841 - 1919

 

Young Woman Braiding Her Hair, 1876

 

West Building, Main Floor — Gallery 82

 

A young woman with peachy skin shaded with ice blue and pale, mint green is shown from the chest up wearing a low-cut, white garment in this vertical portrait painting. The painting is created with blended brushstrokes, giving it a soft, blurred effect. The woman’s body is angled to our left and she looks off in that direction with blue eyes, her head tipped a little toward us. She has a straight nose and full, rosy pink lips. Thick, blond bangs sweep across her forehead, and her hair is partially pulled back. She holds one long lock with her left hand, on our right, in front of her shoulder. One small gold ball earring adorns the ear we can see. Her low-cut, white garment falls off her shoulders and is belted with a blue sash at her waist. The background is made up of a field of royal and turquoise blue behind her head and shoulders, and rust brown behind her body. The artist signed and dated the work with dark paint in the lower left corner: “Renoir.76.”

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The National Gallery of Art in Washington, DC is a world-class art museum that displays one of the largest collections of masterpieces in the world including paintings, drawings, prints, photographs, sculpture, and decorative arts from the 13th century to the present. The National Gallery of Art collection includes an extensive survey of works of American, British, Italian, Flemish, Spanish, Dutch, French and German art. With its prime location on the National Mall, surrounded by the Smithsonian Institution, visitors often think that the museum is a part of the Smithsonian. It is a separate entity and is supported by a combination of private and public funds. Admission is free. The museum offers a wide range of educational programs, lectures, guided tours, films, and concerts.

 

The original neoclassical building, the West Building includes European (13th-early 20th century) and American (18th-early 20th century) paintings, sculptures, decorative arts, and temporary exhibitions. The National Gallery of Art was opened to the public in 1941 with funds provided by the Andrew W. Mellon Foundation. The original collection of masterpieces was provided by Mellon, who was the U. S. Secretary of the Treasury and ambassador to Britain in the 1930s. Mellon collected European masterpieces and many of the Gallery’s original works were once owned by Catherine II of Russia and purchased in the early 1930s by Mellon from the Hermitage Museum in Leningrad.

 

The core collection includes major works of art donated by Paul Mellon, Ailsa Mellon Bruce, Lessing J. Rosenwald, Samuel Henry Kress, Rush Harrison Kress, Peter Arrell Browne Widener, Joseph E. Widener, and Chester Dale. The Gallery's collection of paintings, drawings, prints, photographs, sculpture, medals, and decorative arts traces the development of Western art from the Middle Ages to the present, including the only painting by Leonardo da Vinci in the Americas and the largest mobile created by Alexander Calder.

 

The NGA's collection galleries and Sculpture Garden display European and American paintings, sculpture, works on paper, photographs, and decorative arts. Paintings in the permanent collection date from the Middle Ages to the present. The Italian Renaissance collection includes two panels from Duccio's Maesta, the tondo of the Adoration of the Magi by Fra Angelico and Filippo Lippi, a Botticelli work on the same subject, Giorgione's Allendale Nativity, Giovanni Bellini's The Feast of the Gods, Ginevra de' Benci (the only painting by Leonardo da Vinci in the Americas) and groups of works by Titian and Raphael.

 

The collections include paintings by many European masters, including a version of Saint Martin and the Beggar, by El Greco, and works by Matthias Grünewald, Cranach the Elder, Rogier van der Weyden, Albrecht Dürer, Frans Hals, Rembrandt, Johannes Vermeer, Francisco Goya, Jean Auguste Dominique Ingres, and Eugène Delacroix, among others. The collection of sculpture and decorative arts includes such works as the Chalice of Abbot Suger of St-Denis and a collection of work by Auguste Rodin and Edgar Degas. Other highlights of the permanent collection include the second of the two original sets of Thomas Cole's series of paintings titled The Voyage of Life, (the first set is at the Munson-Williams-Proctor Arts Institute in Utica, New York) and the original version of Watson and the Shark by John Singleton Copley (two other versions are in the Museum of Fine Arts, Boston and the Detroit Institute of Arts).

 

en.wikipedia.org/wiki/National_Gallery_of_Art

 

Andrew W. Mellon, who pledged both the resources to construct the National Gallery of Art as well as his high-quality art collection, is rightly known as the founder of the gallery. But his bequest numbered less than two hundred paintings and sculptures—not nearly enough to fill the gallery’s massive rooms. This, however, was a feature, not a failure of Mellon’s vision; he anticipated that the gallery eventually would be filled not only by his own collection, but also by additional donations from other private collectors. By design, then, it was both Andrew Mellon and those who followed his lead—among them, eight men and women known as the Founding Benefactors—to whom the gallery owes its premier reputation as a national art museum. At the gallery’s opening in 1941, President Roosevelt stated, “the dedication of this Gallery to a living past, and to a greater and more richly living future, is the measure of the earnestness of our intention that the freedom of the human spirit shall go on.”

 

www.doaks.org/resources/cultural-philanthropy/national-ga...

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Vision Force works on projects with individuals, organizations, and youth around the world, providing education and training for leaders, entrepreneurs and change agents of all ages. In June 2006, we partnered with Robyn Emerson and World Prep, an Austin-based non-profit organization that brings youth from different cultures together as global citizens.

 

Read more about the Vision Kenya project on our blog.

 

Visit VisionForce.com.

Cupcakes + Crafts Party

Am SA 15.12.2018 gab es bei den Bike Visions 2018 wieder atemberaubende Bilder und Videos im Deep Space 8K und spektakuläre Liveshows mit dem Linzer Dominik Raab, einem der großen internationalen Profis der Trial-Bike-Szene.

 

Credit: Ars Electronica/ Robert Bauernhansl

Collage photo-numérique

I took this at the Expressive Arts at 32nd and Thorn.

Belmont teammates surround a Troy Trojan Sunday at E.S. Rose Park. (Belmont Vision/Grant Robinson).

Photos taken on February 15, 2009 at the corner of Vernon and Crenshaw. In Los Angeles California, near Baldwin Hills.

 

Across the street from Washington Mutual Bank and Starbucks Coffee Cafe is the Vision Theater.

In Parnu, met lots of nice folks

Sikorsky HH-60 Pave Hawk main role is combat search and rescue.

Tédio

 

Não vivo, mal vegeto, duro apenas,

Vazio dos sentidos porque existo;

Não tenho infelizmente sequer apenas

E o meu mal é ser (alheio Cristo)

Nestas horas doridas e serenas

Completamente consciente disto.

...

Não sei o quê desgosta

A minha alma doente.

Uma dor suposta

Dói-me realmente.

 

Como um barco absorto

Em se naufragar

À vista do porto

E num calmo mar,

 

Por meu ser me afundo,

Pra longe da vista

Durmo o incerto mundo.

Fernando Pessoa

          

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