View allAll Photos Tagged VictorianArchitecture

Leeds Town Hall (1852-58), designed by Cuthbert Brodrick in a grand manner, much influenced by his admiration for Parisian architecture. Very fitting that the Tour de France Grand Départ will take place here on Saturday.

Title

Commonwealth Avenue to Massachusetts Avenue from Hereford Street

 

Contributors

researcher: Gyorgy Kepes (American, 1906-2001)

researcher: Kevin Lynch (American, 1918-1984)

photographer: Nishan Bichajian (American, 20th century)

 

Date

creation date: between 1954-1959

 

Location

Creation location: Boston (Massachusetts, United States)

Repository: Rotch Visual Collections, Massachusetts Institute of Technology (Cambridge, Massachusetts, United States)

ID: Kepes/Lynch Collection, 23.49

 

Period

Modern

 

Materials

gelatin silver prints

 

Techniques

documentary photography

 

Type

Photograph

 

Copyright

 

(c) Massachusetts Institute of Technology

 

Access Statement

 

Creative Commons Attribution-NonCommercial 3.0

 

creativecommons.org/licenses/by-nc/3.0/

 

Identifier

KL_000365

 

DSpace_Handle

hdl.handle.net/1721.3/33975

Sanchez Street, Noe Valley, San Francisco

1300 block

 

20200728_195206

Title

Washington and Waltham Streets, Corner, Looking East, Under Curving Elevated Rail, Bottled Liquors Sign

 

Contributors

researcher: Gyorgy Kepes (American, 1906-2001)

researcher: Kevin Lynch (American, 1918-1984)

photographer: Nishan Bichajian (American, 20th century)

 

Date

creation date: 10:00 AM.-1:00 P.M., November 13, 1956

 

Location

Creation location: Boston (Massachusetts, United States)

Repository: Rotch Visual Collections, Massachusetts Institute of Technology (Cambridge, Massachusetts, United States)

ID: Kepes/Lynch Collection, 39.08b

 

Period

Modern

 

Materials

gelatin silver prints

 

Techniques

documentary photography

 

Type

Photograph

 

Copyright

 

(c) Massachusetts Institute of Technology

 

Access Statement

 

Creative Commons Attribution-NonCommercial 3.0

 

creativecommons.org/licenses/by-nc/3.0/

 

Identifier

KL_000729

 

DSpace_Handle

hdl.handle.net/1721.3/34521

Living in the Mesa, Tempe area of Arizona I have past by this landmark many times. Finally I took some time to see it up close and inside. The house was built in 1892 by Niels Petersen who had emigrated from Denmark in 1871 to Arizona and became a very successful rancher. Restoration was done in the late 1980's by The Tempe Historical Society and in 1990 the location received the Governor’s Award for Historic Preservation. I appreciated the museum staff showing me around and letting me take photos.

Some more pictures I have scanned from a book written by John Patchett "The Developement of Queensbury" from 1992

Title

Weathervanes - Rooster (Weathercock) on Slate Roof of Stone Bell Tower, First Church of Cambridge, Garden and Mason Streets, 1:00 P.M.

 

Contributors

researcher: Gyorgy Kepes (American, 1906-2001)

researcher: Kevin Lynch (American, 1918-1984)

photographer: Nishan Bichajian (American, 20th century)

 

Date

creation date: between 1954-1959

 

Location

Creation location: Boston (Massachusetts, United States)

Repository: Rotch Visual Collections, Massachusetts Institute of Technology (Cambridge, Massachusetts, United States)

ID: Kepes/Lynch Collection, 77.04

 

Period

Modern

 

Materials

gelatin silver prints

 

Techniques

documentary photography

 

Type

Photograph

 

Copyright

 

(c) Massachusetts Institute of Technology

 

Access Statement

 

Creative Commons Attribution-NonCommercial 3.0

 

creativecommons.org/licenses/by-nc/3.0/

 

Identifier

KL_001915

 

DSpace_Handle

hdl.handle.net/1721.3/35518

Architects; Woodward & Deane, 1854-60.

