View allAll Photos Tagged Vision

What our aviaries look like in night vision.

Il Senato ha approvato con 162 voti favorevoli, 134 contrari e 3 astenuti il provvedimento che porta il nome del ministro dell'Istruzione.

Vision SL15ZGP Wrightbus Streetdeck, Bolton, 18/02/2020.

The eyes are the easiest organs to fool in sensory perception. Vision requires imagination.

My dads driving experience in Oxfordshire, for his birthday.

 

This is a decal for Vision from the Marvel series

The pedestrian overpass between Rod Laver Arena and the Melbourne Cricket Ground in Melbourne, Victoria, Australia.

At Bedfordshire Police our aim is "fighting crime, protecting the public."

 

The four strands of this are protection, satisfaction, reassurance and efficiency. Bedfordshire Police tries to provide satisfaction by agreeing the service it will provide, then delivering on these promises. An example of this is Operation Vision.

 

Operation Vision is the Force’s over-arching campaign to boost public safety, satisfaction and confidence in Bedfordshire Police by tackling crime and anti-social behaviour.

It is different to anything the Force has done before, and includes regular “high impact days” with office staff and officers working side by side on duties including front-line policing.

 

Typical tasks include “saturation patrols” on estates, house to house consultations to explore public concerns, distributing literature, property marking and helping in mobile police stations.

This operation was launched in 2010 and has continued throughout Bedfordshire since then. Since the introduction of the new policing model, Operation Vision has become a more localised initiative, but is still an integral part of local policing.

 

We cover 477 square miles, serve a population of around 550,000 and employ in the region of 1,260 Police Officers, 950 police staff and 120 Police Community Support Officers (PCSOs). For more details about the force, visit our website www.bedfordshire.police.uk

 

#monday via Instagram ift.tt/1PojtSn #monday via Instagram ift.tt/1PojtSn ift.tt/21hJuck IFTTT, Instagram June 13, 2016 at 04:38AM

Brooklyn College Jazz Band - Director: Salim Washington

Abrons Arts Center, NYC. Vision Festival XV 27.6.10

 

Alto: Paul Corn / Andrew Joseph / Hyun Joo Lee / Joseph Passburg

Tenor: Bhinda Keidel / Kirsy Rosa / Keith Waage

Baritone: Ben Barson / Kevin Edell

Trombone: Karuba Hilliard / Thomas Lynaugh

Trumpet: Jamison Chandler / Amthony Gonzalez / Julie Maniscalco / Brian Miesegaes / Kristina O'Shea

Guitar: Stepeh Flannery / Joe Maniscalco

Viola: Melanie Dyer

Cello: Seth Woods

Piano: Owen Joseph / Robert Steel

Bass: Hakim Jami / Sarah Lacey

Percussion: Matthew Byas / Malik Washington

Vocalist: Nikeisha Anderson / Akosua Gyebi

 

What a surprise when I encountered an American Mink (Neogale vision), with Marsh Rice Rat Oryzomys palustris), scampering across The Landing’s Marina parking lot. The lighting was poor, and my camera lay on the seat of my moving golf cart. I grabbed the camera, switched it on, and fired off a round before its disappearance into the weedy edge of the marsh. It was my first ever encounter of a Mink with Rat!

After reading 10ways to improve your photography from craft and vision I was trying to slow down while out on a photo walk and looked up and noticed this shot

visualising into existence...

 

Brooklyn College Jazz Band - Director: Salim Washington

Abrons Arts Center, NYC. Vision Festival XV 27.6.10

 

Alto: Paul Corn / Andrew Joseph / Hyun Joo Lee / Joseph Passburg

Tenor: Bhinda Keidel / Kirsy Rosa / Keith Waage

Baritone: Ben Barson / Kevin Edell

Trombone: Karuba Hilliard / Thomas Lynaugh

Trumpet: Jamison Chandler / Amthony Gonzalez / Julie Maniscalco / Brian Miesegaes / Kristina O'Shea

Guitar: Stepeh Flannery / Joe Maniscalco

Viola: Melanie Dyer

Cello: Seth Woods

Piano: Owen Joseph / Robert Steel

Bass: Hakim Jami / Sarah Lacey

Percussion: Matthew Byas / Malik Washington

Vocalist: Nikeisha Anderson / Akosua Gyebi

 

I saw this vision when I was half asleep or asleep. It is a reference to a painting that I did earlier about a woman in an oppressed position.To see that painting go to: flickr.com/photos/21702692@N05/2169157477/

The girl was originally nude but when my grandmother saw it and, in my opinion , got too giddy, I put a dress on her.

To get a closer view see: flickr.com/photos/21702692@N05/2134230088/

flickr.com/photos/21702692@N05/2134248322/

Olympus E-M1MarkII

OLYMPUS M.7-14mm F2.8

Ezekiel’s Inaugural Vision

 

1 In my thirtieth year, in the fourth month on the fifth day, while I was among the exiles by the Kebar River, the heavens were opened and I saw visions of God.

 

2 On the fifth of the month—it was the fifth year of the exile of King Jehoiachin— 3 the word of the Lord came to Ezekiel the priest, the son of Buzi, by the Kebar River in the land of the Babylonians.[a] There the hand of the Lord was on him.

 

4 I looked, and I saw a windstorm coming out of the north—an immense cloud with flashing lightning and surrounded by brilliant light. The center of the fire looked like glowing metal, 5 and in the fire was what looked like four living creatures. In appearance their form was human, 6 but each of them had four faces and four wings. 7 Their legs were straight; their feet were like those of a calf and gleamed like burnished bronze. 8 Under their wings on their four sides they had human hands. All four of them had faces and wings, 9 and the wings of one touched the wings of another. Each one went straight ahead; they did not turn as they moved.

 

10 Their faces looked like this: Each of the four had the face of a human being, and on the right side each had the face of a lion, and on the left the face of an ox; each also had the face of an eagle. 11 Such were their faces. They each had two wings spreading out upward, each wing touching that of the creature on either side; and each had two other wings covering its body. 12 Each one went straight ahead. Wherever the spirit would go, they would go, without turning as they went. 13 The appearance of the living creatures was like burning coals of fire or like torches. Fire moved back and forth among the creatures; it was bright, and lightning flashed out of it. 14 The creatures sped back and forth like flashes of lightning.

 

15 As I looked at the living creatures, I saw a wheel on the ground beside each creature with its four faces. 16 This was the appearance and structure of the wheels: They sparkled like topaz, and all four looked alike. Each appeared to be made like a wheel intersecting a wheel. 17 As they moved, they would go in any one of the four directions the creatures faced; the wheels did not change direction as the creatures went. 18 Their rims were high and awesome, and all four rims were full of eyes all around.

 

19 When the living creatures moved, the wheels beside them moved; and when the living creatures rose from the ground, the wheels also rose. 20 Wherever the spirit would go, they would go, and the wheels would rise along with them, because the spirit of the living creatures was in the wheels. 21 When the creatures moved, they also moved; when the creatures stood still, they also stood still; and when the creatures rose from the ground, the wheels rose along with them, because the spirit of the living creatures was in the wheels.

Night Vision Grunge textures created using layers of older textures and gradient mapping.

 

Full sized textures are found at www.outsidethefray.com.

Click on the link in my bio and sub💯💯💯💯💯💯💯💯... Click on the link in my bio and sub💯💯💯💯💯💯💯💯 ift.tt/1rkQGs4 ift.tt/1SMoci6 IFTTT, Instagram May 03, 2016 at 06:46PM

Xmas from DigitalVision

谢谢DigitalVision的卡片,哈哈,虽然今天才有收到,但是也好开心~

每天使用的工具,就像一个老朋友,每天工作和你在一起,现在收到了你的问候!

World Financial Center, Battery Park City, New York.

Olympus OM-1, Zuiko 40 mm f2.0, on Fuji 800 Press film.

 

Backlot with the Muppets

Grand Avenue

Disney's Hollywood Studios

Walt Disney World

Florida

USA 2018

"A Vision for the Jungbusch" Mannheim, Germany, 1993

 

Wandmalerei - Mosaik A collaboration between the Mannheim painter Susanna Iris Weber, the Ukrainian-Polish artist Wanda Stokwisz and the Jungbusch children.

 

„Eine Vision für den Jungbusch“

Wandmalerei - Mosaik Eine Kooperation der Mannheimer Malerin Susanna Iris Weber, der ukrainisch-polnischen Künstlerin Wanda Stokwisz und den Jungbuschkindern.

 

Minolta XD7, MD 35-70mm 1:3.5, Fujifilm Dia 100 ASA

River’s Edge, A Place for Reflection and Action, A Ministry of the Congregation of St. Joseph, Rocky River, Ohio is a historic facility constructed in the late 1800's and early 1900's to meet the growing needs of the Sisters of St. Joseph, it's school, administrative staff, and now, the public and visiting expert presenters.

 

This photo set details building interiors, a mix of historic and contemporary environments that serve "both retired and actively ministering Sisters, central administration offices, the St. Joseph Worship Space, and River's Edge, a spirituality, conference and retreat center."

 

River’s Edge A Place for Reflection and Action Flickr Photo Collection

Rita Petruziello Photos flic.kr/s/aHsk6xnb3H

River’s Edge Chapel flic.kr/s/aHsk5Vq5gZ

River’s Edge Facility flic.kr/s/aHsk6yAGCx

River’s Edge Grounds flic.kr/s/aHsk5W57HN

River’s Edge Historical flic.kr/s/aHsk5W59gh

River’s Edge Interior flic.kr/s/aHsk5VsyYr

 

Visit

River’s Edge www.riversedgecleveland.com

Congregation of St. Joseph www.csjoseph.org/cleveland_ohio.aspx

 

I-Open Media Resources:

Website www.i-open.org

Google+ plus.google.com/110017968978391752616/posts

Facebook www.facebook.com/pages/I-Open/170817416694

Flickr www.flickr.com/photos/iopen/

Scribd www.scribd.com/I-Open

SlideShare www.slideshare.net/IOpen2

SoundCloud soundcloud.com/i-open

Twitter twitter.com/iopen2

YouTube www.youtube.com/user/IOpen2

Vimeo vimeo.com/iopen2

Looking aft through 2 brown thingy's

Vision with box it comes in

Oaxacan quinceanera on her special day.

"Life of bicycles for the people's lives"

 

The project is dedicated to organizing alternative funding for the 10th ward, the Palliative Care Unit at the Latvian Oncology Center. The project aims to produce a photo book for fundraising purposes.

More information on our website: 10thward.annasircova.com/

 

It is a collaboration between Anna Sircova and Dmitry Bulkin. Our first goal is to hold a photo-exhibition and photo-auction in Umea, Sweden, May-June 2012.

The theme turned out to be “bikes”. Dmitry’s part has a working title “Broken Friends” and my part: “Life-Cycle”.

 

By now I have a good amount of material and I would like to ask for help in selecting 15 images for the exhibit.

Would appreciate support and any feedback for the project as a whole!

Weltpremiere auf der IAA 2009, Dreizylinder Turbodiesel kombiniert mit zwei Elektromotoren, 356 PS, 250 km/h elektronisch abgeriegelt

koncept prvního velkého SUV Škoda

Kenston 12, 2016 Bluebird Vision.

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