At least here the wrought iron structure and the surroundings found some common features using 'Ruskin Gothic'.

house near Seven Sisters station

The Pavilion Gardens is an excellent historic venue which superbly shows off the Victorian splendor of Buxton. Situated in the heart of the spa town it is a beautiful example of the heritage that runs throughout the town. With the arrival of the railway in 1863, a boom period was beginning for Buxton and its guest houses and hotels. As a result it was suggested by the Seventh Duke of Devonshire that private citizens should put money into a 'company' to improve amenities in Buxton.

 

The gardens were designed by Sir Joseph Paxton and his pupil Edward Milner both of whom worked and built many of the greenhouses at Chatsworth House under William Cavendish, the 6th Duke of Devonshire. Sir Joseph Paxton and Edward Milner were both outstanding architects and worked to complete some of the most cherished landmarks we have today. This includes Tatton Park, Crystal Palace and Mentmore Towers.

 

The Pavilion Gardens was first opened in August 1871 and fortunately, at this time there were many people in the town who were willing to put their own money into paying for improvements. The then Duke responded by giving nine acres of “excellent garden ground” (eventually extended to the present 23 acres by later Ducal gifts), to be held in perpetuity on condition they were used exclusively for the purposes of recreation. The prospectus and Form of Application for shares of the Buxton Improvement Company (December 1869) make the objectives of the company clear: "to add to the attractions and increase the prosperity of Buxton".

 

The Concert Hall, (now known as the Octagon) designed by Buxton Architect, Robert Rippon Duke, was added later and opened in 1875. The Entertainment Stage, soon to be known as the Pavilion Theatre and later as the Hippodrome (cinema), the Playhouse (from 1935) and the Paxton Suite (from 1979) was added in 1889. Owing to the success of the theatre, the company, known since 1889 as the Buxton Gardens Company, decided that the Pavilion Theatre should be extended which led to the building of the Opera House which was opened at Whitsuntide in 1903. The Opera House itself was designed by the prolific theatre designer Frank Matcham and is one of only 17 out of 150 still standing. He also designed the London Palladium, Blackpool Opera House, Tower Theatre and Tower Ballroom, and the London Coliseum.

 

In 1927, the Buxton Corporation acquired the buildings, gardens and pleasure grounds and the council have managed the site ever since.

 

A disastrous fire in 1983 destroyed the former Lounge area and the restoration work was completed two years later.

 

In recent history the Pavilion Gardens have undertaken an extensive restoration project spanning seven years from the completion of the parklands to their natural Victorian splendor in 2004 right through to the refurbishment of the main inner building and the new ultra modern theatre and studio space (The Pavilion Arts Centre) being re-opened in 2010.

 

I took this picture while researching a Financial Times news story and slide show found at www.ft.com/cms/s/0/4002cf30-5c40-11de-aea3-00144feabdc0.html

 

It was necessary to photograph into the sun the secure this view of the Tunbridge Wells West façade and forecourt in its final days as a working railway station. Happily the 1866 building was saved from demolition after closure in July 1985. The site was transformed by the replacement Sainsbury’s supermarket, while the station building was repurposed as a bar and restaurant.

 

May 1984

Yashica FR-1 camera

Kodak Ektachrome 100 film.

The decorated chimneypiece in the Winter Smoking Room is another tour-de-force with a frieze of painted carved figures representing the pleasures of medieval courtly life in miniature – archery, hunting with dogs, decorous courtship and a blazing fire in the company of faithful canines.

The Strand in Galveston was once known as the "Wall Street of the Southwest".

 

The 70+block Strand Historical District is recognized for its outstanding collection of 19th century architecture.

 

To building on the left is the Magale Building built in 1870.

 

The center building, for the Merchants Mutual Insurance Co., was built in 1870.

 

The building on the right, the P. N. Comegys Bolton Estate Building, was built in 1877.

  

"1980's Texas" "1980's Texas vacation" "1980's vacation"

"1980's Galveston" "1980 Galveston" "1980's Galveston Island" "1980 Galveston Island" "1980's Strand Historic District" "1980 Strand Historic District" "1980 Texas" "1980 Texas vacation" "1980 vacation" "1980's Galveston vacation" "1980 Galveston vacation" "1980's Magale Building" "1980 Magale Building" "1980's Merchants Mutual Insurance Co Building" "1980 Merchants Mutual Insurance Co Building" "1980's P. N. Comegys Bolton Estate Building" "1980 P. N. Comegys Bolton Estate Building"

 

Shackleton Hall in Colne. Late 19th. century, shops and offices. Grade II listed.

Victorian Village

Adams Avenue

Memphis, Tennessee

Built in 1881, designed by firm of Giles and Brookhouse. Rescued from dilapidation in 2006, it seems in good shape, no empty premises and a decent footfall.

Ornately detailed Queen Anne style homes were all the rage in the 1880s and 1890s. By the turn of the century the over-the-top style was already passé.

Category: Classic

Location: Augusta, GA, USA

Date: 12/30/09

 

8th and Reynolds St., Augusta, GA; Built in mid 1880's; Now a branch office for Georgia Bank and Trust. I was shocked when this photo won third place in the Historic Augusta category at the 2010 Augusta Photography Festival. Of course, the other 9 photos that I entered didn't fare as well.

Title

Commonwealth Avenue, toward Berkley Street from Arlington Street, North Side

 

Contributors

researcher: Gyorgy Kepes (American, 1906-2001)

researcher: Kevin Lynch (American, 1918-1984)

photographer: Nishan Bichajian (American, 20th century)

 

Date

creation date: between 1954-1959

 

Location

Creation location: Boston (Massachusetts, United States)

Repository: Rotch Visual Collections, Massachusetts Institute of Technology (Cambridge, Massachusetts, United States)

ID: Kepes/Lynch Collection, 23.55

 

Period

Modern

 

Materials

gelatin silver prints

 

Techniques

documentary photography

 

Type

Photograph

 

Copyright

 

(c) Massachusetts Institute of Technology

 

Access Statement

 

Creative Commons Attribution-NonCommercial 3.0

 

creativecommons.org/licenses/by-nc/3.0/

 

Identifier

KL_000370

 

DSpace_Handle

hdl.handle.net/1721.3/34025

Title

The Mall at Exeter Street

 

Contributors

researcher: Gyorgy Kepes (American, 1906-2001)

researcher: Kevin Lynch (American, 1918-1984)

photographer: Nishan Bichajian (American, 20th century)

 

Date

creation date: between 1954-1959

 

Location

Creation location: Boston (Massachusetts, United States)

Repository: Rotch Visual Collections, Massachusetts Institute of Technology (Cambridge, Massachusetts, United States)

ID: Kepes/Lynch Collection, 23.39

 

Period

Modern

 

Materials

gelatin silver prints

 

Techniques

documentary photography

 

Type

Photograph

 

Copyright

 

(c) Massachusetts Institute of Technology

 

Access Statement

 

Creative Commons Attribution-NonCommercial 3.0

 

creativecommons.org/licenses/by-nc/3.0/

 

Identifier

KL_000355

 

DSpace_Handle

hdl.handle.net/1721.3/33915

Architects; Woodward & Deane, 1854-60.

There seems to be a great affinity between dinosaurs skeletons and the steel structure.

I recall that the theory of evolution by natural selection was tested in the wrought iron structure of this building, as the first frame started to fail under its own weight and had to be recast to survive.

the Castro ~. Eureka Valley

San francisco

 

20201015_081206_HDR

The Scottish National Portrait Gallery is an art museum on Queen Street, Edinburgh. The gallery holds the national collections of portraits, all of which are of, but not necessarily by, Scots. In addition it also holds the Scottish National Photography Collection.

 

Since 1889 it has been housed in its red sandstone Gothic revival building, designed by Robert Rowand Anderson and built between 1885 and 1890, donated by John Ritchie Findlay, owner of The Scotsman newspaper.

 

The founder of the Society of Antiquaries of Scotland (1780), David Erskine, 11th Earl of Buchan, formed a collection of Scottish portraits in the late 18th century, much of which is now in the museum. In the 19th century, the Scottish historian Thomas Carlyle was among those calling for a Scottish equivalent of the very successful National Portrait Gallery, London, established in 1856, but the government in London refused to fund the venture. Eventually John Ritchie Findlay stepped in and paid for the entire building, costing £50,000

 

The museum was established in 1882, before its new building was completed. The London National Portrait Gallery was the first such separate museum in the world, however it did not move into its current purpose-built building until 1896, making the Edinburgh gallery the first in the world to be specially built as a portrait gallery.

 

The building was opened in 1889 under curator John Miller Gray, and compensated for the lack of contemporary portraits of medieval Scots by including several statues on the exterior, and in the main entrance hall a large mural processional frieze of notable Scots, from Saint Ninian to Robert Burns. These were added over the years after the opening, with the sculptures by William Birnie Rhind added in the 1890s and William Hole painting the entrance hall frieze in 1898, and adding further large mural narrative scenes on the 1st floor later.[4] The building is in red sandstone from Corsehill from Dumfriesshire, with a combination of Arts and Crafts and 13th-century Gothic influences, and drawing on the Doges Palace in Venice for its treatment of a rectangular Gothic palace

Dunham Castle in Wayne, IL dates back to 1883

Title

Commonwealth Avenue, Between Clarendon and Dartmouth Streets Taken from Hotel Vendome, Corner of Dartmouth Street

 

Contributors

researcher: Gyorgy Kepes (American, 1906-2001)

researcher: Kevin Lynch (American, 1918-1984)

photographer: Nishan Bichajian (American, 20th century)

 

Date

creation date: between 1954-1959

 

Location

Creation location: Boston (Massachusetts, United States)

Repository: Rotch Visual Collections, Massachusetts Institute of Technology (Cambridge, Massachusetts, United States)

ID: Kepes/Lynch Collection, 23.63

 

Period

Modern

 

Materials

gelatin silver prints

 

Techniques

documentary photography

 

Type

Photograph

 

Copyright

 

(c) Massachusetts Institute of Technology

 

Access Statement

 

Creative Commons Attribution-NonCommercial 3.0

 

creativecommons.org/licenses/by-nc/3.0/

 

Identifier

KL_000377

 

DSpace_Handle

hdl.handle.net/1721.3/33940

The Pavilion Gardens is an excellent historic venue which superbly shows off the Victorian splendor of Buxton. Situated in the heart of the spa town it is a beautiful example of the heritage that runs throughout the town. With the arrival of the railway in 1863, a boom period was beginning for Buxton and its guest houses and hotels. As a result it was suggested by the Seventh Duke of Devonshire that private citizens should put money into a 'company' to improve amenities in Buxton.

 

The gardens were designed by Sir Joseph Paxton and his pupil Edward Milner both of whom worked and built many of the greenhouses at Chatsworth House under William Cavendish, the 6th Duke of Devonshire. Sir Joseph Paxton and Edward Milner were both outstanding architects and worked to complete some of the most cherished landmarks we have today. This includes Tatton Park, Crystal Palace and Mentmore Towers.

 

The Pavilion Gardens was first opened in August 1871 and fortunately, at this time there were many people in the town who were willing to put their own money into paying for improvements. The then Duke responded by giving nine acres of “excellent garden ground” (eventually extended to the present 23 acres by later Ducal gifts), to be held in perpetuity on condition they were used exclusively for the purposes of recreation. The prospectus and Form of Application for shares of the Buxton Improvement Company (December 1869) make the objectives of the company clear: "to add to the attractions and increase the prosperity of Buxton".

 

The Concert Hall, (now known as the Octagon) designed by Buxton Architect, Robert Rippon Duke, was added later and opened in 1875. The Entertainment Stage, soon to be known as the Pavilion Theatre and later as the Hippodrome (cinema), the Playhouse (from 1935) and the Paxton Suite (from 1979) was added in 1889. Owing to the success of the theatre, the company, known since 1889 as the Buxton Gardens Company, decided that the Pavilion Theatre should be extended which led to the building of the Opera House which was opened at Whitsuntide in 1903. The Opera House itself was designed by the prolific theatre designer Frank Matcham and is one of only 17 out of 150 still standing. He also designed the London Palladium, Blackpool Opera House, Tower Theatre and Tower Ballroom, and the London Coliseum.

 

In 1927, the Buxton Corporation acquired the buildings, gardens and pleasure grounds and the council have managed the site ever since.

 

A disastrous fire in 1983 destroyed the former Lounge area and the restoration work was completed two years later.

 

In recent history the Pavilion Gardens have undertaken an extensive restoration project spanning seven years from the completion of the parklands to their natural Victorian splendor in 2004 right through to the refurbishment of the main inner building and the new ultra modern theatre and studio space (The Pavilion Arts Centre) being re-opened in 2010.

 

Title

Washington and Castle Streets, looking East, view of row of buildings from under elevated rail

 

Contributors

researcher: Gyorgy Kepes (American, 1906-2001)

researcher: Kevin Lynch (American, 1918-1984)

photographer: Nishan Bichajian (American, 20th century)

 

Date

creation date: 10:00 AM.-1:00 P.M., November 13, 1956

 

Location

Creation location: Boston (Massachusetts, United States)

Repository: Rotch Visual Collections, Massachusetts Institute of Technology (Cambridge, Massachusetts, United States)

ID: Kepes/Lynch Collection, 39.02

 

Period

Modern

 

Materials

gelatin silver prints

 

Techniques

documentary photography

 

Type

Photograph

 

Copyright

 

(c) Massachusetts Institute of Technology

 

Access Statement

 

Creative Commons Attribution-NonCommercial 3.0

 

creativecommons.org/licenses/by-nc/3.0/

 

Identifier

KL_000718

 

DSpace_Handle

hdl.handle.net/1721.3/34505

Title

Looking to the River at Dartmouth Street

 

Contributors

researcher: Gyorgy Kepes (American, 1906-2001)

researcher: Kevin Lynch (American, 1918-1984)

photographer: Nishan Bichajian (American, 20th century)

 

Date

creation date: between 1954-1959

 

Location

Creation location: Boston (Massachusetts, United States)

Repository: Rotch Visual Collections, Massachusetts Institute of Technology (Cambridge, Massachusetts, United States)

ID: Kepes/Lynch Collection, 23.41

 

Period

Modern

 

Materials

gelatin silver prints

 

Techniques

documentary photography

 

Type

Photograph

 

Copyright

 

(c) Massachusetts Institute of Technology

 

Access Statement

 

Creative Commons Attribution-NonCommercial 3.0

 

creativecommons.org/licenses/by-nc/3.0/

 

Identifier

KL_000357

 

DSpace_Handle

hdl.handle.net/1721.3/33995

Alamo Square, San Francisco, CA

Title

Commonwealth Avenue, between Exeter and Dartmouth Streets, South Side

 

Contributors

researcher: Gyorgy Kepes (American, 1906-2001)

researcher: Kevin Lynch (American, 1918-1984)

photographer: Nishan Bichajian (American, 20th century)

 

Date

creation date: between 1954-1959

 

Location

Creation location: Boston (Massachusetts, United States)

Repository: Rotch Visual Collections, Massachusetts Institute of Technology (Cambridge, Massachusetts, United States)

ID: Kepes/Lynch Collection, 23.64

 

Period

Modern

 

Materials

gelatin silver prints

 

Techniques

documentary photography

 

Type

Photograph

 

Copyright

 

(c) Massachusetts Institute of Technology

 

Access Statement

 

Creative Commons Attribution-NonCommercial 3.0

 

creativecommons.org/licenses/by-nc/3.0/

 

Identifier

KL_000378

 

DSpace_Handle

hdl.handle.net/1721.3/33844

22nd Street, 3300 block

San Francisco

  

20231112_164848

 

Title

Commonwealth Avenue, Corner of Berkley Street

 

Contributors

researcher: Gyorgy Kepes (American, 1906-2001)

researcher: Kevin Lynch (American, 1918-1984)

photographer: Nishan Bichajian (American, 20th century)

 

Date

creation date: between 1954-1959

 

Location

Creation location: Boston (Massachusetts, United States)

Repository: Rotch Visual Collections, Massachusetts Institute of Technology (Cambridge, Massachusetts, United States)

ID: Kepes/Lynch Collection, 23.47

 

Period

Modern

 

Materials

gelatin silver prints

 

Techniques

documentary photography

 

Type

Photograph

 

Copyright

 

(c) Massachusetts Institute of Technology

 

Access Statement

 

Creative Commons Attribution-NonCommercial 3.0

 

creativecommons.org/licenses/by-nc/3.0/

 

Identifier

KL_000363

 

DSpace_Handle

hdl.handle.net/1721.3/33965

Victorian architecture and engineering harmonise at St. Pancras International, now host to the Eurostar services to France and Belgium.

Despite all the opulent detailing in the Banqueting Hall, it’s a model of restraint compared with elsewhere in the castle. There’s an unusual air of sobriety – the character of the original medieval interior still remains.

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